<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-7265874723967736437</id><updated>2011-11-28T08:40:16.861+08:00</updated><category term='cinekalikasan'/><category term='Goethe-Institute Manila'/><category term='Banned Movies Pilipinas'/><category term='duda'/><category term='film showing december'/><category term='robinson&apos;s galleria'/><category term='Independent Film Group'/><category term='Elvert de la Cruz Bañares'/><category term='Bledi'/><category term='Glorietta'/><category term='Summer Heat'/><category term='Old Boys With New Tricks'/><category term='Freedom Bar'/><category term='december screening mag:net'/><category term='magnet'/><category term='timog'/><category term='Instituto Cervantes'/><category term='UP Film Institute'/><category term='mag:net december sked'/><category term='NCCA'/><category term='khavn'/><category term='rome and juliet'/><category term='up manila'/><category term='New Zealand Film Festival'/><category term='Lars Myrvang'/><category term='imahe nasyon'/><category term='kolum bar'/><category term='autism'/><category term='december schedule mag:net'/><category term='moral'/><category term='sm cinema'/><category term='exiled'/><category term='shangri-la'/><category term='batad'/><category term='metropolis'/><category term='3rd Art Film Festival'/><category term='bagong agos'/><category term='films by visual artists'/><category term='up'/><category term='roxlee'/><category term='alyana'/><category term='300'/><category term='bathhouse'/><category term='CineVita film festival'/><category term='seroks'/><category term='pelikuletran'/><category term='yul servo'/><category term='compound screening'/><category term='brilliante mendoza'/><category term='Canadian films'/><category term='cinepares'/><category term='lav diaz'/><category term='cherry pie picache'/><category term='Greenbelt'/><category term='UP Film Center'/><category term='documentary'/><category term='UPFI'/><category term='mag:net december'/><category term='parang pelikula bar'/><category term='indiesine'/><category term='bayani'/><category term='heremias'/><category term='up fair'/><category term='Amado Lacuesta'/><category term='Jaclyn Jose'/><category term='saan nagtatago si happiness'/><category term='IFG'/><category term='rico maria ilarde'/><category term='animation'/><category term='rockwell powerplant'/><category term='Angelo Ilagan'/><category term='bayaning third world'/><category term='ust'/><category term='John Torres'/><category term='Philippine Women&apos;s University'/><category term='lababo'/><category term='Spanish Films'/><category term='sari dalena'/><category term='cine katipunan'/><category term='jackie chan'/><category term='cinekatipunan'/><category term='eksena bar'/><category term='cinemalaya'/><category term='julia clarete'/><category term='australian films'/><category term='Titus Brandsma Center'/><category term='cultural center of the philippines'/><category term='compound'/><category term='angel aquino'/><category term='robinsons galleria'/><category term='Alliance Française de Manille'/><category term='Asian Films'/><category term='german film'/><category term='parang pelikula'/><category term='sa ilalim ng cogon'/><category term='Little Miss Sunshine'/><category term='French film'/><category term='memories of a forgotten war'/><category term='mag:net'/><category term='ccp'/><category term='Kaleldo'/><category term='Pelikusina'/><category term='film toque'/><category term='Sarong Banggi'/><category term='Le Père Noël est une ordure'/><category term='anak ni brocka'/><title type='text'>Film Screening Schedule Philippines</title><subtitle type='html'>Screening schedules of film festivals, indie films, and alternative film venues around Metro Manila. Feel free to link this site!</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default?start-index=101&amp;max-results=100'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>158</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-9209160954836818682</id><published>2007-07-06T12:31:00.001+08:00</published><updated>2007-07-06T12:31:51.472+08:00</updated><title type='text'>Cinekatipunan Screenings</title><content type='html'>&lt;div style="font-size: 10pt; font-family: arial,helvetica,sans-serif;"&gt;&lt;div&gt;Cinekatipunan JULY 2007&lt;br /&gt;&lt;br /&gt;Mag:net Cafe Katipunan&lt;br /&gt;Screening starts  at 5 PM&lt;br /&gt;&lt;a onclick="return top.js.OpenExtLink(window,event,this)" href="http://www.magnet.com.ph/" target="_blank"&gt;www.magnet.com.ph&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;02 M  Sam Seen presents Lam Li’s SURVIVING BEIJING&lt;br /&gt;(Documentary/ Malaysia)&lt;br /&gt;NAO  (Documentary/ Malaysia)&lt;br /&gt;03 T ST Exposure: ANG KAAWAY! (Documentary)&lt;br /&gt;To be  presented by King Catoy&lt;br /&gt;04 W Conrado’s Cabinet: PHILIP JOHNSON  (Documentary)&lt;br /&gt;05 Th SHORTFILMANIA! Curated by Khavn&lt;br /&gt;06 F National Day of  Venezuela Program&lt;br /&gt;THE REVOLUTION WILL NOT BE TELEVISED (Documentary)&lt;br /&gt;07 S  Films by Visual Artists&lt;br /&gt;&lt;br /&gt;09 M Yuhang Ho: RAIN DOGS (Malaysia)&lt;br /&gt;To be  presented by Tilman Baumgaertel&lt;br /&gt;10 T Free Jonas Burgos Movement Program&lt;br /&gt;11  W MayDay Productions&lt;br /&gt;12 Th SHORTFILMANIA!&lt;br /&gt;Curated by Khavn &lt;script&gt;&lt;!-- D(["mb","\u003cbr\&gt;13 F ELVERT BANARES curates\u003cbr\&gt;14 S Chris Gozum: LAKARAN\u003cbr\&gt;\u003cbr\&gt;16 M Eli Zafari: THE NOBLE STRUGGLE OF AMINA WADUD\u003cbr\&gt;17 T She Andres: ESTROPA\u003cbr\&gt;18 W Adjani Arumpac: EFIGY, ABOVO\u003cbr\&gt;19 Th SHORTFILMANIA!\n \u003cbr\&gt;Curated by Khavn \u003cbr\&gt;20 F Mike Dagñalan presents EKSENA (Short Films and\u003cbr\&gt;Bands)\u003cbr\&gt;21 S Short Animation Videos (Ateneo) \u003cbr\&gt;Selected by Teta Tulay\u003cbr\&gt;\u003cbr\&gt;23 M Lucky Guillermo’s MANILA 1945: THE FORGOTTEN\u003cbr\&gt;ATROCITIES (Documentary)\u003cbr\&gt;24 T CineKalikasan presents PROMETHEUS BOUND\u003cbr\&gt;25 W Mario AV Guzman Films\u003cbr\&gt;26 Th SHORTFILMANIA! \u003cbr\&gt;Curated by Khavn \u003cbr\&gt;27 F Jochen Roller (Germany) Artists Talk \u003cbr\&gt;28 S Cuban Program: MONTANA DE LUZ \u003cbr\&gt;To be presented by Amistad Philippines- Cuba Friendship\u003cbr\&gt;Association\u003cbr\&gt;\u003cbr\&gt;30 M Korean and Indonesian Shorts (To be presented by\u003cbr\&gt;Merv Espina)\u003cbr\&gt;31 T Video Bios on Labor Leaders Crispin Beltran, Ding\u003cbr\&gt;Fortuna, and Medardo Roda\u003cbr\&gt;\u003c/div\&gt;\n\u003cdiv\&gt;\u003cbr\&gt;UNCENSORED BODIES FILM PROGRAM\u003cbr\&gt;For Wi_fi Body 2, 2nd Independent Contemporary Dance\u003cbr\&gt;Festival\u003cbr\&gt;July 12-15, 3-5:30 PM, Little Theatre Lobby, Cultural\u003cbr\&gt;Center of the Philippines \u003cbr\&gt;\u003cbr\&gt;July 12, Thursday\u003cbr\&gt;Foreign and Filipino Dance Films\u003cbr\&gt;\u003cbr\&gt;Deborah VanSlet: RULES OF THE ROAD (Dance Film/Canada)\u003cbr\&gt;\u003cbr\&gt;Deborah Kuleff : SALOMON (Dance Film/Australia)\u003cbr\&gt;Vanessa Libertad Garcia: A TWO WOMEN ONE ACT (Dance\u003cbr\&gt;Film/USA)\u003cbr\&gt;Lynn Shelton: MAGNETIZED (Music Video/USA)\u003cbr\&gt;Fiona Cameron: SEA MAMMAL (Experimental/ Australia)\u003cbr\&gt;Passia Pandora: BEYOND TIME (Dance Film/Canada)\u003cbr\&gt;Jane Osborne: DRIVE (Dance Film/Canada)\u003cbr\&gt;JP Carpio: CLOCKS (Experimental/ Philippines)\u003cbr\&gt;Khavn: ULTIMO (Experimental/ Philippines) \u003cbr\&gt;Waise Azimi: DANCING WOUNDED IS\u003cbr\&gt;(Experimental/ Philippines)\u003cbr\&gt;Mark Gary and Denisa Reyes: THE POWER OF DANCE\u003cbr\&gt;(Documentary/ Philippines)\u003cbr\&gt;Kristine Mariel Icban and Carmi Garcia Raymundo:\u003cbr\&gt;DANSPORT (Narrative/Philippi nes)\u003cbr\&gt;\u003cbr\&gt;July 13,\n Friday\u003cbr\&gt;Foreign and Filipino Dance Films\u003cbr\&gt;\u003cbr\&gt;Neeta Mittal: WINGS OF LEGACY (Narrative/USA)\u003cbr\&gt;Paul Lazarus: DESPERATE HORSEWIFE (Musical/USA)\u003cbr\&gt;Chris Dowling: THE PLIGHT OF CLOWNANA (Narrative/USA)",1] );  //--&gt;&lt;/script&gt; &lt;br /&gt;13 F ELVERT BANARES curates&lt;br /&gt;14 S Chris Gozum: LAKARAN&lt;br /&gt;&lt;br /&gt;16 M Eli  Zafari: THE NOBLE STRUGGLE OF AMINA WADUD&lt;br /&gt;17 T She Andres: ESTROPA&lt;br /&gt;18 W  Adjani Arumpac: EFIGY, ABOVO&lt;br /&gt;19 Th SHORTFILMANIA!&lt;br /&gt;Curated by Khavn&lt;br /&gt;20  F Mike Dagñalan presents EKSENA (Short Films and&lt;br /&gt;Bands)&lt;br /&gt;21 S Short  Animation Videos (Ateneo)&lt;br /&gt;Selected by Teta Tulay&lt;br /&gt;&lt;br /&gt;23 M Lucky  Guillermo’s MANILA 1945: THE FORGOTTEN&lt;br /&gt;ATROCITIES (Documentary)&lt;br /&gt;24 T  CineKalikasan presents PROMETHEUS BOUND&lt;br /&gt;25 W Mario AV Guzman Films&lt;br /&gt;26 Th  SHORTFILMANIA!&lt;br /&gt;Curated by Khavn&lt;br /&gt;27 F Jochen Roller (Germany) Artists  Talk&lt;br /&gt;28 S Cuban Program: MONTANA DE LUZ&lt;br /&gt;To be presented by Amistad  Philippines- Cuba Friendship&lt;br /&gt;Association&lt;br /&gt;&lt;br /&gt;30 M Korean and Indonesian  Shorts (To be presented by&lt;br /&gt;Merv Espina)&lt;br /&gt;31 T Video Bios on Labor Leaders  Crispin Beltran, Ding&lt;br /&gt;Fortuna, and Medardo Roda&lt;br /&gt;&lt;/div&gt; &lt;div&gt;&lt;br /&gt;UNCENSORED BODIES FILM PROGRAM&lt;br /&gt;For Wi_fi Body 2, 2nd Independent  Contemporary Dance&lt;br /&gt;Festival&lt;br /&gt;July 12-15, 3-5:30 PM, Little Theatre Lobby,  Cultural&lt;br /&gt;Center of the Philippines&lt;br /&gt;&lt;br /&gt;July 12, Thursday&lt;br /&gt;Foreign and  Filipino Dance Films&lt;br /&gt;&lt;br /&gt;Deborah VanSlet: RULES OF THE ROAD (Dance  Film/Canada)&lt;br /&gt;&lt;br /&gt;Deborah Kuleff : SALOMON (Dance Film/Australia)&lt;br /&gt;Vanessa  Libertad Garcia: A TWO WOMEN ONE ACT (Dance&lt;br /&gt;Film/USA)&lt;br /&gt;Lynn Shelton:  MAGNETIZED (Music Video/USA)&lt;br /&gt;Fiona Cameron: SEA MAMMAL (Experimental/  Australia)&lt;br /&gt;Passia Pandora: BEYOND TIME (Dance Film/Canada)&lt;br /&gt;Jane Osborne:  DRIVE (Dance Film/Canada)&lt;br /&gt;JP Carpio: CLOCKS (Experimental/  Philippines)&lt;br /&gt;Khavn: ULTIMO (Experimental/ Philippines)&lt;br /&gt;Waise Azimi:  DANCING WOUNDED IS&lt;br /&gt;(Experimental/ Philippines)&lt;br /&gt;Mark Gary and Denisa Reyes:  THE POWER OF DANCE&lt;br /&gt;(Documentary/ Philippines)&lt;br /&gt;Kristine Mariel Icban and  Carmi Garcia Raymundo:&lt;br /&gt;DANSPORT (Narrative/Philippi nes)&lt;br /&gt;&lt;br /&gt;July 13,  Friday&lt;br /&gt;Foreign and Filipino Dance Films&lt;br /&gt;&lt;br /&gt;Neeta Mittal: WINGS OF LEGACY  (Narrative/USA)&lt;br /&gt;Paul Lazarus: DESPERATE HORSEWIFE (Musical/USA)&lt;br /&gt;Chris  Dowling: THE PLIGHT OF CLOWNANA (Narrative/USA) &lt;script&gt;&lt;!-- D(["mb","\u003cbr\&gt;Paul Morales: CONTRE TEMPS (Dance Film/PHILIPPINES)\u003cbr\&gt;Sari Dalena: WHITE FUNERAL (Dance Film/PHILIPPINES) \u003cbr\&gt;Alina Co and Malyn Punay: PIROUETTE\u003cbr\&gt;(Narrative/PHILIPPI NES)\u003cbr\&gt;Marlene Burog Michelle Anne A. Wong: BATIBOT\u003cbr\&gt;(Narrative/PHILIPPI NES)\u003cbr\&gt;ST Exposure: MOVEMENT (Experimental/ PHILIPPINES)\u003cbr\&gt;\u003cbr\&gt;July 14, Saturday \u003cbr\&gt;Foreign and Filipino Dance Films\u003cbr\&gt;\u003cbr\&gt;Stefan Georgiou: TINY DANCER (Dance Film/UK)\u003cbr\&gt;Jean-Pierre Jacquet: Contrapunto (Animation/USA and\u003cbr\&gt;France)\u003cbr\&gt;Carla B Guttmann: The Double Woman (Dance\u003cbr\&gt;Film/Germany) \u003cbr\&gt;Eva Colmers: Hand Sum (Canada)\u003cbr\&gt;Ruelo Lozendo: SIMULA (Experimental/ Philippines)\u003cbr\&gt;Ron Magbuhos Papag: FETAD! People&amp;#39;s Theatre Cordillera\u003cbr\&gt;(Documentary/ Philippines)\u003cbr\&gt;\u003cbr\&gt;July 15, Sunday\u003cbr\&gt;Asian Dance Films \u003cbr\&gt;Curated by\n Merv Espina \u003cbr\&gt;\u003cbr\&gt;James Lee: WALL (Experimental/ Malaysia)\u003cbr\&gt;Jin-sung Choi: HITCHHIKING (Narrative/Korea)\u003cbr\&gt;Katia Engel and Faozan Rizal: BULAN\u003cbr\&gt;(Experimental/ Germany-Indonesi a)\u003cbr\&gt;Daniel Yeung and Chris Lau: AFTERMATH\u003cbr\&gt;(Experimental/ Hong Kong) \u003cbr\&gt;Mark Gary: THE MAKING OF REALIZING RAMA\u003cbr\&gt;(Documentary/ Philippines)\u003cbr\&gt;Sherman Ong, Chendra Effendy and Helly Minarti: EXODUS\u003cbr\&gt;(Experimental/ Indonesia- Singapore)\u003cbr\&gt;\u003cbr\&gt;Curated for the World Dance Alliance-Philippine s\u003cbr\&gt;Choreographers \u003cbr\&gt;Network by Cinekatipunan/ Mag:net and the International\u003cbr\&gt;Festival for Cinema and Technology. Special thanks to\u003cbr\&gt;IFCT DIrector Marisa Cohen, Ed Lejano and Diego\u003cbr\&gt;Maranan.\u003cbr\&gt;\u003c/div\&gt;\u003c/div\&gt;\u003cbr\&gt;\n      \u003chr size\u003d\"1\"\&gt;Looking for a deal? \u003ca href\u003d\"http://us.rd.yahoo.com/evt\u003d47094/*http://farechase.yahoo.com/;_ylc\u003dX3oDMTFicDJoNDllBF9TAzk3NDA3NTg5BHBvcwMxMwRzZWMDZ3JvdXBzBHNsawNlbWFpbC1uY20-\" target\u003d\"_blank\" onclick\u003d\"return top.js.OpenExtLink(window,event,this)\"\&gt;Find great prices on flights and hotels\u003c/a\&gt; with Yahoo! FareChase.\u003c/p\&gt;\n    \u003c/div\&gt;  \n\n    \n    \u003cspan width\u003d\"1\" style\u003d\"color:white\"\&gt;__._,_.___\u003c/span\&gt;\n    \n    \u003cdiv\&gt;\n              \u003cspan\&gt;\n          \u003ca href\u003d\"http://groups.yahoo.com/group/conferenceroom/message/2783;_ylc\u003dX3oDMTM0cmp1MDcwBF9TAzk3MzU5NzE0BGdycElkAzIwNTA3OTMEZ3Jwc3BJZAMxNzA1MDk2MzAzBG1zZ0lkAzI3ODMEc2VjA2Z0cgRzbGsDdnRwYwRzdGltZQMxMTgzNjIyODQ2BHRwY0lkAzI3ODM-\" target\u003d\"_blank\" onclick\u003d\"return top.js.OpenExtLink(window,event,this)\"\&gt;",1] );  //--&gt;&lt;/script&gt;&lt;br /&gt;Paul Morales: CONTRE TEMPS (Dance Film/PHILIPPINES)&lt;br /&gt;Sari Dalena: WHITE  FUNERAL (Dance Film/PHILIPPINES)&lt;br /&gt;Alina Co and Malyn Punay:  PIROUETTE&lt;br /&gt;(Narrative/PHILIPPI NES)&lt;br /&gt;Marlene Burog Michelle Anne A. Wong:  BATIBOT&lt;br /&gt;(Narrative/PHILIPPI NES)&lt;br /&gt;ST Exposure: MOVEMENT (Experimental/  PHILIPPINES)&lt;br /&gt;&lt;br /&gt;July 14, Saturday&lt;br /&gt;Foreign and Filipino Dance  Films&lt;br /&gt;&lt;br /&gt;Stefan Georgiou: TINY DANCER (Dance Film/UK)&lt;br /&gt;Jean-Pierre  Jacquet: Contrapunto (Animation/USA and&lt;br /&gt;France)&lt;br /&gt;Carla B Guttmann: The  Double Woman (Dance&lt;br /&gt;Film/Germany)&lt;br /&gt;Eva Colmers: Hand Sum (Canada)&lt;br /&gt;Ruelo  Lozendo: SIMULA (Experimental/ Philippines)&lt;br /&gt;Ron Magbuhos Papag: FETAD!  People's Theatre Cordillera&lt;br /&gt;(Documentary/ Philippines)&lt;br /&gt;&lt;br /&gt;July 15,  Sunday&lt;br /&gt;Asian Dance Films&lt;br /&gt;Curated by Merv Espina&lt;br /&gt;&lt;br /&gt;James Lee: WALL  (Experimental/ Malaysia)&lt;br /&gt;Jin-sung Choi: HITCHHIKING  (Narrative/Korea)&lt;br /&gt;Katia Engel and Faozan Rizal: BULAN&lt;br /&gt;(Experimental/  Germany-Indonesi a)&lt;br /&gt;Daniel Yeung and Chris Lau: AFTERMATH&lt;br /&gt;(Experimental/  Hong Kong)&lt;br /&gt;Mark Gary: THE MAKING OF REALIZING RAMA&lt;br /&gt;(Documentary/  Philippines)&lt;br /&gt;Sherman Ong, Chendra Effendy and Helly Minarti:  EXODUS&lt;br /&gt;(Experimental/ Indonesia- Singapore)&lt;br /&gt;&lt;br /&gt;Curated for the World  Dance Alliance-Philippine s&lt;br /&gt;Choreographers&lt;br /&gt;Network by Cinekatipunan/  Mag:net and the International&lt;br /&gt;Festival for Cinema and Technology. Special  thanks to&lt;br /&gt;IFCT DIrector Marisa Cohen, Ed Lejano and  Diego&lt;br /&gt;Maranan.&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-9209160954836818682?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/9209160954836818682/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=9209160954836818682' title='43 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/9209160954836818682'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/9209160954836818682'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/07/cinekatipunan-screenings.html' title='Cinekatipunan Screenings'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>43</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-4642538561220580914</id><published>2007-06-21T13:21:00.000+08:00</published><updated>2007-06-21T13:43:19.637+08:00</updated><title type='text'>cinemalaya 2007</title><content type='html'>&lt;strong&gt;cinemalaya 2007&lt;/strong&gt;&lt;br /&gt;Philippine Independent Film Festival&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;20 to 29 July 2007&lt;br /&gt;Cultural Center of the Philippines&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Festival Schedule&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;SPECIAL EVENTS&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Cinemalaya 2007 Awards Night&lt;/strong&gt;&lt;br /&gt;(Open to the Public)&lt;br /&gt;Venue 1 - CCP Main Theatre / Tanghalang Nicanor Abelardo&lt;br /&gt;07:00 PM&lt;br /&gt;29 Jul/Sun&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Cinemalaya Film Congress&lt;/strong&gt;&lt;br /&gt;Theme: Harnessing Technology for Artistic Expression&lt;br /&gt;Day 1&lt;br /&gt;Venue 2 - CCP Little Theatre / Tanghalang Aurelio Tolentino&lt;br /&gt;24 Jul/Tue&lt;br /&gt;8AM to 5PM&lt;br /&gt;Day 2&lt;br /&gt;Venue 2 - CCP Little Theatre / Tanghalang Aurelio Tolentino&lt;br /&gt;25 Jul/Wed&lt;br /&gt;9AM to 5PM&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Cinemalaya 2007 Opening Ceremonies&lt;/strong&gt;&lt;br /&gt;Special Screening: FOSTER CHILD by Brillante Mendoza&lt;br /&gt;Venue 1 - CCP Main Theatre / Tanghalang Nicanor Abelardo&lt;br /&gt;07:00 PM&lt;br /&gt;20 Jul/Fri&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Cinemalaya Sine Taktakans&lt;br /&gt;&lt;/strong&gt;Meet the Cinemalaya 2007 Filmmakers Forum&lt;br /&gt;(Free Admission)&lt;br /&gt;Day 1&lt;br /&gt;Venue 5 - CCP Tanghalang Huseng Batute&lt;br /&gt;27 Jul/Fri&lt;br /&gt;1PM to 5PM&lt;br /&gt;Day 2&lt;br /&gt;Venue 5 - CCP Tanghalang Huseng Batute&lt;br /&gt;28 Jul/Sat&lt;br /&gt;1PM to 5PM&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;COMPETITION SCREENINGS&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;The Cinemalaya 2007 Full-Lengths&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ENDO by Jade Castro&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;21 Jul/Sat&lt;br /&gt;09:00 PM&lt;br /&gt;Venue 5 - CCP Tanghalang Huseng Batute&lt;br /&gt;&lt;br /&gt;22 Jul/Sun&lt;br /&gt;03:30 PM&lt;br /&gt;Venue 1 - CCP Main Theatre / Tanghalang Nicanor Abelardo&lt;br /&gt;&lt;br /&gt;24 Jul/Tue&lt;br /&gt;06:15 PM&lt;br /&gt;Venue 4 - CCP MKP Hall / Bulwagang Alagad Ng Sining&lt;br /&gt;&lt;br /&gt;25 Jul/Wed&lt;br /&gt;09:00 PM&lt;br /&gt;Venue 1 - CCP Main Theatre / Tanghalang Nicanor Abelardo&lt;br /&gt;&lt;br /&gt;26 Jul/Thu&lt;br /&gt;12:45 PM&lt;br /&gt;Venue 2 - CCP Little Theatre / Tanghalang Aurelio Tolentino&lt;br /&gt;&lt;br /&gt;27 Jul/Fri&lt;br /&gt;12:45 PM&lt;br /&gt;Venue 1 - CCP Main Theatre / Tanghalang Nicanor Abelardo&lt;br /&gt;&lt;br /&gt;28 Jul/Sat&lt;br /&gt;09:00 PM&lt;br /&gt;Venue 2 - CCP Little Theatre / Tanghalang Aurelio Tolentino&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GULONG by Sockie Fernandez&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;21 Jul/Sat&lt;br /&gt;06:15 PM&lt;br /&gt;Venue 4 - CCP MKP Hall / Bulwagang Alagad Ng Sining&lt;br /&gt;&lt;br /&gt;22 Jul/Sun&lt;br /&gt;12:45 PM&lt;br /&gt;Venue 1 - CCP Main Theatre / Tanghalang Nicanor Abelardo&lt;br /&gt;&lt;br /&gt;24 Jul/Tue&lt;br /&gt;09:00 PM&lt;br /&gt;Venue 5 - CCP Tanghalang Huseng Batute&lt;br /&gt;&lt;br /&gt;25 Jul/Wed&lt;br /&gt;06:15 PM&lt;br /&gt;Venue 1 - CCP Main Theatre / Tanghalang Nicanor Abelardo&lt;br /&gt;&lt;br /&gt;26 Jul/Thu&lt;br /&gt;10:00 AM&lt;br /&gt;Venue 2 - CCP Little Theatre / Tanghalang Aurelio Tolentino&lt;br /&gt;&lt;br /&gt;27 Jul/Fri&lt;br /&gt;03:30 PM&lt;br /&gt;Venue 2 - CCP Little Theatre / Tanghalang Aurelio Tolentino&lt;br /&gt;&lt;br /&gt;28 Jul/Sat&lt;br /&gt;10:00 AM&lt;br /&gt;Venue 1 - CCP Main Theatre / Tanghalang Nicanor Abelardo&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;KADIN by Adolf Alix Jr.&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;21 Jul/Sat&lt;br /&gt;06:15 PM&lt;br /&gt;Venue 1 - CCP Main Theatre / Tanghalang Nicanor Abelardo&lt;br /&gt;&lt;br /&gt;22 Jul/Sun&lt;br /&gt;10:00 AM&lt;br /&gt;Venue 2 - CCP Little Theatre / Tanghalang Aurelio Tolentino&lt;br /&gt;&lt;br /&gt;24 Jul/Tue&lt;br /&gt;06:15 PM&lt;br /&gt;Venue 5 - CCP Tanghalang Huseng Batute&lt;br /&gt;&lt;br /&gt;25 Jul/Wed&lt;br /&gt;10:00 AM&lt;br /&gt;Venue 1 - CCP Main Theatre / Tanghalang Nicanor Abelardo&lt;br /&gt;&lt;br /&gt;26 Jul/Thu&lt;br /&gt;03:30 PM&lt;br /&gt;Venue 2 - CCP Little Theatre / Tanghalang Aurelio Tolentino&lt;br /&gt;&lt;br /&gt;27 Jul/Fri&lt;br /&gt;03:30 PM&lt;br /&gt;Venue 1 - CCP Main Theatre / Tanghalang Nicanor Abelardo&lt;br /&gt;&lt;br /&gt;28 Jul/Sat&lt;br /&gt;06:15 PM&lt;br /&gt;Venue 4 - CCP MKP Hall / Bulwagang Alagad Ng Sining&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LIGAW LIHAM by Jay Abello&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;21 Jul/Sat&lt;br /&gt;09:00 PM&lt;br /&gt;Venue 2 - CCP Little Theatre / Tanghalang Aurelio Tolentino&lt;br /&gt;&lt;br /&gt;22 Jul/Sun&lt;br /&gt;06:15 PM&lt;br /&gt;Venue 5 - CCP Tanghalang Huseng Batute&lt;br /&gt;&lt;br /&gt;24 Jul/Tue&lt;br /&gt;10:00 AM&lt;br /&gt;Venue 1 - CCP Main Theatre / Tanghalang Nicanor Abelardo&lt;br /&gt;&lt;br /&gt;25 Jul/Wed&lt;br /&gt;06:15 PM&lt;br /&gt;Venue 4 - CCP MKP Hall / Bulwagang Alagad Ng Sining&lt;br /&gt;&lt;br /&gt;26 Jul/Thu&lt;br /&gt;06:15 PM&lt;br /&gt;Venue 1 - CCP Main Theatre / Tanghalang Nicanor Abelardo&lt;br /&gt;&lt;br /&gt;27 Jul/Fri&lt;br /&gt;10:00 AM&lt;br /&gt;Venue 2 - CCP Little Theatre / Tanghalang Aurelio Tolentino&lt;br /&gt;&lt;br /&gt;28 Jul/Sat&lt;br /&gt;03:30 PM&lt;br /&gt;Venue 1 - CCP Main Theatre / Tanghalang Nicanor Abelardo&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PISAY by Auraeus Solito&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;21 Jul/Sat&lt;br /&gt;03:30 PM&lt;br /&gt;Venue 1 - CCP Main Theatre / Tanghalang Nicanor Abelardo&lt;br /&gt;&lt;br /&gt;22 Jul/Sun&lt;br /&gt;09:00 PM&lt;br /&gt;Venue 4 - CCP MKP Hall / Bulwagang Alagad Ng Sining&lt;br /&gt;&lt;br /&gt;24 Jul/Tue&lt;br /&gt;09:00 PM&lt;br /&gt;Venue 1 - CCP Main Theatre / Tanghalang Nicanor Abelardo&lt;br /&gt;&lt;br /&gt;25 Jul/Wed&lt;br /&gt;09:00 PM&lt;br /&gt;Venue 2 - CCP Little Theatre / Tanghalang Aurelio Tolentino&lt;br /&gt;&lt;br /&gt;26 Jul/Thu&lt;br /&gt;06:15 PM&lt;br /&gt;Venue 5 - CCP Tanghalang Huseng Batute&lt;br /&gt;&lt;br /&gt;27 Jul/Fri&lt;br /&gt;10:00 AM&lt;br /&gt;Venue 1 - CCP Main Theatre / Tanghalang Nicanor Abelardo&lt;br /&gt;&lt;br /&gt;28 Jul/Sat&lt;br /&gt;03:30 PM&lt;br /&gt;Venue 2 - CCP Little Theatre / Tanghalang Aurelio Tolentino&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SINUNGALING NA BUWAN by Eduardo Lejano Jr.&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;21 Jul/Sat&lt;br /&gt;03:30 PM&lt;br /&gt;Venue 2 - CCP Little Theatre / Tanghalang Aurelio Tolentino&lt;br /&gt;&lt;br /&gt;22 Jul/Sun&lt;br /&gt;06:15 PM&lt;br /&gt;Venue 4 - CCP MKP Hall / Bulwagang Alagad Ng Sining&lt;br /&gt;&lt;br /&gt;24 Jul/Tue&lt;br /&gt;12:45 PM&lt;br /&gt;Venue 1 - CCP Main Theatre / Tanghalang Nicanor Abelardo&lt;br /&gt;&lt;br /&gt;25 Jul/Wed&lt;br /&gt;09:00 PM&lt;br /&gt;Venue 5 - CCP Tanghalang Huseng Batute&lt;br /&gt;&lt;br /&gt;26 Jul/Thu&lt;br /&gt;09:00 PM&lt;br /&gt;Venue 1 - CCP Main Theatre / Tanghalang Nicanor Abelardo&lt;br /&gt;&lt;br /&gt;27 Jul/Fri&lt;br /&gt;12:45 PM&lt;br /&gt;Venue 2 - CCP Little Theatre / Tanghalang Aurelio Tolentino&lt;br /&gt;&lt;br /&gt;28 Jul/Sat&lt;br /&gt;12:45 PM&lt;br /&gt;Venue 1 - CCP Main Theatre / Tanghalang Nicanor Abelardo&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;STILL LIFE by Katski Flores&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;21 Jul/Sat&lt;br /&gt;12:45 PM&lt;br /&gt;Venue 1 - CCP Main Theatre / Tanghalang Nicanor Abelardo&lt;br /&gt;&lt;br /&gt;22 Jul/Sun&lt;br /&gt;03:30 PM&lt;br /&gt;Venue 2 - CCP Little Theatre / Tanghalang Aurelio Tolentino&lt;br /&gt;&lt;br /&gt;24 Jul/Tue&lt;br /&gt;06:15 PM&lt;br /&gt;Venue 1 - CCP Main Theatre / Tanghalang Nicanor Abelardo&lt;br /&gt;&lt;br /&gt;25 Jul/Wed&lt;br /&gt;09:00 PM&lt;br /&gt;Venue 4 - CCP MKP Hall / Bulwagang Alagad Ng Sining&lt;br /&gt;&lt;br /&gt;26 Jul/Thu&lt;br /&gt;03:30 PM&lt;br /&gt;Venue 1 - CCP Main Theatre / Tanghalang Nicanor Abelardo&lt;br /&gt;&lt;br /&gt;27 Jul/Fri&lt;br /&gt;06:15 PM&lt;br /&gt;Venue 5 - CCP Tanghalang Huseng Batute&lt;br /&gt;&lt;br /&gt;28 Jul/Sat&lt;br /&gt;12:45 PM&lt;br /&gt;Venue 2 - CCP Little Theatre / Tanghalang Aurelio Tolentino&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;TRIBU by Jim Libiran&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;21 Jul/Sat&lt;br /&gt;10:00 AM&lt;br /&gt;Venue 2 - CCP Little Theatre / Tanghalang Aurelio Tolentino&lt;br /&gt;&lt;br /&gt;22 Jul/Sun&lt;br /&gt;06:15 PM&lt;br /&gt;Venue 1 - CCP Main Theatre / Tanghalang Nicanor Abelardo&lt;br /&gt;&lt;br /&gt;24 Jul/Tue&lt;br /&gt;09:00 PM&lt;br /&gt;Venue 2 - CCP Little Theatre / Tanghalang Aurelio Tolentino&lt;br /&gt;&lt;br /&gt;25 Jul/Wed&lt;br /&gt;03:30 PM&lt;br /&gt;Venue 1 - CCP Main Theatre / Tanghalang Nicanor Abelardo&lt;br /&gt;&lt;br /&gt;26 Jul/Thu&lt;br /&gt;06:15 PM&lt;br /&gt;Venue 4 - CCP MKP Hall / Bulwagang Alagad Ng Sining&lt;br /&gt;&lt;br /&gt;27 Jul/Fri&lt;br /&gt;09:00 PM&lt;br /&gt;Venue 1 - CCP Main Theatre / Tanghalang Nicanor Abelardo&lt;br /&gt;&lt;br /&gt;28 Jul/Sat&lt;br /&gt;09:00 PM&lt;br /&gt;Venue 5 - CCP Tanghalang Huseng Batute&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;TUKSO by Dennis Marasigan&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;21 Jul/Sat&lt;br /&gt;06:15 PM&lt;br /&gt;Venue 5 - CCP Tanghalang Huseng Batute&lt;br /&gt;&lt;br /&gt;22 Jul/Sun&lt;br /&gt;09:00 PM&lt;br /&gt;Venue 2 - CCP Little Theatre / Tanghalang Aurelio Tolentino&lt;br /&gt;&lt;br /&gt;24 Jul/Tue&lt;br /&gt;03:30 PM&lt;br /&gt;Venue 1 - CCP Main Theatre / Tanghalang Nicanor Abelardo&lt;br /&gt;&lt;br /&gt;26 Jul/Thu&lt;br /&gt;12:45 PM&lt;br /&gt;Venue 1 - CCP Main Theatre / Tanghalang Nicanor Abelardo&lt;br /&gt;&lt;br /&gt;27 Jul/Fri&lt;br /&gt;06:15 PM&lt;br /&gt;Venue 4 - CCP MKP Hall / Bulwagang Alagad Ng Sining&lt;br /&gt;&lt;br /&gt;28 Jul/Sat&lt;br /&gt;09:00 PM&lt;br /&gt;Venue 1 - CCP Main Theatre / Tanghalang Nicanor Abelardo&lt;br /&gt;&lt;br /&gt;29 Jul/Sun&lt;br /&gt;12:45 PM&lt;br /&gt;Venue 2 - CCP Little Theatre / Tanghalang Aurelio Tolentino&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Cinemalaya 2007 Shorts&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Shorts Programme A:&lt;/strong&gt;&lt;br /&gt;DOBLE VISTA (Nisha Alicer, Nix Lañas, Caren Crisologo), MISTERYO SA HAPIS (Mark DelaCruz), NINEBALL (Enrico Aragon), ROLYO (Alvin B. Yapan), TAGAPAGLIGTAS (Ma. Solita F. Garcia)&lt;br /&gt;&lt;br /&gt;21 Jul/Sat&lt;br /&gt;09:00 PM&lt;br /&gt;Venue 1 - CCP Main Theatre / Tanghalang Nicanor Abelardo&lt;br /&gt;&lt;br /&gt;22 Jul/Sun&lt;br /&gt;12:45 PM&lt;br /&gt;Venue 2 - CCP Little Theatre / Tanghalang Aurelio Tolentino&lt;br /&gt;&lt;br /&gt;24 Jul/Tue&lt;br /&gt;09:00 PM&lt;br /&gt;Venue 4 - CCP MKP Hall / Bulwagang Alagad Ng Sining&lt;br /&gt;&lt;br /&gt;25 Jul/Wed&lt;br /&gt;12:45 PM&lt;br /&gt;Venue 1 - CCP Main Theatre / Tanghalang Nicanor Abelardo&lt;br /&gt;&lt;br /&gt;27 Jul/Fri&lt;br /&gt;06:15 PM&lt;br /&gt;Venue 1 - CCP Main Theatre / Tanghalang Nicanor Abelardo&lt;br /&gt;&lt;br /&gt;27 Jul/Fri&lt;br /&gt;09:00 PM&lt;br /&gt;Venue 5 - CCP Tanghalang Huseng Batute&lt;br /&gt;&lt;br /&gt;28 Jul/Sat&lt;br /&gt;10:00 AM&lt;br /&gt;Venue 2 - CCP Little Theatre / Tanghalang Aurelio Tolentino&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Shorts Programme B:&lt;/strong&gt;&lt;br /&gt;DUROG (Tara Illenberger), GABON (Emmanuel DelaCruz), LIWANAG SA DILIM (Lawrence Fajardo), MAIKLING KWENTO (Hubert Tibi), TONI (Vic Acedillo Jr.)&lt;br /&gt;&lt;br /&gt;21 Jul/Sat&lt;br /&gt;12:45 PM&lt;br /&gt;Venue 2 - CCP Little Theatre / Tanghalang Aurelio Tolentino&lt;br /&gt;&lt;br /&gt;21 Jul/Sat&lt;br /&gt;09:00 PM&lt;br /&gt;Venue 4 - CCP MKP Hall / Bulwagang Alagad Ng Sining&lt;br /&gt;&lt;br /&gt;22 Jul/Sun&lt;br /&gt;09:00 PM&lt;br /&gt;Venue 1 - CCP Main Theatre / Tanghalang Nicanor Abelardo&lt;br /&gt;&lt;br /&gt;26 Jul/Thu&lt;br /&gt;10:00 AM&lt;br /&gt;Venue 1 - CCP Main Theatre / Tanghalang Nicanor Abelardo&lt;br /&gt;&lt;br /&gt;26 Jul/Thu&lt;br /&gt;09:00 PM&lt;br /&gt;Venue 5 - CCP Tanghalang Huseng Batute&lt;br /&gt;&lt;br /&gt;28 Jul/Sat&lt;br /&gt;06:15 PM&lt;br /&gt;Venue 1 - CCP Main Theatre / Tanghalang Nicanor Abelardo&lt;br /&gt;&lt;br /&gt;29 Jul/Sun&lt;br /&gt;10:00 AM&lt;br /&gt;Venue 2 - CCP Little Theatre / Tanghalang Aurelio Tolentino&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;EXHIBITION SCREENINGS&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;The Cinemalaya 2007 World Premieres&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BARAKO by Manolito Sulit&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Venue 3 - CCP Dream Theatre / Tanghalang Manuel Conde&lt;br /&gt;09:00 PM&lt;br /&gt;24 Jul/Tue&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CURE FOR BOREDOM by Ato Bautista&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Venue 2 - CCP Little Theatre / Tanghalang Aurelio Tolentino&lt;br /&gt;06:15 PM&lt;br /&gt;25 Jul/Wed&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;HANGGANG DITO NA LAMANG AT MARAMING SALAMAT&lt;br /&gt;by Lino Tañada&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Venue 2 - CCP Little Theatre / Tanghalang Aurelio Tolentino&lt;br /&gt;06:15 PM&lt;br /&gt;22 Jul/Sun&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;HAW-ANG by Bong Ramos&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;Venue 2 - CCP Little Theatre / Tanghalang Aurelio Tolentino&lt;br /&gt;06:15 PM&lt;br /&gt;26 Jul/Thu&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;HILO by JP Carpio&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Venue 3 - CCP Dream Theatre / Tanghalang Manuel Conde&lt;br /&gt;09:00 PM&lt;br /&gt;25 Jul/Wed&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;KISS MEEH, MANANANGGAL ME! By Cris Pablo&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Venue 2 - CCP Little Theatre / Tanghalang Aurelio Tolentino&lt;br /&gt;09:00 PM&lt;br /&gt;26 Jul/Thu&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SAPI by Arnold Argaño&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Venue 2 - CCP Little Theatre / Tanghalang Aurelio Tolentino&lt;br /&gt;09:00 PM&lt;br /&gt;27 Jul/Fri&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SIGNOS by Aloy Adlawan&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Venue 2 - CCP Little Theatre / Tanghalang Aurelio Tolentino&lt;br /&gt;06:15 PM&lt;br /&gt;24 Jul/Tue&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;WEN TIMAWA MEETS DELGADO by Rey Gilbraltar&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;Venue 2 - CCP Little Theatre / Tanghalang Aurelio Tolentino&lt;br /&gt;06:15 PM&lt;br /&gt;21 Jul/Sat&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;TBC: BALIKBAYAN BOX by Mes Guzman&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Venue 2 - CCP Little Theatre / Tanghalang Aurelio Tolentino&lt;br /&gt;06:15 PM&lt;br /&gt;28 Jul/Sat&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Cinemalaya 2005 Films&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ANG PAGDADALAGA NI MAXIMO OLIVEROS&lt;br /&gt;by Auraeus Solito &amp; Michiko Yamamoto&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;21 Jul/Sat&lt;br /&gt;12:45 PM&lt;br /&gt;Venue 3 - CCP Dream Theatre / Tanghalang Manuel Conde&lt;br /&gt;&lt;br /&gt;26 Jul/Thu&lt;br /&gt;03:30 PM&lt;br /&gt;Venue 4 - CCP MKP Hall / Bulwagang Alagad Ng Sining&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BARYOKE by Ron Bryant&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;23 Jul/Mon&lt;br /&gt;03:30 PM&lt;br /&gt;Venue 6 - CCP Silangan Hall&lt;br /&gt;&lt;br /&gt;28 Jul/Sat&lt;br /&gt;10:00 AM&lt;br /&gt;Venue 4 - CCP MKP Hall / Bulwagang Alagad Ng Sining&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BIG TIME by Mario Cornejo &amp;amp; Monster Jimenez&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;21 Jul/Sat&lt;br /&gt;03:30 PM&lt;br /&gt;Venue 4 - CCP MKP Hall / Bulwagang Alagad Ng Sining&lt;br /&gt;&lt;br /&gt;25 Jul/Wed&lt;br /&gt;03:30 PM&lt;br /&gt;Venue 6 - CCP Silangan Hall&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ICU BED #7 by Rica Arevalo&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;21 Jul/Sat&lt;br /&gt;12:45 PM&lt;br /&gt;Venue 5 - CCP Tanghalang Huseng Batute&lt;br /&gt;&lt;br /&gt;26 Jul/Thu&lt;br /&gt;12:45 PM&lt;br /&gt;Venue 3 - CCP Dream Theatre / Tanghalang Manuel Conde&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ISNATS by Mike Dagnalan &amp; Jun Aves&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;24 Jul/Tue&lt;br /&gt;12:45 PM&lt;br /&gt;Venue 5 - CCP Tanghalang Huseng Batute&lt;br /&gt;&lt;br /&gt;28 Jul/Sat&lt;br /&gt;12:45 PM&lt;br /&gt;Venue 3 - CCP Dream Theatre / Tanghalang Manuel Conde&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LASPONGGOLS by Sigfried Barros Sanchez&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;24 Jul/Tue&lt;br /&gt;10:00 AM&lt;br /&gt;Venue 4 - CCP MKP Hall / Bulwagang Alagad Ng Sining&lt;br /&gt;&lt;br /&gt;28 Jul/Sat&lt;br /&gt;12:45 PM&lt;br /&gt;Venue 4 - CCP MKP Hall / Bulwagang Alagad Ng Sining&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PEPOT ARTISTA by Clodualdo del Mundo Jr.&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;21 Jul/Sat&lt;br /&gt;10:00 AM&lt;br /&gt;Venue 4 - CCP MKP Hall / Bulwagang Alagad Ng Sining&lt;br /&gt;&lt;br /&gt;26 Jul/Thu&lt;br /&gt;12:45 PM&lt;br /&gt;Venue 4 - CCP MKP Hall / Bulwagang Alagad Ng Sining&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ROOM BOY by Alfred Aloysius Adlawan&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;24 Jul/Tue&lt;br /&gt;03:30 PM&lt;br /&gt;Venue 4 - CCP MKP Hall / Bulwagang Alagad Ng Sining&lt;br /&gt;&lt;br /&gt;27 Jul/Fri&lt;br /&gt;03:30 PM&lt;br /&gt;Venue 6 - CCP Silangan Hall&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SARONG BANGGI by Emman dela Cruz&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;24 Jul/Tue&lt;br /&gt;12:45 PM&lt;br /&gt;Venue 3 - CCP Dream Theatre / Tanghalang Manuel Conde&lt;br /&gt;&lt;br /&gt;28 Jul/Sat&lt;br /&gt;03:30 PM&lt;br /&gt;Venue 4 - CCP MKP Hall / Bulwagang Alagad Ng Sining&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Cinemalaya 2006 Films&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;ANG HULING ARAW NG LINGGO by Nick Olanka&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;25 Jul/Wed&lt;br /&gt;10:00 AM&lt;br /&gt;Venue 4 - CCP MKP Hall / Bulwagang Alagad Ng Sining&lt;br /&gt;&lt;br /&gt;29 Jul/Sun&lt;br /&gt;12:45 PM&lt;br /&gt;Venue 4 - CCP MKP Hall / Bulwagang Alagad Ng Sining&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BATAD: SA PAANG PALAY by Benji Garcia&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;22 Jul/Sun&lt;br /&gt;10:00 AM&lt;br /&gt;Venue 4 - CCP MKP Hall / Bulwagang Alagad Ng Sining&lt;br /&gt;&lt;br /&gt;27 Jul/Fri&lt;br /&gt;12:45 PM&lt;br /&gt;Venue 4 - CCP MKP Hall / Bulwagang Alagad Ng Sining&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DONSOL by Adolfo B. Alix Jr.&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;25 Jul/Wed&lt;br /&gt;12:45 PM&lt;br /&gt;Venue 3 - CCP Dream Theatre / Tanghalang Manuel Conde&lt;br /&gt;&lt;br /&gt;29 Jul/Sun&lt;br /&gt;03:30 PM&lt;br /&gt;Venue 4 - CCP MKP Hall / Bulwagang Alagad Ng Sining&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;IN DA RED KORNER by Dado Lumibao&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;25 Jul/Wed&lt;br /&gt;03:30 PM&lt;br /&gt;Venue 4 - CCP MKP Hall / Bulwagang Alagad Ng Sining&lt;br /&gt;&lt;br /&gt;28 Jul/Sat&lt;br /&gt;03:30 PM&lt;br /&gt;Venue 6 - CCP Silangan Hall&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MUDRAKS by Arah Jell Badayos &amp;amp; Margaret Guzman&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;25 Jul/Wed&lt;br /&gt;12:45 PM&lt;br /&gt;Venue 5 - CCP Tanghalang Huseng Batute&lt;br /&gt;&lt;br /&gt;29 Jul/Sun&lt;br /&gt;12:45 PM&lt;br /&gt;Venue 3 - CCP Dream Theatre / Tanghalang Manuel Conde&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ROTONDA by Ron Bryant&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;22 Jul/Sun&lt;br /&gt;12:45 PM&lt;br /&gt;Venue 3 - CCP Dream Theatre / Tanghalang Manuel Conde&lt;br /&gt;&lt;br /&gt;27 Jul/Fri&lt;br /&gt;03:30 PM&lt;br /&gt;Venue 4 - CCP MKP Hall / Bulwagang Alagad Ng Sining&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SAAN NAGTATAGO SI HAPPINESS&lt;br /&gt;by Florida Bautista &amp; Real Florido&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;24 Jul/Tue&lt;br /&gt;03:30 PM&lt;br /&gt;Venue 6 - CCP Silangan Hall&lt;br /&gt;&lt;br /&gt;29 Jul/Sun&lt;br /&gt;10:00 AM&lt;br /&gt;Venue 4 - CCP MKP Hall / Bulwagang Alagad Ng Sining&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;TULAD NG DATI by Michael Sandejas&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;22 Jul/Sun&lt;br /&gt;03:30 PM&lt;br /&gt;Venue 4 - CCP MKP Hall / Bulwagang Alagad Ng Sining&lt;br /&gt;&lt;br /&gt;26 Jul/Thu&lt;br /&gt;03:30 PM&lt;br /&gt;Venue 6 - CCP Silangan Hall&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Cinemalaya 2005 &amp;amp; 2006 Shorts&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Cinemalaya 2005 Shorts:&lt;/strong&gt; ALIMUOM (Rommel “Milo” Tolentino), BABAE (Sigrid Bernardo), BLOODBANK (Pam Miras), KULTADO (Lawrence Fajardo), MANSYON (Joel Ruiz), PANAGINIPAN (Anna Isabelle Matutina)&lt;br /&gt;&lt;br /&gt;21 Jul/Sat&lt;br /&gt;03:30 PM&lt;br /&gt;Venue 6 - CCP Silangan Hall&lt;br /&gt;&lt;br /&gt;26 Jul/Thu&lt;br /&gt;10:00 AM&lt;br /&gt;Venue 4 - CCP MKP Hall / Bulwagang Alagad Ng Sining&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Cinemalaya 2006 Shorts A:&lt;/strong&gt; 10:25 NG GABI (Reggie Gulle), GEE-GEE AT WATERINA (J. Dennis C. Teodosio), KWARTO (Jose Maria Emmanuel C. Taylo), LABADA (Raz DelaTorre), NO PASSPORT NEEDED (Pepe Diokno)&lt;br /&gt;&lt;br /&gt;22 Jul/Sun&lt;br /&gt;12:45 PM&lt;br /&gt;Venue 5 - CCP Tanghalang Huseng Batute&lt;br /&gt;&lt;br /&gt;27 Jul/Fri&lt;br /&gt;12:45 PM&lt;br /&gt;Venue 3 - CCP Dream Theatre / Tanghalang Manuel Conde&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Cinemalaya 2006 Shorts B:&lt;/strong&gt; ORASYON (Rommel “Milo” Tolentino), PARANG PELIKULA (Hubert Tibi), PUTOT (Jeck Cogama), PUWANG (Anna Isabelle Matutina), SA SILAW (Reinzi L. Balao)&lt;br /&gt;&lt;br /&gt;22 Jul/Sun&lt;br /&gt;03:30 PM&lt;br /&gt;Venue 6 - CCP Silangan Hall&lt;br /&gt;&lt;br /&gt;27 Jul/Fri&lt;br /&gt;10:00 AM&lt;br /&gt;Venue 4 - CCP MKP Hall / Bulwagang Alagad Ng Sining&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;More Exhibition Screenings&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ANAK NG TINAPA by Jon Red&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;21 Jul/Sat&lt;br /&gt;10:00 AM&lt;br /&gt;Venue 3 - CCP Dream Theatre / Tanghalang Manuel Conde&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ANG ANAK NI BROCKA by Sigfried Barros Sanchez&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;26 Jul/Thu&lt;br /&gt;10:00 AM&lt;br /&gt;Venue 3 - CCP Dream Theatre / Tanghalang Manuel Conde&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ANG DAAN PATUNGONG KALIMUGTONG by Mes Guzman&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;21 Jul/Sat&lt;br /&gt;06:15 PM&lt;br /&gt;Venue 3 - CCP Dream Theatre / Tanghalang Manuel Conde&lt;br /&gt;&lt;br /&gt;27 Jul/Fri&lt;br /&gt;09:00 PM&lt;br /&gt;Venue 4 - CCP MKP Hall / Bulwagang Alagad Ng Sining&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ANG HULING BALYAN NG BUHI by Sherad Anthony Sanchez&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;27 Jul/Fri&lt;br /&gt;03:30 PM&lt;br /&gt;Venue 3 - CCP Dream Theatre / Tanghalang Manuel Conde&lt;br /&gt;&lt;br /&gt;28 Jul/Sat&lt;br /&gt;12:45 PM&lt;br /&gt;Venue 6 - CCP Silangan Hall&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ASTIG by Jon Red&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;23 Jul/Mon&lt;br /&gt;09:00 PM&lt;br /&gt;Venue 6 - CCP Silangan Hall&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BALAY DAKU by JP Carpio&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;22 Jul/Sun&lt;br /&gt;09:00 PM&lt;br /&gt;Venue 6 - CCP Silangan Hall&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BALIW by Redd Ochoa&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;23 Jul/Mon&lt;br /&gt;12:45 PM&lt;br /&gt;Venue 6 - CCP Silangan Hall&lt;br /&gt;&lt;br /&gt;27 Jul/Fri&lt;br /&gt;09:00 PM&lt;br /&gt;Venue 3 - CCP Dream Theatre / Tanghalang Manuel Conde&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BLACKOUT by Ato Bautista&lt;/strong&gt;&lt;br /&gt;22 Jul/Sun&lt;br /&gt;06:15 PM&lt;br /&gt;Venue 3 - CCP Dream Theatre / Tanghalang Manuel Conde&lt;br /&gt;28 Jul/Sat&lt;br /&gt;03:30 PM&lt;br /&gt;Venue 3 - CCP Dream Theatre / Tanghalang Manuel Conde&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CARE HOME by Suzett Ranillo&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;22 Jul/Sun&lt;br /&gt;03:30 PM&lt;br /&gt;Venue 5 - CCP Tanghalang Huseng Batute&lt;br /&gt;&lt;br /&gt;24 Jul/Tue&lt;br /&gt;09:00 PM&lt;br /&gt;Venue 6 - CCP Silangan Hall&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CAVITE by Neil Dela Llana &amp; Ian Gamazon&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;24 Jul/Tue&lt;br /&gt;06:15 PM&lt;br /&gt;Venue 6 - CCP Silangan Hall&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;COMPOUND by Will Fredo&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;21 Jul/Sat&lt;br /&gt;03:30 PM&lt;br /&gt;Venue 5 - CCP Tanghalang Huseng Batute&lt;br /&gt;&lt;br /&gt;26 Jul/Thu&lt;br /&gt;09:00 PM&lt;br /&gt;Venue 6 - CCP Silangan Hall&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DILIM by Topel Lee&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;21 Jul/Sat&lt;br /&gt;03:30 PM&lt;br /&gt;Venue 3 - CCP Dream Theatre / Tanghalang Manuel Conde&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DILIMAN by Mes Guzman&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;25 Jul/Wed&lt;br /&gt;06:15 PM&lt;br /&gt;Venue 5 - CCP Tanghalang Huseng Batute&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;FACES OF LOVE by Eddie Romero&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;26 Jul/Thu&lt;br /&gt;12:45 PM&lt;br /&gt;Venue 5 - CCP Tanghalang Huseng Batute&lt;br /&gt;&lt;br /&gt;27 Jul/Fri&lt;br /&gt;12:45 PM&lt;br /&gt;Venue 6 - CCP Silangan Hall&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;HEREMIAS (Unang Aklat: Ang Alamat Ng Princesang Bayawak)&lt;br /&gt;by Lav Diaz&lt;/strong&gt; ( 9AM to 6PM 9 hours - counts as one programme)&lt;br /&gt;&lt;br /&gt;29 Jul/Sun&lt;br /&gt;9:00 AM&lt;br /&gt;Venue 5 - CCP Tanghalang Huseng Batute&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ILUSYON by Paolo Villaluna &amp;amp; Ellen Ramos&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;26 Jul/Thu&lt;br /&gt;06:15 PM&lt;br /&gt;Venue 6 - CCP Silangan Hall&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;IMAHE NASYON&lt;br /&gt;&lt;/strong&gt;by Lav Diaz (“Nang Matapos Ang Ulan”), Raymond Red (“Mistulang Kamera Obskura”) Roxlee (“La Pula”), Neil Daza (“Biyaheng Edsa”) Ellen Ramos (“Speci Men”), Robert Quebral (“Barado”), Paolo Villaluna, (“One Shot”) Mes De Guzman (“Tsinelas”), Topel Lee (“Ang Manunulat”), Emmanuel dela Cruz (“Imagining Edsa”), Lyle Sacris (“Dibuho”) Milo Alto Paz (“Lugaw”), RA Rivera (“Public Service Announcement”), Sigfreid Barros-Sanchez (“Aksyon Star”), Tad Ermitaño (“Local Unit”), Ogi Sugatan (“5 Minutes”), Poklong Anading (“Between Intersection”), EJ Salcedo (“Talahib”), Dennis Empalmado (“Bwahaha”) and Yeye Calderon (“Silid”).&lt;br /&gt;d/w The IMAHE NASYON Behind The Scenes by Jon Red&lt;br /&gt;(counts as one programme)&lt;br /&gt;&lt;br /&gt;27 Jul/Fri&lt;br /&gt;06:15 PM&lt;br /&gt;Venue 6 - CCP Silangan Hall&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;INANG YAYA by Pablo Biglang-Awa &amp; Veronica Velasco&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;25 Jul/Wed&lt;br /&gt;03:30 PM&lt;br /&gt;Venue 5 - CCP Tanghalang Huseng Batute&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;KALELDO by Brillante Mendoza&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;22 Jul/Sun&lt;br /&gt;06:15 PM&lt;br /&gt;Venue 6 - CCP Silangan Hall&lt;br /&gt;&lt;br /&gt;26 Jul/Thu&lt;br /&gt;09:00 PM&lt;br /&gt;Venue 4 - CCP MKP Hall / Bulwagang Alagad Ng Sining&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;KUBRADOR by Jeffrey Jeturian&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;21 Jul/Sat&lt;br /&gt;09:00 PM&lt;br /&gt;Venue 3 - CCP Dream Theatre / Tanghalang Manuel Conde&lt;br /&gt;&lt;br /&gt;26 Jul/Thu&lt;br /&gt;06:15 PM&lt;br /&gt;Venue 3 - CCP Dream Theatre / Tanghalang Manuel Conde&lt;br /&gt;&lt;br /&gt;29 Jul/Sun&lt;br /&gt;03:30 PM&lt;br /&gt;Venue 3 - CCP Dream Theatre / Tanghalang Manuel Conde&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LA VISA LOCA by Mark Meily&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;24 Jul/Tue&lt;br /&gt;03:30 PM&lt;br /&gt;Venue 5 - CCP Tanghalang Huseng Batute&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LAMBANOG by Paolo Herras&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;25 Jul/Wed&lt;br /&gt;10:00 AM&lt;br /&gt;Venue 5 - CCP Tanghalang Huseng Batute&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MANORO by Brillante Mendoza&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;24 Jul/Tue&lt;br /&gt;06:15 PM&lt;br /&gt;Venue 3 - CCP Dream Theatre / Tanghalang Manuel Conde&lt;br /&gt;&lt;br /&gt;28 Jul/Sat&lt;br /&gt;09:00 PM&lt;br /&gt;Venue 4 - CCP MKP Hall / Bulwagang Alagad Ng Sining&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MASAHISTA by Brillante Mendoza&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;26 Jul/Thu&lt;br /&gt;03:30 PM&lt;br /&gt;Venue 5 - CCP Tanghalang Huseng Batute&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;METLOGS by Cris Pablo&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;24 Jul/Tue&lt;br /&gt;12:45 PM&lt;br /&gt;Venue 4 - CCP MKP Hall / Bulwagang Alagad Ng Sining&lt;br /&gt;&lt;br /&gt;27 Jul/Fri&lt;br /&gt;10:00 AM&lt;br /&gt;Venue 3 - CCP Dream Theatre / Tanghalang Manuel Conde&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MGA PUSANG GALA by Ellen Ongkeko (TBC)&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;22 Jul/Sun&lt;br /&gt;10:00 AM&lt;br /&gt;Venue 5 - CCP Tanghalang Huseng Batute&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;NASAAN SI FRANCIS? by Gabby Fernandez&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;22 Jul/Sun&lt;br /&gt;09:00 PM&lt;br /&gt;Venue 5 - CCP Tanghalang Huseng Batute&lt;br /&gt;&lt;br /&gt;25 Jul/Wed&lt;br /&gt;06:15 PM&lt;br /&gt;Venue 3 - CCP Dream Theatre / Tanghalang Manuel Conde&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;NUMBALIKDIWA by Bobby Bonifacio&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;21 Jul/Sat&lt;br /&gt;09:00 PM&lt;br /&gt;Venue 6 - CCP Silangan Hall&lt;br /&gt;&lt;br /&gt;27 Jul/Fri&lt;br /&gt;06:15 PM&lt;br /&gt;Venue 3 - CCP Dream Theatre / Tanghalang Manuel Conde&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PANDANGGO by Dennis Empalmado &amp;amp; Wilfred Galila&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;22 Jul/Sun&lt;br /&gt;12:45 PM&lt;br /&gt;Venue 6 - CCP Silangan Hall&lt;br /&gt;&lt;br /&gt;25 Jul/Wed&lt;br /&gt;10:00 AM&lt;br /&gt;Venue 3 - CCP Dream Theatre / Tanghalang Manuel Conde&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PINOY BLONDE by Peque Gallaga&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;21 Jul/Sat&lt;br /&gt;10:00 AM&lt;br /&gt;Venue 5 - CCP Tanghalang Huseng Batute&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;RAKET NI NANAY by Lawrence Fajardo&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;25 Jul/Wed&lt;br /&gt;12:45 PM&lt;br /&gt;Venue 4 - CCP MKP Hall / Bulwagang Alagad Ng Sining&lt;br /&gt;&lt;br /&gt;29 Jul/Sun&lt;br /&gt;10:00 AM&lt;br /&gt;Venue 3 - CCP Dream Theatre / Tanghalang Manuel Conde&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;REKADOS by Paolo Herras&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;22 Jul/Sun&lt;br /&gt;10:00 AM&lt;br /&gt;Venue 3 - CCP Dream Theatre / Tanghalang Manuel Conde&lt;br /&gt;&lt;br /&gt;24 Jul/Tue&lt;br /&gt;12:45 PM&lt;br /&gt;Venue 6 - CCP Silangan Hall&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ROME &amp; JULIET by Connie S.A. Macatuno&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;22 Jul/Sun&lt;br /&gt;12:45 PM&lt;br /&gt;Venue 4 - CCP MKP Hall / Bulwagang Alagad Ng Sining&lt;br /&gt;&lt;br /&gt;25 Jul/Wed&lt;br /&gt;03:30 PM&lt;br /&gt;Venue 3 - CCP Dream Theatre / Tanghalang Manuel Conde&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;RUPTURA by Ron Bryant&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;24 Jul/Tue&lt;br /&gt;10:00 AM&lt;br /&gt;Venue 5 - CCP Tanghalang Huseng Batute&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SA AKING PAGKAKAGISING MULA SA KAMULATAN&lt;br /&gt;by Ato Bautista&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;23 Jul/Mon&lt;br /&gt;06:15 PM&lt;br /&gt;Venue 6 - CCP Silangan Hall&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SA ILALIM NG COGON by Rico Ilarde&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;21 Jul/Sat&lt;br /&gt;06:15 PM&lt;br /&gt;Venue 6 - CCP Silangan Hall&lt;br /&gt;&lt;br /&gt;26 Jul/Thu&lt;br /&gt;03:30 PM&lt;br /&gt;Venue 3 - CCP Dream Theatre / Tanghalang Manuel Conde&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SA NORTH DIVERSION ROAD by Dennis Marasigan&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;24 Jul/Tue&lt;br /&gt;03:30 PM&lt;br /&gt;Venue 3 - CCP Dream Theatre / Tanghalang Manuel Conde&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SANDALANG BAHAY by Denisa Reyes &amp;amp; Mark Gary&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;28 Jul/Sat&lt;br /&gt;10:00 AM&lt;br /&gt;Venue 3 - CCP Dream Theatre / Tanghalang Manuel Conde&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SEROKS by Eduardo Lejano Jr.&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;22 Jul/Sun&lt;br /&gt;03:30 PM&lt;br /&gt;Venue 3 - CCP Dream Theatre / Tanghalang Manuel Conde&lt;br /&gt;&lt;br /&gt;26 Jul/Thu&lt;br /&gt;12:45 PM&lt;br /&gt;Venue 6 - CCP Silangan Hall&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SITAK by Liza Cornejo&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;24 Jul/Tue&lt;br /&gt;10:00 AM&lt;br /&gt;Venue 3 - CCP Dream Theatre / Tanghalang Manuel Conde&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SQUATTER PUNK by Khavn (with a live band)&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;28 Jul/Sat&lt;br /&gt;06:15 PM&lt;br /&gt;Venue 5 - CCP Tanghalang Huseng Batute&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;STILL LIVES by Jon Red&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;25 Jul/Wed&lt;br /&gt;12:45 PM&lt;br /&gt;Venue 6 - CCP Silangan Hall&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;STOCK ROOM by Hero Angeles&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;21 Jul/Sat&lt;br /&gt;12:45 PM&lt;br /&gt;Venue 4 - CCP MKP Hall / Bulwagang Alagad Ng Sining&lt;br /&gt;&lt;br /&gt;28 Jul/Sat&lt;br /&gt;06:15 PM&lt;br /&gt;Venue 3 - CCP Dream Theatre / Tanghalang Manuel Conde&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;TODO TODO TEROS by John Torres&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;21 Jul/Sat&lt;br /&gt;12:45 PM&lt;br /&gt;Venue 6 - CCP Silangan Hall&lt;br /&gt;&lt;br /&gt;26 Jul/Thu&lt;br /&gt;09:00 PM&lt;br /&gt;Venue 3 - CCP Dream Theatre / Tanghalang Manuel Conde&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;TRABAHO by Ned Trespeces&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;22 Jul/Sun&lt;br /&gt;09:00 PM&lt;br /&gt;Venue 3 - CCP Dream Theatre / Tanghalang Manuel Conde&lt;br /&gt;&lt;br /&gt;26 Jul/Thu&lt;br /&gt;10:00 AM&lt;br /&gt;Venue 5 - CCP Tanghalang Huseng Batute&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;TULI by Auraeus Solito&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;25 Jul/Wed&lt;br /&gt;09:00 PM&lt;br /&gt;Venue 6 - CCP Silangan Hall&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;UPOS by Jose Maria Emmanuel C. Taylo&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;25 Jul/Wed&lt;br /&gt;06:15 PM&lt;br /&gt;Venue 6 - CCP Silangan Hall&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Special Screenings&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BEST OF GAWAD 2007 A&lt;/strong&gt;&lt;br /&gt;(Titles to Follow)&lt;br /&gt;&lt;br /&gt;27 Jul/Fri&lt;br /&gt;10:00 AM&lt;br /&gt;Venue 5 - CCP Tanghalang Huseng Batute&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BEST OF GAWAD 2007 B&lt;/strong&gt;&lt;br /&gt;(Titles to Follow)&lt;br /&gt;&lt;br /&gt;28 Jul/Sat&lt;br /&gt;10:00 AM&lt;br /&gt;Venue 5 - CCP Tanghalang Huseng Batute&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CINEMALAYA 2007 AUDIENCE CHOICE Screening&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;27 Jul/Fri&lt;br /&gt;06:15 PM&lt;br /&gt;Venue 2 - CCP Little Theatre / Tanghalang Aurelio Tolentino&lt;br /&gt;&lt;br /&gt;(TBC Reserved for Exhibition)&lt;br /&gt;&lt;br /&gt;28 Jul/Sat&lt;br /&gt;09:00 PM&lt;br /&gt;Venue 3 - CCP Dream Theatre / Tanghalang Manuel Conde&lt;br /&gt;&lt;br /&gt;(TBC Reserved for Extra Screening )&lt;br /&gt;&lt;br /&gt;29 Jul/Sun&lt;br /&gt;03:30 PM&lt;br /&gt;Venue 2 - CCP Little Theatre / Tanghalang Aurelio Tolentino&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Kindly note that screening schedules may be subject to change.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-4642538561220580914?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/4642538561220580914/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=4642538561220580914' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/4642538561220580914'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/4642538561220580914'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/06/cinemalaya-2007.html' title='cinemalaya 2007'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-787407717368320756</id><published>2007-06-20T10:13:00.000+08:00</published><updated>2007-06-20T10:18:39.485+08:00</updated><title type='text'>Alliance Française de Manille screening</title><content type='html'>This film will be shown again this week due to the technical problems that transpired in its initial screening last June 6.&lt;br /&gt;&lt;br /&gt;The af Cine Club presents&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Drôle de Félix (The Adventures of Felix)&lt;/strong&gt;&lt;br /&gt;A film by Olivier Ducastel and Jacques Martineau&lt;br /&gt;(French version, with English subtitles)&lt;br /&gt;2000, 95 minutes&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Alliance Ondeo Auditorium&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Wednesday, June 20, 2007, 8:30 pm&lt;/strong&gt;&lt;br /&gt;(Free Admission)&lt;br /&gt;&lt;br /&gt;(Le Coude Rouge Restaurant is open before and after the film screening)&lt;br /&gt;&lt;br /&gt;Starring: Sami Bouajila (Félix), Patachou (Mathilde Firmin), ArianeAscaride (Isabelle), and more&lt;br /&gt;Genre: Comedy, Drama, and more&lt;br /&gt;(Please be advised that this film contains explicit content)&lt;br /&gt;&lt;br /&gt;Critic Reviews:&lt;br /&gt;" Bouajila's admirable performance and Ducastel and Martineau's witty script help make this Adventure worth while. "&lt;br /&gt;- Francesca Dinglasan of Boxoffice Magazine&lt;br /&gt;&lt;br /&gt;" A delightful film "&lt;br /&gt;- Edward Guthmann of the San Francisco Chronicle&lt;br /&gt;&lt;br /&gt;" [Bouajila's] understated charisma gives this diaphanous whimsy a spark oflife. "&lt;br /&gt;- Elvis Mitchell of the New York Times&lt;br /&gt;&lt;br /&gt;Synopsis:&lt;br /&gt;A tale revolving around the carefree and bon-vivant, Felix, who is contentliving with this boyfriend, Daniel in the town of Dieppe in Northern France.When Felix is laid off from his job, he decides to take a road trip toMarseilles to track down the father he's never met. Backpack in tow, Felixsets out walking, hitching and borrowing cars to get to the south of France.Springtime is budding, nature is at its best, and some unique charactersawait Felix along the dirt roads and by ways of the French countryside.&lt;br /&gt;&lt;br /&gt;Attention: FILMS ARE SUBJECT TO CHANGES WITHOUT PRIOR NOTICE.&lt;br /&gt;For more information, please contact:&lt;br /&gt;Alliance Française de Manille&lt;br /&gt;209 Nicanor Garcia Street (formerly Reposo Street), Bel-Air 2, Makati City. 1209 Philippines.&lt;br /&gt;Tels: 895-7585 / 895-7441&lt;br /&gt;Fax: 899-3654 e-mail:&lt;a onclick="return top.js.OpenExtLink(window,event,this)" href="mailto:info@alliance.ph" target="_blank"&gt;info@alliance.ph&lt;/a&gt;&lt;br /&gt;Office hours:&lt;br /&gt;Monday - Thursday: 9 am to 6 pm&lt;br /&gt;Friday: 9 am to 1 pm Saturday: 9 am to 5 pm&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-787407717368320756?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/787407717368320756/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=787407717368320756' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/787407717368320756'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/787407717368320756'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/06/alliance-franaise-de-manille-screening.html' title='Alliance Française de Manille screening'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-2439450762443356983</id><published>2007-06-20T10:10:00.000+08:00</published><updated>2007-06-20T10:12:29.572+08:00</updated><title type='text'>CineKatipunan Screenings</title><content type='html'>THIS WEEK ON CINEKATIPUNAN&lt;br /&gt;&lt;strong&gt;June 18-23, 2007 (5-7 pm)&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Two acclaimed Korean women filmmakers Kyoung-mi Lee and Lee Soo-yeon open this weeks Cinekatipunan AsiaLunes program today with the works Feel Good Story and The Goggles, while Tuesday's choice is Haw-Ang (Before Harvest) a narrative digital film by Filipino director Bong Ramos.&lt;br /&gt; &lt;br /&gt;Wednesday, June 20, features A Midsummer's Night of Dreams, a selection of short experimental works by six filmmakers, curated by Manila-based Afghan-American filmmaker Waise Azimi.&lt;br /&gt;&lt;br /&gt;Thursday's program is a selection of four film shorts [Apple, Abstraction, Coming to Pass, and Iyak ni Maria] by Sherad Anthony Sanchez, while visual artist Yason Banal takes center stage on Friday night with Malikot ang Kama-Y/O, a selection of videos. Saturday's program will feature works by campus-based filmmakers from the University of the East and the University of the Philippines, selected by Banal and Prof. Ramon Nunez.    Held Mondays to Saturdays at Mag:net Café Katipunan,&lt;a name="113422fee1464458_st2"&gt;&lt;/a&gt;Cinekatipunan screenings start at 5:00 PM. While the film screenings are free, viewers are encouraged to make voluntary contributions for the honoraria of the featured filmmakers. For questions or comments about &lt;a name="113422fee1464458_st1"&gt;&lt;/a&gt;Cinekatipunan write to&lt;a onclick="return top.js.OpenExtLink(window,event,this)" href="http://us.f355.mail.yahoo.com/ym/Compose?To=sinag_haraya%40yahoo.com" target="_blank"&gt;sinag_haraya@yahoo.com&lt;/a&gt;.&lt;a name="113422fee1464458_st"&gt;&lt;/a&gt;Cinekatipunan programs precede Mag:net Café's nightly holding of Live Performances by well-known and emerging bands and musicians. Mag:net Café is located along Katipunan Avenue (fronting Miriam and Ateneo) in Quezon City. For more inquiries please call 9293191 or visit &lt;a onclick="return top.js.OpenExtLink(window,event,this)" href="http://www.magnet.com/" target="_blank"&gt;www.magnet.com&lt;/a&gt;.ph.&lt;br /&gt;THIS WEEK'S PROGRAM&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;June 18 (Monday)&lt;/strong&gt;&lt;br /&gt;AsiaLunes: Korean Indie Shorts&lt;br /&gt;&lt;br /&gt;Kyoung-mi Lee: FEEL GOOD STORY&lt;br /&gt;(2004Fiction16mmColor36 mins)&lt;br /&gt;Two women who hate each other so much are required to do over work every night!&lt;br /&gt;&lt;br /&gt;Kyoung-mi Lee was born in Seoul and graduated from the Hankuk University of Foreign Studies and the School of Film and Multimedia at the Korea National University of Arts. Feel Good Story was shown in various film festivals including the 1st InDpanda Int'l Short Film Festival (2005, Hong Kong), 4th Gwangju Int'l Film Festival (2004, Korea) and  5th Young Guns Film Festival (2005, Singapore). It garnered the Grand Prizes in the Amateur Section, 5th Korea Visual Arts Festival (2004, Korea), the 2nd Asiana Int'l Short Film Festival (2004, Korea). Busan Asian Short Film Festival (2004, Korea) and 6th Women's Film Festival in Seoul (2004, Korea).&lt;br /&gt;&lt;br /&gt;Soo-yeon Lee: THE GOGGLES&lt;br /&gt;(2000/35mm/Color/34 mins)&lt;br /&gt;&lt;br /&gt;Lee Soo-yeon has already built a firm reputation at a whole range of international reputed film festivals with some remarkable short films as Nobody Knows what Happened at the Beginning, Survival Game, Refrigerator Tale, La and especially The Goggles. The Goggles was a graduation project for her masteral degree in Chung-Ang University and has since then been showcased as part of various national and international film festivals.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;June 19 (Tuesday)&lt;/strong&gt;&lt;br /&gt;Bong Ramos: HAW-ANG (Before Harvest)&lt;br /&gt;&lt;br /&gt;Haw-Ang (Before Harvest)&lt;br /&gt;(NarrativeDigital2007)&lt;br /&gt;Sister Adel is a light-hearted, young nun who embarks on a journey to a village in Ifugao whose indigenous people are as hard to reach as its pristine mountains. She meets Dacmay, a seven-year-old rowdy girl who understands much about the farming life of their tiny town, but not about her own mother who appears faceless in her dreams. [Synopsis from &lt;&lt;a onclick="return top.js.OpenExtLink(window,event,this)" href="http://pinoyfilm.com/film" target="_blank"&gt;http://pinoyfilm.com/film&lt;/a&gt;&gt;]&lt;br /&gt;&lt;br /&gt;Bong Ramos is a graduate of BS Civil Engineering at the Far Eastern University. He is an ABS-CBN writer of telenovelas like Vietnam Rose, Mangarap Ka, Sa Puso Ko Iingatan Ka and drama anthologies like The Maricel Drama Special. He has line-produced films like Room Boy by Alfred Aloysius Adlawan which was a finalist in the full length feature category of the 2005 Cinemalaya; Hubad sa Ilalim ng Buwan by Lav Diaz, Pila Balde by Jeffrey Jeturian, Kriminal ng Bo. Concepcion by Lav Diaz. [Profile from &lt;&lt;a onclick="return top.js.OpenExtLink(window,event,this)" href="http://www.cinemalaya.org/index.php?bn=2&amp;cat=2&amp;amp;seq=6&amp;f=1&amp;amp;nid=10" target="_blank"&gt;http://www.cinemalaya.org/index.php?bn=2&amp;cat=2&amp;amp;seq=6&amp;f=1&amp;amp;nid=10&lt;/a&gt;&gt;]&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;June 20 (Wednesday)&lt;/strong&gt;&lt;br /&gt;A Midsummer's Night of Dreams: Experimental Films, curated by Waise Azimi&lt;br /&gt;FeaturingJoy Ligaya Domingo – Perya (30 minutes) Soni Kum – Foreign Sky (75 minutes) Chrysmas Gawaran &amp; JP V. Carpio – Recitation [work in progress] (15 minutes) Grig Montegrande – Sakay [work in progress] (25 minutes) Miguel Pancho - 9/5 (20 minutes)&lt;br /&gt;Waise Azimi - Dancing Wounded Is: (1 minute) Night/Lights (2 minutes)&lt;br /&gt;&lt;br /&gt;Waise Azimi graduated from Bard College in 2005 with a degree in sociology. In 2003, Waise Azimi shot a documentary titled: Afghanistan After, about how life has changed two years after the fall of the Taliban. Most recently he is working on the post-production of documentary that covered the training of a young group of Afghan recruits as they struggled through the Afghan National Army's training program at the Kabul Military Training Center. Waise Azimi has grown up in Manila and loves the city and its people.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;June 21 (Thursday)&lt;/strong&gt;&lt;br /&gt;Shorts by Sherad Anthony Sanchez&lt;br /&gt;[Featuring the works Apple, Abstraction, Coming to Pass, and Iyak ni Maria]&lt;br /&gt;&lt;br /&gt;Abstraction[Philippines20052 mins]Two boys inserted in an ambiguous context, are the pretest in order to transgress the cinematographic shape.&lt;br /&gt;Iyak ni Maria&lt;br /&gt;[Philippines7minsminiDV]A music video (image video) that delves on the objectification of Filipino women through time, and the resistance or submission that have resonated since.&lt;br /&gt;&lt;br /&gt;&lt;a name="113422fee1464458_apple"&gt;A&lt;/a&gt;pple [2005PhilippinesminiDV7 mins Cebuano with English subtitles]&lt;br /&gt;A study on depravity in the eyes of a young mananaptan (local funeral/death chanter), as she struggles with an apathetic life and learns to serenade death (Synopsis from &lt;&lt;a onclick="return top.js.OpenExtLink(window,event,this)" href="http://www.movfest.com/films.htm" target="_blank"&gt;http://www.movfest.com/films.htm&lt;/a&gt;&gt;]&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;June 22 (Friday)&lt;/strong&gt;&lt;br /&gt;Malikot Ang Kama-Y/O: Videos by Yason Banal &lt;br /&gt;&lt;br /&gt;Yason Banal was born in the Philistine Islands and currently works and lives under your bed. He obtained a BA in Film at the University of the Philippines, an MA in Fine Art at Goldsmiths College, University of London and a student exchange at the Rijksakademie in Netherlands,  and was also former visiting tutor and artist-in-residence at the London Metropolitan University. Recent projects include Singapore Biennale 2006; 'Fuzzy Logic', Lopez Museum; 'Manila Envelope', UC Berkeley; 'Magazine Project', Documenta 12 Kassel; 'Urban Nomad', Scope Art Fair Basel and 'Les Fleurs Du Mal', Gallery Primo Alonso London, while recent solo shows include 'Disaster but Disco', AIT Tokyo and 'Imperial Satellite', Tokyo National University of Fine Arts (Geidai). He has also shown at the Horniman Museum (UK), Akademie Schloss (Germany) , Oslo Kunsthall (Norway), Seattle Art Museum (US) and the C.C.P. (Philippines). Besides a nomadic art practice, he is currently a columnist for the Philippine Star and assistant professor and gallery curator at the University of the Philippines Film Institute. Upcoming shows this year include Standpoint Gallery, Braziers,  University of San Francisco and Tate Britain, as well as an art commission/collaboration with 12 artists for the newspaper column 'Sleepwalking.'&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;June 23 (Saturday)&lt;/strong&gt;&lt;br /&gt;Campus-Based Films from the University of the Philippines and University of the East&lt;br /&gt;&lt;br /&gt;presenting&lt;br /&gt;Bright Dead(A)Head: Six UP Film Institute Student Works&lt;br /&gt;(Selected by Yason Banal)&lt;br /&gt;and&lt;br /&gt;Works by UE Campus-based Filmmakers&lt;br /&gt;(Selected by Prof. Ramon Nunez)&lt;br /&gt;&lt;br /&gt;including&lt;br /&gt;MENSAHE (Mensahe)&lt;br /&gt;(Written and directed by Ryan G. Reyes, University of the East, Recto Manila15 mins)&lt;br /&gt;Do you believe that a cellphone can ruin a person's life? Follow the life of Nilo, a 23 year old man who has no interest in a cellular phone. But his perspective will change when the day of his 24th birthday, when he receive the gift that will change his life. Based on a real story of a young man living in Samar.&lt;br /&gt;&lt;br /&gt;Ryan G. Reyes, aged 21, is a fresh graduate from the University of the East Recto Manila in which he finished the course of Bachelor of Arts in Broadcast Communication. He usually use the genre of comedy in almost all of his produced video, it's just reflecting his true perception of life. He is currently unemployed and is spending most of his time surfing the net.&lt;br /&gt;&lt;br /&gt;"BRIGHT DEAD(A)HEAD: SIX UPFI STUDENT WORKS"&lt;br /&gt;Selected by Yason Banal&lt;br /&gt; &lt;br /&gt;14:22:03 Running Time&lt;br /&gt;by Aissa Penafiel&lt;br /&gt;3 mins&lt;br /&gt;&lt;br /&gt;Is time always exact, definite and precise as science has quantified it?  Sometimes it feels that time may pass by so fast when were preoccupied and yet so slow when we are not doing anything.   Which is the real time?  This film translates visually the two aspects of time which we all experience: the physical time versus the psychological time.&lt;br /&gt;&lt;br /&gt;Aissa Peñafiel is a fourth year film student from UP Film Institute.  She loves the outdoors and is always out looking for her next adventure.   Testing her limits both physically and mentally is a challenge that she likes setting for herself in everything that she does. &lt;br /&gt;&lt;br /&gt;Making Out&lt;br /&gt;by Sasha Palomares&lt;br /&gt;3 mins&lt;br /&gt;&lt;br /&gt;Inspired by Andy Warhol's "Kiss," MAKING OUT is a video collage of just that – couples making out. Composed of video clips generated using the computer game SIMS 2, the work is an endless stream of   different animated couples making out in different places and ways. MAKING OUT experiments with the possibility of making a film with a medium not originally meant for filmmaking. At the same time, it attacks the viewer with its artificial erotic images, arousing his curiosity and or otherwise.&lt;br /&gt;&lt;br /&gt;Sasha B. Palomares is a 4th year film student in the UP Film Institute. One of her goals is to establish herself as a female filmmaker and cinematographer. Another one of her goals is to own a chow chow one day. But for now, her main goal is to live through her thesis.&lt;br /&gt;&lt;br /&gt;Balay Sa Umang (A Hermit Crab's Home)&lt;br /&gt;by Pete Malaya Camporedondo&lt;br /&gt;9 mins&lt;br /&gt;&lt;br /&gt;Shots of Samal Island and its people.&lt;br /&gt;Someone discovering home.&lt;br /&gt;Ang kuliit.&lt;br /&gt; &lt;br /&gt;Biyaheng MRT&lt;br /&gt;by AD Alarilla&lt;br /&gt;5.30 mins&lt;br /&gt;&lt;br /&gt;gabi.&lt;br /&gt;sa loob ng mamahaling sinehan, naghawak ang aming mga kamay.&lt;br /&gt;patago, sa ilalim ng aming magkatabing siko, para walang makakita.&lt;br /&gt;binigyan niya ako ng sulat.&lt;br /&gt;hindi pala tatagal ng pitong buwan ang tunay na pag-ibig.&lt;br /&gt;&lt;br /&gt;Defense&lt;br /&gt;By Karl Frederick Castro&lt;br /&gt;6.45 mins&lt;br /&gt;&lt;br /&gt;A young film major struggles with her thesis -- way, way beyond the four corners of the classroom. A story of protracted performance art.&lt;br /&gt;&lt;br /&gt;Karl Fredrick M. Castro just turned 21 last week. A graduate of the Philippine High School for the Arts, he is now a senior film major at the UP Film Institute. He loves graphic design and his film organization, UP Sining at Lipunan. He firmly believes that the recent 300 percent increase in UP tuition is downright unjust. Last year, he was editor in chief of the Philippine Collegian. Currently, he is struggling with his own thesis work.&lt;br /&gt;&lt;br /&gt;Nasaan si Jun-Jun?&lt;br /&gt;by Nestor Abrogena&lt;br /&gt;2 mins&lt;br /&gt;&lt;br /&gt;Op art, Semiotics and Dada in search of a missing boy, and finds meaning in nothing.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-2439450762443356983?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/2439450762443356983/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=2439450762443356983' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/2439450762443356983'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/2439450762443356983'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/06/cinekatipunan-screenings.html' title='CineKatipunan Screenings'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-3986579593657165407</id><published>2007-06-19T19:25:00.001+08:00</published><updated>2007-06-19T19:25:53.607+08:00</updated><title type='text'>Mission Against Terror screening</title><content type='html'>&lt;span style="font-weight: bold;"&gt;CINEKATIPUNAN&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt; June 25, 5-6:30 PM&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt; Mission Against Terror&lt;/span&gt;&lt;br /&gt;48 mins | Documentary&lt;br /&gt;&lt;br /&gt;Five Cuban men are in prison for being anti-terrorists&lt;br /&gt;in the country that declared war against terror.&lt;br /&gt;&lt;br /&gt;Cuba has every right to protect its country and people&lt;br /&gt;from ultra-right groups in Miami that have killed&lt;br /&gt;scores in their island right under the US government’s&lt;br /&gt;nose. So were known terrorists at large in Miami&lt;br /&gt;monitored by Cuban patriots, who also passed&lt;br /&gt;information to US authorities. Could there have been a&lt;br /&gt;mix up? Instead of the terrorists, the anti-terrorists&lt;br /&gt;were abducted and locked up.&lt;br /&gt;&lt;br /&gt;The Cuban Five (Gerardo Hernández, Ramón Labañino,&lt;br /&gt;Fernando González, René González and Antonio Guerrero)&lt;br /&gt;were illegally held in US jails since 1998 and denied&lt;br /&gt;family visits and bail after almost two years of being&lt;br /&gt;in solitary confinement. Lawyer Leonard Weinglass&lt;br /&gt;calls this case a political one, and a “violation”&lt;br /&gt;from the start.&lt;br /&gt;&lt;br /&gt;“Mission Against Terror” maps Cuba ’s 48-year struggle&lt;br /&gt;against terrorism and the clamor for the freedom of&lt;br /&gt;Cuban 5. Its use of historic footage and interviews&lt;br /&gt;with experts and families of the accused make moving&lt;br /&gt;portraits of the Cuban patriots and elusive justice in&lt;br /&gt;the US .&lt;br /&gt;&lt;br /&gt;Bernie Dwyer and Roberto Ruiz collaborated on this&lt;br /&gt;critically acclaimed Irish-Cuban documentary that&lt;br /&gt;debuted at Havana ’s 26th Festival of New Latin&lt;br /&gt;American Cinema in December 2004.&lt;br /&gt;&lt;br /&gt;Following the film, former political prisoner and&lt;br /&gt;member of the FREE THE CUBAN FIVE Committee of Amistad&lt;br /&gt;(Philippines- Cuba Friendship Association) Donato&lt;br /&gt;Continente will present on the issue and inform on how&lt;br /&gt;individuals can become involved. Cuban Ambassador H.E.&lt;br /&gt;Jorge Rey Jimenez is also invited to give his remarks.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-3986579593657165407?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/3986579593657165407/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=3986579593657165407' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/3986579593657165407'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/3986579593657165407'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/06/mission-against-terror-screening.html' title='Mission Against Terror screening'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-715921722691246113</id><published>2007-06-19T19:19:00.000+08:00</published><updated>2007-06-19T19:20:52.822+08:00</updated><title type='text'>HAW-ANG screenings</title><content type='html'>HAW-ANG: Indie film in the heritage of beauty&lt;br /&gt;&lt;br /&gt;Set in the majestic rice terraces, Haw-Ang (English title: Before&lt;br /&gt;Harvest) is a new indie film advocating children's right to quality&lt;br /&gt;education, empowerment of women, and welfare of our indigenous&lt;br /&gt;countrymen. It tells the story of Sister Adel, a light-hearted young&lt;br /&gt;nun who goes to a farming village in Ifugao to teach catechism and&lt;br /&gt;eventually build a schoolhouse. As she breaks the traditions of the&lt;br /&gt;tribe, she will make a big difference in the little lives of its&lt;br /&gt;people especially that of Dacmay, a seven-year-old rowdy girl in&lt;br /&gt;search of her lost mother's love. At the same time, Sister Adel will&lt;br /&gt;finally discover her real mission in life.&lt;br /&gt;&lt;br /&gt;This is a poignant story of friendship and love that transcends ages,&lt;br /&gt;cultures, and beliefs. A tale that is at times comic and inevitably&lt;br /&gt;tragic, this is a film about being a woman, and more importantly,&lt;br /&gt;being human. It all begins in the time of preparing rice paddies for&lt;br /&gt;planting, in that season of hopes and dreams called "haw-ang."&lt;br /&gt;&lt;br /&gt;Produced by Sizzling Gambas Productions, Inc. and co-presented by&lt;br /&gt;UniversiTV, Haw-Ang marks the directorial debut of Bong Ramos, a&lt;br /&gt;seasoned writer-line producer for television and movies. The role of&lt;br /&gt;Sister Adel is played by Kalila Aguilos (Sa North Diversion Road,&lt;br /&gt;Ligalig, Inang Yaya), a veteran theater and indie film actress. The&lt;br /&gt;film features a support cast that includes Neil Ryan Sese (Ang&lt;br /&gt;Pagdadalaga ni Maximo Oliveros) and PBB Season 1 ex-housemate Racquel&lt;br /&gt;Reyes. Haw-Ang also proudly brings to the world of cinema the talent&lt;br /&gt;of Dacmay Tangliban (who plays Dacmay) and the other Ifugao children&lt;br /&gt;of the Tuwali tribe.&lt;br /&gt;&lt;br /&gt;Haw-Ang will have its World Premiere at the &lt;span style="font-weight: bold;"&gt;3rd Cinemalaya Philippine&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt; Independent Film Festival&lt;/span&gt; on &lt;span style="font-weight: bold;"&gt;July 26, 2007 at the CCP&lt;/span&gt;. The film is set&lt;br /&gt;for nationwide &lt;span style="font-weight: bold;"&gt;commercial release&lt;/span&gt; at &lt;span style="font-weight: bold;"&gt;SM Digital Cinemas &lt;/span&gt;on &lt;span style="font-weight: bold;"&gt;August 8,&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt; 2007&lt;/span&gt;, and will also enter the international film festival circuit very&lt;br /&gt;soon.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt; Haw-Ang (Before Harvest)&lt;/span&gt; (2007)&lt;br /&gt;Directed by Bong Ramos&lt;br /&gt;Written by Bong Ramos and Murphy Redd&lt;br /&gt;Produced by Dane Lyons (Sizzling Gambas Productions, Inc.)&lt;br /&gt;&lt;br /&gt;Visit our website: www.sizzlinggambas. com&lt;br /&gt;Join us on friendster: www.friendster. com/beforeharves t&lt;br /&gt;Contact Ewong or Fudge at:&lt;br /&gt;    (02) 412-5119&lt;br /&gt;    09065208085/ 09152861928&lt;br /&gt;    &lt;a rel="nofollow" target="_blank" href="mailto:beforeharvest%40yahoo.com"&gt;beforeharvest@ yahoo.com&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Haw-Ang is also presented by UniversiTV (Estima Content)&lt;br /&gt;    Check out their website: www.universitv. net&lt;br /&gt;    UniversiTV is on Channel 33 (UHF);&lt;br /&gt;                                 Channel 5 (Home/SkyCable) ;&lt;br /&gt;                                 Channel 98 (Destiny)&lt;br /&gt;    Tel. no: (02) 8929557&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-715921722691246113?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/715921722691246113/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=715921722691246113' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/715921722691246113'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/715921722691246113'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/06/haw-ang-screenings.html' title='HAW-ANG screenings'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-980157301254973595</id><published>2007-06-19T19:13:00.000+08:00</published><updated>2007-06-19T19:14:44.114+08:00</updated><title type='text'>9th Cinemanila International Film Festival</title><content type='html'>&lt;div class="MsoNormal"&gt;&lt;b&gt;Showcasing the World’s Best: Berlinale and Cannes Winners at the 9&lt;sup&gt;th&lt;/sup&gt; Cinemanila International Film Festival&lt;br /&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;    &lt;div class="MsoNormal"&gt;&lt;span&gt;            &lt;/span&gt;Celebrating the best of world cinema, the 9&lt;sup&gt;th&lt;/sup&gt; Cinemanila International Film Festival brings to the Philippines winners and other important films from the festivals at Berlin and Cannes . Among the films to be shown at the CIFF are the Palm D’Or winner at Cannes, &lt;i&gt;4 Months, 3 Weeks &amp; 2 Days&lt;/i&gt;; &lt;i&gt;The Edge of Heaven&lt;/i&gt;, nominated for the Palm D’Or and winner of Best Screenplay; South African film &lt;i&gt;U-Carmen eKhayelitsha&lt;/i&gt;, Golden Berlin Bear winner in 2005; Park Chan-wook’s &lt;i&gt;I’m a Cyborg But That’s OK&lt;/i&gt;, nominated for the Golden Berlin Bear; and &lt;i&gt;2 Days in Paris &lt;/i&gt;by actor/director Julie Delpy (&lt;i&gt;Before Sunset, Before Sunrise&lt;/i&gt;).&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;  &lt;div style="border-style: none none solid; border-width: medium medium 1pt;"&gt;  &lt;div class="MsoNormal"&gt;&lt;span&gt;            &lt;/span&gt;The 9&lt;sup&gt;th&lt;/sup&gt; Cinemanila International Film Festival will have its run from &lt;span style="font-weight: bold;"&gt;8 to 19 August 2007 at SM Mall of Asia &lt;/span&gt;and other &lt;span style="font-weight: bold;"&gt;selected SM theatres.&lt;/span&gt; The CIFF is organized jointly by the Independent Cinema Association of the Philippines (ICAP), the Film Development Council of the Philippines (FDCP), the National Commission for Culture and the Arts (NCCA), SM Cinemas, and a specially commissioned inter-agency committee.&lt;/div&gt;  &lt;div class="MsoNormal"&gt;&lt;span&gt;&lt;br /&gt;            &lt;/span&gt;For more information, you may refer to the official CIFF website (&lt;a rel="nofollow" target="_blank" href="http://www.cinemanila.com.ph/"&gt;http://www.cinemani la.com.ph&lt;/a&gt;) or contact the Cinemanila Secretariat through its email address: cinemanila@gmail. com.&lt;/div&gt;  &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-980157301254973595?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/980157301254973595/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=980157301254973595' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/980157301254973595'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/980157301254973595'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/06/9th-cinemanila-international-film.html' title='9th Cinemanila International Film Festival'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-3204869527018402264</id><published>2007-06-19T18:36:00.000+08:00</published><updated>2007-06-19T18:47:31.991+08:00</updated><title type='text'>LEA screenings</title><content type='html'>&lt;span style="font-family: 'Century Gothic';"&gt;&lt;/span&gt;  &lt;div class="MsoNormal"&gt;&lt;span style="font-family: 'Century Gothic';"&gt;&lt;span style="font-size:100%;"&gt;There are some changes in the schedule of GMA 7 short film festival.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;  &lt;div class="MsoNormal"&gt;&lt;span style="font-family: 'Century Gothic';"&gt;&lt;span style="font-size:100%;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;  &lt;div class="MsoNormal"&gt;&lt;span style="font-family: 'Century Gothic';"&gt;&lt;span style="font-size:100%;"&gt;The festival schedule will move to &lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-size: 16pt; font-family: 'Century Gothic';"&gt;JULY 4 -10, 2007&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: 'Century Gothic';"&gt;&lt;span style="font-size:100%;"&gt; at &lt;b&gt;&lt;i&gt;INDIE SINE, ROBINSONS GALLERIA.&lt;span&gt;  &lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;  &lt;div class="MsoNormal"&gt;&lt;i&gt;&lt;span style="font-family: 'Century Gothic';"&gt;&lt;span style="font-size:100%;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;  &lt;div class="MsoNormal"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-family: 'Century Gothic';"&gt;Screening time: 12nn- 10pm&lt;/span&gt;&lt;span style="font-family: Arial;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;  &lt;div class="MsoNormal"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 10pt; font-family: 'Century Gothic';"&gt;  &lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;  &lt;div class="MsoNormal"&gt;&lt;span style="font-size:100%;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: 'Century Gothic';"&gt;GMA 7 ARTIST CENTER&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-family: 'Century Gothic';"&gt; and &lt;i&gt;DIGIMAN PRODUCTION&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style="font-size: 10pt; font-family: 'Century Gothic';"&gt; &lt;/span&gt;&lt;span style="font-size: 14pt; font-family: 'Century Gothic';"&gt;would like to invite you to &lt;b&gt;WATCH&lt;/b&gt; the film &lt;/span&gt;&lt;b&gt;&lt;span style="font-size: 16pt; font-family: Verdana;"&gt;"LEA",&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size: 14pt; font-family: 'Century Gothic';"&gt; written and directed by &lt;i&gt;Donnie "EL DON" Sacueza. &lt;/i&gt;&lt;/span&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;&lt;/span&gt;&lt;/div&gt;  &lt;div class="MsoNormal"&gt;&lt;span style="font-size: 10pt; font-family: 'Century Gothic';"&gt;  &lt;/span&gt;&lt;/div&gt;  &lt;div class="MsoNormal"&gt;&lt;span style="font-size: 10pt; font-family: 'Century Gothic';"&gt;From &lt;b&gt;July 4- 10, 2007 at INDIE SINE, ROBINSONS GALLERIA, ORTIGAS.&lt;/b&gt;&lt;/span&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-3204869527018402264?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/3204869527018402264/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=3204869527018402264' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/3204869527018402264'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/3204869527018402264'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/06/lea-screenings.html' title='LEA screenings'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-2100935633369020156</id><published>2007-06-16T11:55:00.000+08:00</published><updated>2007-06-12T12:08:25.759+08:00</updated><title type='text'>Brocka's Tinimbang and forum on leprosy</title><content type='html'>Many people think that leprosy no longer exists. But it does. Many people think that leprosy is not curable, but it is.&lt;br /&gt;&lt;br /&gt;Yet misguided notions about leprosy and discrimination against persons affected by leprosy persist. Even today, millions of men, women and children continue to suffer social, economic and legal discrimination, simply because they or a familymember have or have had leprosy.&lt;br /&gt;&lt;br /&gt;Leprosy, among the world's oldest recorded diseases, still exists in many countries. But while less than 300,000 people develop leprosy each year, an estimated 100 million must deal with cruel discrimination because of their association with the disease, many spending their lives completely isolated from society.&lt;br /&gt;&lt;br /&gt;On June 16, 2-5:30 pm at the Cultural Center of the Philippines (CCP) Dream Theater, these issues will be discussed through a film showing and Forum on Leprosy and its Representations.&lt;br /&gt;&lt;br /&gt; The forum starts at 2pm with a screening of Lino Brocka's Tinimbang Ka Ngunit Kulang (1974, 35mm, 128 mins. Color Filipino with English subtitles), the late director's film that depicts the story of a young boy growing up in a small town and his friendship with the village idiot and a person affected by leprosy. &lt;br /&gt;&lt;br /&gt;A panel discussion led by API fellows Nick de Ocampo (film) and Jess Santiago (music) and University of the Philippines professor Dr. Eufracio Abaya will follow the screening. Discussions will revolve around representations of leprosy in film and anthropological issues related to suffering and illnesses. &lt;br /&gt;&lt;br /&gt;The forum is organized by Asian Public Intellectuals (API) Fellowship, which is administered by the Nippon Foundation, chaired by Yohei Sasakawa, the WHO Goodwill Ambassador for the Elimination of Leprosy.&lt;br /&gt;&lt;br /&gt;The forum is a related activity of trauma, interrupted, an international exhibition on trauma, art and healing curated by API fellow and University of the Philippines professor Flaudette May V. Datuin. Exploring the links between art, healing and a range of traumas, including those brought about by stigma, illnesses, disasters, sexual abuse, and other forms of violence and human rights violations, the exhibit will be on show at CCP Main Gallery, Third and Fourth Floor hallways from June 14 to July 29, 2007, daily, from 10 am to 6pm, except Mondays and holidays. Admission to these activities is free and open to the public.&lt;br /&gt;&lt;br /&gt;For particulars, please call 832 3702 and visit &lt;a href="http://www.trauma-interrupted.org/" target="_blank" rel="nofollow"&gt;www.trauma-interrup ted.org&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-2100935633369020156?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/2100935633369020156/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=2100935633369020156' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/2100935633369020156'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/2100935633369020156'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/06/brockas-tinimbang-and-forum-on-leprosy.html' title='Brocka&apos;s Tinimbang and forum on leprosy'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-7270491861228089278</id><published>2007-06-16T00:17:00.000+08:00</published><updated>2007-06-09T00:22:16.408+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Titus Brandsma Center'/><title type='text'>pelikula@titusbrandsma</title><content type='html'>&lt;span style="font-weight: bold;"&gt;Titus Brandsma Center&lt;/span&gt;&lt;br /&gt; 24 Acacia St. Brgy. Mariana, New Manila&lt;br /&gt;Quezon City, FREE ADMISSION&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt; SHOWING THIS MONTH (June 16, 2007, 1pm onwards)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt; KAPWA KO MAHAL KO ... MAGING SINO KA MAN (7th Gay &amp; Lesbian Film Festival)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;pelikula@titusbrandsma is a free montly film screening with dialogue that features fine samples of world cinema.  It's an offering of the Titus Brandsma Center-Media Program under the auspices of the Carmelites in the Philippines. This montly event is aimed at giving a meaningful experience for film enthusiasts.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;SEQUENCE:&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt; Loving Annabelle&lt;/span&gt;&lt;br /&gt;Katherien Brooks, USA, 2005&lt;br /&gt;76 mins.&lt;br /&gt;&lt;br /&gt;Annabelle (Erin Kelly) is a 17 year old Catholic schoolgirl who falls in&lt;br /&gt;love with her teacher Simone Bradley. The pushy teenager pursues her until&lt;br /&gt;the 30-something year old falls equally in love with Annabelle. Not long&lt;br /&gt;after they give in to their lusts their relationship is discovered and&lt;br /&gt;Simone is arrested.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt; BABAE (Woman)&lt;/span&gt;,  Short film&lt;br /&gt;Written and Directed by Sigrid Andrea P. Bernardo, Philippines, 2005&lt;br /&gt;20 mins.&lt;br /&gt;&lt;br /&gt;BABAE (WOMAN) is a coming of age story of two women who grew up together in&lt;br /&gt;the city slum community beside railroad tracks. They become best friends&lt;br /&gt;during childhood, shared dreams during teenage years and eventually started&lt;br /&gt;a family during adulthood when a child accidentally entered their lives.&lt;br /&gt;Real Stories of Women and a Man were added to give this color to this black&lt;br /&gt;and white film A mixture of drama, comedy, musical and fantasy that will&lt;br /&gt;surely touch the Pinoy heart in you.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt; Glowing Eyes/Porn Theater &lt;/span&gt;(La Chatte à deux têtes)&lt;br /&gt;Jacques Nolot, France, 2002&lt;br /&gt;90 mins., In French with English subtitles.&lt;br /&gt;* Strictly for mature audience only&lt;br /&gt;&lt;br /&gt;A tale set in a decaying Parisian porn theatre, where within its dark&lt;br /&gt;confines, male patrons--soldiers, transvestites, married men--regularly&lt;br /&gt;engage in anonymous sex acts. In the ticket booth of the theatre, a wise&lt;br /&gt;Italian woman serves as benevolent gatekeeper, observing--but never&lt;br /&gt;judging--the proceedings occurring under her watchful eyes. One day, one of&lt;br /&gt;her regulars engages her in a conversation that leads to an unusual&lt;br /&gt;friendship, as these two worldly souls share their common experiences.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt; The Mad Cage 2/Birds of a Feather 2&lt;/span&gt; (La Cage aux folles II)&lt;br /&gt;Edouard Molinaro, France, 1980&lt;br /&gt;101 mins., In French with English subtitles&lt;br /&gt;* Subject to change&lt;br /&gt;&lt;br /&gt;Sequel to La Cage aux folles has homosexual nightclub owner Renato and his&lt;br /&gt;transvesitite companion/lover Albin becoming involved with the local cops&lt;br /&gt;and foreign spies when Albin unwittingly gets his hands on a role of stolen&lt;br /&gt;microfilm. The gay couple then hide out in Renato's native Italy, but find&lt;br /&gt;little peace there with their frequent bickering among themselves.&lt;br /&gt;&lt;br /&gt;Sources:  &lt;a href="http://www.imdb.com/" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)"&gt;www.imdb.com&lt;/a&gt;, &lt;a href="http://www.amazon.com/" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)"&gt;www.amazon.com&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;For inquries/confirmation, call Bituin (726-6054), Eric (364-7955). Maxie (751-1169).&lt;br /&gt;Email:  &lt;a href="mailto:pelikula_titusbrandsma-owner%40yahoogroups.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)"&gt;pelikula_titusbrandsma-owner@yahoogroups.com&lt;/a&gt;&lt;br /&gt;Website: www.pelikula-titusbrandsma.ph&lt;br /&gt;Subscribe: &lt;a href="mailto:pelikula_titusbrandsma-subscribe%40yahoogroups.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)"&gt;pelikula_titusbrandsma-subscribe@yahoogroups.com&lt;/a&gt;&lt;br /&gt;(To receive info re: schedules and general information dissemination)&lt;br /&gt;Subscribe: &lt;a href="mailto:pelikula_titus_forum-subscribe%40yahoogroups.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)"&gt;pelikula_titus_forum-subscribe@yahoogroups.com&lt;/a&gt;&lt;br /&gt;(For discussion, critiques, reviews, suggestions or requests)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-7270491861228089278?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/7270491861228089278/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=7270491861228089278' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/7270491861228089278'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/7270491861228089278'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/06/pelikulatitusbrandsma.html' title='pelikula@titusbrandsma'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-3020472948006736542</id><published>2007-06-15T11:50:00.000+08:00</published><updated>2007-06-12T11:53:59.143+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='roxlee'/><title type='text'>Roxlee films</title><content type='html'>EVERYJUAN IS INVITED: ROXLEE GETS BANNED!&lt;br /&gt;&lt;br /&gt;Welcome to Roxlee’s Planet! Pinoy indie icon ROXLEE is the fourth filmmaker to be featured by Banned Movies Pilipinas (BMP) this coming &lt;strong&gt;June 15, 8 pm onwards&lt;/strong&gt; at &lt;strong&gt;Freedom Bar&lt;/strong&gt; in &lt;strong&gt;Anonas, Quezon City&lt;/strong&gt;, fresh from Vote For Meyor: Sanchez Gets Banned! last May 19 which showcased the works of advocacy filmmaker Seymour Barros Sanchez. Internationally acclaimed filmmakers John Torres (in January), Jobin Ballesteros, Janus Victoria (in February) and Khavn dela Cruz (in March) were also previously featured by BMP.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ROXLEE&lt;/strong&gt;, the ultimate Renaissance man and the face of Pinoy indie, is an award-winning and renowned Filipino animator and filmmaker, cartoonist, artist and rock star, and more. The man who created “Cesar Asar” and “Santingwa” together with his brother Mon Lee, is also a founding member of Animagination, a group of Filipino animators. He picked up his first Gawad Urian award for Best Short film for “Juan Gapang”, a collaborative effort and went on to make ‘Juan Toga,’ `Juan Gapang,' ‘Juan Gulay,' and`Juan Tunog.' He has also exhibited his oil paintings in Singapore, and was invited to stage the world premiere of “RoxLee’s Planet” as part of the Singapore International Film Festival. His alter ego Akira Brocka is also a member of The Brockas, a rock band composed of fellow filmmakers, writers and artists.&lt;br /&gt;&lt;br /&gt;On June 15, at 8 pm onwards, Banned Movies Pilipinas will screen the short films of this legendary Pinoy Icon, in an unforgettable event that brings together the best and the brightest in the indie circuit. Watch out for The Brockas, Taggu nDios, Delakrus, Jeffplane, Bored of Trustees, Lem’s Guitar, Girls Make Me Cry, Folly, Soul Kitchen, Lagkitan, Uprising and other up and coming acts that will rock the Planet.&lt;br /&gt;&lt;br /&gt;Don’t be left behind! P100 is your ticket to the exciting Indie Planet, and we’ll  be your tour guide. Visit &lt;a href="http://www.bannedmoviespilipinas.com/" target="_blank" rel="nofollow"&gt;www.bannedmoviespil ipinas.com&lt;/a&gt; for updates, email banned_movies@ &lt;a href="http://yahoo.com/" target="_blank"&gt;yahoo.com&lt;/a&gt; or text 0917-3705454 or 0920-9226261 for inquiries.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-3020472948006736542?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/3020472948006736542/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=3020472948006736542' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/3020472948006736542'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/3020472948006736542'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/06/roxlee-films.html' title='Roxlee films'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-5272685340191590072</id><published>2007-06-14T17:19:00.000+08:00</published><updated>2007-06-05T17:27:14.226+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='French film'/><title type='text'>Lionel Bailliu films</title><content type='html'>BONJOUR! VENEZ!&lt;br /&gt;&lt;br /&gt;This is free and open to the public.&lt;br /&gt;&lt;br /&gt;The UPFI is pleased to invite you to &lt;strong&gt;An Afternoon with Lionel Bailliu&lt;/strong&gt; – a joint presentation of The Embassy of the Republic of France and the UP Film Institute (UPFI).&lt;br /&gt;&lt;br /&gt;In time for the French Spring Film Festival 2007 in Manila, award-winning filmmaker, screenwriter, and editor, Lionel Bailliu is coming over to thePhilippines to present his first feature-length film, Fair Play (2006).&lt;br /&gt;&lt;br /&gt;In this context, the filmmaker is also coming over to the UPFI Videotheque (at the back of the Cine Adarna), for an afternoon of interaction withstudents and aficionados, and to present his short works – &lt;strong&gt;Microsnake&lt;/strong&gt; (2000) and &lt;strong&gt;Squash&lt;/strong&gt; (2002). These two films will not be screened in the French Spring Film Festival 2007 or in any other venue in the Philippines , except in the UPFI.&lt;br /&gt;&lt;br /&gt;The schedule of the program is as follows:&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;June 14 (Thursday)&lt;/strong&gt;&lt;br /&gt;(1) Lecture-Forum / &lt;strong&gt;Screening of Short Films (1–5 p.m.)&lt;/strong&gt;&lt;br /&gt;(2)&lt;strong&gt; Repeat Screening of Short Films  (6–7 p.m. / 7–8 p.m.)&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;br /&gt;The filmmaker is expected to discuss the current situation of French filmculture – such as new trends in films, film producing, and film consuming;the continuations and ruptures of contemporary French cinema from its richcinematic history; and his personal film practice within these cultural and historical contexts.&lt;br /&gt;&lt;br /&gt;The Awards of Lionel Bailliu&lt;br /&gt;&lt;strong&gt;Fair Play&lt;/strong&gt; (2006)- winner, Best New Director, San Sebastian Int'l Film Festival 2006&lt;br /&gt;&lt;strong&gt;Squash&lt;/strong&gt; (2002)- nominated, Best Short Film, Oscars 2004- winner, Best Writing, Aspen Shortsfest 2003- nominated, Best Short Film, Cesar Awards 2003- winner, Best Live-Action Short, Toronto Worldwide Short Film Festival 2003- winner, Golden Moon, Cinema Jove- Valencia Film Festival 2002- winner, Audience Award, Clermont-Ferrand Int'l Short Film Festival 2002- winner, Audience Award, Cork Int'l Film Festival 2002- winner, Jury Award, Leuven Int'l Short Film Festival 2002- winner, Audience Award, Palm Springs Int'l Film Festival 2002&lt;br /&gt;&lt;strong&gt;Microsnake&lt;/strong&gt; (2000)- winner, Special Jury Award, Avignon Film Festival 2001&lt;br /&gt;&lt;br /&gt;---&lt;br /&gt;For further inquiries, please visit or contact:Cine Adarna, Magsaysay and Osmeña Avenues, UP Diliman, Quezon City;Tel: 981 8500 local 4286; 926 3640, 926 2722 (telefax)&lt;br /&gt;Email: &lt; &lt;a onclick="return top.js.OpenExtLink(window,event,this)" href="mailto:upfi.adarna@gmail.com"&gt;upfi.adarna@gmail.com&lt;/a&gt;&gt; Theater Services &amp;amp; Extension&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-5272685340191590072?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/5272685340191590072/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=5272685340191590072' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/5272685340191590072'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/5272685340191590072'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/06/lionel-bailliu-films.html' title='Lionel Bailliu films'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-4636912058035182362</id><published>2007-06-08T17:26:00.000+08:00</published><updated>2007-06-06T17:33:35.081+08:00</updated><title type='text'>FRENCH FILM FESTIVAL</title><content type='html'>&lt;strong&gt;Cinema 3 Shangri La Cineplex&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;June 8-17&lt;/strong&gt;&lt;br /&gt;FREE ADMISSION&lt;br /&gt;&lt;br /&gt;LIST OF FILMS:&lt;br /&gt;&lt;br /&gt;Arthur and the Invisibles (2006) by Luc Besson&lt;br /&gt;Animation/Adventure/Family/Fantasy&lt;br /&gt;Ten-year-old Arthur, in a bid to save his grandfather's house from being demolished, goes looking for some much-fabled hidden treasure in the land of the Minimoys, a tiny people living in harmony with nature.&lt;br /&gt;&lt;br /&gt;Fair Play (2006) by Lionel Bailliu&lt;br /&gt;Thriller&lt;br /&gt;Even if I am French, I am not a fanatical "french cinema lover". I think that too often french directors have more pretensions than real abilities. But, Fair Play is really a good film for those who, like me, have had difficult relationships in their job environment. Things are a little bit "over the top" in this movie, for sure. But the actors are so good... Give it a try, if you want to see how intelligence can mesh today with satirical criticism. Eric Savin is a real "ego monster" cruel and seductive. Benoit Magimel is without a doubt one of the more promising young french actors. Marion Cotillard gives a great performance too, playing a complex secretary, half shy and fearful, half aggressive and selfish. And, of course, Lionel Bailiu knows how to film. He does it like an entomologist watching his poor creatures fighting against the harshness of a meaningless existence.&lt;br /&gt;&lt;br /&gt;Gamblers (2005) by Frederic Balekdjian&lt;br /&gt;Crime Drama&lt;br /&gt;Vahé, Sahak, and Toros run a bonneteau game on the streets of Paris. They're Lebanese French. Vahé also works with his father, a cloth merchant, and is in love with Lu Ann, Chinese French, who's broken off their affair. Vahé wants to make things right: with Lu Ann, with his father's business, and with Yuen, Lu Ann's younger brother, who's on the edge of delinquency and owes money to the gang who arranged his passage from China. Vahé tries to be like a father to Yuen, teaching him a work ethic. When Yuen impetuosity puts his own life in jeopardy, Vahé tries to save him. Are Vahé's impulses and hopes to die on the streets of Paris?&lt;br /&gt;&lt;br /&gt;March of the Penguins (2005) by Luc Jacuet&lt;br /&gt;Documentary&lt;br /&gt;A look at the annual journey of Emperor penguins as they march -- single file -- to their traditional breeding ground.&lt;br /&gt;&lt;br /&gt;Not There to be Loved (2005) by Stephane Brize&lt;br /&gt;Comedy Drama Music Romance&lt;br /&gt;Jean-Claude is 51 and weary. Since his divorce he has been leading a lonely, cheerless life. His job does not help him. Indeed, as a "huissier de justice" his everyday task consists in bringing despair into the homes of those who can't pay their rent, announcing eviction and/or property seizure. His depressing Sunday afternoons are invariably spent in the retirement home of his old father, a sour, never-satisfied pain in the neck. A glimmer of hope could come from the dance studio across his office. This is a place specializing in tango lessons. One day, Jean-Claude decides to enroll. There, he meets charming young Françoise and both click. The trouble is that Françoise is about to marry.&lt;br /&gt;&lt;br /&gt;OSS 117 (2006) by Michel Hazanavicius&lt;br /&gt;Adventure / Comedy&lt;br /&gt;Secret agent OSS 117 is stupid, but at least he sort of knows it, whereas I've always found that James Bond was stupid but acted like a smart arse. Dialogue is witty with a lot of tongue-in-cheek humour that one would expect from a British rather than a French movie. The women and the music are beautiful. A refreshing trip into the past, when the bad guys were ex-Nazis or Soviet brutes, cars were shiny, and France had colonies!&lt;br /&gt;&lt;br /&gt;Sequins (2004) by Eleanore Faucher&lt;br /&gt;Drama&lt;br /&gt;When Claire learns that she is five months pregnant at the tender age of 17, she decides to give birth anonymously. She finds refuge with Madame Melikian, an embroiderer for haute couture designers. And, day by day, stitch by stitch, as Claire's belly grows rounder, the threads of embroidery create a filial bond between them.&lt;br /&gt;&lt;br /&gt;The Ax (2005) by Costa-Gavras&lt;br /&gt;Comedy Crime Drama Thriller&lt;br /&gt;The thirty-nine years old executive Bruno Davert has been working for fifteen years in a paper company. After a merging operation with a Romania's company, he is fired in a downsizing. While unemployed for two years, Bruno loses his self-esteem and sanity and his family loses the middle-class lifestyle without cable television, Internet and regular consumption. He concludes that there is too much competition in his sector for a few job positions and decides to literally eliminate his competitors, killing those more qualified than him.&lt;br /&gt;&lt;br /&gt;The Little Lieutenant (2005) by Xavier Beauvois&lt;br /&gt;Crime Drama&lt;br /&gt;When a fresh young police academy graduate from provincial Le Havre volunteers for the high pressure world of the Parisian homicide squad, his schoolteacher wife is reluctant to go with him. He moves into a rooming house that caters to single cops as he embraces his fellow officers as an extended family. He becomes close to an Arab officer and his boss, a very professional but lonely, middle-aged female detective who is also a recovering alcoholic. Routine police procedure gives way to an intensive search among the city's homeless for an undocumented Russian immigrant who may be responsible for a series of violent crimes.&lt;br /&gt;&lt;br /&gt;Perfume: Story of a Murderer (2006) by Tom Tykwer&lt;br /&gt;Crime Drama Thriller&lt;br /&gt;Jean-Baptiste Grenouille, born in the stench of eighteenth century Paris, develops a superior olfactory sense, which he uses to create the world's finest perfumes. His work, however, takes a dark turn as he tries to preserve scents in the search for the ultimate perfume.&lt;br /&gt;&lt;br /&gt;SKED:&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;June 8 (F)&lt;/strong&gt;&lt;br /&gt;1:00 PM Perfume&lt;br /&gt;3:30 PM Arthur&lt;br /&gt;6:00 PM The Ax&lt;br /&gt;8:30 PM Gamblers&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;June 9 (Sa)&lt;/strong&gt;&lt;br /&gt;1:00 PM Arthur&lt;br /&gt;3:30 PM Lieutenant&lt;br /&gt;6:00 PM Penguins&lt;br /&gt;8:30 PM Sequins&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;June 10 (Su)&lt;/strong&gt;&lt;br /&gt;1:00 PM Penguins&lt;br /&gt;3:30 PM Not Here&lt;br /&gt;6:00 PM Perfume&lt;br /&gt;8:30 PM The Ax&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;June 11 (M)&lt;/strong&gt;&lt;br /&gt;1:00 PM Sequins&lt;br /&gt;3:30 PM Not Here&lt;br /&gt;6:00 PM The Ax&lt;br /&gt;8:30 PM Penguins&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;June 12 (Tu)&lt;/strong&gt;&lt;br /&gt;Tribute to Philippine Cinema&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;June 13 (W)&lt;/strong&gt;&lt;br /&gt;1:00 PM The Ax&lt;br /&gt;3:30 PM Gamblers&lt;br /&gt;6:00 PM Sequins&lt;br /&gt;8:30 PM Arthur&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;June 14 (Th)&lt;/strong&gt;&lt;br /&gt;1:00 PM Penguins&lt;br /&gt;3:30 PM The Ax&lt;br /&gt;6:00 PM Fair Play (Discussion with Lionel Bailliu willbe followed)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;June 15 (F)&lt;/strong&gt;&lt;br /&gt;1:00 PM Not Here&lt;br /&gt;3:30 PM Sequins&lt;br /&gt;6:00 PM Arthur&lt;br /&gt;8:30 PM Perfume&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;June 16 (Sa)&lt;/strong&gt;&lt;br /&gt;1:00 PM The Ax&lt;br /&gt;3:30 PM Perfume&lt;br /&gt;6:00 PM Fair Play&lt;br /&gt;8:30 PM Gamblers&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;June 17 (Su)&lt;/strong&gt;&lt;br /&gt;1:00 PM Arthur&lt;br /&gt;3:30 PM Lieutenant&lt;br /&gt;6:00 PM Not Here&lt;br /&gt;8:30 PM Penguins&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-4636912058035182362?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/4636912058035182362/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=4636912058035182362' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/4636912058035182362'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/4636912058035182362'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/06/french-film-festival_08.html' title='FRENCH FILM FESTIVAL'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-5267098015480403553</id><published>2007-06-08T14:21:00.000+08:00</published><updated>2007-05-21T14:25:09.494+08:00</updated><title type='text'>Ang Daan Patungong Kalimugtong</title><content type='html'>UP Film Institute screens&lt;br /&gt;Mes de Guzman's &lt;strong&gt;Ang Daan Patungong Kalimugtong&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;The long wait is over as UP Film Institute finally screens Mes de Guzman's Ang Daan Patungong Kalimugtong—one of the very few true gems that usheredin the much ballyhooed new digital era for Philippine cinema.From Sampay Bakod Productions, the multi-awarded digital feature screens on four consecutive Fridays this &lt;strong&gt;June beginning June 8 until June 29 at 2, 5and 7 p.m.&lt;/strong&gt; to constitute a fitting highlight for UP Film Institute's school opening special all throughout the month. It tells the poignant story ofsibling kids on their daily routine of crossing steep and slippery mountainsand traversing long winding roads to attend a village school.&lt;br /&gt;&lt;br /&gt;Ang Daan Patungong Kalimugtong won Special Mention for Best New Directorat 2006 San Sebastian Film Festival in Spain; Best Digital Picture at the2006 Golden Screen Awards of the Entertainment Press Society; Best Directorat the 2006 Urian Awards of the Manunuri ng Pelikulang Pilipino andthe 2ndBest Picture at the 1st Digital Lokal Competition of the Cinemanila International Film Festivalin 2005 among numerous awards and distinctions. Ang Daan Patungong Kalimugtong (The Road to Kalimugtong) Digital Feature from Sampay Bakod Productions (2005, 89 minutes) Sibling kids in Benguet go through their daily routine of crossing steep andslippery mountains and traversing long winding roads to get to school faraway from their home.Special Mention for Best New Director—2006 San Sebastian Film Festival;Official Selection—2006 Amiens International Film Festival; OfficialSelection—2006 Rome Asiatica Film Mediale; Best Digital Picture—2006 GoldenScreen Awards; Best Director—2006 Urian Awards; 2nd Best Picture—1st DigitalLokal Competition, 2005 Cinemanila International Film Festival amongnumerous awards and distinctions&lt;br /&gt;&lt;br /&gt;Direction and Screenplay: Mes de Guzman.&lt;br /&gt;Cast: Analyn Bangsi-il, RhenuelOrdoño, Hallen Sumingwa, Jay Bassig, Joey Almoete. &lt;br /&gt;&lt;br /&gt;University of the Philippines Film Institute&lt;br /&gt;(Member, CILECT/International Association of Film and Television Schools)&lt;br /&gt;Plaridel Hall, Ylanan Road, UP Diliman, Quezon City&lt;br /&gt;Tel: 9818500 (UP Trunkline) local 2669, 2670; 9206863 (Telefax)&lt;br /&gt;Cine Adarna, Magsaysay and Osmena Avenues, UP Diliman, Quezon City&lt;br /&gt;Tel: 9818500 (UP Trunkline) local 4286, 4289; 9262722 (Telefax)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-5267098015480403553?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/5267098015480403553/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=5267098015480403553' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/5267098015480403553'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/5267098015480403553'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/06/ang-daan-patungong-kalimugtong.html' title='Ang Daan Patungong Kalimugtong'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-6785425614451932923</id><published>2007-06-07T16:21:00.000+08:00</published><updated>2007-06-07T16:30:59.461+08:00</updated><title type='text'>UP Film Institute Screenings</title><content type='html'>HIGHER LEARNING&lt;br /&gt;UP Film Institute ushers in the new school year this June 2007&lt;br /&gt;&lt;br /&gt;June 4 Monday 2 &amp; 7 p.m.&lt;br /&gt;June 5 Tuesday 2 &amp;amp; 5 p.m.&lt;br /&gt;June 6 Wednesday 2 &amp; 7 p.m.&lt;br /&gt;June 7 Thursday 2 &amp;amp; 5 p.m.&lt;br /&gt;June 11 Monday 5 p.m.&lt;br /&gt;June 12 Tuesday 7 p.m.&lt;br /&gt;&lt;strong&gt;Notes on a Scandal&lt;/strong&gt;&lt;br /&gt;Direction: Richard Eyre. Screenplay from Zoe Heller’s novel: Patrick Marber. Cast: Cate Blanchett, Judi Dench, Andrew Simpson, Bill Nighy.&lt;br /&gt;2006 92 minutes 35mm color&lt;br /&gt;For mature viewing with language and aberrant sexual content&lt;br /&gt;&lt;br /&gt;June 4 Monday 5 p.m.&lt;br /&gt;June 5 Tuesday 7 p.m.&lt;br /&gt;June 6 Wednesday 5 p.m.&lt;br /&gt;June 7 Thursday 7 p.m.&lt;br /&gt;&lt;strong&gt;John Tucker Must Die&lt;/strong&gt;&lt;br /&gt;Direction: Betty Thomas. Screenplay: Jeff Lowell. Cast: Jesse Metcalf, Sophia Bush, Brittany Snow, Ashanti , Arielle Kebbel.&lt;br /&gt;2006 89 minutes 35mm color&lt;br /&gt;&lt;br /&gt;June 11 Monday 2 &amp; 7 p.m.&lt;br /&gt;June 12 Tuesday 2 &amp;amp; 5 p.m.&lt;br /&gt;June 13 Wednesday 2/5/7 p.m.&lt;br /&gt;&lt;strong&gt;The History Boys&lt;/strong&gt;&lt;br /&gt;Direction: Nicholas Hytner. Screenplay from his Tony award-winning play: Alan Bennett. Cast: Richard Griffiths, Frances de la Tour, Clive Merrison, Stephen Campbell Moore, Dominic Cooper.&lt;br /&gt;2006 109 minutes 35mm color&lt;br /&gt;For mature viewing with language and sexual content&lt;br /&gt;&lt;br /&gt;June 18 Monday 2 &amp; 5 p.m.&lt;br /&gt;&lt;strong&gt;It’s a Boy Girl Thing&lt;/strong&gt;&lt;br /&gt;A Viva International Pictures Release&lt;br /&gt;Direction: Nick Hurran. Screenplay: Geoff Deane. Cast: Kevin Zegers, Samaire Armstrong, Sharon Osbourne, Maury Chaykin, Mpho Koaho.&lt;br /&gt;2006 95 minutes 35mm color&lt;br /&gt;&lt;br /&gt;June 18 Monday 7 p.m.&lt;br /&gt;&lt;strong&gt;Co-Ed Scandal&lt;/strong&gt;&lt;br /&gt;A Digital Viva Production (2006, 82 minutes)&lt;br /&gt;Direction: Robert Quebral. Screenplay: Benedict Mique, Robert Quebral. Cast: Jennifer Lee, Avi Siaw, Ryan Eigenmann.&lt;br /&gt;For mature viewing&lt;br /&gt;&lt;br /&gt;June 19 Tuesday 2 &amp; 7 p.m.&lt;br /&gt;June 20 Wednesday 5 p.m.&lt;br /&gt;June 21 Thursday 2 &amp;amp; 7 p.m.&lt;br /&gt;&lt;strong&gt;Butterfly’s Tongue&lt;br /&gt;(La lengua de las mariposas)&lt;/strong&gt;&lt;br /&gt;Direction: Jose Luis Cuerda. Screenplay: Jose Luis Cuerda, Rafael Azcona, Manuel Rivas. Cast: Fernando Fernan Gomez, Manuel Lozano&lt;br /&gt;1999 96 minutes 35mm color Spanish with English subtitles&lt;br /&gt;For mature viewing with a strong sex scene&lt;br /&gt;&lt;br /&gt;June 19 Tuesday 5 p.m.&lt;br /&gt;June 20 Wednesday 2 &amp; 7 p.m.&lt;br /&gt;June 21 Thursday 5 p.m.&lt;br /&gt;&lt;strong&gt;The Emperor’s Club&lt;/strong&gt;&lt;br /&gt;Direction: Michael Hoffman. Screenplay from Ethan Canin’s short story, “The Palace Thief”: Neil Tolkin. Cast: Kevin Kline, Emile Hirsch, Joel Gretsch, Embeth Davidtz, Rob Morrow, Harris Yulin.&lt;br /&gt;2002 109 minutes 35mm color&lt;br /&gt;&lt;br /&gt;June 25 Monday 2/5/7 p.m.&lt;br /&gt;June 26 Tuesday 2/5/7 p.m.&lt;br /&gt;June 27 Wednesday 2/5/7 p.m.&lt;br /&gt;June 28 Thursday 2 &amp; 7 p.m.&lt;br /&gt;&lt;strong&gt;In Good Company&lt;/strong&gt;&lt;br /&gt;Direction and Screenplay: Paul Weitz. Cast: Topher Grace, Dennis Quaid, Scarlett Johansson.&lt;br /&gt;2004 109 minutes 35mm color&lt;br /&gt;&lt;br /&gt;June 28 Thursday 5 p.m.&lt;br /&gt;&lt;strong&gt;Pan’s Labyrinth (El laberinto del fauno)&lt;/strong&gt;&lt;br /&gt;Direction and Screenplay: Guillermo del Toro. Cast: Maribel Verdu, Sergi Lopez, Ariadna Gil, Alex Angulo, Doug Jones, Ivana Baquero.&lt;br /&gt;2006 120 minutes 35mm color&lt;br /&gt;For mature viewing with graphic violence and some language&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;FRIDAYS OF JUNE&lt;br /&gt;&lt;br /&gt;June 8, 15, 22, 29 - 2/5/7 p.m.&lt;br /&gt;&lt;strong&gt;Ang Daan Patungong Kalimugtong (The Road to Kalimugtong)&lt;br /&gt;&lt;/strong&gt;Digital Feature from Sampay Bakod Productions (2005, 89 minutes)&lt;br /&gt;Direction and Screenplay: Mes de Guzman. Cast: Analyn Bangsi-il, Rhenuel Ordoño, Hallen Sumingwa, Jay Bassig, Joey Almoete.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;PROUD TO BE GAY PARADE&lt;br /&gt;UP Film Institute presents Pink Saturdays&lt;br /&gt;&lt;br /&gt;June 16 Saturday 2/5/7 p.m.&lt;br /&gt;&lt;strong&gt;Gray Matters&lt;/strong&gt;&lt;br /&gt;Direction and Screenplay: Sue Kramer. Cast: Heather Graham, Tom Cavanagh, Bridget Moynahan.&lt;br /&gt;2006 96 minutes 35mm color&lt;br /&gt;&lt;br /&gt;June 23/30 Saturday 2/5/7 p.m.&lt;br /&gt;&lt;strong&gt;Tuli&lt;/strong&gt;&lt;br /&gt;A Digital Viva Production (2005, 113 minutes)&lt;br /&gt;Direction: Auraeus Solito. Screenplay: Jimmy Flores. Cast: Desiree del Valle, Vanna Garcia, Carlo Aquino, Bembol Roco, Eugene Domingo.&lt;br /&gt;Up Next for Pink Saturdays: Boys Don’t Cry, When Night Is Falling, In and Out, Jupit and more!&lt;br /&gt;&lt;br /&gt;Free Short Films for the Month&lt;br /&gt;June 14 Thursday 5 p.m. onwards&lt;br /&gt;June 16 Saturday 4 p.m. onwards&lt;br /&gt;June 23 Saturday 4 p.m. onwards&lt;br /&gt;June 30 Saturdays 4 p.m. onwards&lt;br /&gt;Featuring any or all of the following titles:&lt;br /&gt;&lt;strong&gt;What’s Wrong&lt;/strong&gt; (Jean-Baptiste de Laubier/France, 2004, 33 minutes)&lt;br /&gt;Once upon a summer, nobody seems to know about the illness of a young man.&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;The Fall&lt;/strong&gt; (JP Valkeapaa/Finland, 2003, 16 minutes)&lt;br /&gt;One last day of summer appears to have no end.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;62 Sleeps&lt;/strong&gt; (Erin White/Australia, 2004, 11 minutes)&lt;br /&gt;A seven-year-old girl can’t wait to take to school a precious letter that would end up misplaced.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;K&lt;/strong&gt; (Juan Simons/Spain, 2004, 12 minutes)&lt;br /&gt;Two men lead asphyxiated lives in a city that oppresses peculiar personalities.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Melodrama&lt;/strong&gt; (Filip Marczewski/Poland, 2004, 19 minutes)&lt;br /&gt;A 14-year-old boy traverses the road to emotional and sexual maturity as he feels erotic fascination with an older sister, forges friendship with a girl in the courtyard and carries on a complicated relationship with the man his sister is engaged to marry. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Josh&lt;/strong&gt; (Paul Gerretsen and Seth Menelson/Canada, 2004, 25 minutes)&lt;br /&gt;A high school student encounters peer pressure and the strains of passage into manhood.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Meet French Film Director Lionel Bailliu&lt;/strong&gt;&lt;br /&gt;June 14 Thursday, UPFI Videotheque (at the back of Cine Adarna)&lt;br /&gt;On the occasion of French Spring in Manila 2007, visiting French filmmaker Lionel Bailliu comes to the premier state university for a lecture and interaction. Presented by the French Embassy in the Philippines .&lt;br /&gt;Lecture-Discussion (1-5 p.m.)&lt;br /&gt;Exclusive Screening of Award-Winning Short Films by Lionel Bailliu: &lt;strong&gt;Microsnake &lt;/strong&gt;(2000); &lt;strong&gt;Squash&lt;/strong&gt; (2002) - 5 p.m. onwards&lt;br /&gt;&lt;br /&gt;To always get screening alerts, join UP Film Institute e-group: &lt;a href="http://by12fd.bay12.hotmail.msn.com/cgi-bin/compose?curmbox=F000000001&amp;a=eac14dcc7058a77477ce7afbad2931fb937d392d7e36ca3e204105df5cd97136&amp;amp;mailto=1&amp;to=upfilminstitute@yahoogroups.com&amp;amp;msg=MSG1148605507.1&amp;start=1803244&amp;amp;len=1566&amp;src=&amp;amp;type=x" target="_blank" rel="nofollow"&gt;upfilminstitute@ yahoogroups. com&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;University of the Philippines Film Institute&lt;br /&gt;(Member, CILECT/Internationa l Association of Film and Television Schools )&lt;br /&gt;Plaridel Hall, Ylanan Road , UP Diliman, Quezon City&lt;br /&gt;Tel: 9818500 (UP Trunkline) local 2669, 2670; 9206863 (Telefax)&lt;br /&gt;Cine Adarna, Magsaysay and Osmena Avenues, UP Diliman, Quezon City&lt;br /&gt;Tel: 9818500 (UP Trunkline) local 4286, 4289; 9262722 (Telefax)&lt;br /&gt;&lt;a href="http://us.f514.mail.yahoo.com/ym/Compose?To=upfi.academic@gmail.com" target="_blank" rel="nofollow"&gt;upfi.academic@ gmail.com&lt;/a&gt;&lt;br /&gt;&lt;a href="http://us.f514.mail.yahoo.com/ym/Compose?To=upfi.adarna@gmail.com" target="_blank" rel="nofollow"&gt;upfi.adarna@ gmail.com&lt;/a&gt;&lt;br /&gt;&lt;a href="http://us.f514.mail.yahoo.com/ym/Compose?To=upfi_workshops@yahoo.com.ph" target="_blank" rel="nofollow"&gt;upfi_workshops@ yahoo.com. ph&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-6785425614451932923?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/6785425614451932923/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=6785425614451932923' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/6785425614451932923'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/6785425614451932923'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/06/up-film-institute-screenings.html' title='UP Film Institute Screenings'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-432262988214467184</id><published>2007-06-04T16:08:00.000+08:00</published><updated>2007-06-07T16:16:41.615+08:00</updated><title type='text'>Cinekatipunan June 2007</title><content type='html'>&lt;strong&gt;Screening Time 5:00-6:30 PM&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Mag:net Gallery Café Katipunan&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://www.magnet.com.ph" target="_blank"&gt;www.magnet.com.ph&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;4 (M) International Festival for Cinema and Technology&lt;br /&gt;Curated by Marisa Cohen&lt;br /&gt;Neeta Mittal: WINGS OF LEGACY (Dance Film/ USA)&lt;br /&gt;Paul Lazarus: DESPERATE HORSEWIFE (Musical/USA)&lt;br /&gt;Chris Dowling: THE PLIGHT OF CLOWNANA (Dance Film/USA)&lt;br /&gt;&lt;br /&gt;5 (T) Raz dela Torre: LABADA (The Laundry)&lt;br /&gt;Felinda Bagas: PARA SA KABATAAN&lt;br /&gt;&lt;br /&gt;6 (W)&lt;br /&gt;Conrado’s Cabinet&lt;br /&gt;&lt;br /&gt;7 (Th)&lt;br /&gt;Avid Liongoren’s ROCKETSHEEP(Music Videos)&lt;br /&gt;&lt;br /&gt;8 (F) Moro Film Program&lt;br /&gt;Gutierrez "Teng" Mangansakan II&lt;br /&gt;&lt;br /&gt;9 (S) Milo Sogueco: GROOVY: THE COLORS OF PACITA ABAD&lt;br /&gt;(Documentary)&lt;br /&gt;&lt;br /&gt;11 (M) International Festival for Cinema andTechnology&lt;br /&gt;Curated by Marisa Cohen&lt;br /&gt;Deborah VanSlet: RULES OF THE ROAD (Dance Film/Canada)&lt;br /&gt;Deborah Kuleff : SALOMON (Dance Film/Australia)&lt;br /&gt;Vanessa Libertad Garcia: A TWO WOMEN ONE ACT(DanceFilm/USA)&lt;br /&gt;Lynn Shelton: MAGNETIZED (Dance Film/USA)&lt;br /&gt;Fiona Cameron: SEA MAMMAL (Dance Film/Australia)&lt;br /&gt;Passia Pandora: BEYOND TIME (Dance Film/Canada)&lt;br /&gt;&lt;br /&gt;12 (T) RATED SLEX&lt;br /&gt;Bicol Xpress: HUSTISYA! (Justice!)&lt;br /&gt;(Documentary/ 30mins/2006)&lt;br /&gt;ST Exposure: SULO NG BAGONG PELIKULA(Documentary/ 36min/2007)&lt;br /&gt;&lt;br /&gt;13 (W) Films by Visual Artists&lt;br /&gt;(Curated by PoklongAnading)&lt;br /&gt;&lt;br /&gt;14 (Th) Jun Sabayton’s Nerd World Cinema Retrospective&lt;br /&gt;&lt;br /&gt;15 (F) Khavn: PUGOT and LITERATURE&lt;br /&gt;&lt;br /&gt;16 (S) Kidlat Tahimik: Turumba&lt;br /&gt;&lt;br /&gt;18 (M) Korean Indie shorts&lt;br /&gt;Kyoung-mi Lee: FEEL GOOD STORY (2004  Fiction  16mm  Color  36min)&lt;br /&gt;Soo-yeon Lee: THE GOGGLE(2000  35mm  Color  34min)&lt;br /&gt;&lt;br /&gt;19 (T)&lt;br /&gt;Bong Ramos: HAW-ANG (Before Harvest)(Narrative/Digital/ 2007)&lt;br /&gt;&lt;br /&gt;20 (W) A Midsummer’s Night of Dreams: ExperimentalFilms Curated by Waise Azimi&lt;br /&gt;Donal Foreman: wsh(3min)&lt;br /&gt;Jane Osborne: DRIVE (15min)&lt;br /&gt;Jasmine Nadua Trice: UNTITLED (10min)&lt;br /&gt;&lt;br /&gt;21 (Th) Sherad Anthony Sanchez: APPLE, ABSTRACTION,COMING TO PASS, IYAK NI MARIA&lt;br /&gt;&lt;br /&gt;22 (F) MALIKOT ANG KAMA-Y/O Films of Yason Banal&lt;br /&gt;&lt;br /&gt;23 (S) Campus-Based Films: University of thePhilippines and University of the East (selected byProf. Ramon Nunez and Yason Banal)&lt;br /&gt;&lt;br /&gt;25 (M) Cuban Film Program Bernie Dwyer and Roberto Ruiz Rebo: MISSION AGAINSTTERROR (Documentary)&lt;br /&gt;To be presented by the Philippine-Cuban FriendshipAssociation (Amistad-Philippine s)&lt;br /&gt;&lt;br /&gt;26 (T) Cinekalikasan Curated by Lisa Ito&lt;br /&gt;&lt;br /&gt;27 (W) Mario and Agnes Guzman&lt;br /&gt;&lt;br /&gt;28 (Th) Kidlat de Guia&lt;br /&gt;&lt;br /&gt;29 (F) Elvert de la Cruz Banares&lt;br /&gt;&lt;br /&gt;30 (S) Peque Gallaga and Manny Montelibano: TalkingHeads sa Birhause (Multi-screen video installation/ 30min) Curated by Teddy Co&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-432262988214467184?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/432262988214467184/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=432262988214467184' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/432262988214467184'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/432262988214467184'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/06/cinekatipunan-june-2007.html' title='Cinekatipunan June 2007'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-8914274595181310548</id><published>2007-06-02T17:52:00.000+08:00</published><updated>2007-06-02T17:53:27.090+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='French film'/><title type='text'>FRENCH FILM FESTIVAL</title><content type='html'>&lt;span style="font-weight: bold;"&gt;Cinema 3 Shangri La Cineplex&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;June 8-17&lt;/span&gt;&lt;br /&gt;FREE ADMISSION&lt;br /&gt;&lt;br /&gt;LIST OF FILMS:&lt;br /&gt;&lt;br /&gt;Arthur and the Invisibles (2006) by Luc&lt;br /&gt;Besson&lt;br /&gt;Fair Play (2006) by Lionel Bailliu&lt;br /&gt;Gamblers (2005) by Frederic Balekdjian&lt;br /&gt;March of the Penguins (2005) by Luc Jacuet&lt;br /&gt;Not There to be Loved (2005) by Stephane&lt;br /&gt;Brize&lt;br /&gt;OSS 117 (2006) by Michel Hazanavicius&lt;br /&gt;Sequins (2004) by Eleanore Faucher&lt;br /&gt;The Ax (2005) by Costa-Gavras&lt;br /&gt;The Little Lieutenant (2005) by Xavier&lt;br /&gt;Beauvois&lt;br /&gt;Perfume: Story of a Murderer (2006) by&lt;br /&gt;Tom Tykwer&lt;br /&gt;&lt;br /&gt;SKED:&lt;br /&gt;&lt;br /&gt;June 8 (F)&lt;br /&gt;&lt;br /&gt;1:00 PM Perfume&lt;br /&gt;3:30 PM Arthur&lt;br /&gt;6:00 PM The Ax&lt;br /&gt;8:30 PM Gamblers&lt;br /&gt;&lt;br /&gt;June 9 (Sa)&lt;br /&gt;&lt;br /&gt;1:00 PM Arthur&lt;br /&gt;3:30 PM Lieutenant&lt;br /&gt;6:00 PM Penguins&lt;br /&gt;8:30 PM Sequins&lt;br /&gt;&lt;br /&gt;June 10 (Su)&lt;br /&gt;&lt;br /&gt;1:00 PM Penguins&lt;br /&gt;3:30 PM Not Here&lt;br /&gt;6:00 PM Perfume&lt;br /&gt;8:30 PM The Ax&lt;br /&gt;&lt;br /&gt;June 11 (M)&lt;br /&gt;&lt;br /&gt;1:00 PM Sequins&lt;br /&gt;3:30 PM Not Here&lt;br /&gt;6:00 PM The Ax&lt;br /&gt;8:30 PM Penguins&lt;br /&gt;&lt;br /&gt;June 12 (Tu)&lt;br /&gt;&lt;br /&gt;Tribute to Philippine Cinema&lt;br /&gt;&lt;br /&gt;June 13 (W)&lt;br /&gt;&lt;br /&gt;1:00 PM The Ax&lt;br /&gt;3:30 PM Gamblers&lt;br /&gt;6:00 PM Sequins&lt;br /&gt;8:30 PM Arthur&lt;br /&gt;&lt;br /&gt;June 14 (Th)&lt;br /&gt;&lt;br /&gt;1:00 PM Penguins&lt;br /&gt;3:30 PM The Ax&lt;br /&gt;6:00 PM Fair Play (Discussion with&lt;br /&gt;Lionel Bailliu will&lt;br /&gt;be followed)&lt;br /&gt;&lt;br /&gt;June 15 (F)&lt;br /&gt;&lt;br /&gt;1:00 PM Not Here&lt;br /&gt;3:30 PM Sequins&lt;br /&gt;6:00 PM Arthur&lt;br /&gt;8:30 PM Perfume&lt;br /&gt;&lt;br /&gt;June 16 (Sa)&lt;br /&gt;&lt;br /&gt;1:00 PM The Ax&lt;br /&gt;3:30 PM Perfume&lt;br /&gt;6:00 PM Fair Play&lt;br /&gt;8:30 PM Gamblers&lt;br /&gt;&lt;br /&gt;June 17 (Su)&lt;br /&gt;&lt;br /&gt;1:00 PM Arthur&lt;br /&gt;3:30 PM Lieutenant&lt;br /&gt;6:00 PM Not Here&lt;br /&gt;8:30 PM Penguins&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-8914274595181310548?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/8914274595181310548/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=8914274595181310548' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/8914274595181310548'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/8914274595181310548'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/06/french-film-festival.html' title='FRENCH FILM FESTIVAL'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-7316992467861880155</id><published>2007-05-29T10:15:00.000+08:00</published><updated>2007-05-29T10:17:13.104+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='UP Film Institute'/><category scheme='http://www.blogger.com/atom/ns#' term='UP Film Center'/><category scheme='http://www.blogger.com/atom/ns#' term='UPFI'/><title type='text'>UPFI film screenings</title><content type='html'>&lt;strong&gt;UP Film Institute this June&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;The UP Film Institute commences another school year of screenings this June. Openers include Notes on a Scandal pitting Judi Dench and Cate Blanchett; John Tucker Must Die topbilled by Desperate Housewives hunk Jesse Metcalf and the British comedy phenomenon The History Boys.&lt;br /&gt;&lt;br /&gt;The month’s highlight is the UP Film Institute showcase (at long last!) of the international award-winning digital feature by Mes de Guzman, Ang Daan Patungong Kalimugtong—Winner of Special Mention for Best New Director at the 2006 San Sebastian Film Festival. San Sebastian where Lino Brocka once competed for the top plum Golden Seashell with the 1982 classic Cain at Abel is the highly prestigious filmfest in Spain in the league of Cannes , Venice , Berlin , Locarno and Karlovy Vary .&lt;br /&gt;&lt;br /&gt;More attractions involve a fresh take on the gay-pride films and the soon-to-be-announce d move-over screenings for this year’s French Spring filmfest.&lt;br /&gt;&lt;br /&gt;A rundown of the full month of UP Film Institute’s screenings is as follows:&lt;br /&gt;&lt;br /&gt;June 2007&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;June 4 Monday&lt;/strong&gt;&lt;br /&gt;Notes on a Scandal 2 &amp; 7 p.m.&lt;br /&gt;John Tucker Must Die 5 p.m.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;June 5 Tuesday&lt;/strong&gt;&lt;br /&gt;Notes on a Scandal 2 &amp; 5 p.m.&lt;br /&gt;John Tucker Must Die 7 p.m.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;June 6 Wednesday&lt;br /&gt;&lt;/strong&gt;Notes on a Scandal 2 &amp; 7 p.m.&lt;br /&gt;John Tucker Must Die 5 p.m.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;June 7 Thursday&lt;/strong&gt;&lt;br /&gt;Notes on a Scandal 2 &amp; 5 p.m.&lt;br /&gt;John Tucker Must Die 7 p.m.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;June 8 Friday&lt;/strong&gt;&lt;br /&gt;Ang Daan Patungong Kalimugtong 2/5/7 p.m.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;June 11 Monday&lt;/strong&gt;&lt;br /&gt;The History Boys 2 &amp; 7 p.m.&lt;br /&gt;Notes on a Scandal 5 p.m.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;June 12 Tuesday&lt;/strong&gt;&lt;br /&gt;The History Boys 2 &amp; 5 p.m.&lt;br /&gt;Notes on a Scandal 7 p.m.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;June 13 Wednesday&lt;/strong&gt;&lt;br /&gt;The History Boys 2, 5 &amp; 7 p.m.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;June 14 Thursday&lt;/strong&gt;&lt;br /&gt;French Spring Event with Visiting Filmmaker Lionel Bailliu 1 p.m. onwards&lt;br /&gt;Selected International Short Films 5 p.m. onwards&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;June 15 Friday&lt;/strong&gt;&lt;br /&gt;Ang Daan Patungong Kalimugtong 2/5/7 p.m.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;June 16 Saturday&lt;/strong&gt;&lt;br /&gt;Gray Matters 2/5/7 p.m.&lt;br /&gt;Selected International Short Films: K ( Spain )/Melodrama ( Poland )/Josh ( Canada ) 4 p.m.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;June 18 Monday&lt;/strong&gt;&lt;br /&gt;It’s a Boy Girl Thing 2 &amp; 5 p.m.&lt;br /&gt;Co-Ed Scandal 7 p.m.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;June 19 Tuesday&lt;/strong&gt;&lt;br /&gt;Butterfly’s Tongue 2 &amp; 7 p.m.&lt;br /&gt;The Emperor’s Club 5 p.m.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;June 20 Wednesday&lt;br /&gt;&lt;/strong&gt;The Emperor’s Club 2 &amp; 7 p.m.&lt;br /&gt;Butterfly’s Tongue 5 p.m.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;June 21 Thursday&lt;/strong&gt;&lt;br /&gt;Butterfly’s Tongue 2 &amp; 7 p.m.&lt;br /&gt;The Emperor’s Club 5 p.m.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;June 22 Friday&lt;br /&gt;&lt;/strong&gt;Ang Daan Patungong Kalimugtong 2/5/7 p.m.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;June 23 Saturday&lt;/strong&gt;&lt;br /&gt;Tuli 2/5/7 p.m.&lt;br /&gt;Selected International Short Films: K ( Spain )/Melodrama ( Poland )/Josh ( Canada ) 4 p.m.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;June 25 Monday&lt;br /&gt;&lt;/strong&gt;In Good Company 2/5/7 p.m.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;June 26 Tuesday&lt;/strong&gt;&lt;br /&gt;In Good Company 2/5/7 p.m.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;June 27 Wednesday&lt;/strong&gt;&lt;br /&gt;In Good Company 2/5/7 p.m.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;June 28 Thursday&lt;/strong&gt;&lt;br /&gt;In Good Company 2 &amp; 7 p.m.&lt;br /&gt;Pan’s Labyrinth 5 p.m.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;June 29 Friday&lt;/strong&gt;&lt;br /&gt;Ang Daan Patungong Kalimugtong 2/5/7 p.m.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;June 30 Saturday&lt;/strong&gt;&lt;br /&gt;Tuli 2/5/7 p.m.&lt;br /&gt;Selected International Short Films: K ( Spain )/Melodrama ( Poland )/Josh ( Canada ) 4 p.m.&lt;br /&gt;&lt;br /&gt;To always get screening alerts, join UP Film Institute e-group: &lt;a href="http://by12fd.bay12.hotmail.msn.com/cgi-bin/compose?curmbox=F000000001&amp;a=eac14dcc7058a77477ce7afbad2931fb937d392d7e36ca3e204105df5cd97136&amp;amp;mailto=1&amp;to=upfilminstitute@yahoogroups.com&amp;amp;msg=MSG1148605507.1&amp;start=1803244&amp;amp;len=1566&amp;src=&amp;amp;type=x" target="_blank" rel="nofollow"&gt;upfilminstitute@ yahoogroups. com&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;University of the Philippines Film Institute&lt;br /&gt;(Member, CILECT/Internationa l Association of Film and Television Schools )&lt;br /&gt;Plaridel Hall, Ylanan Road , UP Diliman, Quezon City&lt;br /&gt;Tel: 9818500 (UP Trunkline) local 2669, 2670; 9206863 (Telefax)&lt;br /&gt;Cine Adarna, Magsaysay and Osmena Avenues, UP Diliman, Quezon City&lt;br /&gt;Tel: 9818500 (UP Trunkline) local 4286, 4289; 9262722 (Telefax)&lt;br /&gt;&lt;a href="http://us.f514.mail.yahoo.com/ym/Compose?To=upfi.academic@gmail.com" target="_blank" rel="nofollow"&gt;upfi.academic@ gmail.com&lt;/a&gt;&lt;br /&gt;&lt;a href="http://us.f514.mail.yahoo.com/ym/Compose?To=upfi.adarna@gmail.com" target="_blank" rel="nofollow"&gt;upfi.adarna@ gmail.com&lt;/a&gt;&lt;br /&gt;&lt;a href="http://us.f514.mail.yahoo.com/ym/Compose?To=upfi_workshops@yahoo.com.ph" target="_blank" rel="nofollow"&gt;upfi_workshops@ yahoo.com. ph&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-7316992467861880155?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/7316992467861880155/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=7316992467861880155' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/7316992467861880155'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/7316992467861880155'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/05/upfi-film-screenings_29.html' title='UPFI film screenings'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-6897969875818823305</id><published>2007-05-23T14:13:00.000+08:00</published><updated>2007-05-21T14:20:28.437+08:00</updated><title type='text'>BALIW screenings</title><content type='html'>&lt;strong&gt;BALIW&lt;/strong&gt; - Limited Exclusive Screening Engagement - &lt;strong&gt;May 23rd thru May 29th&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;The highly anticipated Indie Feature, BALIW, will be making it'slimited engagement screening on May 23rd thru May 29th at &lt;strong&gt;Robinson's Galleria &lt;/strong&gt;in Ortigas Ave. The strong ensemble cast of BALIW stars Joel Torre, Ryan Eigenmann,Joshua Deocareza, Liza Diño, Lesley Leveriza, Igiboy Flores, NicoAntonio, Cj Mercado, Perry Escaño, Dido Delapaz and veteranstage/screen actor Jaime Fabregas. Along them are twenty of the most talented suppporting actors and actresses that make the Independent movie industry in the Philippines rapidly getting its proper worldwide recognition.&lt;br /&gt;&lt;br /&gt;BALIW, written, produced, anddirected by &lt;strong&gt;Redd Ochoa&lt;/strong&gt;, has garnered asold out crowd on several exclusive screenings in Chicago, Miami,Vancouver, and also here in Manila. It is currently making its way through the international film festival circuit. Its nationwide theatrical release will come forth soon thereafter. A story of truth, life, youth, and the path to survival.&lt;br /&gt;&lt;br /&gt;www.baliwthemovie.com&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-6897969875818823305?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/6897969875818823305/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=6897969875818823305' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/6897969875818823305'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/6897969875818823305'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/05/baliw-screenings.html' title='BALIW screenings'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-2877695387861333726</id><published>2007-05-23T14:08:00.000+08:00</published><updated>2007-05-21T14:13:18.663+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='French film'/><category scheme='http://www.blogger.com/atom/ns#' term='Alliance Française de Manille'/><title type='text'>Alliance Française de Manille</title><content type='html'>The af Ciné Club presents&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;La Petite Lili (Little Lili)&lt;/strong&gt;&lt;br /&gt;A film by Claude Miller&lt;br /&gt;(French version, with English subtitles)&lt;br /&gt;2000, 104 minutes&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Alliance Ondeo Auditorium&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Wednesday, May 23, 2007, 8:30 pm&lt;/strong&gt;&lt;br /&gt;(Free Admission)&lt;br /&gt;&lt;br /&gt;Le Coude Rouge Restaurant is open before and after the film screening&lt;br /&gt;&lt;br /&gt;Starring:&lt;br /&gt;Nicole Garcia (Mado Marceaux), Bernard Giraudeau (Brice),Jean-Pierre Marielle (Simon Marceaux), Ludivine Sagnier (Lili), RobinsonStévenin (Julien Marceaux), Julie Depardieu (Jeanne-Marie), and more&lt;br /&gt;&lt;br /&gt;Genre:&lt;br /&gt;Drama / Romance and more&lt;br /&gt;&lt;br /&gt;Critic Reviews:&lt;br /&gt;"A film that adapts the basic Russian Classic and then breaks away in moreways than just the setting"&lt;br /&gt;- Martha Barber of Miami Herald&lt;br /&gt;" Its lush feel and affectionate tone are a movie-loving Francophile's dreamcome true. "&lt;br /&gt;- E!&lt;br /&gt;&lt;br /&gt;When the young and overly sensitive filmmaker Julien screens his new DVart-film starring his girlfriend Lili--a sexy young local girl--to hisfamous actress mother Mado, and her lover Brice, an accomplished filmdirector, an unraveling of the delicate peace in their house begins. Thegraceful beauty Lili, who dreams of becoming a famous actress like Mado, isimmediately fascinated by Brice, who gladly falls prey to her charms. Lili'sambitions will stop at nothing and she soon seduces Brice into leaving Madoto take her to Paris so she can become a movie actress. Mado and Julien areleft to pick up the pieces of their disrupted lives, and for Julien the lossis almost fatal. Five years later, Julien, now a more established filmmaker,remakes a fictionalized account of this disastrous love quadrangle, whichnearly destroyed him. He reunites the characters--based on Mado, Brica andLili--in his first, highly autobiographical, feature film. In real life,Lili is no longer with Brice, but indeed, she has become a famous actress.When she learns of Julien's new film, and that it's about that tempestuoussummer of five years past, she tries to reconnect with him.&lt;br /&gt;&lt;br /&gt;For more information, please contact:&lt;br /&gt;Alliance Française de Manille&lt;br /&gt;209 Nicanor Garcia Street (formerly Reposo Street),&lt;br /&gt;Bel-Air 2, Makati City. 1209 Philippines.&lt;br /&gt;Tels: 895-7585 / 895-7441 Fax: 899-3654 e-mail:&lt;a onclick="return top.js.OpenExtLink(window,event,this)" href="mailto:info@alliance.ph" target="_blank"&gt;info@alliance.ph&lt;/a&gt;&lt;br /&gt;Office hours: Monday - Thursday: 9 am to 6 pmFriday: 9 am to 1 pm Saturday: 9 am to 5 pm&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-2877695387861333726?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/2877695387861333726/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=2877695387861333726' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/2877695387861333726'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/2877695387861333726'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/05/alliance-franaise-de-manille.html' title='Alliance Française de Manille'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-7988115514561188741</id><published>2007-05-23T13:05:00.000+08:00</published><updated>2007-04-23T13:09:26.777+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='robinson&apos;s galleria'/><category scheme='http://www.blogger.com/atom/ns#' term='indiesine'/><title type='text'></title><content type='html'>Indiesine presents &lt;strong&gt;"BALIW"&lt;/strong&gt; the movie&lt;br /&gt;&lt;br /&gt;"Baliw" is a story of Angelo who as a young boy grew up in a violentand elusive environment. Despite the efforts of rehabilitation, psychological turmoil still haunts and prevents him from living a peaceful and ordinary life. Faced with this reality, Angelo searches for a way to exorcise his personal, demons. Surprisingly, he finally ended his tragic fate as he crossed path with a demon he created.&lt;br /&gt;&lt;br /&gt;Baliw is written, directed by and produced by &lt;strong&gt;Redd Ochoa&lt;/strong&gt;, a Filipino filmmaker based in America. He finished Film Direction at New York University and directed the short film "Mary" which received special acceptance at Angels City Film Festival and Los Angeles Film Festival.&lt;br /&gt;&lt;br /&gt;Leading the cast is &lt;strong&gt;Ryan Eigenmann&lt;/strong&gt; who played as Angelo. Ryan proves once again his excellence in acting for this indie film under Redd5Luke Productions, Inc. but of course with the help of Joel Torre, Jaime Fabregas plus newcomer Josh Deocareza and supporting actors Didode la Paz, Liza Dino, Perry Escano, Lesley Leveriza, Cj Mercado, LilyChu, Choy Roldan, Jerome Ortiz, Therese Carlos, Ces Aldava and Nico Antonio.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;"Baliw"&lt;/strong&gt; first public screening will be on &lt;strong&gt;May 23-29, 2007&lt;/strong&gt; under &lt;strong&gt;Indiesine Robinson's Galleria Ortigas&lt;/strong&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-7988115514561188741?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/7988115514561188741/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=7988115514561188741' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/7988115514561188741'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/7988115514561188741'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/05/indiesine-presents-baliw-movie-baliw-is.html' title=''/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-1265152047936868964</id><published>2007-05-19T18:02:00.000+08:00</published><updated>2007-05-03T18:08:29.889+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Titus Brandsma Center'/><title type='text'>Titus Brandsma Center screenings</title><content type='html'>Showing This Month: &lt;strong&gt;May 19, 1pm onwards&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Pelikula@TitusBrandsma :  Li Gong's  Retrospective (China's Iron Beauty)&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;24  Acacia St. Brgy. Mariana, New Manila, Quezon City&lt;br /&gt;&lt;br /&gt;ADMISSION IS FREE&lt;br /&gt;&lt;br /&gt;Pelikula@Titus Brandsma is a free monthly film screening with film dialogue that features fine samples of world cinema. It's an offering of the Titus Brandsma Center-Media Program under the auspices of the Carmelites in the Philippines. A film dialogue is a systematic, goal-oriented, personal ("inner") and group dialogue on films and TV stories that facilitate the sharing of faith-life experiences, reflections and interpretations of the varied meanings of life towards integration and wholeness.&lt;br /&gt;&lt;br /&gt;Sequence:&lt;br /&gt;&lt;br /&gt;Shanghai Triad (Yao a yao yao dao waipo qiao)&lt;br /&gt;Yimou Zhang, China/France, 1995&lt;br /&gt;103 minutes.&lt;br /&gt;In Mandarin with English subtitles.&lt;br /&gt;Cast: Li Gong, Baotian Li, Wang Xiaoxiao, Xuejian Li, Chun Sun&lt;br /&gt;&lt;br /&gt;Uncle Liu brings his cousin to Shanghai to work for 'Boss,' the leader of apowerful drug empire in the 1930's. Shuisheng, a simple country boy is awedand overwhelmed by the opulence and immense wealth he is suddenly surroundedby. He is to be the attendant of Xiao Jingbao, the new mistress of 'Boss.'While he fumbles with the demands of his new role, much intrigue is going onaround him, well beyond his bewildered perception. Xiao Jingbao is having atumultuous affair, Fat Yu is starting a gang war, and 'Boss' is beginning tosuspect that one of his trusted men is not loyal.&lt;br /&gt;&lt;br /&gt;Nominated, 1996 Academy Awards, USA - Oscar Best Cinematography; Nominated,1995 Camerimage - Golden Frog; Winner, 1995 Cannes Film Festival - TechnicalGrand Prize.  Nominated - Golden Palm; Nominated, 1996 Golden Globes, USA -Best Foreign Language Film; Winner, 1995 Los Angeles Film CriticsAssociation Awards - LAFCA Award Best Cinematography; Winner, 1995  NationalBoard of Review, USA - Best Foreign Language Film; Winner, 1995 New YorkFilm Critics Circle Awards - Best Cinematographer&lt;br /&gt;&lt;br /&gt;Raise the Red Lantern (Da hong deng long gao gao gua)&lt;br /&gt;Yimou Zhang, China/Hong Kong/Taiwan, 199&lt;br /&gt;1125 minutes.  &lt;br /&gt;In Mandarin with English subtitles.&lt;br /&gt;Cast: Li Gong, Caifei He, Cuifen Cao, Jingwu Ma, Qi Zhao&lt;br /&gt;&lt;br /&gt;China in the 1920's. After her father's death, nineteen year old Songlian isforced to marry Chen Zuoqian, the lord of a powerful family. Fifty year oldChen has already three wives, each of them living in separate houses withinthe great castle. The competition between the wives is tough, as theirmaster's attention carries power, status and privilege. Each night Chen mustdecide with which wife to spend the night and a red lantern is lit in frontof the house of his choice. And each wife schemes and plots to make sureit's hers. However, things get out of hand...&lt;br /&gt;&lt;br /&gt;Nominated, 1992 Academy Awards, USA - Oscar Best Foreign Language Film;Winner, 1993 BAFTA Awards - Best Film not in the English Language; Winner,1992 David di Donatello Awards - Best Foreign Film; Winner, 1993 HundredFlowers Awards - Best Actress (Li Gong); Nominated, 1993 Independent SpiritAwards - Best Foreign Film; Winner, 1993 Kansas City Film Critics CircleAwards - Best Foreign Film; Winner, 1993 London Critics Circle Film Awards -Foreign Language Film of the Year; Winner, 1992 Los Angeles Film CriticsAssociation Awards - Best Cinematography; Winner, 1993 National Society ofFilm Critics Awards, USA - Best Cinematography, Best Foreign Language Film;Winner, 1992 New York Film Critics Circle Awards - Best Foreign LanguageFilm; Winner, 1991 Venice Film Festival - Silver Lion. Tied with The FisherKing (1991) and J'entends plus la guitare (1991). Nominated - Golden Lion&lt;br /&gt;&lt;br /&gt;The Emperor and the Assassin (Jing ke ci qin wang)&lt;br /&gt;Kaige Chen, France/Japan/China, 1998&lt;br /&gt;162 minutes.&lt;br /&gt;In Mandarin with English subtitles.&lt;br /&gt;Cast: Li Gong, Fengyi Zhang, Zhou Sun, Xiaohe Lu, Zhiwen Wang&lt;br /&gt;&lt;br /&gt;In the 3rd Century BC, Ying Zheng (Li Xuejian), heir to the Kingdom of Qin,seeks to dominate the remaining six Chinese kingdoms. Ying's strategy is toseem invincible. Ying sends his concubine Zhao (Gong Li) to the Han Kingdomas a spy, to enlist an assassin he can conquer. Zhao persuades Jing Ke(Fengyi Zhang), but falls in love.&lt;br /&gt;&lt;br /&gt;Nominated, 1999 AFI Fest - Grand Jury Prize; Nominated, 2000 BritishIndependent Film Awards - Best Foreign Film - Foreign Language;  Winner,1999 Cannes Film Festival - Technical Grand Prize. Nominated - Golden Palm;Winner, 1999  Golden Rooster Awards - Golden Rooster     BestCinematography; Nominated, 2000 Motion Picture Sound Editors, USA - GoldenReel Award Best Sound Editing - Foreign Feature; Nominated, 2000 SatelliteAwards - Golden Satellite Award Best Art Direction, Production Design, BestCostume Design, Motion Picture, Foreign Language, Sound&lt;br /&gt;&lt;br /&gt;Reference: &lt;a onclick="return top.js.OpenExtLink(window,event,this)" href="http://www.imdb.com/" target="_blank"&gt;www.imdb.com&lt;/a&gt;, &lt;a onclick="return top.js.OpenExtLink(window,event,this)" href="http://amazon.com/" target="_blank"&gt;amazon.com&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;For inquries/confirmation, call Bituin (726-6054), Eric (364-7955). Maxie(751-1169).&lt;br /&gt;Email: &lt;a onclick="return top.js.OpenExtLink(window,event,this)" href="mailto:pelikula_titusbrandsma-owner@yahoogroups.com"&gt;pelikula_titusbrandsma-owner@yahoogroups.com&lt;/a&gt;, &lt;a onclick="return top.js.OpenExtLink(window,event,this)" href="mailto:tbcmedia@yahoo.com"&gt;tbcmedia@yahoo.com&lt;/a&gt; or&lt;a onclick="return top.js.OpenExtLink(window,event,this)" href="mailto:pelikula.tbc@gmail.com"&gt;pelikula.tbc@gmail.com&lt;/a&gt; (To post ad, inquiries, communications)&lt;br /&gt;Website: &lt;a onclick="return top.js.OpenExtLink(window,event,this)" href="http://www.pelikula-titusbrandsma.ph" target="_blank"&gt;www.pelikula-titusbrandsma.ph&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-1265152047936868964?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/1265152047936868964/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=1265152047936868964' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/1265152047936868964'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/1265152047936868964'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/05/titus-brandsma-center-screenings.html' title='Titus Brandsma Center screenings'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-8048568024938786175</id><published>2007-05-19T12:20:00.000+08:00</published><updated>2007-05-15T12:22:25.883+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Banned Movies Pilipinas'/><title type='text'>VOTE FOR MEYOR: SANCHEZ GETS BANNED!</title><content type='html'>Multi-talented &lt;strong&gt;Seymour Barros Sanchez&lt;/strong&gt;, popularly known as “Meyor,” is an engineer, a professor, a writer and an advocacy filmmaker. The former Editor-in-Chief of the Philippine Collegian of the University of the Philippines has honed his superior writing talents to direct and co-write several films that reflect not only his talent but his passion for advocacy.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BANNED MOVIES PILIPINAS&lt;/strong&gt;, independent film and music vehicle, and home of indie film premieres, is proud to premiere feature Meyor Sanchez and his films this coming&lt;strong&gt; May 19&lt;/strong&gt; at &lt;strong&gt;Freedom Bar&lt;/strong&gt; in Anonas Quezon City.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;VOTE FOR MEYOR: SANCHEZ GETS BANNED!&lt;/strong&gt; also showcases talented indie acts Bored of Trustees, Lem’s Guitar, Morigan, solo act Paw Navarro, Delacrus, and many more. Look out for surprise guests.&lt;br /&gt;&lt;br /&gt;Masarap talaga ang bawal. Get the best of film and music that is indie’s best kept secret.&lt;br /&gt;On May 19, 8 pm onwards, all roads lead to Freedom Bar in Anonas, Quezon City . Tickets are at P100 each.&lt;br /&gt;&lt;br /&gt;For inquiries and reservations, text 0917-3705454 or email &lt;a href="http://us.f514.mail.yahoo.com/ym/Compose?To=banned_movies@yahoo.com" target="_blank" rel="nofollow"&gt;http://us.f514.mail.yahoo.com/ym/Compose?To=banned_movies@yahoo.com&lt;/a&gt;. Missed out on your indie fix? Visit &lt;a href="http://www.bannedmoviespilipinas.com/" target="_blank" rel="nofollow"&gt;http://www.bannedmoviespilipinas.com/&lt;/a&gt;. Indie has never been this addictive.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-8048568024938786175?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/8048568024938786175/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=8048568024938786175' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/8048568024938786175'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/8048568024938786175'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/05/vote-for-meyor-sanchez-gets-banned.html' title='VOTE FOR MEYOR: SANCHEZ GETS BANNED!'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-1222189760303685915</id><published>2007-05-17T12:23:00.000+08:00</published><updated>2007-05-15T12:26:34.806+08:00</updated><title type='text'>Films by women</title><content type='html'>The &lt;strong&gt;Feminine Force Group's&lt;/strong&gt; (FFG) post-mother' s day celebration will blend together music from rocking moms and films on women on &lt;strong&gt;May 17, 10pm,&lt;/strong&gt; at &lt;strong&gt;Penguin Gallery in Malate&lt;/strong&gt;.&lt;br /&gt;&lt;br /&gt;The monthly gig series of this women-led production will coincide this time with the rebirth of &lt;strong&gt;"Dokyu: Ang Bagong Mata ng Pinoy Documentaries"&lt;/strong&gt; on its 6th season on ABC 5 with some of today's young female filmmakers.&lt;br /&gt;&lt;br /&gt;Agaw Agimat and Puny Earthlings will provide the live band music while short films of Sockie Fernandez &lt;strong&gt;("Liyab"),&lt;/strong&gt; Pam Miras &lt;strong&gt;("Blood Bank"),&lt;/strong&gt; Rianne Hill Soriano &lt;strong&gt;("Aninag"),&lt;/strong&gt; and Grace Orbon &lt;strong&gt;("Dead Letter")&lt;/strong&gt; will be shown in the middle of the gig set.&lt;br /&gt;&lt;br /&gt;The FFG's gig series is every third Thursday at Penguin. The show aims to continue being a regular and stable venue for women artists. "Dokyu" starts airing this Friday at 10 pm with new host Patricia Evangelista.&lt;br /&gt;&lt;br /&gt;Ticket is at P120 each with one beer included. For other details, please text 0918-9048815 or 0915-9678383.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-1222189760303685915?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/1222189760303685915/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=1222189760303685915' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/1222189760303685915'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/1222189760303685915'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/05/films-by-women.html' title='Films by women'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-8308395284935599841</id><published>2007-05-16T16:33:00.000+08:00</published><updated>2007-05-17T16:40:35.568+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='robinson&apos;s galleria'/><title type='text'>Sandalang Bahay</title><content type='html'>&lt;a href="http://bp0.blogger.com/_DPlZIfbWYUI/RkwUPcGFf8I/AAAAAAAAAC0/EIaX_naMxWI/s1600-h/sandalang_bahay.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5065445936357277634" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 385px; CURSOR: hand; HEIGHT: 348px; TEXT-ALIGN: center" height="246" alt="" src="http://bp0.blogger.com/_DPlZIfbWYUI/RkwUPcGFf8I/AAAAAAAAAC0/EIaX_naMxWI/s320/sandalang_bahay.jpg" width="405" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-8308395284935599841?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/8308395284935599841/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=8308395284935599841' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/8308395284935599841'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/8308395284935599841'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/05/sandalang-bahay.html' title='Sandalang Bahay'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp0.blogger.com/_DPlZIfbWYUI/RkwUPcGFf8I/AAAAAAAAAC0/EIaX_naMxWI/s72-c/sandalang_bahay.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-7770506150239622566</id><published>2007-05-15T12:27:00.000+08:00</published><updated>2007-05-15T12:28:00.053+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='UP Film Institute'/><category scheme='http://www.blogger.com/atom/ns#' term='UP Film Center'/><category scheme='http://www.blogger.com/atom/ns#' term='UPFI'/><title type='text'>Troika at the UPFI</title><content type='html'>UP Film Institute screens &lt;strong&gt;Troika&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;The UP Film Institute holds the fitting grand finale to its summer season of screenings with the debut film by Ihman Esturco. Troika (Threesome) from Daven Productions screens thrice daily for three straight days in three separate sets of playdates as follows: &lt;strong&gt;May 15-17 Tue-Thu; May 22-24 Tue-Thu; May 31, June 1, June 2 Thu-Sat at 3, 5 and 7 p.m.&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;Introducing Andre Soriano, Jamil Basa and Mara Altiera, the sizzling indie flick from Eric Ramos’ screenplay tells the story of an engineer’s troubled marriage with his wife of Indian descent and the miner of ethnic Ibaloi ancestry who would arouse passion in both spouses against the backdrop of a mining site filled with sweaty, swarthy, naked men and badgered for its ill effects on the environment and the indigenous community it has displaced.&lt;br /&gt;&lt;br /&gt;The acclaimed film with English subtitles is strictly for mature viewing. Completing the principal cast are Criselda Volks, Lauren Novero, Raven Villanueva, Carlo Lacana and Lara Morena.&lt;br /&gt;&lt;br /&gt;To always get screening alerts, join UP Film Institute e-group: &lt;a href="http://by12fd.bay12.hotmail.msn.com/cgi-bin/compose?curmbox=F000000001&amp;a=eac14dcc7058a77477ce7afbad2931fb937d392d7e36ca3e204105df5cd97136&amp;amp;mailto=1&amp;to=upfilminstitute@yahoogroups.com&amp;amp;msg=MSG1148605507.1&amp;start=1803244&amp;amp;len=1566&amp;src=&amp;amp;type=x" target="_blank" rel="nofollow"&gt;upfilminstitute@ yahoogroups. com&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;University of the Philippines Film Institute&lt;br /&gt;(Member, CILECT/Internationa l Association of Film and Television Schools )&lt;br /&gt;Plaridel Hall, Ylanan Road , UP Diliman, Quezon City&lt;br /&gt;Tel: 9818500 (UP Trunkline) local 2669, 2670; 9206863 (Telefax)&lt;br /&gt;Cine Adarna, Magsaysay and Osmena Avenues, UP Diliman, Quezon City&lt;br /&gt;Tel: 9818500 (UP Trunkline) local 4286, 4289; 9262722 (Telefax)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-7770506150239622566?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/7770506150239622566/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=7770506150239622566' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/7770506150239622566'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/7770506150239622566'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/05/troika-at-upfi.html' title='Troika at the UPFI'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-5364390993185939788</id><published>2007-05-15T10:02:00.000+08:00</published><updated>2007-05-15T10:05:02.696+08:00</updated><title type='text'>MANORO</title><content type='html'>NOW SHOWING UNTIL MAY 15 AT INDIE SINE&lt;br /&gt;&lt;br /&gt;MANORO (The Aeta Teacher)&lt;br /&gt;&lt;br /&gt;Fresh from her elementary graduation rites, Jonalyn, a 13-year-old Aeta,teaches middle-aged and elderly Aetas to read and write, enabling them tocast their votes for the upcoming election. To her dismay, her grandfatherprefers to hunt wild board to feed every member of the Aeta community, thusmissing his chance to exercise his birth right. Months later, the result ofthat exercise is put to suspicion because of the alleged rampant cheating.&lt;br /&gt;&lt;br /&gt;Manoro is an eye-opener to reality. Surprising and shocking, it will tug at your heart and mind.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-5364390993185939788?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/5364390993185939788/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=5364390993185939788' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/5364390993185939788'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/5364390993185939788'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/05/manoro.html' title='MANORO'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-718299363823714849</id><published>2007-05-09T10:21:00.000+08:00</published><updated>2007-05-09T10:25:58.580+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Alliance Française de Manille'/><title type='text'>Alliance Française de Manille screenings</title><content type='html'>The af Ciné Club presents&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Roberto Succo&lt;/strong&gt;&lt;br /&gt;A film by Cédric Kahn&lt;br /&gt;(French version, with English subtitles)&lt;br /&gt;2000, 124 minutes&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Alliance Ondeo Auditorium&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Wednesday, May 9, 2007, 8:30 pm&lt;/strong&gt;&lt;br /&gt;(Free Admission)&lt;br /&gt;&lt;br /&gt;Starring: Stefano Cassetti (Roberto Succo / alias Kurt, André), IsildLe Besco (Léa), Patrick Dell'Isola (Thomas), and more&lt;br /&gt;Genre: Drama / more&lt;br /&gt;&lt;br /&gt;Critic Reviews:&lt;br /&gt;"A cool, detached movie that keeps its worst violence off-screen and makes no judgments"&lt;br /&gt;- Philip French of The Observer&lt;br /&gt;&lt;br /&gt;"He is a revolting and very unglamorous villain in one of the mostcompelling films of the year"&lt;br /&gt;- Peter Bradshow of Guardian&lt;br /&gt;&lt;br /&gt;&lt;a onclick="return top.js.OpenExtLink(window,event,this)" href="http://www.rottentomatoes.com/m/roberto_succo/" target="_blank"&gt;http://www.rottentomatoes.com/m/roberto_succo/&lt;/a&gt;&lt;a onclick="return top.js.OpenExtLink(window,event,this)" href="http://www.allocine.fr/film/fichefilm_gen_cfilm=34499.html" target="_blank"&gt;http://www.allocine.fr/film/fichefilm_gen_cfilm=34499.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Synopsis: In the South of France, 25-year-old 'Kurt' seduces teenager Léa while she'sholidaying with her family. Introducing Léa to his very private world offake identities, 'borrowed' cars, and guns, Kurt enthralls and terrifiesher. Dismissing his fanciful stories about his past as nothing more thanidle boasts, Léa doesn't guess that her new boyfriend is actually Roberto&lt;br /&gt;\nSucco, the escaped asylum inmate who's being hunted by half the police in\u003cbr\&gt;\nFrance in connection with a series of kidnappings, robberies, and murders.&lt;br /&gt;&lt;br /&gt;For more information, please contact:&lt;br /&gt;Alliance Française de Manille&lt;br /&gt;209 Nicanor Garcia Street (formerly Reposo Street),Bel-Air 2, Makati City. 1209 Philippines.&lt;br /&gt;Tels: 895-7585 / 895-7441 Fax: 899-3654&lt;br /&gt;e-mail:&lt;a onclick="return top.js.OpenExtLink(window,event,this)" href="mailto:info%40alliance.ph" target="_blank"&gt;info@alliance.ph&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-718299363823714849?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/718299363823714849/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=718299363823714849' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/718299363823714849'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/718299363823714849'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/05/alliance-franaise-de-manille-screenings.html' title='Alliance Française de Manille screenings'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-876852087492391750</id><published>2007-05-07T10:18:00.000+08:00</published><updated>2007-05-09T10:21:02.857+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='UP Film Institute'/><category scheme='http://www.blogger.com/atom/ns#' term='UP Film Center'/><category scheme='http://www.blogger.com/atom/ns#' term='UPFI'/><title type='text'>UPFI film screenings</title><content type='html'>UP Film Institute holds screenings to welcome the new Iskolar ng Bayan&lt;br /&gt;&lt;br /&gt;On the occasion of the advance freshmen registration for the country’s premier state university, the UP Film Institute welcomes the latest batch of Iskolar ng Bayan with two acclaimed and relevant films they may do well to ponder, namely, &lt;strong&gt;Nick Cassavetes’ “Alpha Dog”&lt;/strong&gt; and &lt;strong&gt;“Kabul Express”&lt;/strong&gt; —the Indian cinema gem from &lt;strong&gt;Kabir Khan&lt;/strong&gt; in return engagement.&lt;br /&gt;&lt;br /&gt;Here are details and descriptions pertinent to concerned screenings:   &lt;br /&gt;&lt;strong&gt;May 7 Tue 2 &amp; 5 p.m.&lt;br /&gt;May 8 Wed 2 &amp;amp; 7 p.m.&lt;br /&gt;Alpha Dog&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;A Megavision Films Release&lt;br /&gt;Inspired by true events. One crime, three days, 38 witnesses. How did a crime with so many witnesses go this far?&lt;br /&gt;A kidnapped kid ends up enjoying an illicit summer fantasy of drinking, girls and risky behavior in a drama based on the life of suburban drug dealer Jesse James Hollywood—one of the youngest men ever to be on the FBI's most wanted list.&lt;br /&gt;Official Selection—2006 Sundance Film Festival; Winner of Best Breakthrough Performance- Male for Ben Foster—2006 Young Hollywood Awards&lt;br /&gt;Direction and Screenplay: Nick Cassavetes. Cast: Emile Hirsch, Justin Timberlake, Anton Yelchin, Dominique Swain, Bruce Willis, Sharon Stone, Ben Foster.&lt;br /&gt;2006 117 minutes 35mm color&lt;br /&gt;For mature viewing with pervasive drug use and language, strong violence, sexuality and nudity&lt;br /&gt;&lt;br /&gt;Critics are raving:&lt;br /&gt;"...a gritty, gut-wrenching and disturbing film."— USA Today&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;May 9 Wed 5 p.m.&lt;br /&gt;May 10 Thu 2/5/7 p.m.&lt;br /&gt;May 11 Fri 2/5/7 p.m.&lt;br /&gt;Kabul Express&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;A Filipino-Indian Friendship and Cultural Society Presentation&lt;br /&gt;Two Indian journalists travel to strife-torn Afghanistan in the aftermath of 9/11 out to scoop the world with a Taliban interview. As they cross path with an Afghan guide, a lady photographer from the United States and a Taliban militant who takes them all hostage, they find out that things wouldn’t quite work out as they hoped.&lt;br /&gt;Official Selection—2006 Toronto IFF, Pusan IFF, London IFF, Dubai IFF&lt;br /&gt;Direction and Screenplay: Kabir Khan. Cast: John Abraham, Linda Arsenio, Arshad Warsi, Salman Shahid, Hanif Hum Ghum&lt;br /&gt;2006 106 minutes 35mm color&lt;br /&gt;&lt;br /&gt;Critics are raving:&lt;br /&gt;“Exemplary filmmaking…”—BBCi-Films &lt;br /&gt;&lt;br /&gt;“…the first feature film to be shot extensively in Kabul after the official end of the Taliban's reign, and it demonstrates the director's love of the country and its people as well as an incredible sense of humor that both accurately portrays and caricatures all the various races involved.”—Eye for Film&lt;br /&gt;&lt;br /&gt;To always get screening alerts, join UP Film Institute e-group: &lt;a href="http://by12fd.bay12.hotmail.msn.com/cgi-bin/compose?curmbox=F000000001&amp;a=eac14dcc7058a77477ce7afbad2931fb937d392d7e36ca3e204105df5cd97136&amp;amp;mailto=1&amp;to=upfilminstitute@yahoogroups.com&amp;amp;msg=MSG1148605507.1&amp;start=1803244&amp;amp;len=1566&amp;src=&amp;amp;type=x" target="_blank" rel="nofollow"&gt;upfilminstitute@ yahoogroups. com&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;University of the Philippines Film Institute&lt;br /&gt;(Member, CILECT/Internationa l Association of Film and Television Schools )&lt;br /&gt;Plaridel Hall, Ylanan Road , UP Diliman, Quezon City&lt;br /&gt;Tel: 9818500 (UP Trunkline) local 2669, 2670; 9206863 (Telefax)&lt;br /&gt;Cine Adarna, Magsaysay and Osmena Avenues, UP Diliman, Quezon City&lt;br /&gt;Tel: 9818500 (UP Trunkline) local 4286, 4289; 9262722 (Telefax)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-876852087492391750?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/876852087492391750/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=876852087492391750' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/876852087492391750'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/876852087492391750'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/05/upfi-film-screenings.html' title='UPFI film screenings'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-844799059154177843</id><published>2007-05-02T13:10:00.000+08:00</published><updated>2007-04-23T13:15:28.890+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='robinson&apos;s galleria'/><category scheme='http://www.blogger.com/atom/ns#' term='indiesine'/><title type='text'>NUMBALIKDIWA screenings</title><content type='html'>Gabi-gabi, dumadaan sa puwesto nina Anton at Karissa ang pulang sedan ng suki nilang sina Carlos at Portia. Pangarap ni Karissang makatapak sa mundong ginagalawan ng mga suki nilang Burgis. Lingid sa kanyang kaalaman, taglay ng kanyang kinakapatid na si Anton ang isang lihim upang matupad ang pinapangarap niyang buhay.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;NUMBALIKDIWA&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Starring Maricel Soriano, Albert Martinez, Meryll Soriano, PingMedina, and Estrella Kuenzler&lt;br /&gt;&lt;br /&gt;Directed by: &lt;strong&gt;Bobby Bonifacio, Jr.&lt;/strong&gt;&lt;br /&gt;Cinemanila 2006 Digital Lokal Competition - Best Actress ; AudienceFavorite Award&lt;br /&gt;&lt;br /&gt;Showing on:&lt;br /&gt;&lt;strong&gt;May 2-8&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Robinsons Galleria Indie Sine&lt;/strong&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-844799059154177843?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/844799059154177843/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=844799059154177843' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/844799059154177843'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/844799059154177843'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/05/numbalikdiwa-screenings.html' title='NUMBALIKDIWA screenings'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-8195068849798519927</id><published>2007-05-02T12:29:00.000+08:00</published><updated>2007-05-02T12:32:24.287+08:00</updated><title type='text'>Kolumn Bar screenings</title><content type='html'>&lt;strong&gt;SUMMER EKSENA!&lt;/strong&gt;&lt;br /&gt;presents&lt;br /&gt;&lt;br /&gt;Pelikula!&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1. LETRAN Documentaries:&lt;/strong&gt;&lt;br /&gt;(Institute of Communication)&lt;br /&gt;&lt;br /&gt;BUHAY KABAYO- From Racehorses to Tapang Kabayo&lt;br /&gt;&lt;br /&gt;ELYEN- Alien ka ba sa Pinas?&lt;br /&gt;&lt;br /&gt;KALAWAKAN- This place exists in the Philippines&lt;br /&gt;&lt;br /&gt;BIYAHED DAYA (Biyaheng Langit)- Sagada Tour&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2. SALAT&lt;/strong&gt;&lt;br /&gt;by John Torres&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;3. INSTITUSYON NG MAKATA&lt;/strong&gt;&lt;br /&gt;by Khavn Dela Cruz&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Musika!&lt;/strong&gt;&lt;br /&gt;BUTCH&lt;br /&gt;KING ANTARES&lt;br /&gt;KONTRALUZ&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MAY 2, 2007&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;KOLUMN BAR &amp; CAFE&lt;/strong&gt;&lt;br /&gt;Sct Torillo near cor Timog Ave QC&lt;br /&gt;(near Ponciana's/Off the Grill/Xaymaca)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;FREE ENTRANCE!&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;an EKSENA PRODUCTIONS presentation&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-8195068849798519927?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/8195068849798519927/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=8195068849798519927' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/8195068849798519927'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/8195068849798519927'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/05/kolumn-bar-screenings.html' title='Kolumn Bar screenings'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-3078303355827696779</id><published>2007-04-30T11:58:00.000+08:00</published><updated>2007-04-30T12:33:49.416+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='mag:net'/><category scheme='http://www.blogger.com/atom/ns#' term='cinekatipunan'/><title type='text'>Cinekatipunan</title><content type='html'>THIS WEEK AT CINEKATIPUNAN&lt;br /&gt;April 30 – May 5, 2007&lt;br /&gt;&lt;br /&gt;Start the week and end the month of April with three short films from Taiwanese and South Korean filmmakers, courtesy of Cinekatipunan’ s weekly Asia Lunes program. May 1, International Labor Day,will be capped on this side of Katipunan Avenue by a filmic tribute to slain Nestle union President Diosdado “Ka Fort” Fortuna by Southern Tagalog (ST) Exposure and Proletaryado by May Day Productions, a tribute to the centuries-strong struggle of militant unionism in the Philippines. This will be followed up by a literal Pulang Sine program featuring ST Exposure’s Red Saga and Krzysztof Kieslowski’s Red on Thursday, May 3. Wednesday, May 2, will feature a back-to-back screening of short films by acclaimed young directors Raya Martin and John Torres, while Elvert Banares holds court over Friday’s program (May 4), with a marathon screening of his short works. The highlight for the Saturday program of short films selected byArmi Cacanindin from the University of the Philippines Film Institute. Held Mondays to Saturdays at Mag:net Café Katipunan, Cinekatipunan screenings start at 5:30 PM. While the film screenings are free, viewers are encouraged to make voluntary contributions for the honoraria of the featured filmmakers. For questions or comments about Cinekatipunan write to &lt;a href="http://us.f514.mail.yahoo.com/ym/Compose?To=sinag_haraya%40yahoo.com" target="_blank" rel="nofollow"&gt;sinag_haraya@ yahoo.com&lt;/a&gt;. Cinekatipunan programs precede Mag:net Café's nightly holding of Live Performances by well-known and emerging bands and musicians. Mag:net Café is located along Katipunan Avenue (fronting Miriam and Ateneo) in Quezon City. For more inquiries please call 9293191 or visit &lt;a href="http://www.magnet.com.ph" target="_blank"&gt;www.magnet.com.ph&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;30 APRIL – 5 MAY PROGRAM&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;April 30 (Monday)&lt;/strong&gt;&lt;br /&gt;AsiaLunes Program: Films from TAIWAN and KOREA&lt;br /&gt;&lt;br /&gt;Hey Jimmy! (Taiwan)&lt;br /&gt;2004, 16mins&lt;br /&gt;Directed by Ming-Chieh Sung&lt;br /&gt;A Chinese mother in Taiwan loves and supports her extremely tall and very black gay son, the result of an affair with an American soldier. The documentary revolves around Black Jimmy, a black Taiwanese drag queen, entering the socio-cultural complexities of the protagonist' s mixed parentage. A contemporary urban narrative, the documentary incorporates animation to create an affectionately comical insight.&lt;br /&gt;&lt;br /&gt;For the Peace of All Mankind (Korea)&lt;br /&gt;1999, 35mm, color, 7 mins&lt;br /&gt;Directed by Lee Seok-hoon&lt;br /&gt;Set in the jungles of Vietnam in 1969, the short film For the Peace of All Mankind was given a Special Jury Citation at the 51st Montecatini International Short Film Festival, held in Italy.&lt;br /&gt;&lt;br /&gt;Sara Jeanne (Korea)&lt;br /&gt;2004, 20 mins&lt;br /&gt;Directed by Seong Sook Kim&lt;br /&gt;Sara Jeanne, an aging prostitute in a military base-side town hides her wrinkles with heavy make-up, puts on faded worn-out clothes and earns her living by selling her body to American soldiers. However, she no longer has anywhere to stand and her life grows more vulnerable to the danger of violence. Actress Young-Ran Rhee earned a special mention for her role in Sara Jeanne at the 2005 Berlin International Film Festival Panorama Short Film Awards.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;May 1 (Tuesday)&lt;/strong&gt;&lt;br /&gt;May Day Productions: PROLETARYADO / ST Exposure: THERE'S BLOOD IN YOUR COFFEE&lt;br /&gt;&lt;br /&gt;Proletaryado&lt;br /&gt;May Day Productions/ 47 mins/ 2006&lt;br /&gt;Militant unionism in the Philppines has persisted for over a century to date, yet the struggles and stories of our nation’s workers remain the same. Times may have changed, but the struggles and problems faced byPhilippines workers have not. The roots of these problems remain, and have in fact worsened. Unionism and the workers’ movement has been forged, shaped, and wrought by the fires of struggle. History has demonstrated that the struggle of our workers cannot be divorced from the struggles of the entire Filipino people for freedom and sovereignty. The legacies of unionism, the formation of the first workers’ federations and the development of the militant workers movement continue to give inspiration to a new generation of Filipino proletariats.&lt;br /&gt;&lt;br /&gt;There's Blood In Your Coffee&lt;br /&gt;26 minutes&lt;br /&gt;Southern Tagalog EXPOSURE: People's Center for Progressive Media&lt;br /&gt;Amidst the Supreme Court rule favoring the Union, the Swiss company that owns Nestle would not give into the just and legal demands of its workers. For over two years, workers of Nestle factory in Laguna, Philippines has been on strike. The struggle for their rights have been met with repression not only from the multi-national company, but also from the Philippine government. sometimes subtle, often times violent.The documentary features the three-year Nestle workers strike in Cabuyao, Laguna, Southern Tagalog, where Filipino Nestle Union President and Kilusang Mayo Uno(KMU) Labor Leader Diosdado "Ka Fort" Fortuna was brutally murdered under the undeclared return of Martial Law under Philippine President Gloria Macapagal-Arroyo.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;May 2 (Wednesday)&lt;/strong&gt;&lt;br /&gt;Raya Martin and John Torres: SHORT FILMS&lt;br /&gt;&lt;br /&gt;SHORT FILMS by Raya Martin&lt;br /&gt;Bakasyon&lt;br /&gt;2004, 16mm, 12 mins&lt;br /&gt;A young girl from the city is left to the care of her grandmother in the province. During her stay, the girl learns about her grandmother’s mysterious identity.&lt;br /&gt;&lt;br /&gt;Life Projections&lt;br /&gt;2006, DV, 4 mins&lt;br /&gt;A video wants to be a film, as the world’s second biggest oil spill just happened in the heart of the filmmaker. A large group of Filipino film makers responded with a short film to a disastrous oil spill in their island nation. This talented film maker instinctively avoideda political pamphlet and went straight for the emotional core of the matter. He found that core in his heart, as he writes himself. –Gertjan Zuillhof, International Film Festival Rotterdam&lt;br /&gt;&lt;br /&gt;Long Live Philippine Cinema!&lt;br /&gt;2007, 16mm, 6 mins&lt;br /&gt;Mother Lily is a Filipino Chinese producer who monopolizes the local film industry. And the only way to keep Philippine Cinema alive is to kill her. “Yes, a cinema to be proud of, yet the cheer is full of irony. The history of Filipino film isn’t treated with so much respect. A burlesque, harsh satire about the mistress of Philippine film production, the Chinese-Filipino producer Mother Lily. She is hated and feared, but nobody can get round her. Fortunately this young film maker has thought up an adequate solution to keep Philippine cinema alive. Mother Lily is not a metaphorical invention. She really exists -for now.” –Gertjan Zuillhof, International Film Festival Rotterdam&lt;br /&gt;&lt;br /&gt;SHORT FILMS BY JOHN TORRES&lt;br /&gt;Tawidgutom&lt;br /&gt;is an experimental love poem/monologue composed of images that recur and repeat themselves. The narrator reminisces on a relationship and anticipates meeting his love again, both with trepidation and excitement. Director, Producer, Cinematographer, Editor, Screenwriter John Torres.&lt;br /&gt;Cast: Paul Doble&lt;br /&gt;&lt;br /&gt;Salat&lt;br /&gt;is composed of several vignettes that are like snap-shots of urban life, juxtaposed once again with images of love, friendship and everyday life. In The Last Sherbet, street kids savour ice cream. Lunar Play is a short elegy for Portuguese footballer Miklos Feher (1979-2004), while Ellipsis, Kulob and Lunar Punch are a triptych in which the narrator muses on hope and the persistence of the spirit to want to carry on, against the background of a relationship that has quietly ended.&lt;br /&gt;Director, Producer, Cinematographer, Editor, Screenwriter John Torres.&lt;br /&gt;Cast: Michal Cruz, Rom Villaseran, Michael Morales, Nelvin Morales, John John Barzon, Kevin Baril&lt;br /&gt;&lt;br /&gt;Kung Paano Kita Liligawan Nang Di Kumakapit Sa Iyo?&lt;br /&gt;is an experimental film composed of rapid cuts, digitised images, snippets of urban and rural landscapes that are placed against a running poem, often premised by the film's title – how can I court you without ever holding you? -- but this rhetorical question is addressed as much to a lover unseen as it is to inanimate objects and to the world around the poet/narrator.&lt;br /&gt;Director, Producer, Cinematographer, Editor, Screenwriter John Torres.&lt;br /&gt;Cast: Ina Luna, Raphael Gallegos, Mark D'Aigle, Carlos Magno&lt;br /&gt;&lt;br /&gt;Gabi Noong Sinabi ng Ama Ko (Night When Father Told Me)&lt;br /&gt;Father writes his confession. Son goes away and buries his hero. He plays the flute for a funeral/dance of beating drums, meets Chance and achieves a rebirth of meaning and purpose. Son: "I cannot put into words how much contempt and love I feel for you right now."&lt;br /&gt;Director, Producer,Cinematographer, Editor, Screenwriter John Torres.&lt;br /&gt;Cast: JP Hernandez, Mark D'Aigle&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;May 3 (Thursday)&lt;/strong&gt;&lt;br /&gt;Pulang Sine Program: ST Exposure’s RED SAGA and Krzysztof Kieslowski’s RED&lt;br /&gt;&lt;br /&gt;Red Saga&lt;br /&gt;2004, 16 mm, 15 min&lt;br /&gt;A young boy dots golden fields with white flags to stop birds from preying on the season’s harvest of palay grains. Another child creates noise by agitating tin cans filled with small stones. An unexpected transformation takes place. A poetic take on the peasant struggle and the protracted people’s war in Philippine countrysides.&lt;br /&gt;Writer, Director Gabriela Krista Dalena; Cinematographers Gabriela Krista Dalena, Claude Santos; Editors Gabriela Krista Dalena, Qubry Quesada, Jomel Lawas, Virgilio Catoy; Sound Bobby Macabenta; Music Datu Arellano; Producers STExposure, Mowelfund Film Institute. “This shows the power of cinema.” – Laszlo Kovacs, American Society of Cinematographers1st Place, experimental Category, 18th Gawad CCP forAlternative Film and Video1st Place, 2004 Kodak Philippines Film School Competition1st Runner-up, 2004 Asia-Pacific Regional Film School Competition&lt;br /&gt;&lt;br /&gt;Krzysztof Kieslowski: RED&lt;br /&gt;Praised by critics nationwide as one of the year’s 10 best films, Red is a seductive story of forbidden love– and the unknowable mystery of coincidence. The final chapter in Krzysztof Kieslowski’s acclaimed “Three Colors” trilogy, Red stars Irene Jacob as a young model whose chance meeting with an unusual stranger leads her down a path of intrigue and secrecy. As her knowledge of the man deepens, she discovers an astonishing link between his past and her destiny.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;May 4 (Friday)&lt;/strong&gt;&lt;br /&gt;WORKS by ELVERT BANARES:&lt;br /&gt;Gemini / Astrangian / Plema / Sundulan ng Pagrahuyo sa Dambana ng Sirenang Walang Ulo&lt;br /&gt;&lt;br /&gt;Astrangiam (7min)&lt;br /&gt;Mind over matter. Perception over fact. Life over death. Shot in Casio Exilim EX-53 still camera, 'astrangiam' meditates on the relationships and parallelisms of time, spontaneity, assumptions, dreams and elements of nature.&lt;br /&gt;&lt;br /&gt;Gemini (8 min)&lt;br /&gt;A diptych film – visual experimentation of 16mm found footages, scratching, etching and punching holes on the actual film – with each color of the film strips soaked in different concoctions and buried in sand.&lt;br /&gt;&lt;br /&gt;Plema [Phlegm] (22 min)&lt;br /&gt;Motivated by emotional turmoils and day-job related exhaustion, the filmmaker creates this video letter to his VIDPREP (Video Experimentation) class with hopes to help exorcise personal demons. Recording on used tapes and utilizing current illness, this semi-autobiographical video metaphorically structures a visual collage of the filmmaker's wants, desires and lamentations, strongly hinting of his retreat (or is it escape?) from urban chaos and his complete submission to creative freedom.&lt;br /&gt;&lt;br /&gt;Sukdulan Ng Pagrahuyo sa Dambana ng Sirenang WalangUlo [The Zenith of Seduction at the Altar of the HeadlessMermaid] (12 min)&lt;br /&gt;Poetry on video tackling themes of innocence, vices and self-destruction. Shot in 1993 and re-constructed in 2006.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;May 5 (Saturday)&lt;/strong&gt;&lt;br /&gt;CAMPUS-BASED FILMS: UP Film Institute Thesis Productions selected by Armi Cacanindin. &lt;br /&gt;&lt;br /&gt;Sugat&lt;br /&gt;Directed by: David Diuco&lt;br /&gt;On a hot summer day, the air so humid you could almost drown in it, sixteen-year- old Peachy Angeles decides to jump off the high school roof top. Thus begins Sugat, a dark but poignant coming-of-age story that pays homage to the teen movie genre while alternately satirizing its conventions. Sugat is about the relationship that forms between two high school students – Peachy and Wacks. After being dumped by the most popular girl in school, Wacks and his friends bet on Peachy, the school's social outcast, to restore Wacks' bruised ego. But as the relationship between the two grows deeper, Wacks discovers things about Peachy that makes him understand the reasons for her unhappiness and why she wouldn't let other people get close to her. Winning Peachy's trust, the two start dating. Peachy eventually discovers that she is only the object of a bet between Joaquin and his friends. Heartbroken, Peachy ends the relationship. Joaquin realizes that he has truly fallen in love. What started as a bet between a group of friends ended up changing both lives forever.&lt;br /&gt;&lt;br /&gt;My Girl&lt;br /&gt;Directed by: Karen May Ocampo and Emelina A. Aguilar&lt;br /&gt;My Girl is a story of love. Johnny is in deep grief after he lost Jenny, the love of his life. As he recounts the days that he spent with her, their lovestory will start to unfold. At first, we will see typical romantic scenes. But everything will change when Johnny saw Jenny with another guy, and this incident will bring him back to the reality that he just couldn't accept. My Girl is indeed a story of love. And just like any other stories, a love story also has two sides.&lt;br /&gt;&lt;br /&gt;Saliwa&lt;br /&gt;Directed by: Yam Palma and Sarah Gacer&lt;br /&gt;Shane is a girl who embodies masculine behavior. At her age, she is not yet aware of the “standard norms” that her society dictates. And so, her masculinity naturally comes out of her but not until her parents noticed her behavior. She was forced to change, to learn things women ought to do, which in effect made her so uncomfortable and unhappy. But do we really have to act like a woman to be a woman? Do we have to do things boys normally do in order to be a boy? Do we have to follow what the society dictates even if we sacrifice our own happiness, or worse than that, lost our identity as unique individuals? Shane finds comfort in the arms of her best friend, Benedict, who understands her. Together, they enjoy life in a common place where they can simply be themselves.&lt;br /&gt;&lt;br /&gt;Project: Bright Future&lt;br /&gt;Directed by: Armi Rae Cacanindin and Rory Rebustes&lt;br /&gt;The film is about Dax, a fresh graduate artist who finds himself working in an advertising agency, where his principles and ideals are put into test.&lt;br /&gt;&lt;br /&gt;Pilas&lt;br /&gt;Directed by: Angela Tañada and Melissa Magalong&lt;br /&gt;Maya, a writer, tries to escape a sad past and pick up the pieces of her life by leaving the city. She meets Nina, an innocent little girl who inspires her to write again.&lt;br /&gt;&lt;br /&gt;Lilip&lt;br /&gt;Directed by: Rex Yadao&lt;br /&gt;Lilip is about the unconditional love of a father for his son. Going beyond his masculinity, Daddy Tony accepts his son’s individuality. Though he still fears for his son’s future, he gives him guidance that would prepare his son for the challenges that lies ahead.&lt;br /&gt;&lt;br /&gt;Laman-loob&lt;br /&gt;Directed by: Liarnie Ostani&lt;br /&gt;Laman-loob is a narrative film about Obet, a young embalmer who wanted to become a medical student but engages in some necrophilic acts and illegal selling of organs. This film serves as a social commentary in a deprived system that can turn powerless individuals into powerful destructive ones in order to survive.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-3078303355827696779?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/3078303355827696779/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=3078303355827696779' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/3078303355827696779'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/3078303355827696779'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/04/cinekatipunan_30.html' title='Cinekatipunan'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-1431657162456845607</id><published>2007-04-25T15:18:00.000+08:00</published><updated>2007-04-23T15:20:40.803+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='robinson&apos;s galleria'/><category scheme='http://www.blogger.com/atom/ns#' term='indiesine'/><title type='text'>SA NORTH DIVERSION ROAD</title><content type='html'>Watch &lt;strong&gt;"Sa North Diversion Road"&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;from &lt;strong&gt;April 25 to May 1, 2007&lt;/strong&gt;&lt;br /&gt;at &lt;strong&gt;IndieSine, Robinson's Galleria&lt;/strong&gt; Movieworld, OrtigasCenter, Pasig City.&lt;br /&gt;&lt;br /&gt;Limited run only!&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SA NORTH DIVERSION ROAD&lt;/strong&gt;&lt;br /&gt;(On The North Diversion Road)&lt;br /&gt;A film by &lt;strong&gt;Dennis Marasigan&lt;/strong&gt;&lt;br /&gt;Based on a play by Tony Perez&lt;br /&gt;&lt;br /&gt;SYNOPSIS&lt;br /&gt;Ten different couples drive down North Diversion Road,bhave different experiences and exit at different points. One Man. One Woman. One Car. Ten Scenes. A film about love, infidelity, and redemption.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-1431657162456845607?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/1431657162456845607/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=1431657162456845607' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/1431657162456845607'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/1431657162456845607'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/04/sa-north-diversion-road.html' title='SA NORTH DIVERSION ROAD'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-4812896678971859761</id><published>2007-04-25T13:22:00.000+08:00</published><updated>2007-04-23T13:26:26.348+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='sm cinema'/><title type='text'>TULAD NG DATI screenings</title><content type='html'>&lt;strong&gt;TULAD NG DATI&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;weeklong theatrical run opens &lt;strong&gt;April 25&lt;/strong&gt; @ &lt;strong&gt;SM digital theaters&lt;/strong&gt;: Megamall, Mall of Asia, Southmall, Manila, Sta. Mesa, Fairview, Pampanga, Clark, Cebu, Davao, San Lazaro&lt;br /&gt;*Megamall will be using a 35mm print&lt;br /&gt;&lt;br /&gt;Cinemalaya 2006 Best Film, Best Sound, Best Editing&lt;br /&gt;&lt;br /&gt;1st Philippine entry to the New Currents Competition of the Pusan International Film Festival, Korea&lt;br /&gt;&lt;br /&gt;Hawaii International Film Festival official selection&lt;br /&gt;&lt;br /&gt;TULAD NG DATI follows the current exploits of theFilipino rock band, The Dawn, composed of Teddy Diaz, JB Leonor, Caloy Balcells and Jett Pangan. During thesecond half of the 1980s, the band had risen to becomethe most influential musical rock group of the time. At the height of their popularity, their leader, Teddy Diaz is murdered. The remaining members decide tocontinue on with the music but eventually disband in1995. In 2000, The Dawn reunited.&lt;br /&gt;&lt;br /&gt;Tulad ng Dati starts in 2006. It revolves around thecharacter of Jett Pangan who is nearing his forties.Jett has lost his passion for life and music due tothe band's lost popularity and entertains thoughts ofretiring from the band. On a fateful night, Jett isassaulted by burglars and goes into a coma. He wakesup with no memory of his life after 1988 which includes his wife and child, his newbandmates and Teddy's death. He remembers that he is20 years old and is at the peak of his career with TheDawn. Not satisfied with how things turned out withhis life, he tries to change everything back to theway it used to be. The path he takes while finding hisplace in this strange new world proves itself to be atough, emotional, and sometimes hilariousjourney—accompanied by the celebrated music of TheDawn, both past and present.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Starring:&lt;/strong&gt;&lt;br /&gt;THE DAWN as themselves - Jett Pangan, Francis Reyes,Buddy Zabala, JB Leonor, Carlos BalcellsAgot Isidro, Mylene Dizon, Zoe Sandejas, RaffyFrancisco and Ping Medina as TEDDY DIAZ&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Also featuring:&lt;/strong&gt;&lt;br /&gt;Raimund Marasigan of SANDWICH (in his most talkedabout scene)&lt;br /&gt;Karl Roy of KAPATID&lt;br /&gt;IMAGO&lt;br /&gt;STONEFREE&lt;br /&gt;RATBUNITATA&lt;br /&gt;and TROUBLESPOTS&lt;br /&gt;&lt;br /&gt;Please read the Phil Inquirer review &lt;a href="http://services." target="_blank" rel="nofollow" article_id="'13666"&gt;http://services. inquirer. net/print/ print.php? article_id= 13666&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-4812896678971859761?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/4812896678971859761/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=4812896678971859761' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/4812896678971859761'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/4812896678971859761'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/04/tulad-ng-dati-screenings.html' title='TULAD NG DATI screenings'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-5424142784094923338</id><published>2007-04-24T10:17:00.000+08:00</published><updated>2007-04-23T10:27:17.826+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='cinekalikasan'/><title type='text'>CineKalikasan 1.2</title><content type='html'>&lt;strong&gt;KALIKASAN - PEOPLES NETWORK FOR THE ENVIRONMENT&lt;/strong&gt;&lt;br /&gt;924-8756; E-mail: &lt;a onclick="return top.js.OpenExtLink(window,event,this)" href="mailto:kalikasan.pne@gmail.com" target="_blank"&gt;kalikasan.pne@gmail.com&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;You are cordially invited to &lt;strong&gt;CineKalikasan 1.2&lt;/strong&gt; Film screenings on environmental issues&lt;br /&gt;&lt;strong&gt;April 24, 2007 (Tuesday), 5:30 – 7 PM&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Mag:net Gallery and Café&lt;/strong&gt;&lt;br /&gt;AGCOR Building, 335 Katipunan Ave. (fronting Miriam and Ateneo),&lt;br /&gt;Quezon City  &lt;br /&gt;&lt;br /&gt;Program&lt;br /&gt;&lt;strong&gt;The Green Guerillas: The Fight for the Philippine Rain Forest&lt;/strong&gt;&lt;br /&gt;Philippines/Germany/New Zealand, 1995 DV Video, 30 minutes, with subtitles Directed by Rod Prosser&lt;br /&gt;Production companies: Vanguard Films / WDR, Cologne&lt;br /&gt;In 1994, New Zealand filmmaker Rod Prosser was commissioned by German television to report on the efforts of the underground liberation movement to save the country's rainforest together with the tribal people of southeast Mindanao from the chainsaws of multinational timber corporations. The resulting film is a documentary which pushes the boundaries of the reportage form to present the fight for the environment from the perspective of indigenous revolutionaries.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Sabidong ti Balitok (Toxic Gold)&lt;/strong&gt;&lt;br /&gt;Philippines, 200&lt;br /&gt;522 minutes, with subtitles Directed by Judy Cariño and Emmanuel Palo, with Tan-aw Multimedia Collective, Save the Abra River Movement (STARM), Montanosa Relief and Rehabilitation Service (MRRS), Health Action and Information Network (HAIN) &lt;br /&gt;Sabidong Ti Balitok presents the effects of the Lepanto Consolidated Mining Company's operations on the water, earth, air and lives of people living along the Abra River.  It tells the story of the fiery people's struggle against environmental destruction, corporate mining and the plunder of the people's resources.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Agos &lt;/strong&gt;&lt;br /&gt;Philippines, 2003 18 minutes&lt;br /&gt;Directed by Tomas Estrera III The filmmaker's undergraduate thesis at the University of the Philippines College of Fine Arts, Agos is a video documentary about the effects of the San Roque Multipurpose Dam project—the largest &lt;a onclick="return top.js.OpenExtLink(window,event,this)" href="http://www.wgint.com/submarket.php?id=59" target="_blank"&gt;hydroelectric&lt;/a&gt;&lt;a onclick="return top.js.OpenExtLink(window,event,this)" href="http://www.wgint.com/market.php?id=20" target="_blank"&gt; irrigation&lt;/a&gt; project in Asian history and the 12th highest dam of its kind in the world—on the Ibaloi Community and the Agno River in Northern Philippines.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Cinekalikasan&lt;/strong&gt; is a project initiated by Kalikasan People's Network for the Environment (Kalikasan-PNE) aiming to popularize various environmental and peoples struggles through film screenings in different venues. This screening at mag:net Katipunan, a bookshop/gallery/café and home to the &lt;strong&gt;Cinekatipunan&lt;/strong&gt; film project, will be the first in this year's series. While the film screenings are free, the audience is encouraged to give donations for the benefit of the featured filmmakers. Food and drinks may be bought at the café.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-5424142784094923338?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/5424142784094923338/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=5424142784094923338' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/5424142784094923338'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/5424142784094923338'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/04/cinekalikasan-12.html' title='CineKalikasan 1.2'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-944367639077387843</id><published>2007-04-23T13:26:00.000+08:00</published><updated>2007-04-23T15:18:19.662+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='mag:net'/><category scheme='http://www.blogger.com/atom/ns#' term='cinekatipunan'/><title type='text'>Cinekatipunan</title><content type='html'>THIS WEEK AT CINEKATIPUNAN&lt;br /&gt;April 23 – 28, 2007&lt;br /&gt;&lt;br /&gt;This weeks highlight is the finale of the three-week UNCENSORED BODIES Dance Map at Cinekatipunan/ Mag:net on Wednesday, April 25, in celebration of April as World Dance Month. The third screening features works on dance by Filipino filmmakers Sari Dalena, Kristine Mariel Icban, Carmi Garcia Raymundo, Alina Co, Malyn Punay, Romeo Candido, and Paul Morales, and short foreign contemporary dance films in the International Festival of Cinema and Technology (IFCT) Showcase. Myra Beltran and Cynthia Alexander will cap the night with a performance of the "Le Grand Tango" dance piece with violinist Alfonso "Coke" Bolipata and Pianist Jordan Fetalver and a performance with the World Dance Alliance, respectively. Asian dance films curated by Mervin Espina will open this week's program on Monday, April 23. To commemorate Cordillera Day 2007 is the Sinekalikasan program on Tuesday, April 24, featuring documentary works on Philippine environmental issues by New Zealand filmmaker Rod Prosser, Tan-Aw Multimedia Collective in Northern Luzon, and Tom Estrera III's work on the Agno River and the Ibaloi community. Thursday features three short works by awarded filmmakers Milo Sogueco and Peter Chua: Eroplano, Buwan, and Araw. The Harder They Come, a cult hit on reggae by Jamaican filmmaker Perry Henzell, caps Friday's program presented y Merv Espina, while poet and musician Jess Santiago on Saturday presents a video report on the song as venue for developmental education and people's advocacy in South East Asia.&lt;br /&gt;&lt;br /&gt;Held Mondays to Saturdays at Mag:net Café Katipunan, Cinekatipunan screenings start at 5:30 PM.While the film screenings are free, viewers are encouraged to make voluntary contributions for the honoraria of the featured filmmakers. For questions or comments aboutCinekatipunan write to &lt;a href="http://us.f355.mail.yahoo.com/ym/Compose?To=sinag_haraya%40yahoo.com" target="_blank" rel="nofollow"&gt;http://us.f355.mail.yahoo.com/ym/Compose?To=sinag_haraya%40yahoo.com&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Cinekatipunan programs precede Mag:net Café's nightly holding of Live Performances by well-known and emerging bands and musicians. Mag:net Café is located along Katipunan Avenue (fronting Miriam and Ateneo) in Quezon City. For more inquiries please call 9293191 or visit &lt;a href="http://www.magnet.com.ph/" target="_blank" rel="nofollow"&gt;http://www.magnet.com.ph/&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;APRIL 23 – 28 PROGRAM&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;April 23 (Monday)&lt;/strong&gt;&lt;br /&gt;ASIALunes: Asian Dance Films presented by Mervin Espina&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;April 24 (Tuesday)&lt;/strong&gt;&lt;br /&gt;SINEKALIKASAN: Environmental DocumentariesIn cooperation with Kalikasan Peoples Network for the Environment&lt;br /&gt;&lt;strong&gt;The Green Guerillas: The Fight for the Philippine Rain Forest&lt;/strong&gt;&lt;br /&gt;Philippines/ Germany/New Zealand, 1995DV Video, 30 minutes, with subtitles Director: Rod ProsserProduction companies: Vanguard Films / WDR, Cologne&lt;br /&gt;For many years after EDSA 1 in 1986, the world turned its eyes with interest on the Filipino people. In 1994, New Zealand filmmaker Rod Prosser was commissioned by German television to report on the efforts of the underground liberation movement to save the country's rainforest from the chainsaws of multinational timber corporations. The resulting film depicts the struggle of revolutionary guerillas together with the tribal people of south east Mindanao, the Mandaya, to enforce a regional ban on all commercial logging. It is a documentary which pushes the boundaries of the reportage form to present the fight for the environment from the perspective of indigenous revolutionaries.&lt;br /&gt;&lt;strong&gt;Sabidong ti Balitok (Toxic Gold)&lt;/strong&gt;&lt;br /&gt;Philippines , 200522 minutes, with subtitles Directed by Judy Cariño and Emmanuel Palo, with Tan-aw Multimedia Collective, Save the Abra River Movement (STARM), Montanosa Relief and Rehabilitation Service (MRRS), Health Action and Information Network (HAIN). Sabidong Ti Balitok presents the effects of the Lepanto Consolidated Mining Company's operations on the water, earth, air and lives of people living along the Abra River. It tells the story of the fiery people's struggle against environmental destruction, corporate mining and the plunder of the people's resources.&lt;br /&gt;&lt;strong&gt;Agos&lt;/strong&gt;&lt;br /&gt;Philippines 18 minutes, directed by Tomas Estrera III The filmmaker's undergraduate thesis at the University of the Philippines College of Fine Arts and his first film work, Agos is a video documentary about the effects of the San Roque Multipurpose Dam project—the largest &lt;a href="http://www.wgint.com/submarket.php?id=59" target="_blank" rel="nofollow"&gt;hydroelectric&lt;/a&gt;&lt;a href="http://www.wgint.com/market.php?id=20" target="_blank" rel="nofollow"&gt; irrigation&lt;/a&gt; project in Asian history and the 12th highest dam of its kind in the world—on the Ibaloi Community and the Agno River in Northern Philippines.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;April 25 (Wednesday)&lt;/strong&gt;&lt;br /&gt;UNCENSORED BODIES: A Dance On Screen Series&lt;br /&gt;&lt;br /&gt;Sari Dalena: &lt;strong&gt;THE WHITE FUNERAL&lt;/strong&gt;&lt;br /&gt;Kristine Mariel Icban and Carmi Garcia Raymundo: &lt;strong&gt;DANCESPORT&lt;br /&gt;&lt;/strong&gt;Alina Co and Malyn Punay: &lt;strong&gt;PIROUETTE&lt;/strong&gt;&lt;br /&gt;Romeo Candido: &lt;strong&gt;KA-AMULAN&lt;/strong&gt; (An excerpt for the documentary "DANCERS! PICK UP YOUR BAMBOO)&lt;br /&gt;Paul Morales with MYRA BELTRAN, &lt;strong&gt;AIR DANCE&lt;/strong&gt; performance (9 PM)&lt;br /&gt;and&lt;br /&gt;Foreign contemporary dance films in collaboration with the International Festival of Cinema and Technology (IFCT) Showcase (Website: &lt;a href="http://www.ifct.org/ifctscheduledance.html" target="_blank" rel="nofollow"&gt;http://www.ifct.org/ifctscheduledance.html&lt;/a&gt;)&lt;br /&gt;&lt;strong&gt;Wings of Legacy&lt;/strong&gt;&lt;br /&gt;Directed by Neeta Mittal, USA"Wings of Legacy" is the story of two women from a world full of movement and a heart of dance that has no boundaries. "Hip-hop and ballet were chosen as motifs to represent the contradictory entities ofyouth and wisdom, ability and disability, life and death."&lt;br /&gt;&lt;strong&gt;Desperate Horsewife&lt;/strong&gt;&lt;br /&gt;Directed by Paul Lazarus, USA&lt;br /&gt;Parody of a musical theatre film involving an unconventional love triangle.&lt;br /&gt;&lt;strong&gt;Tiny Dancer&lt;/strong&gt;&lt;br /&gt;Directed by Stefan Georgiou, UK&lt;br /&gt;Very rarely do dreams actually come true but that doesn't make it wrong to have them. How do you dealwith not doing what you love? You Do It.&lt;br /&gt;&lt;strong&gt;Contrapunto&lt;/strong&gt;&lt;br /&gt;Directed by Jean-Pierre Jacquet, USA/FranceHand-drawn animation of a dancing couple in Buenos Aires, exploring the details of the tango.&lt;br /&gt;&lt;strong&gt;The Double Woman&lt;/strong&gt;&lt;br /&gt;Directed by Carla B Guttmann, Germany&lt;br /&gt;&lt;strong&gt;The Double Woman&lt;/strong&gt; is a film about a modern dancer who confronts her childhood in a haunting, carnal dance. As she contorts and moves her body, childhood ghosts and memories are released. It is a film about the secrets the body hides and how one woman frees herself through movement.&lt;br /&gt;&lt;strong&gt;Hand Sum&lt;/strong&gt;&lt;br /&gt;Directed by Eva Colmers, Canada&lt;br /&gt;Miro moves through life without much conviction until a magical incident helps her escape her daily routine.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;April 26 (Thursday)&lt;/strong&gt;&lt;br /&gt;Milo Sogueco and Peter Chua: SHORT FILMS&lt;br /&gt;&lt;strong&gt;Milo Sogueco: EROPLANO&lt;/strong&gt;&lt;br /&gt;Milo Sogueco is an independent filmmaker and photographer, who won Grand Prize in the 2004 Gawad CCP for feature film. "Groovy: The Colors of Pacita Abad".&lt;br /&gt;&lt;strong&gt;Peter Chua: BUWAN&lt;/strong&gt; (1999)-Winner, Committee for Competitive Grants, National Commission for Culture and the Arts-Winner, 2nd Best Short Feature in Film, Gawad CCP para sa Alternibong Pelikula at Video-Winner, Ishmael Bernal Award, Cinemanila International Film Festival 2000Peter Chua: ARAW (2001)-Winner, Committee for Competitive Grants, NCCA&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;April 27 (Friday)&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;REEL REGGAE Program: THE HARDER THEY COME&lt;/strong&gt;&lt;br /&gt;Presented by Merv Espina&lt;br /&gt;&lt;strong&gt;HARDER THEY COME&lt;/strong&gt;&lt;br /&gt;Directed by Perry Henzell, Jamaica, 1972&lt;br /&gt;Jamaican filmmaker Perry Henzell made reggae an integral player in his gritty 1973 saga of a renegade Kingston singer who becomes a modern Robin Hood, casting one of the style's earliest stars, Jimmy Cliff, in the lead, and filling this soundtrack with classics from Toots &amp;amp; The Maytals ("Pressure Drop," "Sweet and Dandy"), Desmond Dekker ("Shanty Town"), The Melodians ("Rivers of Babylon"), and the Slickers ("Johnny Too Bad"). Cliff himself gets pole position, however, getting in the first ("You Can Get It If You Really Want") and last ("The Harder They Come") words in this first-rate reggae primer, which also features Cliff's enduring "Many Rivers to Cross." --Sam Sutherland&lt;br /&gt;The Harder They Come was a cult hit when it was released 30 years ago. Along with Bob Marley, the film and its soundtrack helped introduce reggae music to America and the rest of the world.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;April 28 (Saturday)&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Jess Santiago: A VILLAGE IN THE MAKING&lt;/strong&gt;&lt;br /&gt;A video report on song as venue for developmental education and people's advocacy in Okinawa, ChiangMai, and Yogyakarta&lt;br /&gt;JESUS M. SANTIAGO a.k.a. Jess Santiago is a poet, singer, songwriter, cultural organizer, musical scorer, translator, editor, newspaper columnist, development worker, trainer, and book designer. The film is a product of Santiago's study as a fellow of The Nippon Foundation's Asian Public Intellectuals (API) Fellowship Program.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-944367639077387843?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/944367639077387843/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=944367639077387843' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/944367639077387843'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/944367639077387843'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/04/cinekatipunan_23.html' title='Cinekatipunan'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-2903612560069116909</id><published>2007-04-22T23:38:00.000+08:00</published><updated>2007-04-10T23:46:28.616+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='sm cinema'/><title type='text'>Endangered Tales screening</title><content type='html'>Have A Green Day!&lt;br /&gt;&lt;br /&gt;Dear Friends,&lt;br /&gt;&lt;br /&gt;As we celebrate the&lt;span style="font-weight: bold;"&gt; Earth Day on April 22&lt;/span&gt;, the &lt;span style="font-weight: bold;"&gt;Center for&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Environmental Awareness and Education (CEAE)&lt;/span&gt; will showcase the&lt;br /&gt;Philippine's unique bioderversity and endemic animals on the film&lt;br /&gt;&lt;span style="font-weight: bold;"&gt; "Endangered Tales"&lt;/span&gt;.  It is a story of different endangered species&lt;br /&gt;found only in the Philippines which will be shown on &lt;span style="font-weight: bold;"&gt;April 22&lt;/span&gt; at &lt;span style="font-weight: bold;"&gt;SM&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt; Megamall Cinema 8&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt;Tickets are available at the venue or at the CEAE office located at&lt;br /&gt;Unit 3A, Gilmore Heights, Gilmore, Quezon City.&lt;br /&gt;&lt;br /&gt;Attached is the link to the impressive trailer of &lt;a href="http://youtube.com/watch?v=lnKCyozrDuM"&gt;Endangered Tales&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;For questions or inquiries, please contact CEAE at 721 7360 or www.ceae.org.&lt;br /&gt;&lt;br /&gt;Thank you very much!&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-2903612560069116909?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/2903612560069116909/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=2903612560069116909' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/2903612560069116909'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/2903612560069116909'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/04/endangered-tales-screening.html' title='Endangered Tales screening'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-5604118915956512347</id><published>2007-04-22T15:06:00.000+08:00</published><updated>2007-04-17T15:17:52.559+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='sm cinema'/><title type='text'>AN INCONVENIENT TRUTH at SM Cinemas</title><content type='html'>&lt;span style="font-family: arial;font-family:Arial;font-size:130%;"  &gt;Watch  &lt;span style="font-weight: bold;"&gt;"An Inconvenient Truth"&lt;/span&gt; FOR FREE!&lt;/span&gt;&lt;span style="font-family: arial;font-size:130%;" &gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: arial;font-family:Arial;font-size:130%;"  &gt;On Earth Day, &lt;/span&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:Arial;font-size:130%;color:blue;"   &gt;April  22, 2007 (Sunday)&lt;/span&gt;&lt;span style="font-family: arial;font-family:Arial;font-size:130%;"  &gt;&lt;span style="font-weight: bold;"&gt;,&lt;/span&gt; SM Cinema, together  with DENR, Earth Day Network Philippines, and Magnavision, invites you  to watch &lt;b&gt;FREE SCREENINGS&lt;/b&gt; of An Inconvenient Truth at &lt;/span&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:Arial;font-size:130%;color:blue;"   &gt;1PM,  3PM, and 5PM&lt;/span&gt;&lt;span style="font-family: arial;font-family:Arial;font-size:130%;"  &gt; at the following theaters:&lt;/span&gt;&lt;span style="font-family: arial;font-size:130%;" &gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: arial;font-family:Arial;font-size:130%;"  &gt;1. SM MALL OF ASIA -  5560104-05&lt;/span&gt;&lt;span style="font-family: arial;font-size:130%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: arial;font-family:Arial;font-size:130%;"  &gt;2. SM MEGAMALL - 6331901, 6384270&lt;/span&gt;&lt;span style="font-family: arial;font-size:130%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: arial;font-family:Arial;font-size:130%;"  &gt;3. SM NORTH EDSA  - 9295452&lt;/span&gt;&lt;span style="font-family: arial;font-size:130%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: arial;font-family:Arial;font-size:130%;"  &gt;4. SM MANILA  - 5239240/05&lt;/span&gt;&lt;span style="font-family: arial;font-size:130%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: arial;font-family:Arial;font-size:130%;"  &gt;5. SM SAN LAZARO  - 7862487-88&lt;/span&gt;&lt;span style="font-family: arial;font-size:130%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: arial;font-family:Arial;font-size:130%;"  &gt;6. SM CENTERPOINT- STA. MESA - 7161416, 7160647&lt;/span&gt;&lt;span style="font-family: arial;font-size:130%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: arial;font-family:Arial;font-size:130%;"  &gt;7. SM FAIRVIEW - 4176811, 9350749&lt;/span&gt;&lt;span style="font-family: arial;font-size:130%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: arial;font-family:Arial;font-size:130%;"  &gt;8. SM SOUTHMALL - 8066888, 8066782&lt;/span&gt;&lt;span style="font-family: arial;font-size:130%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: arial;font-family:Arial;font-size:130%;"  &gt;9. SM PAMPANGA  - 8311000 loc 1610-11,  (045) 9637681-85&lt;/span&gt;&lt;span style="font-family: arial;font-size:130%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: arial;font-family:Arial;font-size:130%;"  &gt;10. SM CLARK  - (045) 6255844-45&lt;/span&gt;&lt;span style="font-family: arial;font-size:130%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: arial;font-family:Arial;font-size:130%;"  &gt;11. SM BAGUIO - 8311000 loc 1625-26, (074)  6197838/39/41&lt;/span&gt;&lt;span style="font-family: arial;font-size:130%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: arial;font-family:Arial;font-size:130%;"  &gt;12. SM CEBU - 8311000 loc 1637, (032) 2313876&lt;/span&gt;&lt;span style="font-family: arial;font-size:130%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: arial;font-family:Arial;font-size:130%;"  &gt;13. SM DAVAO - 8311000 loc 1605-06,  (082)  2976998&lt;/span&gt;&lt;span style="font-family: arial;font-size:130%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: arial;font-family:Arial;font-size:130%;"  &gt;14. SM BACOLOD - (034) 7081010, 8311000 loc  1650&lt;/span&gt;&lt;span style="font-family: arial;font-size:130%;" &gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: arial;font-family:Arial;font-size:130%;"  &gt;Come celebrate Earth Day at SM Cinemas. Bring  your friends and family on April 22 and watch An Inconvenient Truth  FOR FREE! Spread the word and discover what you can do for your planet.  &lt;/span&gt; &lt;span style="font-family: arial;font-size:130%;" &gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: arial;font-family:Arial;font-size:130%;"  &gt;Feel free to pass this email to your office  mates, friends, and family. &lt;/span&gt;&lt;span style="font-family: arial;font-family:Times New Roman;font-size:130%;"  &gt;&lt;i&gt;"Kelan  ka pa ba naman pwede manglibre ng sine na pangmaramihan?"&lt;/i&gt;&lt;/span&gt;&lt;span style="font-family: arial;font-family:Arial;font-size:130%;"  &gt;  For more information, visit www.smcinema. com / www.climatecrisis. net&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-5604118915956512347?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/5604118915956512347/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=5604118915956512347' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/5604118915956512347'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/5604118915956512347'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/04/inconvenient-truth-at-sm-cinemas.html' title='AN INCONVENIENT TRUTH at SM Cinemas'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-3717856316785924644</id><published>2007-04-21T10:40:00.000+08:00</published><updated>2007-04-20T10:50:23.316+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Titus Brandsma Center'/><title type='text'>Titus Brandsma Center screenings</title><content type='html'>&lt;a href="mailto:pelikula@titusbrandsma"&gt;pelikula@titusbrandsma&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Laughter, Still the Best Medicine ... Nobody Wants to be Lonely!&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;24 Acacia St. Brgy. Mariana, New Manila, Quezon City&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;APRIL 21, 2007, 1PM ONWARDS&lt;/strong&gt;&lt;br /&gt;ADMISSION IS FREE&lt;br /&gt;&lt;br /&gt;Sequence:&lt;br /&gt;&lt;strong&gt;ELLING &lt;/strong&gt;(2001)&lt;br /&gt;Petter Næss, Norway&lt;br /&gt;89 minutes. In Norweigan with English subtitles.&lt;br /&gt;Cast: Per Christian Ellefsen, Sven Nordin, Marit Pia Jacobsen, JørgenLanghelle, Per Christensen&lt;br /&gt;&lt;br /&gt;Elling (Per Christian Ellefsen) is a neurotic middle-aged man who has ledan extremely sheltered life and is institutionalized after his mother'sdeath triggers a nervous breakdown. Upon being discharged, he is given aflat in Oslo to share with his friend and fellow patient Kjell Bjarne (SvenNordin), a food-loving would-be womanizer whose loutish behavioroccasionally proves taxing to the fastidious Elling. At first both men areparalyzed by separation anxiety and fear of the outside world, and simpletasks like grocery shopping or making a phone call present major challenges.Once Kjell Bjarne decides to venture beyond the confines of their home,however, his unlikely infatuation with a lonely pregnant woman (Marit PiaJacobsen) causes a rift between the two friends, prompting Elling to startforging social contacts and seek a calling of his own.&lt;br /&gt;&lt;br /&gt;Awards/Nominations:&lt;br /&gt;2001 AFI Fest - Nominated, Grand Jury Prize; 2002 Oscar Awards - Nominated,Best Foreign Language Film; 2001 Amanda Awards, Norway - Nominated, BestActor (Per Christian Ellefsen); 2001 Lübeck Nordic Film Days - Winner,Audience Prize of the "Lübecker Nachrichten", Prize of the Ecumenical Jury;2002 Peñíscola Comedy Film Festival - Winner, Best Film; 2002 Rouen NordicFilm Festival - Winner, Audience Award, Best Actor; 2001 San SebastiánInternational Film Festival - Winner, Best New Director - Special Mention,Youth Jury Award; 2002 Seattle International Film Festival - Winner, GoldenSpace Needle Award Best Film; 2002 Selb Film Festival - Winner, AudienceAward, Best Film; 2001 Stockholm Film Festival - Winner, Best Screenplay,FIPRESCI Prize Northern Lights Section. For its outstanding performances,literate script and detailed setting which depict with humor and compassionthe plight of marginal people. Nominated, Bronze Horse; 2002 WarsawInternational Film Festival - Winner, Audience Award; 2002 WürzburgInternational Filmweekend - Winner, Audience Award&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Guests&lt;/strong&gt; (Ushpizin, Ha-) (2004)&lt;br /&gt;Giddi Dar, Israel&lt;br /&gt;90 minutes. In Hebrew /Yiddish with English subtitles.&lt;br /&gt;Cast: Shuli Rand, Michal Bat-Sheva Rand, Shaul Mizrahi, Ilan Ganani, AvrahamAbutboul&lt;br /&gt;&lt;br /&gt;In Jerusalem's orthodox neighborhoods, it's Succoth, seven days celebratinglife's essentials in a sukkot, a temporary shack of both deprivation andhospitality. A devout couple, Moshe and Mali, married nearly five years andchildless, are broke and praying for a miracle. Suddenly, miracles abound: afriend finds Moshe a sukkot he says is abandoned, Moshe is the beneficiaryof local charitable fundraising, and two escaped convicts arrive on Mosheand Mali's doorstep in time to be their ushpizin - their guests. Themiracles then become trials. Rabbinical advice, absolution, an effort toavoid anger, and a 1000-shekel citron figure in Moshe's dark night of thesoul.&lt;br /&gt;&lt;br /&gt;Awards/Nominations:&lt;br /&gt;2004 Awards of the Israeli Film Academy - Winner, Best Actor (Shuli Rand).Nominated, Best Screenplay, Supporting Actor (Shaul Mizrahi)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Mad Cage/Birds of a Feather/(Cage aux folles, La)&lt;/strong&gt; (1978)&lt;br /&gt;Edouard Molinaro, France/Italy&lt;br /&gt;87 mins. In French with English subtitles.&lt;br /&gt;&lt;&lt;a onclick="return top.js.OpenExtLink(window,event,this)" href="http://www.amazon.com/gp/imdb/actor/nm0865575/ref=imdbdppd_a_0/104-9567465-2176706" target="_blank"&gt;http://www.amazon.com/gp/imdb/actor/nm0865575/ref=imdbdppd_a_0/104-9567465-2176706&lt;/a&gt;&gt;&lt;br /&gt;Cast:Ugo Tognazzi, Michel Serrault, Claire Maurier, Rémi Laurent, CarmenScarpitta&lt;br /&gt;&lt;br /&gt;The film title is the name of a nightclub run by a pair of homosexuals, oneof whom has a son who wants to marry the daughter of a high official. Hisparents--gay nightclub owner Renato and effeminate transvestite Zaza--mustmeet his pompous and conservative in-laws. For the sake of their son, thegay couple decide not only to act straight, but to pose as husband and wife!On the night of the party however, insanity reigns when "mom" and "dad" failto adhere to the "straight" and narrow. This French art house smash wasremade in the US as THE BIRDCAGE with Robin Williams, Nathan Lane, and GeneHackman.&lt;br /&gt;&lt;br /&gt;Awards/Nominations:&lt;br /&gt;1980 Oscar Awards - Nominated, Best Costume Design, Director, Writing,Screenplay Based on Material from Another Medium; 1979 César Awards, France- Winner, Best Actor (Michel Serrault); 1979 David di Donatello Awards -Winner, Best Foreign Actor (Michel Serrault). Tied with Richard Gere forDays of Heaven (1978); 1980 Golden Globes, USA - Winner, Best Foreign Film;1979 National Board of Review, USA - Winner, Best Foreign Language Film&lt;br /&gt;&lt;br /&gt;Reference: &lt;a onclick="return top.js.OpenExtLink(window,event,this)" href="http://www.imdb.com/" target="_blank"&gt;http://www.imdb.com/&lt;/a&gt;, &lt;a onclick="return top.js.OpenExtLink(window,event,this)" href="http://amazon.com/" target="_blank"&gt;amazon.com&lt;/a&gt;, rottentomatoes.com&lt;br /&gt;&lt;br /&gt;=========&lt;br /&gt;For inquries/confirmation, call Bituin (726-6054), Eric (364-7955). Maxie(751-1169).&lt;br /&gt;Email:&lt;a onclick="return top.js.OpenExtLink(window,event,this)" href="mailto:pelikula_titusbrandsma-owner@yahoogroups.com" target="_blank"&gt;pelikula_titusbrandsma-owner@yahoogroups.com&lt;/a&gt;, &lt;a onclick="return top.js.OpenExtLink(window,event,this)" href="mailto:tbcmedia@yahoo.com" target="_blank"&gt;tbcmedia@yahoo.com&lt;/a&gt; or&lt;a onclick="return top.js.OpenExtLink(window,event,this)" href="mailto:pelikula.tbc@gmail.com" target="_blank"&gt;pelikula.tbc@gmail.com&lt;/a&gt; (To post ad, inquiries, communications)&lt;br /&gt;Website: &lt;a href="http://www.pelikula-titusbrandsma.ph."&gt;www.pelikula-titusbrandsma.ph.&lt;/a&gt;&lt;br /&gt;Subscribe: &lt;a onclick="return top.js.OpenExtLink(window,event,this)" href="mailto:pelikula_titusbrandsma-subscribe@yahoogroups.com" target="_blank"&gt;pelikula_titusbrandsma-subscribe@yahoogroups.com&lt;/a&gt;&lt;br /&gt;(To receive info re: schedules and general information dissemination)&lt;br /&gt;Subscribe: &lt;a onclick="return top.js.OpenExtLink(window,event,this)" href="mailto:pelikula_titus_forum-subscribe@yahoogroups.com" target="_blank"&gt;pelikula_titus_forum-subscribe@yahoogroups.com&lt;/a&gt;&lt;br /&gt;(For discussion, critiques, reviews, suggestions or requests)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-3717856316785924644?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/3717856316785924644/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=3717856316785924644' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/3717856316785924644'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/3717856316785924644'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/04/titus-brandsma-center-screenings.html' title='Titus Brandsma Center screenings'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-2245935555168427529</id><published>2007-04-21T10:31:00.000+08:00</published><updated>2007-04-20T10:48:57.106+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Titus Brandsma Center'/><title type='text'>Titus Brandsma Center screenings</title><content type='html'>La Cage aux folles, a French art house smash hit, was remade in the U.S. as The Birdcage starring Robin Williams, Nathan Lane, and Gene Hackman.&lt;br /&gt;&lt;br /&gt;Pelikula@Titusbrandsma to hold free screening on April 21&lt;br /&gt;&lt;br /&gt;&lt;a href="mailto:Pelikula@Titusbrandsma"&gt;Pelikula@Titusbrandsma&lt;/a&gt; is a free monthly film screening that features fine samples of world cinema. After every screening, film enthusiasts can discuss the aesthetic and technical merits of each film. This monthly screening is an offering of the Titus Brandsma Center-Media Program under the auspices of the Carmelites in the Philippines. It is aimed at giving a meaningful experience for film enthusiasts. The core group of Pelikula@TitusBrandsma selects three films that correspondto a specific theme for each month. For the month of April, the chosen theme is Laughter, Still the Best Medicine...Nobody Wants to be Lonely!&lt;br /&gt;&lt;br /&gt;This month's screening will be held on &lt;strong&gt;April 21, 2007&lt;/strong&gt; from &lt;strong&gt;1 p.m. onwards&lt;/strong&gt; at the &lt;strong&gt;Titus Brandsma Center&lt;/strong&gt;, 24 Acacia St. Brgy. Mariana, New Manila, QuezonCity.&lt;br /&gt;&lt;br /&gt;&lt;a onclick="return top.js.OpenExtLink(window,event,this)" href="http://www.pelikula-titusbrandsma.ph" target="_blank"&gt;http://www.pelikula-titusbrandsma.ph&lt;/a&gt;&lt;br /&gt;&lt;a onclick="return top.js.OpenExtLink(window,event,this)" href="http://groups.yahoo.com/group/pelikula_titus_forum/" target="_blank"&gt;http://groups.yahoo.com/group/pelikula_titus_forum/&lt;/a&gt;&lt;br /&gt;&lt;a onclick="return top.js.OpenExtLink(window,event,this)" href="mailto:pelikula_titusbrandsma-owner@yahoogroups.com" target="_blank"&gt;pelikula_titusbrandsma-owner@yahoogroups.com&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-2245935555168427529?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/2245935555168427529/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=2245935555168427529' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/2245935555168427529'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/2245935555168427529'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/04/titus-brandsma-center-screenings_20.html' title='Titus Brandsma Center screenings'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-139948474707202764</id><published>2007-04-20T14:22:00.000+08:00</published><updated>2007-04-11T14:48:13.988+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='mag:net'/><category scheme='http://www.blogger.com/atom/ns#' term='magnet'/><category scheme='http://www.blogger.com/atom/ns#' term='cinekatipunan'/><title type='text'>S.A.B.A.W.</title><content type='html'>S.A.B.A.W. presents&lt;br /&gt;"Conductors of the Pit: Sound Artists versus Video Artists"&lt;br /&gt;&lt;br /&gt;WHEN: April 20 2007, 9pm&lt;br /&gt;WHERE: Mag:net Café Katipunan&lt;br /&gt;AGCOR Building (In front of Mirriam College)&lt;br /&gt;335 Katipunan AvenueQuezon City&lt;br /&gt;&lt;a onclick="return top.js.OpenExtLink(window,event,this)" href="http://www.magnet.com.ph/" target="_blank"&gt;http://www.magnet.com.ph/&lt;/a&gt;&lt;br /&gt;ADMISSION: 100 PHP&lt;br /&gt;&lt;br /&gt;The pit, the abyss, the penetralia, the recesses of the mind, the darknessof politicaldomination, the gulf between worlds. To conduct the pit, then, versus theorchestra of the living, is to initiate and order materials from thesubconscious. On April 20 at Mag-net Café Katipunan, local video artists and sound artists will take up the role as the "Conductors of the Pit" and partake in a freely improvised environment where their only obvious limitations are the limits of their equipment, venue space and time.&lt;br /&gt;&lt;br /&gt;Video artists and video performance artists (VJs) are going to be paired upand pitted against sound artists and musicians, into a mock-battle/game of dominance, cooperation, and everything in between. The pairs can compliment each other, challenge each other, or totally hinder each others performance.There are absolutely no rules. No predetermined obstructions or directions as to how each performance should be. Anything goes. Each pair will only be given 30 minutes (includingset-up time) per performance. Each performer will have to rely on improvising on the spot with their selected partners. While some of these performers have performed together in the past, most of them are going to be their chosen partners will do for the show. Everybody will meet with their material for the first time at the show on April 20.&lt;br /&gt;&lt;br /&gt;PERSONNEL:&lt;br /&gt;[left – video artist right – sound artist]&lt;br /&gt;Tad Ermitano vs Blums Borres&lt;br /&gt;Poklong Anading vs Inconnu ictu&lt;br /&gt;Blums Borres vs Elemento110 vs Caliph 8 (with special guest Tengal)&lt;br /&gt;Mervin Espina vs Arvie Bartolome&lt;br /&gt;&lt;br /&gt;========&lt;br /&gt;S.A.B.A.W. is a sound art collective and record label that represents across-section of sound artists, performance artists, contemporarymusician-composers and is dedicated to promoting and releasing the best inavant-garde, experimental and noise music in the Philippines.&lt;a onclick="return top.js.OpenExtLink(window,event,this)" href="http://www.sabaw.tk/" target="_blank"&gt;http://www.sabaw.tk/&lt;/a&gt;&lt;a onclick="return top.js.OpenExtLink(window,event,this)" href="http://www.groups.yahoo.com/groups/sabaw" target="_blank"&gt;www.groups.yahoo.com/groups/sabaw&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-139948474707202764?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/139948474707202764/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=139948474707202764' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/139948474707202764'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/139948474707202764'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/04/sabaw.html' title='S.A.B.A.W.'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-1700223567343180422</id><published>2007-04-16T15:05:00.000+08:00</published><updated>2007-04-17T15:06:09.607+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='mag:net'/><category scheme='http://www.blogger.com/atom/ns#' term='magnet'/><category scheme='http://www.blogger.com/atom/ns#' term='cine katipunan'/><category scheme='http://www.blogger.com/atom/ns#' term='cinekatipunan'/><title type='text'>CINEKATIPUNAN</title><content type='html'>THIS WEEK AT CINEKATIPUNAN&lt;br /&gt;April 16 to 21, 2007&lt;br /&gt;&lt;br /&gt;This April, CINEKATIPUNAN presents the second phase of&lt;br /&gt;Mag:net’s collaboration with independent and&lt;br /&gt;contemporary dancers and choreographers in line with&lt;br /&gt;the celebration with the International Dance Day on&lt;br /&gt;April 29. Foreign and local dance films courtesy of&lt;br /&gt;the International Festival of Cinema and Technology&lt;br /&gt;and Uncensored Bodies will be showcased for three&lt;br /&gt;consecutive Wednesdays  (April 11, 18th and 25th)&lt;br /&gt;prior to evening performances by dance and&lt;br /&gt;choreographer communities.  This Wednesday’s&lt;br /&gt;Cinekatipunan program features works by Carlitos&lt;br /&gt;Siguion-Reyna, Paul Morales, Romeo Candido, and Keith&lt;br /&gt;Sicat, to be followed by performances by Makiling&lt;br /&gt;Ensemble, Myra Beltran and Airdance starting 9 PM. &lt;br /&gt;&lt;br /&gt;In the same line, Monday’s AsiaLunes program (April&lt;br /&gt;16) will feature dance films from Korea and Malaysia.&lt;br /&gt;Tuesday (April 17) sets the tone for the upcoming&lt;br /&gt;Cordillera Day 2007 with a work by activist filmmaker&lt;br /&gt;Ron Papag, featuring people’s theater in the context&lt;br /&gt;of fetad (the Cordillera indigenous people’s&lt;br /&gt;mobilization for war). Thursday (April 19) features&lt;br /&gt;the Films by Visual Artists program with a work by&lt;br /&gt;Cocoy Lumbao, while Nika Bohinc, visiting editor of&lt;br /&gt;the 45-year old film magazine Ekran, will present&lt;br /&gt;award-winning Slovenian film  Gravehopping for Friday.&lt;br /&gt;Cinekatipunan caps the week on Saturday (April 21)&lt;br /&gt;with FIRST FILMS by young  Filipina filmmakers Felinda&lt;br /&gt;Bagas, Pam Miras and emerging filmmakers from the UP&lt;br /&gt;Film Institute led by Armi Cacanindin.&lt;br /&gt;&lt;br /&gt;Held Mondays to Saturdays at Mag:net Café Katipunan,&lt;br /&gt;Cinekatipunan screenings start at 5:30 PM.While the&lt;br /&gt;film screenings are free, viewers are encouraged to&lt;br /&gt;make voluntary contributions for the honoraria of the&lt;br /&gt;featured filmmakers. For questions or comments about&lt;br /&gt;Cinekatipunan write to &lt;a rel="nofollow" target="_blank" href="mailto:sinag_haraya%40yahoo.com"&gt;sinag_haraya@ yahoo.com&lt;/a&gt;.&lt;br /&gt;Cinekatipunan programs precede Mag:net Café's nightly&lt;br /&gt;holding of Live Performances by well-known and&lt;br /&gt;emerging bands and musicians. Mag:net Café is located&lt;br /&gt;along Katipunan Avenue (fronting Miriam and Ateneo) in&lt;br /&gt;Quezon City. For more inquiries please call 9293191 or&lt;br /&gt;visit www.magnet.com. ph. #&lt;br /&gt;&lt;br /&gt;APRIL 16-21 PROGRAM&lt;br /&gt;&lt;br /&gt;April 16 (Monday)&lt;br /&gt;Asian Dance Films: Wall (Malaysia) and Hitchiking&lt;br /&gt;(Korea)&lt;br /&gt;&lt;br /&gt;James Lee: WALL ( 2006 | MiniDV | Color | 13 min)&lt;br /&gt;Language: Mandarin&lt;br /&gt;&lt;br /&gt;Synopsis: Between the Man and his love one lies a&lt;br /&gt;wall. Between the Man and his country lies another&lt;br /&gt;wall. It's just a matter of dialogue and monologue.&lt;br /&gt;&lt;br /&gt;"Wall" dance choreography by: Amy Len&lt;br /&gt;&lt;br /&gt;Director’s Biography:&lt;br /&gt;Born in 1973, Ipoh, Malaysia. Trained as a graphic&lt;br /&gt;designer. A self-taught filmmaker, he began acting &amp;&lt;br /&gt;directing theatre plays before venturing into video&lt;br /&gt;filmmaking.&lt;br /&gt;&lt;br /&gt;"The Beautiful Washing Machine", his fourth&lt;br /&gt;DV-feature, won the Best Asean Feature Award and&lt;br /&gt;FIPRESCI Prize in the 2005 Bangkok International Film&lt;br /&gt;Festival. He also produced Amir Muhammad's award&lt;br /&gt;winning documentary "The Big Durian" and Ho Yuhang's&lt;br /&gt;"Sanctuary".&lt;br /&gt;He also works as a director of photography for&lt;br /&gt;independent shorts and features. Which includes two&lt;br /&gt;award winning works, Tan Chui Mui's "Love Conquers&lt;br /&gt;All" and Azharr Rudin's "Majidee".&lt;br /&gt;&lt;br /&gt;&lt;a rel="nofollow" target="_blank" href="http://www.doghouse73pictures.com/sh_wall.html"&gt;http://www.doghouse 73pictures. com/sh_wall. html&lt;/a&gt;&lt;br /&gt;&lt;a rel="nofollow" target="_blank" href="http://www.doghouse73pictures.com/about.html"&gt;http://www.doghouse 73pictures. com/about. html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Jin-sung Choi : HITCHHIKING (2004 | 35mm | Color |&lt;br /&gt;30min 30sec)&lt;br /&gt;Language: Korean&lt;br /&gt;&lt;br /&gt;Synopsis: It's the first trip together for a couple&lt;br /&gt;that has been dating for about six months. To get out&lt;br /&gt;of boredom, a guy demands for new kind of excitement&lt;br /&gt;from his girlfriend and 'not she' but 'she' ends up&lt;br /&gt;'hitchhiking' himself.&lt;br /&gt;&lt;br /&gt;Director's Statement: I wanted to unfold a story about&lt;br /&gt;'dating is hell' in a dry, fantasy tale, in showing&lt;br /&gt;difficulties in communication and weariness found&lt;br /&gt;after six months in a relationship.&lt;br /&gt;&lt;br /&gt;Director’s Biography:&lt;br /&gt;Born in 1975, Ulsan. Graduated from Sugang University,&lt;br /&gt;Department of Mass Communications Independent Film&lt;br /&gt;Production 'Freakshow'&lt;br /&gt;&lt;br /&gt;Awards and citations for "Hitchhiking" :&lt;br /&gt;       Best Short Film, 3rd Korean Film Award (2004,&lt;br /&gt;Korea)&lt;br /&gt;       Jury's Special Mention, Busan Asian Short Film&lt;br /&gt;Festival (2004, Korea)&lt;br /&gt;       Best Video Film &amp;amp; Special Mention, 21st Turin&lt;br /&gt;Int'l Gay &amp; Lesbian Film Festival (2006, Italy)&lt;br /&gt;       3rd Prize in Press Award for Best Film, 11th&lt;br /&gt;Lyon Asian Film Festival (2005, France)&lt;br /&gt;&lt;br /&gt;April 17 (Tuesday)&lt;br /&gt;Ron Magbuhos Papag: FETAD! People’s Theatre Cordillera&lt;br /&gt;&lt;br /&gt;FETAD! People’s Theatre Cordillera (65 mins, 2007) - A&lt;br /&gt;cinema verite’documentary- performance. Theatre artists&lt;br /&gt;from Metro Manila and Baguio City engaged in “Peoples&lt;br /&gt;Theatre”, return to the origin of their performance&lt;br /&gt;piece, the Basao Tribe, located in located in Kalinga&lt;br /&gt;Province in Northern Philippines.&lt;br /&gt;&lt;br /&gt;Produced by Point of View (POV) Productions for&lt;br /&gt;PAN-AP, MASIPAG and UBINIG&lt;br /&gt;&lt;br /&gt;[Direction: Ron Magbuhos Papag; Producer: Aya Santos;&lt;br /&gt;Script: Ron Magbuhos Papag and Edwin Quinsayas]&lt;br /&gt;&lt;br /&gt;April 18 (Wednesday)&lt;br /&gt;6 PM: UNCENSORED BODIES - A Dance On Screen Series&lt;br /&gt;Featuring films from the International Festival of&lt;br /&gt;Cinema and Technology, Carlitos Siguion-Reyna, Paul&lt;br /&gt;Morales, Romeo Candido, Keith Sicat&lt;br /&gt;&lt;br /&gt;Video works on dance, dance archives. UNCENSORED&lt;br /&gt;BODIES are screenings of  Filipino contemporary dance&lt;br /&gt;works that capture the magic of this ephemeral art&lt;br /&gt;form (from &lt;a rel="nofollow" target="_blank" href="http://www.geocities.com/wifibody/"&gt;http://www.geocitie s.com/wifibody/&lt;/a&gt;) in&lt;br /&gt;collaboration with the International Festival of&lt;br /&gt;Cinema and Technology (IFCT).&lt;br /&gt;&lt;br /&gt;IFCT Dance Film Showcase (from&lt;br /&gt;&lt;a rel="nofollow" target="_blank" href="http://www.ifct.org/ifctscheduledance.html"&gt;http://www.ifct. org/ifctschedule dance.html&lt;/a&gt;)&lt;br /&gt;&lt;br /&gt;Wings of Legacy (Directed by Neeta Mittal, USA)&lt;br /&gt;"Wings of Legacy" is the story of two women from a&lt;br /&gt;world full of movement and a heart of dance that has&lt;br /&gt;no boundaries. "Hip-hop and ballet were chosen as&lt;br /&gt;motifs to represent the contradictory entities of&lt;br /&gt;youth and wisdom, ability and disability, life and&lt;br /&gt;death."&lt;br /&gt;&lt;br /&gt;The Plight of Clownana (Directed by Chris Dowling,&lt;br /&gt;USA)&lt;br /&gt;It is about a man who has a job as a store's dancing&lt;br /&gt;mascot that is half-clown, half-banana. A dancing&lt;br /&gt;fight begins between the Clown Banana mascot and the&lt;br /&gt;dancing mascot of the competing store across the&lt;br /&gt;street.&lt;br /&gt;&lt;br /&gt;Desperate Horsewife (Directed by Paul Lazarus, USA)&lt;br /&gt;Parody of a musical theatre film involving an&lt;br /&gt;unconventional love triangle.&lt;br /&gt;&lt;br /&gt;Tiny Dancer (Directed by Stefan Georgiou, UK)&lt;br /&gt;Very rarely do dreams actually come true but that&lt;br /&gt;doesn't make it wrong to have them. How do you deal&lt;br /&gt;with not doing what you love? You Do It.&lt;br /&gt;&lt;br /&gt;Contrapunto (Directed by Jean-Pierre Jacquet,&lt;br /&gt;USA/France)&lt;br /&gt;Hand-drawn animation of a dancing couple in Buenos&lt;br /&gt;Aires, exploring the details of the tango.&lt;br /&gt;&lt;br /&gt;The Double Woman (Directed by Carla B Guttmann,&lt;br /&gt;Germany)&lt;br /&gt;The Double Woman is a film about a modern dancer who&lt;br /&gt;confronts her childhood in a haunting, carnal dance.&lt;br /&gt;As she contorts and moves her body, childhood ghosts&lt;br /&gt;and memories are released. It is a film about the&lt;br /&gt;secrets the body hides and how one woman frees herself&lt;br /&gt;through movement.&lt;br /&gt;&lt;br /&gt;Hand Sum (Directed by Eva Colmers, Canada)&lt;br /&gt;Miro moves through life without much conviction until&lt;br /&gt;a magical incident helps her escape her daily routine.&lt;br /&gt;&lt;br /&gt;Rules of the Road (Directed by Deborah VanSlet,&lt;br /&gt;Canada)&lt;br /&gt;Rules of the Road is a dance video on hitchhiking ;  a&lt;br /&gt;metaphor for the calculated risk.   The video&lt;br /&gt;expresses both the exhilaration and the anxiety&lt;br /&gt;associated with taking a chance and breaking out for&lt;br /&gt;parts unknown. &lt;br /&gt;&lt;br /&gt;Salomon (Directed by Deborah Kuleff, Australia)&lt;br /&gt;Narrative Dance piece that is a record of a woman's&lt;br /&gt;journey to rediscover her past.&lt;br /&gt;&lt;br /&gt;A Two Women One Act (Directed by Vanessa Libertad&lt;br /&gt;Garcia, USA)&lt;br /&gt;A dramatic period piece featuring Latin dance&lt;br /&gt;&lt;br /&gt;Magnetized (Directed by Lynn Shelton, USA)&lt;br /&gt;Music video for Laura Veirs&lt;br /&gt;&lt;br /&gt;Sea Mammal (Directed by Fiona Cameron, Australia)&lt;br /&gt;An atmospheric dance piece featuring a pregnant woman&lt;br /&gt;&lt;br /&gt;Beyond Time (Directed by Passia Pandora, Canada)&lt;br /&gt;"Weaving metaphor into dance, filmmaker Passia Pandora&lt;br /&gt;explores the nuanced world of personal grief."&lt;br /&gt;&lt;br /&gt;9 PM: UNCENSORED BODIES LIVE!&lt;br /&gt;With Makiling Ensemble, Myra Beltran and Airdance &lt;br /&gt;&lt;br /&gt;April 19 (THURSDAY)&lt;br /&gt;Films by Visual Artists (Curated by Poklong Anading)&lt;br /&gt;Cocoy Lumbao: VANGUARD&lt;br /&gt;&lt;br /&gt;Cocoy Lumbao has been involved in video-based art&lt;br /&gt;exhibitions in Manila and is a graduate of the Film&lt;br /&gt;and Audiovisual Program at the University of the&lt;br /&gt;Philippines Diliman. He was one of the students of Big&lt;br /&gt;Sky Mind founder and director Ringo Bunoan and was&lt;br /&gt;also included in the latter’s groundbreaking Satellite&lt;br /&gt;exhibition for the 13 Artists Award held at the&lt;br /&gt;Cultural Center of the Philippines. Lumbao is also a&lt;br /&gt;founding member of the Future Prospects Artists’&lt;br /&gt;Association, along with Mizuki Endo, Louie Cordero,&lt;br /&gt;Cocoy Lumbao and Gary-Ross Pastrana.&lt;br /&gt;&lt;br /&gt;April 20 (FRIDAY)&lt;br /&gt;GRAVEHOPPING (Slovenia)&lt;br /&gt;Curated and to be presented by  Nika Bohinc, visiting&lt;br /&gt;editor of the 45-year old film magazine Ekran.&lt;br /&gt;&lt;br /&gt;Jan CvitkoviÄ? : GRAVEHOPPING (Original title: Od&lt;br /&gt;groba do groba, 2005)&lt;br /&gt;(shown with permission from the director)&lt;br /&gt;Running Time: 103 minutes&lt;br /&gt;&lt;br /&gt;Synopsis: Pero is a professional funeral speaker in a&lt;br /&gt;small Slovenian town. His unique gift is to make every&lt;br /&gt;funeral that extra bit special. Pero just can't help&lt;br /&gt;turning his eulogies into witty personal confessions&lt;br /&gt;that bring the grieving crowd to tears for all the&lt;br /&gt;wrong reasons.&lt;br /&gt;At home Pero is busy trying to intercept his father's&lt;br /&gt;frequent but hopelessly inept suicide attempts.&lt;br /&gt;Meanwhile he also seeks to win the heart of local girl&lt;br /&gt;Renata, who bears secrets beneath her innocent blonde&lt;br /&gt;curls. In all his daily fortunes and misfortunes Pero&lt;br /&gt;is assisted by his devote friend and fan Shooki.&lt;br /&gt;Although quite capable of enjoying life, Shooki often&lt;br /&gt;ponders about death and makes his own funeral plans.&lt;br /&gt;The otherworldly Ida has a weak spot for him and makes&lt;br /&gt;sure to cross his path ever more often. It remains to&lt;br /&gt;be seen whether Pero and his companions will succeed&lt;br /&gt;in their search for intimacy and love in the absurd&lt;br /&gt;chaos that is life.&lt;br /&gt;&lt;br /&gt;In such a seemingly innocent setting Gravehopping&lt;br /&gt;accumulates force and a dark abyss looms behind every&lt;br /&gt;moment of happiness - and the other way round.&lt;br /&gt;Director Jan Cvitkovic plays with the themes of heaven&lt;br /&gt;and earth, life and death. His characters live on the&lt;br /&gt;edge between the two worlds and they do not always end&lt;br /&gt;up on the side on which they would prefer to be.&lt;br /&gt;&lt;br /&gt;Gravehopping link:&lt;br /&gt;Interview with director:&lt;br /&gt;&lt;a rel="nofollow" target="_blank" href="http://www.odgrobadogroba.com/en/novinarska_soba/"&gt;http://www.odgrobad ogroba.com/ en/novinarska_ soba/&lt;/a&gt;&lt;br /&gt;*interview conducted by our host for evening, Ekran&lt;br /&gt;editor Nika Bohinc&lt;br /&gt;&lt;br /&gt;AWARDS: IFF San Sebastian 2005 award Alatadis for best&lt;br /&gt;first and second film of festival | IFF Warshaw award&lt;br /&gt;SEECN for  best film by accredited industry&lt;br /&gt;professionals | IFF Cottbus Award for Best film, Award&lt;br /&gt;for Best Film by Ecumenical Jury | IFF Torino Award&lt;br /&gt;for Best film by Festival Jury, Award for best Script&lt;br /&gt;| IFF Ljubljana, Special Jury Mention Award | Slovene&lt;br /&gt;Film Festival PortoroÅ¾ 2005 Award for the best&lt;br /&gt;Slovene film 2005, Awards for best side actor and&lt;br /&gt;actress | IFF Spirit of fire 2006 Khanty Mansisk&lt;br /&gt;Silver Tayga second best film Award, Award for most&lt;br /&gt;impressive film scene | IFF Sofia, No Man's Land  Best&lt;br /&gt;Balkan Film Award | IFF Festroia Setubal, Silver&lt;br /&gt;Dolphin Award second best film, Award CICAE | IFF Pali&lt;br /&gt;“ Golden Tower“ best film of the festival | IFF Pecs :&lt;br /&gt;award for Best Cinematographer, Award for Best Actor,&lt;br /&gt;Audience Award | IFF Torun Special Jury award, Award&lt;br /&gt;Zygmund | Kaluzynski - for most extraordinary scene in&lt;br /&gt;film | IFF Nordeliijk: Student Jury Award | Slovenian&lt;br /&gt;candidate for Oscar Award for foreign language film&lt;br /&gt;&lt;br /&gt;April 21 (SATURDAY)&lt;br /&gt;FIRST FILMS by&lt;br /&gt;Felinda Bagas: PARA SA KABATAAN (SNEAK PREVIEW)&lt;br /&gt;Pam Miras: REYNA NG KADILIMAN&lt;br /&gt;with UP Film Institute Thesis Productions, selected by&lt;br /&gt;Armi Cacanindin&lt;br /&gt;&lt;br /&gt;Sneak Preview: Para sa Kabataan (For the Youth)&lt;br /&gt;Felina Bagas is a Filipina filmmaker, scriptwriter,&lt;br /&gt;video editor and musician whose short films have been&lt;br /&gt;screened locally and abroad. She dedicates the work to&lt;br /&gt;“all the poor children of the Philippines who struggle&lt;br /&gt;everyday so they could get an education” and to “those&lt;br /&gt;who continue to fight for real freedom”.&lt;br /&gt;&lt;br /&gt;Reyna ng Kadiliman (Queen of Darkness)&lt;br /&gt;Pam Miras is a writer and a segment producer for&lt;br /&gt;television. She graduated with a film degree at the&lt;br /&gt;University of the Philippines College of Mass&lt;br /&gt;Communications in 1999, the same year she completed&lt;br /&gt;her first short feature “Reyna ng Kadiliman”.This film&lt;br /&gt;won several awards in 2000, including the First Prize&lt;br /&gt;for the Short Feature Category of the 13th Gawad CCP&lt;br /&gt;Para sa Alternatibong Pelikula and the 23rd Gawad&lt;br /&gt;Urian Award for Best Short Film.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-1700223567343180422?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/1700223567343180422/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=1700223567343180422' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/1700223567343180422'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/1700223567343180422'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/04/cinekatipunan.html' title='CINEKATIPUNAN'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-8264099200870275587</id><published>2007-04-14T19:11:00.000+08:00</published><updated>2007-04-16T19:23:01.622+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Spanish Films'/><category scheme='http://www.blogger.com/atom/ns#' term='Instituto Cervantes'/><title type='text'>CINE at INSTITUTO CERVANTES</title><content type='html'>&lt;span style="font-weight: bold;"&gt;Great Books on the Screen&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;It is not easy to adapt a literary work into film, but sometimes the motion&lt;br /&gt;picture makes true justice to the original written work. Through this cycle,&lt;br /&gt;Instituto Cervantes invites movie-goers to enjoy four great books on screen.&lt;br /&gt;&lt;br /&gt;Film Cycle presented with the collaboration of Filmoteca AECI&lt;br /&gt;&lt;br /&gt;All the films are in Spanish with English subtitles.&lt;br /&gt;Free Admission&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Últimas tardes con Teresa&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Director  Gonzalo Herralde&lt;br /&gt;Duration: 105 min.&lt;br /&gt;Production: España, 1984&lt;br /&gt;&lt;br /&gt;Cast:&lt;br /&gt;Maribel Martín, Ángel Alcázar&lt;br /&gt;&lt;br /&gt;In Spanish with English subtitles&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Date: April 14&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Time: 6:00 pm&lt;/span&gt;&lt;br /&gt;Venue: Instituto Cervantes&lt;br /&gt;&lt;br /&gt;Two distant worlds, of the rich and the poor are related through two&lt;br /&gt;characters; Manolo Reyes, vulgar thief of motorcycles who aspires to leave&lt;br /&gt;the hard life, and Teresa Serrat, university student of the upper-class who&lt;br /&gt;is seduced by the revolutionary cause.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;La colmena&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Directed by Mario Camus&lt;br /&gt;Duration: 114 min.&lt;br /&gt;Production: España, 1982&lt;br /&gt;&lt;br /&gt;Cast: Victoria Abril, Ana Belén, José Bódalo, José Luis López&lt;br /&gt;Vázquez, Emilio Gutiérrez Caba&lt;br /&gt;&lt;br /&gt;In Spanish with English subtitles&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Date: April 21&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Time: 2:00 pm&lt;/span&gt;&lt;br /&gt;Venue: Instituto Cervantes&lt;br /&gt;&lt;br /&gt;Based on the novel of the same title by Camilo José Cela, *La Colmena* is a&lt;br /&gt;heartrending compilation of stories of people in the Madrid of 1942, just&lt;br /&gt;after the Spanish Civil War. The main theme of the film is the contrast&lt;br /&gt;between the poets, surviving close to misery under the Franco's regime, and&lt;br /&gt;the winners of the war, the emerging class of the people that makes easy&lt;br /&gt;money with illegal business. The film received the Golden Bear in the Berlin&lt;br /&gt;Film Festival.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;El método&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Directed by Marcelo Pyñeiro&lt;br /&gt;Duration: 105 min.&lt;br /&gt;Production: España, 2005&lt;br /&gt;&lt;br /&gt;Cast: Eduard Fernández, Eduardo Noriega, Natalia Verbeke,&lt;br /&gt;Carmelo Gómez, Ernesto Alterio, Adriana Ozores&lt;br /&gt;&lt;br /&gt;For Adults Only&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Date: April 21&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Time: 6:00 pm&lt;/span&gt;&lt;br /&gt;Venue: Instituto Cervantes&lt;br /&gt;&lt;br /&gt;Seven candidates compete for an executive position at a multinational&lt;br /&gt;company. Candidates are assembled to be put through the final selection&lt;br /&gt;process for a single high-level position at a multinational corporation.&lt;br /&gt;From the outset, there is a palpably tense, competitive atmosphere among the&lt;br /&gt;group. Feelings of distrust increase when they realize they are aspiring for&lt;br /&gt;the same position. They find themselves pitted against one another in a&lt;br /&gt;contest that elicits fear, suspicion, paranoia and betrayal.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Pantaleón y las visitadoras&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Directed by Francisco Lombardi&lt;br /&gt;Duration: 111 min.&lt;br /&gt;Production: España, 2000&lt;br /&gt;&lt;br /&gt;Cast: Angie Cepeda, Salvador del Solar, Pilar Bardem&lt;br /&gt;&lt;br /&gt;In Spanish with English subtitles&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Date: March 24&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Time: 6:00 pm&lt;/span&gt;&lt;br /&gt;Venue: Instituto Cervantes&lt;br /&gt;&lt;br /&gt;Strictly for Adults&lt;br /&gt;&lt;br /&gt;The Peruvian army captain Pantaleón Pantoja, a very serious and efficient&lt;br /&gt;officer, is chosen by his superiors to set up a special service of&lt;br /&gt;'visitors' to satisfy the sexual needs of the soldiers posted on remote&lt;br /&gt;jungle outposts. At first unhappy about this assignment, he nonetheless puts&lt;br /&gt;his remarkable organizational skills in action and in a short time has his&lt;br /&gt;'unit' running smoothly. In the home front things get complicated though;&lt;br /&gt;his wife dislikes his long hours and the secrecy surrounding his work.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Instituto Cervantes&lt;/span&gt;&lt;br /&gt;855 Kalaw St., 1000 Ermita&lt;br /&gt;Manila&lt;br /&gt;Tel. (632) 526 1482 - 85&lt;br /&gt;Fax (632) 526 1449&lt;br /&gt;&lt;a onclick="return top.js.OpenExtLink(window,event,this)" href="http://manila.cervantes.es*/" target="_blank"&gt;http://manila.cervantes.es&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-8264099200870275587?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/8264099200870275587/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=8264099200870275587' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/8264099200870275587'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/8264099200870275587'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/04/cine-at-instituto-cervantes.html' title='CINE at INSTITUTO CERVANTES'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-1772985719994595594</id><published>2007-04-13T11:00:00.000+08:00</published><updated>2007-04-12T11:06:20.212+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='UP Film Institute'/><category scheme='http://www.blogger.com/atom/ns#' term='UP Film Center'/><category scheme='http://www.blogger.com/atom/ns#' term='UPFI'/><title type='text'>Iranian films in UP</title><content type='html'>&lt;strong&gt;Free Films from Iran&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Courtesy of the Embassy of the Islamic Republic of Iran&lt;br /&gt;&lt;br /&gt;The UP Film Institute concludes its ongoing series of free films from Iran with a twinbill this &lt;strong&gt;Friday, 13 April 2007, at 5 p.m. onwards&lt;/strong&gt;. Featured films: "Sara"—the Grand Prize Winner of Golden Seashell at San Sebastian, Spain and "Lost Time"—an early film by acclaimed lady director Puran Derakhshandeh who visited the Philippines in March 2005 as the Guest of Honor for the UP Film Institute's International Women's Film Festival presenting another of her films for the gala opening.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Lost Time&lt;/strong&gt;&lt;br /&gt;(Zaman-e Az Dast Rafteh, 1990, 100 minutes, with English subtitles)&lt;br /&gt;A girl is adopted by a couple who cannot have children only to be sent backto the orphanage as she encounters difficulties to be admitted to her new family.&lt;br /&gt;&lt;br /&gt;Direction and Screenplay: Puran Derakhshandeh.&lt;br /&gt;Cast: Faramarz Sedighi, Sanaz Sehatu, Tania Johari, Shala Riahi.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Sara&lt;/strong&gt;&lt;br /&gt;(1993, 100 minutes, with English subtitles)&lt;br /&gt;A perfect young housewife eager to serve has to labor secretly to pay the shady loan she was compelled to avail for her husband's expensive surgery.&lt;br /&gt;&lt;br /&gt;Grand Prize Golden Seashell and Best Actress for Niki Karimi—1993 SanSebastian IFF; Audience Award—1993 Nantes Three Continents Festival; Official Selection—2004 Toronto IFF&lt;br /&gt;&lt;br /&gt;Direction and Screenplay inspired by Henrik Ibsen's play: Darioush Mehrjui.Cast: Niki Karimi, Amin Tarokh, Khosro Shakibai, Yasmin Malek-Nasr.&lt;br /&gt;&lt;br /&gt;========&lt;br /&gt;To always get screening alerts, join UP Film Institute e-group: &lt;a href="mailto:upfilminstitute@yahoogroups.com"&gt;upfilminstitute@yahoogroups.com&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Cine Adarna, Magsaysay and Osmena Avenues, UP Diliman, Quezon City&lt;br /&gt;Tel: 9818500 (UP Trunkline) local 4286, 4289; 9262722 (Telefax)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-1772985719994595594?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/1772985719994595594/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=1772985719994595594' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/1772985719994595594'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/1772985719994595594'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/04/iranian-films-in-up.html' title='Iranian films in UP'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-1645618859749826603</id><published>2007-04-12T14:37:00.000+08:00</published><updated>2007-04-11T14:47:23.494+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='UP Film Institute'/><category scheme='http://www.blogger.com/atom/ns#' term='UP Film Center'/><category scheme='http://www.blogger.com/atom/ns#' term='UPFI'/><title type='text'>UPFI this Summer</title><content type='html'>UP Film Institute this summer&lt;br /&gt;&lt;br /&gt;Make moviegoing your foremost ritual of summer as UP Film Institute bringsthe most fabulous of big-screen selections for the season.&lt;br /&gt;&lt;br /&gt;Schedule of screenings is as follows:&lt;br /&gt;&lt;br /&gt;Apr 12 Thu 5 &amp; 7 p.m.&lt;br /&gt;Twilight Dancers Uncut&lt;br /&gt;&lt;br /&gt;Apr 13 Fri 2, 5 &amp;amp; 7 p.m.&lt;br /&gt;Twilight Dancers Uncut&lt;br /&gt;&lt;br /&gt;Apr 13 Fri 5 p.m. onwards (Videotheque)&lt;br /&gt;Free Films from Iran : Lost Time (1990) by Puran Derakhshandeh and Sara(1993) by Darioush Mehrjui&lt;br /&gt;&lt;br /&gt;Apr 14 Sat 2/5/7 p.m.&lt;br /&gt;Twilight Dancers Uncut&lt;br /&gt;&lt;br /&gt;Apr 16 Mon 5/7 p.m.&lt;br /&gt;Ask the Dust&lt;br /&gt;&lt;br /&gt;Apr 17 Tue 5/7 p.m.&lt;br /&gt;Ask the Dust&lt;br /&gt;&lt;br /&gt;Apr 18 Wed 5 p.m.&lt;br /&gt;Creep&lt;br /&gt;&lt;br /&gt;Apr 18 Wed 7 p.m.&lt;br /&gt;Ask the Dust&lt;br /&gt;&lt;br /&gt;Apr 19 Thu 5 p.m.&lt;br /&gt;Creep&lt;br /&gt;&lt;br /&gt;Apr 19 Thu 7 p.m.&lt;br /&gt;Ask the Dust&lt;br /&gt;&lt;br /&gt;Apr 20 Fri 5 p.m. onwards (Videotheque)&lt;br /&gt;I Dreamed of Africa ; Guimaras—Short Films from the Oil Spill&lt;br /&gt;&lt;br /&gt;Apr 21 Sat 5 p.m. onwards (Videotheque)&lt;br /&gt;Akira Kurosawa's Dreams; Guimaras—Short Films from the Oil Spill&lt;br /&gt;&lt;br /&gt;Apr 23 Mon 2 &amp; 7 p.m.&lt;br /&gt;The Last King of Scotland&lt;br /&gt;&lt;br /&gt;Apr 23 Mon 5 p.m.&lt;br /&gt;Little Miss Sunshine&lt;br /&gt;&lt;br /&gt;Apr 24 Tue 5 p.m.&lt;br /&gt;The Last King of Scotland&lt;br /&gt;&lt;br /&gt;Apr 24 Tue 7 p.m.&lt;br /&gt;Little Miss Sunshine&lt;br /&gt;&lt;br /&gt;Apr 25 Wed 2 p.m.&lt;br /&gt;Little Miss Sunshine&lt;br /&gt;&lt;br /&gt;Apr 25 Wed 5 &amp;amp; 7 p.m.&lt;br /&gt;The Last King of Scotland&lt;br /&gt;&lt;br /&gt;Apr 26 Thu 2 &amp; 7 p.m.&lt;br /&gt;The Last King of Scotland&lt;br /&gt;&lt;br /&gt;Apr 26 Thu 5 p.m.&lt;br /&gt;An Inconvenient Truth&lt;br /&gt;&lt;br /&gt;Apr 27 Fri 2 &amp;amp; 7 p.m.&lt;br /&gt;An Inconvenient Truth&lt;br /&gt;&lt;br /&gt;Apr 28 Sat 2 p.m.&lt;br /&gt;Dersu Uzala&lt;br /&gt;&lt;br /&gt;Apr 28 Sat 5 p.m.&lt;br /&gt;Creep&lt;br /&gt;&lt;br /&gt;Apr 28 Sat 7 p.m.&lt;br /&gt;An Inconvenient Truth&lt;br /&gt;&lt;br /&gt;Apr 30 Mon 2 &amp; 7 p.m.&lt;br /&gt;Little Children&lt;br /&gt;&lt;br /&gt;Apr 30 Mon 5 p.m.&lt;br /&gt;In Good Company&lt;br /&gt;&lt;br /&gt;May 1 Tue 2 &amp;amp; 5 p.m.&lt;br /&gt;Little Children&lt;br /&gt;&lt;br /&gt;May 1 Tue 7 p.m.&lt;br /&gt;In Good Company&lt;br /&gt;&lt;br /&gt;May 2 Wed 2 &amp; 7 p.m.&lt;br /&gt;Little Children&lt;br /&gt;&lt;br /&gt;May 2 Wed 5 p.m.&lt;br /&gt;Alpha Dog&lt;br /&gt;&lt;br /&gt;May 3 Thu 2 &amp;amp; 7 p.m.&lt;br /&gt;Alpha Dog&lt;br /&gt;&lt;br /&gt;May 3 Thu 5 p.m.&lt;br /&gt;Elections Special&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-1645618859749826603?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/1645618859749826603/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=1645618859749826603' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/1645618859749826603'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/1645618859749826603'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/04/upfi-this-summer.html' title='UPFI this Summer'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-3828696721277654124</id><published>2007-04-12T10:54:00.000+08:00</published><updated>2007-04-12T10:59:49.980+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='pelikuletran'/><category scheme='http://www.blogger.com/atom/ns#' term='kolum bar'/><title type='text'>Pelikuletran</title><content type='html'>ANGAS NA BAGONG SHORT FILMS&lt;br /&gt;&lt;br /&gt;Sa mga taong hindi pinalad makapunta sa &lt;strong&gt;PELIKULETRAN&lt;/strong&gt;... ito ang isa pang pagkakataon&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;APRIL 12, KOLUMN BAR TIMOG, 8PM&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Mga pelikula:&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GATAS NG PUSA, KATAS NG KALIKASAN&lt;/strong&gt;&lt;br /&gt;(Directed by Dweighn Baltazar)&lt;br /&gt;Starring Giselle Sanchez, Mark Christian Dumdum, Jonas Camposagrado, Ephraim Lance Robles, Maria Katrina Oledan and Clee Nette Caddi&lt;br /&gt;Letran Excellance 2007 Best Film &amp; BestDirector&lt;br /&gt;Summary:Three kids - Shapiro(Christian Dumdum), Bulang(Jonas Camposagrado) and Marina (Ephraim Lance Robles) get a first taste of stardom when they were casted for a new cat milk commercial. During the shoot, they get to see Eba Bituin(Giselle Sanchez) in the flesh, the beautiful and glamorous actress they all admire and start making up assumptions on how a star should achieve god-like status.&lt;br /&gt;Trailer: &lt;a onclick="return top.js.OpenExtLink(window,event,this)" href="http://www.youtube.com/watch?v=pYOy9YlKx40" target="_blank"&gt;http://www.youtube.com/watch?v=pYOy9YlKx40&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ELLIPTICAL ROAD&lt;/strong&gt;&lt;br /&gt;(Directed by Ace Mercado)&lt;br /&gt;Starring Perry Escaño, Choy Roldan, Janelle Dagaas, Rico Del Rosario, Sheila Hollon, Andrea Gregorio, Ces Aldaba and Bernard Fulgencio Joaquin Cervantes (Perry Escaño), a successful businessman lives a comfortable life with his loving wife and son. Everything seems to be perfect but he feels something is missing. At night, he would get strange dreams of his past, leading him to a startling realization.&lt;br /&gt;Trailer: &lt;a onclick="return top.js.OpenExtLink(window,event,this)" href="http://www.youtube.com/watch?v=Bqh833nmFGc" target="_blank"&gt;http://www.youtube.com/watch?v=Bqh833nmFGc&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PANAKOBA&lt;/strong&gt;&lt;br /&gt;(Directed by Mike Canlas)&lt;br /&gt;Starring Fernando Magaling with aspecial participation of Cesar Montano&lt;br /&gt;DLSU Indie Un-film Best Feature&lt;br /&gt;Letran Excellance 2007 Best Cinematography and Editing&lt;br /&gt;Summary:Ramwen (Fernando Magaling) specializes in terrorizing kids, and is known to be the best in the business. Everything goes well until an Indian urban legend brings him back to his own childhood fears, that will serve as his toughest challenge yet.&lt;br /&gt;Trailer:&lt;a onclick="return top.js.OpenExtLink(window,event,this)" href="http://www.youtube.com/watch?v=C8dTQWyYJsU" target="_blank"&gt;http://www.youtube.com/watch?v=C8dTQWyYJsU&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-3828696721277654124?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/3828696721277654124/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=3828696721277654124' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/3828696721277654124'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/3828696721277654124'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/04/pelikuletran.html' title='Pelikuletran'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-2252671188543964313</id><published>2007-04-11T14:31:00.000+08:00</published><updated>2007-04-11T14:37:21.918+08:00</updated><title type='text'>Le Destin screening</title><content type='html'>&lt;strong&gt;The af Ciné Club presents&lt;/strong&gt;&lt;br /&gt;as part as the Francophonie Film Festival,&lt;br /&gt;from Egypt&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Le Destin(Destiny)&lt;/strong&gt; a film by Youssef Chahine&lt;br /&gt;(French version, with English subtitles)&lt;br /&gt;1997, 135 minutes&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Alliance Ondeo Auditorium&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Wednesday, April 11, 2007, 8:30 pm&lt;/strong&gt;&lt;br /&gt;(Free Admission)&lt;br /&gt;(Le Coude Rouge Restaurant is open before and after the film screening)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Starring:&lt;/strong&gt; Nour El Cherif, Hani Salama, Khaled El Nabaoui, Mahmoud Hemida, and more… &lt;strong&gt;Genre:&lt;/strong&gt;  Comedy / Drama / History / Musical / Romance&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Critic's Review:&lt;/strong&gt; &lt;br /&gt;"Destiny pulses with warm-blooded fervor and surges with moments ofgenuine eloquence."&lt;br /&gt;-Peter Keough of Boston Phoenix&lt;br /&gt;&lt;br /&gt;"Very heartening words."&lt;br /&gt;-Robert Ebert of the Chicago Sun-Times&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Synopsis:&lt;/strong&gt; The story is set in the 12th century in Arab-ruled Spanish provinceAndalusia, where famed philosopher Averroes is appointed grand judge by thecaliph and his liberal court judgments are not liked by everyone. Thecaliph's political rivals, centered on the leader of a fanatical Islamicsect, force the caliph to send Averroes into exile, but his ideas keep onliving thanks to his students.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;For more information, please contact:&lt;/strong&gt;&lt;br /&gt;Alliance Française de Manille&lt;br /&gt;209 Nicanor Garcia Street (formerly Reposo Street),&lt;br /&gt;Bel-Air 2, Makati City.  1209     Philippines.&lt;br /&gt;Tels: 895-7585 / 895-7441         &lt;br /&gt;Fax: 899-3654        &lt;br /&gt;e-mail: &lt;a href="mailto:info@alliance.ph"&gt;info@alliance.ph&lt;/a&gt;&lt;br /&gt;Office hours:&lt;br /&gt;Monday - Thursday: 9 am to 6 pm&lt;br /&gt;Friday: 9 am to 1 pm    &lt;br /&gt;Saturday: 9 am to 5 pm&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-2252671188543964313?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/2252671188543964313/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=2252671188543964313' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/2252671188543964313'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/2252671188543964313'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/04/le-destin-screening.html' title='Le Destin screening'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-8297230670021225141</id><published>2007-04-03T10:32:00.000+08:00</published><updated>2007-04-03T10:39:47.571+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='mag:net'/><category scheme='http://www.blogger.com/atom/ns#' term='magnet'/><category scheme='http://www.blogger.com/atom/ns#' term='cine katipunan'/><category scheme='http://www.blogger.com/atom/ns#' term='cinekatipunan'/><title type='text'>CineKalikasan 1.1</title><content type='html'>You are invited to&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CineKalikasan 1.1 &lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Environmental film screening at mag:net Katipunan&lt;br /&gt;&lt;strong&gt;April 10, 2007 (Tuesday)&lt;br /&gt;5:30 – 7 PM&lt;br /&gt;Mag:net Gallery and Café&lt;/strong&gt;AGCOR Building , 335 Katipunan Ave. (fronting Miriam and Ateneo), Quezon City www.magnet.com.ph.&lt;br /&gt;&lt;br /&gt;Cinekalikasan is a project initiated by Kalikasan People's Network for the Environment (Kalikasan-PNE) aiming to popularize various environmental and peoples struggles through film screenings in different venues. This screening at mag:net Katipunan, a bookshop/gallery/café and home to the Cinekatipunan film project*, will be the first in this year's series.&lt;br /&gt;&lt;br /&gt;Cinekalikasan 1.1. presents selected environmental documentaries on mining in the Philippines. The works focus on two current sites of struggle where irresponsible mining has induced adverse damage: Marinduque—the thirteenth largest island in the Philippine archipelago—and Rapu-Rapu island in Albay, Bicol.&lt;br /&gt;&lt;br /&gt;The film screenings are free, while food and drinks may be bought at the café.&lt;br /&gt;&lt;br /&gt;April 10 program&lt;br /&gt;In cooperation with the Center for Environmental Concerns-Philippines&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Sigaw ni Longinus (Longinus' Cry)&lt;/strong&gt;&lt;br /&gt;Milo A. Paz / 28 mins.&lt;br /&gt;A video documentary on the aftermath of the Marcopper mine spill tragedy in Marinduque with the Moriones Festival as a metaphorical background.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Kalagin ang Kadena ng Imperyalistang Pagmimina &lt;/strong&gt;(Breaking the Chains of Imperialist Mining)&lt;br /&gt;SIPAT/25 mins.&lt;br /&gt;&lt;br /&gt;The fight for environmental justice continues, more than a decade after the 1996 Marcopper mine tragedy.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Lason&lt;/strong&gt; (Poison)&lt;br /&gt;9 mins.&lt;br /&gt;&lt;br /&gt;A short work on the effects of the Lafayette mine spill in Rapu-Rapu island, Albay. Produced by Umalpas Ka, Sagip Isla, and the Rural Missionaries of the Philippines.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ABOUT CINEKATIPUNAN&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Held Mondays to Saturdays at Mag:net Café Katipunan, Cinekatipunan screenings start at 5:30 PM.While the film screenings are free, viewers are encouraged to make voluntary contributions for the honoraria of the featured filmmakers. Cinekatipunan programs precede Mag:net Café's nightly holding of Live Performances by well-known and emerging bands and musicians. Mag:net Café is located along Katipunan Avenue (fronting Miriam and Ateneo) in Quezon City. For more inquiries please call 9293191 or visit www.magnet.com.ph.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-8297230670021225141?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/8297230670021225141/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=8297230670021225141' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/8297230670021225141'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/8297230670021225141'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/04/cinekalikasan-11.html' title='CineKalikasan 1.1'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-1016549346908134925</id><published>2007-04-02T15:36:00.000+08:00</published><updated>2007-04-02T15:39:01.258+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='mag:net'/><category scheme='http://www.blogger.com/atom/ns#' term='magnet'/><category scheme='http://www.blogger.com/atom/ns#' term='cine katipunan'/><category scheme='http://www.blogger.com/atom/ns#' term='cinekatipunan'/><title type='text'>CineKatipunan Screenings</title><content type='html'>THIS WEEK AT CINEKATIPUNAN&lt;br /&gt;April 2-4, 2007&lt;br /&gt;Screening Starts at 5:30 PM&lt;br /&gt;Mag:net Cafe Katipunan (fronting Miriam and Ateneo)&lt;br /&gt;www.magnet.com.ph&lt;br /&gt;&lt;br /&gt;Announcement:&lt;br /&gt;Cinekatipunan will be closed for the duration of Holy&lt;br /&gt;Week, from April 5 onwards. Screenings will resume on&lt;br /&gt;Monday, April 9.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;April 2 (Monday)&lt;/strong&gt;&lt;br /&gt;Elli Safari: The Noble Struggle of Amina Wadud&lt;br /&gt;(Documentary)&lt;br /&gt;The Netherlands/US, 2006, 29 minutes&lt;br /&gt;&lt;br /&gt;On March 18, 2005, Amina Wadud shocked the Islamic&lt;br /&gt;world by leading a mixed-gender Friday prayer&lt;br /&gt;congregation in New York. THE NOBLE STRUGGLE OF AMINA&lt;br /&gt;WADUD is a fascinating and powerful portrait of this&lt;br /&gt;African-American Muslim woman who soon found herself&lt;br /&gt;the subject of much debate and Muslim juristic&lt;br /&gt;discourse. In defying 1400 years of Islamic tradition,&lt;br /&gt;her action caused global awareness of the struggle for&lt;br /&gt;women's rights within Islam but also brought violence&lt;br /&gt;and death threats against her.&lt;br /&gt;&lt;br /&gt;Filmmaker Safari follows this women's rights activist&lt;br /&gt;and scholar around the world as she quietly but with&lt;br /&gt;utter conviction explains her analysis of Islam in the&lt;br /&gt;classroom, at conferences, in her home, and in the&lt;br /&gt;hair dresser's shop. Wadud explains how Islam, with&lt;br /&gt;its promise of justice, appeals to the African&lt;br /&gt;American community. And she links the struggle for&lt;br /&gt;racial justice with the need for gender equality in&lt;br /&gt;Islam. Deeply engaging, this film offers rare insights&lt;br /&gt;into the powerful connections between Islam, women's&lt;br /&gt;rights, and racial justice. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;April 3 (Tuesday)&lt;/strong&gt;&lt;br /&gt;From Conrado's Cabinet: MAN RAY: PROPHET OF THE&lt;br /&gt;AVANT-GARDE&lt;br /&gt;&lt;br /&gt;Man Ray, famed Dada artist, expatriate, and innovator,&lt;br /&gt;is the subject of this PBS American Masters Series&lt;br /&gt;episode. Stockard Channing hosts this in-depth&lt;br /&gt;documentary. Several interviews with the artist&lt;br /&gt;himself and other archival footage aptly covers and&lt;br /&gt;describes one of the 20th Century's most influential&lt;br /&gt;artists&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;April 4 (Wednesday)&lt;/strong&gt;&lt;br /&gt;Carl Th. Dreyer: THE PASSION OF JOAN OF ARC&lt;br /&gt;&lt;br /&gt;THE PASSION OF JOAN OF ARC&lt;br /&gt;by André Bazin&lt;br /&gt;Those who have the opportunity of seeing Carl&lt;br /&gt;Dreyer's masterpiece The Passion of Joan of Arc are&lt;br /&gt;actually seeing a print made from the original&lt;br /&gt;negatives. They were thought to have been destroyed&lt;br /&gt;but were miraculously discovered among the out takes&lt;br /&gt;of sound film at Gaumont Studios. There is perhaps no&lt;br /&gt;other film in which the actual quality of the&lt;br /&gt;photography is more important. &lt;br /&gt;&lt;br /&gt;The Passion of Joan of Arc was filmed in France in&lt;br /&gt;1928 by the Danish director Carl Dreyer, using French&lt;br /&gt;writers and a French crew. Based on a script by Joseph&lt;br /&gt;Delteil, the film is in fact inspired by the actual&lt;br /&gt;minutes of the trial. But the action here is condensed&lt;br /&gt;into one day, conforming to a dramatic requirement&lt;br /&gt;that is in no way a distortion. &lt;br /&gt;&lt;br /&gt;Dreyer's Joan of Arc will remain memorable in film&lt;br /&gt;annals for its bold photography. With the exception of&lt;br /&gt;a few shots, the film is almost entirely composed of&lt;br /&gt;close-ups, principally of faces. This technique&lt;br /&gt;satisfies two apparently contradictory purposes:&lt;br /&gt;mysticism and realism. The story of Joan, as Dreyer&lt;br /&gt;presents it, is stripped of any anecdotal references.&lt;br /&gt;It becomes a pure combat of souls. But this&lt;br /&gt;exclusively spiritual tragedy, in which all action&lt;br /&gt;comes from within, is fully expressed by the face, a&lt;br /&gt;privileged area of communication. &lt;br /&gt;&lt;br /&gt;I must explain this further. The actor normally uses&lt;br /&gt;his face to express his feelings. Dreyer, however,&lt;br /&gt;demanded something more of his actors—more than&lt;br /&gt;acting. Seen from very close up, the actor's mask&lt;br /&gt;cracks. As the Hungarian critic Béla Balasz wrote,&lt;br /&gt;"The camera penetrates every layer of the physiognomy.&lt;br /&gt;In addition to the expression one wears, the camera&lt;br /&gt;reveals one's true face. Seen from so close up, the&lt;br /&gt;human face becomes the document." Herein lies the rich&lt;br /&gt;paradox and inexhaustible lesson of this film: that &lt;br /&gt;the extreme spiritual purification is freed through&lt;br /&gt;the scrupulous realism of the camera as microscope.&lt;br /&gt;Dreyer forbade all makeup. The monks' heads are&lt;br /&gt;literally shaved. With the film crew in tears, the&lt;br /&gt;executioner actually cut Falconetti's hair before&lt;br /&gt;leading her to the stake. But this was not an example&lt;br /&gt;of real tyranny. We are indebted to Dreyer for his&lt;br /&gt;irrefutable translation direct from the soul.&lt;br /&gt;Silvain's wart (Cauchon), Jean d'Yd's freckles, and&lt;br /&gt;Maurice Schutz's wrinkles are of the same substance as&lt;br /&gt;their souls. These things signify more than their&lt;br /&gt;acting does. Some twenty years later Bresson&lt;br /&gt;resubstantiated this in Diary of a Country Priest&lt;br /&gt;(1950). &lt;br /&gt;&lt;br /&gt;But there is still so much more to say about this&lt;br /&gt;film, one of the truest masterpieces of the cinema. I&lt;br /&gt;would like to enumerate two more points. First, Dreyer&lt;br /&gt;is perhaps, along with Eisenstein, the only filmmaker&lt;br /&gt;whose works equal the dignity, nobility, and powerful&lt;br /&gt;elegance found in masterpieces of painting. This is&lt;br /&gt;not only because he was inspired by them but&lt;br /&gt;essentially because he rediscovered the secret of&lt;br /&gt;comparable aesthetic depths. There is no reason to&lt;br /&gt;harbor false modesty with respect to films. A Dreyer&lt;br /&gt;is the equal of the great painters of the Italian&lt;br /&gt;Renaissance or Flemish school. My second observation&lt;br /&gt;is that all this film lacks is words. The only thing&lt;br /&gt;that has aged is the intrusion of subtitles. Dreyer so&lt;br /&gt;regretted not being able to use the still frail sound&lt;br /&gt;available in 1928. For those who still think that the&lt;br /&gt;cinema lowered itself when it began to have sound, we&lt;br /&gt;need only counter with this masterpiece of silent film&lt;br /&gt;that is already virtually speaking. &lt;br /&gt;&lt;br /&gt;(Radio-Cinéma—1952)&lt;br /&gt;&lt;br /&gt;La Passion De Jeanne d'Arc&lt;br /&gt;&lt;br /&gt;With its stunning camerawork and striking&lt;br /&gt;compositions, Carl Th. Dreyer's The Passion of Joan of&lt;br /&gt;Arc convinced the world that movies could be art. &lt;br /&gt;Renee Falconetti gives one of the greatest&lt;br /&gt;performances ever recorded on film, as the young&lt;br /&gt;maiden who died for God and France. Long thought to&lt;br /&gt;have been lost to fire, the original version was&lt;br /&gt;miraculously found in perfect condition in 1981 - in a&lt;br /&gt;&lt;br /&gt;Norwegian mental institution. Criterion is proud to&lt;br /&gt;present this milestone of silent cinema in a new&lt;br /&gt;special edition featuring composer Richard Einhom's&lt;br /&gt;Voices of Light, an original opera/oratorio inspired &lt;br /&gt;by the film.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-1016549346908134925?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/1016549346908134925/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=1016549346908134925' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/1016549346908134925'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/1016549346908134925'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/04/cinekatipunan-screenings.html' title='CineKatipunan Screenings'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-8150627798165537789</id><published>2007-03-28T13:27:00.000+08:00</published><updated>2007-03-26T13:33:15.599+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='duda'/><category scheme='http://www.blogger.com/atom/ns#' term='bathhouse'/><category scheme='http://www.blogger.com/atom/ns#' term='robinson&apos;s galleria'/><category scheme='http://www.blogger.com/atom/ns#' term='indiesine'/><title type='text'>Duda and Bathhouse screenings</title><content type='html'>The Independent Filmmakers' Cooperative of the Philippines and Robinsons Galleria Movieworld - Ortigas brings back the landmark movies &lt;strong&gt;"Duda/doubt"&lt;/strong&gt;(2002) and "&lt;strong&gt;Bathhouse"&lt;/strong&gt; (2003), the first and second independent full length digital video movies to be shown in local commercial cinema venues in their original video format.&lt;br /&gt;&lt;br /&gt;IFC presents &lt;strong&gt;"Con-queer-ing INDIE SINE: The Queer Cinema of Cris Pablo"&lt;/strong&gt; which is a double feature screening of Duda and Bathhouse on &lt;strong&gt;March 28, 29, 30, 31, April 1, 2, 3, 4, 9, 10.&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;And to add sizzle to your summer movie visits, Grupong Sinehan presents 15 MINUTE LIVE FRONT ACTS IN THE EVENING: &lt;br /&gt;MORENO (movie) BOYS VARIETY SHOW 7pm&lt;br /&gt;MR. VALENTINO FINALISTS PRESENTATION 9PM&lt;br /&gt;&lt;br /&gt;Duda stars Andoy Ranay, John Lapus, Rey Pumaloy, Paolo Gabriel, Jojo Nones, Bel Clerigo.&lt;br /&gt;&lt;br /&gt;Bathhouse stars Jet Alcantara, Ray-an Dulay, Andoy Ranay, John Lapus, Rey Pumaloy.&lt;br /&gt;&lt;br /&gt;Contact 4369348 or 09273613814.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-8150627798165537789?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/8150627798165537789/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=8150627798165537789' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/8150627798165537789'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/8150627798165537789'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/03/duda-and-bathhouse-screenings.html' title='Duda and Bathhouse screenings'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-5060881835317679558</id><published>2007-03-28T13:17:00.000+08:00</published><updated>2007-03-28T13:18:27.324+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='shangri-la'/><category scheme='http://www.blogger.com/atom/ns#' term='exiled'/><title type='text'>EXILED screenings</title><content type='html'>Set in Macau, a gangster turns his back on his syndicate with high hopes of starting a new life for his wife and children. But a pair of hit men from the syndicate arrive to execute him and prevent him from sharing anything he learned while in their employ. Two strong-arm men also arrive, determined to save him and his family. &lt;br /&gt;&lt;br /&gt;Directed by Johnnie To nominee for BEST director in the 1ST ever Asian Film Awards for his work in EXILED. &lt;br /&gt;&lt;br /&gt;Catch &lt;strong&gt;EXILED&lt;/strong&gt;, nominee for BEST FILM in the 1st Asian Film Awards EXCLUSIVELY at the &lt;strong&gt;SHANG CINEPLEX, Shangri-La Plaza &lt;/strong&gt;from &lt;strong&gt;March 28 to April 4, 2007&lt;/strong&gt;. Don't miss it!!!  MTRCB Rated R-18, Tickets at  P120.00&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-5060881835317679558?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/5060881835317679558/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=5060881835317679558' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/5060881835317679558'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/5060881835317679558'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/03/exiled-screenings.html' title='EXILED screenings'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-901399472487897725</id><published>2007-03-28T12:48:00.000+08:00</published><updated>2007-03-19T12:50:13.888+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='sm cinema'/><title type='text'>ANG HULING ARAW NG LINGGO screenings</title><content type='html'>Cinemalaya 2006 film &lt;strong&gt;ANG HULING ARAW NG LINGGO&lt;/strong&gt; opens &lt;strong&gt;March 28 &lt;/strong&gt;in &lt;strong&gt;SM Digital Cinema &lt;/strong&gt;nationwide. Starring Johnny Delgado, Jennifer Sevilla, Baron Geisler, Monica Llamas, Arnold Reyes, Angeli Bayani and Ms. Boots Anson-Roa. Written and directed by Nick Olanka.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Synopsis&lt;/strong&gt;&lt;br /&gt;ANG HULING ARAW NG LINGGO spans a week in a life of seven individuals with interconnected narratives. Domeng is involved in networking or multi-level marketing business and plans to encourage his estranged daughter Luna to join in this unscrupulous business. Luna is abandoned by her husband and son so she asks help from her mother Aling Tess. Aling Tess is a land lady who lives alone and fancies a young male boarder named Kulas. Kulas is a grocery store employee who aspires to become a store manager to impress Julie. Julie is a laundry shop attendant who is obsessed with a male costumer named Brian. Brian is a nurse in a local hospital who wants to work abroad so he persuades his girlfriend Sally to provide for his "fixer" fees. An accounting graduate who failed to pass the board exam for two consecutive years, Sally enters Domeng's networking business in the hopes of proving her worth. When she found out that networking is a scam Sally plans to take revenge on Domeng. The film illustrates the interconnectedness of our lives, a cycle of random events in which the decisions we make are as important as the choices we didn't take.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;About the Director&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Nick Joseph Olanka&lt;/strong&gt; graduated from the U.P. Film Institute last April 2006. Active in the theater arts through the group The UP Repertory Company, he took cinematography classes in Mowelfund Film Institute under Ms. Lee Meily."Monday of Sorrow," (Lunes ng Hapis) his graduation film, won several international and local awards. It won 2005 Kodak Filmschool Competiton Philippines and was the Philippine entry for 2005 Kodak Filmschool Competition Asia-Pacific. It also received top prizes in the 18th CCP Independent Film and Video Competition, was shown in Slingshort Film Festival in Jakarta and is currently competing in CON-CAN Movie Festival, an online film festival based in Japan.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-901399472487897725?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/901399472487897725/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=901399472487897725' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/901399472487897725'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/901399472487897725'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/03/ang-huling-araw-ng-linggo-screenings.html' title='ANG HULING ARAW NG LINGGO screenings'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-3354968172013914359</id><published>2007-03-28T12:41:00.000+08:00</published><updated>2007-03-27T12:42:38.201+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='French film'/><category scheme='http://www.blogger.com/atom/ns#' term='Alliance Française de Manille'/><title type='text'>Francophonie Film Festival</title><content type='html'>af Ciné Club presents&lt;br /&gt;&lt;strong&gt;The "Francophonie" Film Festival&lt;/strong&gt;&lt;br /&gt;(as part as the "Francophonie Week", every &lt;strong&gt;Wednesday at 8:30 pm at Alliance Française Ondeo Auditorium&lt;/strong&gt;)&lt;br /&gt;&lt;br /&gt;Canada&lt;br /&gt;&lt;strong&gt;March 28&lt;br /&gt;La Grande Séduction&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Switzerland&lt;br /&gt;&lt;strong&gt;April 4&lt;br /&gt;Du Rouge sur la croix&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Egypt&lt;br /&gt;&lt;strong&gt;April 11&lt;br /&gt;Le destin&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Africa&lt;br /&gt;&lt;strong&gt;April 18&lt;br /&gt;Moi &amp; Mon Blanc&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;For more information, please contact:&lt;br /&gt;&lt;strong&gt;Alliance Française de Manille&lt;/strong&gt;&lt;br /&gt;209 Nicanor Garcia Street (formerly Reposo Street ),&lt;br /&gt;Bel-Air 2, Makati City . 1209 Philippines .&lt;br /&gt;Tels: 895-7585 / 895-7441 Fax: 899-3654 e-mail:&lt;br /&gt;info@alliance.ph &lt;mailto:info%40alliance.ph&gt;&lt;br /&gt;&lt;br /&gt;Office hours: Monday - Thursday: 9 am to 6 pm&lt;br /&gt;Friday: 9 am to 1 pm Saturday: 9 am to 5 pm&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-3354968172013914359?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/3354968172013914359/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=3354968172013914359' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/3354968172013914359'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/3354968172013914359'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/03/francophonie-film-festival.html' title='Francophonie Film Festival'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-1821380761960226283</id><published>2007-03-28T12:34:00.000+08:00</published><updated>2007-03-27T12:39:20.770+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='French film'/><category scheme='http://www.blogger.com/atom/ns#' term='Alliance Française de Manille'/><title type='text'>Alliance Française de Manille screening</title><content type='html'>&lt;strong&gt;La Grande Séduction &lt;/strong&gt;&lt;br /&gt;(Seducing Dr. Lewis)&lt;br /&gt;&lt;br /&gt;a film by &lt;strong&gt;Jean-François Pouliot&lt;/strong&gt;(French version, with English subtitles)&lt;br /&gt;2004, 1 h 49 minutes&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Alliance Ondeo Auditorium&lt;br /&gt;Wednesday, March 28, 2007, 8:30 pm&lt;/strong&gt;&lt;br /&gt;(Free Admission)&lt;br /&gt;&lt;br /&gt;(Le Coude Rouge Restaurant is open before and after the film screening)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Starring:&lt;/strong&gt;&lt;br /&gt;Raymond Bouchard (Germain Lesage), David Boutin (Christopher Lewis), Benoît Brière (Henri Giroux), Pierre Collin (Yvon Brunet), Lucie Laurier (Ève Beauchemin), Bruno Blanchet (Steve Laurin), and more…&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Genre: &lt;/strong&gt;Comedy / (more)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Awards:&lt;/strong&gt;&lt;br /&gt;SUNDANCE FILM FESTIVAL: WINNER - WORLD CINEMA AUDIENCE AWARD &lt;br /&gt;TORONTO FILM FESTIVAL: SPECIAL PRESENTATION &lt;br /&gt;CANNES FILM FESTIVAL: CLOSING FILM - DIRECTOR'S FORTNIGHT &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Synopsis:&lt;/strong&gt;&lt;br /&gt;Seducing Doctor Lewis is a beguiling story of a ragtag fishing community on a tiny, impoverished island who must persuade a young Montreal-based doctor (David Boutin) to live in their town in order to get a much-needed new factory. This film is a charming and funny tale, as well as a wry meditation on truth and falsehood.&lt;br /&gt;&lt;br /&gt;For more information, please contact:&lt;br /&gt;&lt;strong&gt;Alliance Française de Manille&lt;/strong&gt;&lt;br /&gt;209 Nicanor Garcia Street (formerly Reposo Street ),&lt;br /&gt;Bel-Air 2, Makati City . 1209 Philippines .&lt;br /&gt;Tels: 895-7585 / 895-7441 Fax: 899-3654 e-mail:&lt;br /&gt;info@alliance.ph &lt;mailto:info@alliance.ph&gt;&lt;br /&gt;&lt;br /&gt;Office hours: Monday - Thursday: 9 am to 6 pm&lt;br /&gt;Friday: 9 am to 1 pm Saturday: 9 am to 5 pm&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-1821380761960226283?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/1821380761960226283/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=1821380761960226283' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/1821380761960226283'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/1821380761960226283'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/03/alliance-franaise-de-manille-screening_28.html' title='Alliance Française de Manille screening'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-3126994464136611282</id><published>2007-03-26T13:25:00.000+08:00</published><updated>2007-03-26T13:26:56.103+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='mag:net'/><category scheme='http://www.blogger.com/atom/ns#' term='magnet'/><category scheme='http://www.blogger.com/atom/ns#' term='cine katipunan'/><category scheme='http://www.blogger.com/atom/ns#' term='cinekatipunan'/><title type='text'>CineKatipunan screenings</title><content type='html'>THIS WEEK AT CINEKATIPUNAN &lt;br /&gt;March 26- 31, 2007 &lt;br /&gt;&lt;br /&gt;Mervin Espina opens the week with the South East Asian&lt;br /&gt;program, featuring six short works by Malaysian&lt;br /&gt;independent filmmaker and writer Amir Muhammed. Sine&lt;br /&gt;Patriyotiko presents their winning entry to last&lt;br /&gt;year's Gawad CCP Para sa Alternatibong Pelikula &lt;br /&gt;[Documentary Video] awards, Mula Third Avenue Hanggang&lt;br /&gt;Dulo. &lt;br /&gt;&lt;br /&gt;Wednesday's treat is a back-to-back screening of short&lt;br /&gt;works by young acclaimed filmmakers Raya Martin and&lt;br /&gt;John Torres, followed by a screening of compelling&lt;br /&gt;television documentaries on the insurgency and counter&lt;br /&gt;insurgency war to be presented by Southern Tagalog&lt;br /&gt;Exposure on Thursday. Friday the 30th is Elvert de la&lt;br /&gt;Cruz Banares' day, with eXtermination2, a marathon of&lt;br /&gt;his short works. &lt;br /&gt;&lt;br /&gt;Mag:net caps the month of March on Saturday with an&lt;br /&gt;arsenal of short experimental works by campus-based&lt;br /&gt;filmmakers from KALAYAAN College and the College of&lt;br /&gt;St. Benilde (curated by Jay Ticar and Elvert Banares).&lt;br /&gt;&lt;br /&gt;Held Mondays to Saturdays at Mag:net Café Katipunan,&lt;br /&gt;Cinekatipunan screenings start at 5:30 PM.&lt;br /&gt;While the film screenings are free, viewers are&lt;br /&gt;encouraged to make voluntary contributions for the&lt;br /&gt;honoraria of the featured filmmakers. For questions or&lt;br /&gt;comments aboutCinekatipunan write to&lt;br /&gt;sinag_haraya@yahoo.com &lt;mailto:sinag_haraya%40yahoo.com&gt;.&lt;br /&gt;&lt;br /&gt;Cinekatipunan programs precede Mag:net Café's nightly&lt;br /&gt;holding of Live Performances by well-known and&lt;br /&gt;emerging bands and musicians. Mag:net Café is located&lt;br /&gt;along Katipunan Avenue (fronting Miriam and Ateneo) in&lt;br /&gt;Quezon City. For more inquiries please call 9293191 or&lt;br /&gt;visit www.magnet.com &lt;http://www.magnet.com&gt;.ph.&lt;br /&gt;&lt;br /&gt;26-31 MARCH PROGRAM&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;March 26 (Monday) &lt;/strong&gt;&lt;br /&gt;Malaysian Mondays: East Asian and South East Asian&lt;br /&gt;Program (Curated by Mervin Espina)&lt;br /&gt;Amir Muhammad's&lt;br /&gt;6shorts (+ 1)&lt;br /&gt;LOST (2002, 9.5 min) | FRIDAY (2002, 8 min) | MONA&lt;br /&gt;(2002, 6.5 min) | CHECKPOINT (2002, 7 min) | KAMUNTING&lt;br /&gt;(2002, 15 min) | PANGYAU (2002, 12.5 min)&lt;br /&gt;+ 18MP (2006, 14 min)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;March 27 (Tuesday) &lt;/strong&gt;&lt;br /&gt;Sine Patriyotiko: MULA THIRD AVENUE HANGGANG DULO&lt;br /&gt;&lt;br /&gt;A documentary on the lives of three members of a youth&lt;br /&gt;gang, their angst and conflicts, their wars and&lt;br /&gt;struggles, their damnation and eventual freedom. 1st&lt;br /&gt;Place. Documentary Video Category, Gawad CCP Para Sa&lt;br /&gt;Alternatibong Pelikula 2006&lt;br /&gt;&lt;br /&gt;SIPAT [Sine Patriyotiko] is a non-profit media group&lt;br /&gt;that organizes the production, distribution and&lt;br /&gt;exhibition of independent audio-visual presentations.&lt;br /&gt;"Sipat," a Filipino term, means to look while aiming a&lt;br /&gt;target. www.sipat.tk &lt;http://www.sipat.tk&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;March 28 (Wednesday) &lt;/strong&gt;&lt;br /&gt;Raya Martin and John Torres: SHORT FILMS&lt;br /&gt;&lt;br /&gt;Shorts by Raya Martin: &lt;br /&gt;&lt;br /&gt;BAKASYON [2004, 16mm, 12 mins]&lt;br /&gt;A young girl from the city is left to the care of her&lt;br /&gt;grandmother in the province. During her stay, the girl&lt;br /&gt;learns about her grandmother's mysterious identity. &lt;br /&gt;&lt;br /&gt;LIFE PROJECTIONS [2006, DV, 4 mins] &lt;br /&gt;"A video wants to be a film, as the world's second&lt;br /&gt;biggest oil spill just happened in the heart of the&lt;br /&gt;filmmaker…A large group of Filipino film makers&lt;br /&gt;responded with a short film to a disastrous oil spill&lt;br /&gt;in their island nation. This talented film maker&lt;br /&gt;instinctively avoided a political pamphlet and went&lt;br /&gt;straight for the emotional core of the matter. He&lt;br /&gt;found that core in his heart, as he writes himself."&lt;br /&gt;-Gertjan Zuillhof, International Film Festival&lt;br /&gt;Rotterdam &lt;br /&gt;&lt;br /&gt;LONG LIVE PHILIPPINE CINEMA! [2007, 16mm, 6 mins] &lt;br /&gt;Mother Lily is a Filipino Chinese producer who&lt;br /&gt;monopolizes the local film industry. And the only way&lt;br /&gt;to keep Philippine Cinema alive is to kill her. "Yes,&lt;br /&gt;a cinema to be proud of, yet the cheer is full of&lt;br /&gt;irony. The history of Filipino film isn't treated with&lt;br /&gt;so much respect…. A burlesque, harsh satire about the&lt;br /&gt;mistress of Philippine film production, the&lt;br /&gt;Chinese-Filipino producer Mother Lily. She is hated&lt;br /&gt;and feared, but nobody can get round her. Fortunately&lt;br /&gt;this young film maker has thought up an adequate&lt;br /&gt;solution to keep Philippine cinema alive. Mother Lily&lt;br /&gt;is not a metaphorical invention. She really exists -&lt;br /&gt;for now." -Gertjan Zuillhof, International Film&lt;br /&gt;Festival Rotterdam&lt;br /&gt;&lt;br /&gt;Shorts by John Torres: &lt;br /&gt;&lt;br /&gt;TAWIDGUTOM is an experimental love poem/monologue&lt;br /&gt;composed of images that recur and repeat themselves.&lt;br /&gt;The narrator reminisces on a relationship and&lt;br /&gt;anticipates meeting his love again, both with&lt;br /&gt;trepidation and excitement. SALAT is composed of&lt;br /&gt;several vignettes that are like snap-shots of urban&lt;br /&gt;life, juxtaposed once again with images of love,&lt;br /&gt;friendship and everyday life. In THE LAST SHERBET,&lt;br /&gt;street kids savour ice cream. LUNAR PLAY is a short&lt;br /&gt;elegy for Portuguese footballer Miklos Feher&lt;br /&gt;(1979-2004), while ELLIPSIS, KULOB, AND LUNAR PUNCH is&lt;br /&gt;a triptych in which the narrator muses on hope and the&lt;br /&gt;persistence of the spirit to want to carry on, against&lt;br /&gt;the background of a relationship that has quietly&lt;br /&gt;ended. KUNAP PAAANO KITA LILIGAWAN NANG DI KUMAKAPIT&lt;br /&gt;SA IYO? is an experimental film composed of rapid&lt;br /&gt;cuts, digitised images,snippets of urban and rural&lt;br /&gt;landscapes that are placed against a running poem,&lt;br /&gt;often premised by the film's title - how can I court&lt;br /&gt;you without ever holding you? -- but this rhetorical&lt;br /&gt;question is addressed as much to a lover unseen as it&lt;br /&gt;is to inanimate objects and to the world around the&lt;br /&gt;poet/narrator.&lt;br /&gt;&lt;br /&gt;Also by John Torres: &lt;br /&gt;&lt;br /&gt;Gabi Noong Sinabi ng Ama Ko (Night When Father Told&lt;br /&gt;Me) &lt;br /&gt;Father writes his confession. Son goes away and&lt;br /&gt;buries his hero. He plays the flute for a&lt;br /&gt;funeral/dance of beating drums, meets Chance and&lt;br /&gt;achieves a rebirth of meaning and purpose. Son: "I&lt;br /&gt;cannot put into words how much contempt and love I&lt;br /&gt;feel for you right now." &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;March 29 (Thursday) &lt;/strong&gt;&lt;br /&gt;Southern Tagalog Exposure: PULANG SINE Program &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;March 30 (Friday) &lt;/strong&gt;&lt;br /&gt;eXtermination2 : Four Films by ELVERT de la Cruz&lt;br /&gt;BAÑARES&lt;br /&gt;• Ang Bayan Kong Payapa (4 min)&lt;br /&gt;This is the state of the nation cycle. (Originally, a&lt;br /&gt;2-channel video installation for an exhibit, the work&lt;br /&gt;was re-edited for usual screening pleasures.)&lt;br /&gt;• astrangiam &lt;br /&gt;(7min) Mind over matter. Perception over fact. Life&lt;br /&gt;over death. Shot in Casio Exilim EX-53 still camera,&lt;br /&gt;'astrangiam' meditates on the relationships and&lt;br /&gt;parallelisms of time, spontaneity, assumptions, dreams&lt;br /&gt;and elements of nature. &lt;br /&gt;• Gemini (8 min)&lt;br /&gt;A diptych film - visual experimentation of 16mm found&lt;br /&gt;footages, scratching, etching and punching holes on&lt;br /&gt;the actual film - with each color of the film strips&lt;br /&gt;soaked in different concoctions and buried in sand. &lt;br /&gt;• Plema [Phlegm] (22 min)&lt;br /&gt;Motivated by emotional turmoils and day-job related&lt;br /&gt;exhaustion, the filmmaker creates this video letter to&lt;br /&gt;his VIDPREP (Video Experimentation) class with hopes&lt;br /&gt;to help exorcise personal demons. Recording on used&lt;br /&gt;tapes and utilizing current illness, this&lt;br /&gt;semi-autobiographical video metaphorically structures&lt;br /&gt;a visual collage of the filmmaker's wants, desires and&lt;br /&gt;lamentations, strongly hinting of his retreat (or is&lt;br /&gt;it escape?) from urban chaos and his complete&lt;br /&gt;submission to creative freedom. &lt;br /&gt;Plus &lt;br /&gt;• Sukdulan Ng Pagrahuyo sa Dambana ng Sirenang Walang&lt;br /&gt;Ulo&lt;br /&gt;[The Zenith of Seduction at the Altar of the Headless&lt;br /&gt;Mermaind] (12 min)&lt;br /&gt;Poetry on video tackling themes of innocence, vices&lt;br /&gt;and self-destruction. Shot in 1993 and re-constructed&lt;br /&gt;in 2006. [Philippine Premiere]&lt;br /&gt;&lt;br /&gt;Elvert de la Cruz Bañares is a filmmaker, curator,&lt;br /&gt;educator and multi-media artist. His films have been&lt;br /&gt;screened in underground film festivals in the United&lt;br /&gt;States, Australia, Canada, Singapore and Japan. He&lt;br /&gt;curated first time Filipino programs for the&lt;br /&gt;'Queerfest: Vancouver Gay &amp; Lesbian Film Festival' and&lt;br /&gt;the 'Antimatter Underground Film &amp; Video Festival' in&lt;br /&gt;Victoria, Canada. He has, by far, written, produced&lt;br /&gt;and directed 43 shorts (he calls them his "little&lt;br /&gt;low-budget films"). "Gemini" is the only Filipino Film&lt;br /&gt;in Official Selection at the Antimatter Underground&lt;br /&gt;Film Festival 2004 in Canada and was presented as an&lt;br /&gt;installation at the Daejon Museum of Art in South&lt;br /&gt;Korea in 2005. Twice he was sent as Philippine&lt;br /&gt;Delegate to Filipino film festivals in China&lt;br /&gt;(Beijing'05 and Shanghai'06). He is currently&lt;br /&gt;finishing his two full-length films, 'Alipo-op Sa&lt;br /&gt;Animo' (Fog In The Consciousness) and 'The Atomika&lt;br /&gt;Settlement: Devastation Canvas # 5'. He is the&lt;br /&gt;festival director of eKsperim[E]nto Festival of Film,&lt;br /&gt;Video &amp; New Media and the 2006 ASEAN Film Festival (at&lt;br /&gt;The Podium). &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;March 31 (Saturday) &lt;/strong&gt;&lt;br /&gt;CAMPUS BASED FILMMAKERS: Works from the KALAYAAN&lt;br /&gt;College Fine Arts Majors &lt;br /&gt;and Multi Media Arts Department of the College of&lt;br /&gt;Saint Benilde &lt;br /&gt;Selected by Jay Ticar and Elvert Banares&lt;br /&gt;&lt;br /&gt;Students from the Fine Arts Department of KALAYAAN&lt;br /&gt;College present expressions on video. Shorn of&lt;br /&gt;narrative, the works are visual plays and experiments&lt;br /&gt;on form. CELINE ROQUE compares and contrasts visuals&lt;br /&gt;on sex and religion on digital (experimental, 2007).&lt;br /&gt;JAN LUDWIG GO presents INOM, a short experimental work&lt;br /&gt;about the life of a student of the artist/filmmaker,&lt;br /&gt;beginning when the subject decides to consume seven&lt;br /&gt;bottles of beer ( 8 mins, digital, 2006). GABRIEL&lt;br /&gt;ALDECOA, PAOLO MARTINEZ, and AYA CADIZ will also&lt;br /&gt;present more experimental works. &lt;br /&gt;&lt;br /&gt;About KALAYAAN College's Bachelor of Fine Arts&lt;br /&gt;program: The Department is guided by the philosophy&lt;br /&gt;that every person can be nurtured to become an artist.&lt;br /&gt;Although some may have special abilities concerning&lt;br /&gt;art at a very early age, this does not mean that the&lt;br /&gt;practice of art is limited to a few gifted&lt;br /&gt;individuals. Through personal discipline, industry and&lt;br /&gt;excellent training, the beginning student of fine arts&lt;br /&gt;can be developed to become professional artists who&lt;br /&gt;are at the same time responsive to the needs of their&lt;br /&gt;communities.&lt;br /&gt;&lt;br /&gt;The College of St. Benilde MultiMedia Arts Department&lt;br /&gt;[Second Batch] presents the works ADAN by Gian Mawo,&lt;br /&gt;SIPHAYO NG PINAKAMAGANDANG PANAGINIP by Rastle Lozano,&lt;br /&gt;KULIGLIG by Jericho Añonuevo, KOSA by Karen Abarca,&lt;br /&gt;DIWATA by Katz Delfin, WHISPERS by JM Qsuiblat, SILA&lt;br /&gt;by Annie Beldia, and NGITI by Love Nakagawa. &lt;br /&gt;&lt;br /&gt;About the CSB Bachelor of Arts in Multimedia Arts&lt;br /&gt;(AB-MMA) program: This degree program is the first of&lt;br /&gt;its kind in the country, it combines evolving areas&lt;br /&gt;such as digital media and the Internet with core&lt;br /&gt;skills such as communications, programming, and&lt;br /&gt;graphic design. You harness the power of the latest&lt;br /&gt;digital media technology. It is also recommended for&lt;br /&gt;those who are interested in broadcasting, journalism,&lt;br /&gt;communication arts, new media design and&lt;br /&gt;communications, and other fields using digital&lt;br /&gt;technologies.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-3126994464136611282?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/3126994464136611282/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=3126994464136611282' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/3126994464136611282'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/3126994464136611282'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/03/cinekatipunan-screenings_26.html' title='CineKatipunan screenings'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-3354225062155172764</id><published>2007-03-24T13:00:00.000+08:00</published><updated>2007-03-16T13:05:30.327+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='timog'/><category scheme='http://www.blogger.com/atom/ns#' term='khavn'/><category scheme='http://www.blogger.com/atom/ns#' term='Banned Movies Pilipinas'/><title type='text'>Khavn dela Cruz gets Banned!</title><content type='html'>This is not a film by Khavn: Khavn dela Cruz gets Banned!&lt;br /&gt; &lt;br /&gt;Banned Movies Pilipinas has once again proven itself as the home of indie artists when it served as the venue for the premiere of John Torres’ Gabi Noong Nalaman Kong Ang Aking Ama ay May Anak sa Labas last January 20 and Raya Martin’s Long Live Philippine Cinema! last February 17. &lt;br /&gt;&lt;br /&gt;Come &lt;strong&gt;March 24, 2007&lt;/strong&gt;, &lt;strong&gt;Banned Movies Pilipinas &lt;/strong&gt;will chalk up another milestone when it premieres &lt;strong&gt;Khavn dela Cruz&lt;/strong&gt;’ newest digital film, Literature based on Joel Toledo’s 2004 2nd prize winning Palanca for Poetry. A recent recipient of the Grand Jury Prize in the recently concluded Digital Lokal competition of Cinemanila, Khavn dela Cruz is an award winning filmmaker who has made 16 features and more than 60 short films. He is also one of the movers behind the Independent Filmmakers Cooperative (IFC) and Filmless Films. Khavn is jack of all trades: a teacher, a Palanca winning writer, and a musician. Considered as indie cinema’s enfant terrible (Giovanni Spagnoletti, Festival Director, Pesaro Film Festival), he will also screen his other groundbreaking digital films namely, &lt;strong&gt;Institusyon ng Makata &lt;/strong&gt;(which stars Marvin Agustin), &lt;strong&gt;Amen&lt;/strong&gt;, and &lt;strong&gt;I’m Not Batman &lt;/strong&gt;(with the Radioactive Sago Project).  &lt;br /&gt; &lt;br /&gt;Complementing the night’s out there theme are bands with an avant garde edge: Taggu nDios, Linch 12, Khavn’s own band, The Brockas and the most avant garde of them all, the Andy Warhol’s of rock n roll, Kiko Machine and many more. &lt;br /&gt; &lt;br /&gt;So free up your schedule on &lt;strong&gt;March 24&lt;/strong&gt; and come down to &lt;strong&gt;Center for Arts &lt;/strong&gt;in &lt;strong&gt;Timog, Quezon City &lt;/strong&gt;at &lt;strong&gt;7PM&lt;/strong&gt; and experience what living on the edge feels like. &lt;br /&gt; &lt;br /&gt;The event is made possible through ClicktheCity. com, Transit, Red Leaf Printing press, Anthem magazine and NU 107. &lt;br /&gt; &lt;br /&gt;For inquiries email us at banned_movies@ yahoo.com or visit www.bannedmoviespil ipinas.com. You can also text 0917-9180575.&lt;br /&gt;&lt;br /&gt; &lt;br /&gt; &lt;br /&gt;The Films&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Institusyon ng Makata&lt;/strong&gt;&lt;br /&gt; &lt;br /&gt;Tony de Guzman, current resident at the Institute of Poets , is one pissed-off, walking timebomb. Short of fuse, this shrewd citizen of the Philippine ghetto sets his sights on foreign classmate Steve Banners, a pompous self-righteous dude with delusions of America 's grandeur at the expense of Third World inequity. It stars Marvin Agustin. &lt;br /&gt; &lt;br /&gt; &lt;br /&gt;&lt;strong&gt;AMEN &lt;/strong&gt;&lt;br /&gt; &lt;br /&gt;"Amen" is a brown comedy, the Filipino version of the black comedy. It's a cultural satire on blind obedience, specifically on the Filipino tradition of "mano": placing the hand of an elder on one's forehead as a sign of superficial respect.&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;I’m not Batman&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;A Batman is in the house, but he's no crusading knight from Gotham. Rather than haunting rooftops, he prowls the Quezon City streets for his prey. With special appearance by the Radioactive Sago Project. &lt;br /&gt; &lt;br /&gt;Literature&lt;br /&gt; &lt;br /&gt;Based on Joel Toledo’s poem of the same title. This poem is part of the collection that won Second Prize for Poetry in the 2004 Palanca Awards&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-3354225062155172764?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/3354225062155172764/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=3354225062155172764' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/3354225062155172764'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/3354225062155172764'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/03/khavn-dela-cruz-gets-banned.html' title='Khavn dela Cruz gets Banned!'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-3207269025521672115</id><published>2007-03-24T12:46:00.000+08:00</published><updated>2007-03-19T12:48:44.040+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Titus Brandsma Center'/><title type='text'>Screenings at Titus Brandsma</title><content type='html'>Pelikula@TitusBrandsma : &lt;strong&gt;Ina, Kapatid, Anak &lt;/strong&gt;(Mother, Sister, Daughter)&lt;br /&gt;24 Acacia St. Brgy. Mariana, New Manila, Quezon City&lt;br /&gt;&lt;strong&gt;March 24, 2007, 1pm onwards&lt;/strong&gt;ADMISSION IS FREE&lt;br /&gt;&lt;br /&gt;Pelikula@Titus Brandsma is a free monthly film screening with film dialogue&lt;br /&gt;in each line-up that features fine samples of world cinema. It's an offering&lt;br /&gt;of the Titus Brandsma Center-Media Program under the auspices of the&lt;br /&gt;Carmelites in the Philippines.&lt;br /&gt;&lt;br /&gt;A film dialogue is a systematic, goal-oriented, personal ("inner") and group&lt;br /&gt;dialogue on films and TV stories that facilitate the sharing of faith-life&lt;br /&gt;experiences, reflections and interpretations of the varied meanings of life&lt;br /&gt;towards integration and wholeness.&lt;br /&gt;&lt;br /&gt;Sequence:&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Trip to Bountiful &lt;/strong&gt;(1985-USA) - Peter Masterson&lt;br /&gt;Cast: Geraldine Page, John Heard, Carlin Glynn, Richard Bradford, Rebecca De&lt;br /&gt;Mornay&lt;br /&gt;108 mins&lt;br /&gt;&lt;br /&gt;Adapted by Horton Foote from his own television play, A Trip to Bountiful is&lt;br /&gt;set in 1947 Houston. Carrie Watts is living the twilight of her life trapped&lt;br /&gt;in an apartment in 1940's Houston, Texas with a controlling daughter-in-law&lt;br /&gt;and a hen-pecked son. Her fondest wish -- just once before she dies -- is to&lt;br /&gt;revisit Bountiful, the small Texas town of her youth which she still refers&lt;br /&gt;to as "home." The trouble is her son, Ludie, is too concerned for her health&lt;br /&gt;to allow her to travel alone and her petty daughter-in-law, Jessie Mae,&lt;br /&gt;insists they don't have money to squander on bus tickets. This prompts&lt;br /&gt;"escape" attempts each month which coincide with the arrival of Mrs. Watts'&lt;br /&gt;Social Security check. With writing by Horton Foote ("To Kill a&lt;br /&gt;Mockingbird," "Tender Mercies"), this is the touching story of Mrs. Watts&lt;br /&gt;successful escape and last trip home.&lt;br /&gt;&lt;br /&gt;Awards/Nominations:&lt;br /&gt;1986 Oscar Awards - Winner, Best Actress in a Leading Role (Geraldine Page).&lt;br /&gt;Nominated, Best Writing, Screenplay Based on Material from Another Medium;&lt;br /&gt;1986 Boston Society of Film Critics Awards - Winner, Best Actress; 1986&lt;br /&gt;Golden Globes, USA - Nominated, Best Performance by an Actress in a Motion&lt;br /&gt;Picture - Drama; 1986 Independent Spirit Awards - Winner, Best Female Lead,&lt;br /&gt;Screenplay. Nominated, Best Director, Feature; 1988 Mainichi Film Concours&lt;br /&gt;- Winner, Best Foreign Language Film; 1987 Retirement Research Foundation,&lt;br /&gt;USA - Winner, Wise Owl Award Television and Theatrical Film Fiction; 1986&lt;br /&gt;Writers Guild of America, USA - Nominated, Best Screenplay Based on Material&lt;br /&gt;from Another Medium&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Pauline &amp; Paulette &lt;/strong&gt;(Pauline et Paulette) (2001-Belgium/France/Netherlands)&lt;br /&gt;- Lieven Debrauwe&lt;br /&gt;Cast: Dora van der Groen, Ann Petersen, Rosemarie Bergmans, Julienne De&lt;br /&gt;Bruyn, Idwig Stephane&lt;br /&gt;78 mins. In Dutch with English subtitles.&lt;br /&gt;&lt;br /&gt;Pauline is a 'little girl of 66 years old'. She is mentally retarded and&lt;br /&gt;been cared after by her sister Martha. When Martha dies, her two younger&lt;br /&gt;sisters, Paulette and Cecile have to make a decision on the best place for&lt;br /&gt;Pauline to be looked after. Neither of them is ready to take care of her.&lt;br /&gt;Paulette has a shop to look after and Cecile has her Albert. But according&lt;br /&gt;to Martha's last will, her fortune will only be divided in three equal parts&lt;br /&gt;if one of the sisters looks after Pauline. If they decide to take her to an&lt;br /&gt;institution, Pauline will be the only heir.&lt;br /&gt;&lt;br /&gt;Awards/Nominations:&lt;br /&gt;2001 AFI Fest - Nominated, Grand Jury Prize; 2001 Cairo International Film&lt;br /&gt;Festival - Winner, Golden Pyramid; 2001 Cannes Film Festival - Winner,&lt;br /&gt;Prize of the Ecumenical Jury - Special Mention; 2002 Flaiano Film Festival -&lt;br /&gt;Winner, Best Actress (Ann Petersen), Costume Design; 2001 Gardanne Film&lt;br /&gt;Festival -Winner, Audience Award; 2001 Joseph Plateau Awards - Winner, Box&lt;br /&gt;Office Award, Best Belgian Actress (Dora van der Groen), Belgian Director,&lt;br /&gt;Belgian Film, Belgian Screenplay. Nominated, Best Belgian Actress (Ann&lt;br /&gt;Petersen); 2001&lt;br /&gt;World Soundtrack Awards - Nominated, Best Original Score of the Year Not&lt;br /&gt;Released on an Album&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Mirror &lt;/strong&gt;(Ayneh) (1997-Iran) - Japar Panahi&lt;br /&gt;Cast: Mina Mohammad Khani, Kazem Mojdehi, Naser Omuni&lt;br /&gt;95 mins. In Arabic/Persian with English subtitles.&lt;br /&gt;&lt;br /&gt;A girl in traditional female clothing, and her arm in plaster, comes out of&lt;br /&gt;school one day and doesn't find her mother meeting her. She decides to&lt;br /&gt;travel home her self though she doesn't know her address and remembers the&lt;br /&gt;road only visually.&lt;br /&gt;&lt;br /&gt;Awards/Nominations:&lt;br /&gt;1998 Istanbul International Film Festival - Winner, Golden Tulip; 1997&lt;br /&gt;Locarno International Film Festival - Winner, Golden Leopard; 1996 New York&lt;br /&gt;Film Critics Circle Awards - Winner, Best Foreign Language Film; 1998&lt;br /&gt;Singapore International Film Festival - Winner, Silver Screen Award Best&lt;br /&gt;Asian Director; 1997&lt;br /&gt;Valladolid International Film Festival - Nominated, Golden Spike&lt;br /&gt;&lt;br /&gt;For inquries/confirmation, call Bituin (726-6054), Eric (364-7955). Maxie&lt;br /&gt;(751-1169).&lt;br /&gt;Email: pelikula_titusbrandsma-owner@yahoogroups.com &lt;mailto:pelikula_titusbrandsma-owner%40yahoogroups.com&gt;, tbcmedia@yahoo.com &lt;mailto:tbcmedia%40yahoo.com&gt; or&lt;br /&gt;pelikula.tbc@gmail.com &lt;mailto:pelikula.tbc%40gmail.com&gt; (To post ad, inquiries, communications)&lt;br /&gt;Website: www.pelikula-titusbrandsma.ph .&lt;br /&gt;Subscribe: pelikula_titusbrandsma-subscribe@yahoogroups.com &lt;mailto:pelikula_titusbrandsma-subscribe%40yahoogroups.com&gt;&lt;br /&gt;(To receive info re: schedules and general information dissemination)&lt;br /&gt;Subscribe: pelikula_titus_forum-subscribe@yahoogroups.com &lt;mailto:pelikula_titus_forum-subscribe%40yahoogroups.com&gt;&lt;br /&gt;(For discussion, critiques, reviews, suggestions or requests)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-3207269025521672115?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/3207269025521672115/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=3207269025521672115' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/3207269025521672115'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/3207269025521672115'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/03/screenings-at-titus-brandsma.html' title='Screenings at Titus Brandsma'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-6082086774267697737</id><published>2007-03-21T12:33:00.000+08:00</published><updated>2007-03-20T12:34:37.235+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='French film'/><category scheme='http://www.blogger.com/atom/ns#' term='Alliance Française de Manille'/><title type='text'>Alliance Française de Manille screening</title><content type='html'>The af Ciné Club presents&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Cause Toujours&lt;/strong&gt;&lt;br /&gt;a film by Jeanne Labrune&lt;br /&gt;(French version, with English subtitles)&lt;br /&gt;2004, 87 minutes&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Alliance Ondeo Auditorium&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Wednesday, March 21, 2007, 8:30 pm&lt;/strong&gt;&lt;br /&gt;( Free Admission )&lt;br /&gt;&lt;br /&gt;(Le Coude Rouge Restaurant is open before and after the film screening)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Starring: &lt;/strong&gt;&lt;br /&gt;Victoria Abril (Jacinthe), Jean-Pierre Darroussin (Bruno), Sylvie Testud&lt;br /&gt;(Léa), Didier Bezace - (Laurent), Claude Perron (Judith), and more&lt;br /&gt;Genre: Comedy / (more)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Critics Reviews:&lt;/strong&gt;&lt;br /&gt;"beautiful images and music and of course, great quality of its actors."&lt;br /&gt;-Le Parisien&lt;br /&gt;&lt;br /&gt;"The film forms a crackle whole of intelligence, humour and humanity."&lt;br /&gt;-Libération - Gérard Lefort&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Synopsis:&lt;/strong&gt;&lt;br /&gt;My first is a moth (exasperating)&lt;br /&gt;My second is a mute (enigmatic)&lt;br /&gt;My third is a house (worrying)&lt;br /&gt;My all is a film, which takes the form of a fantasy, about mistrust and&lt;br /&gt;trust.&lt;br /&gt;&lt;br /&gt;************************************************&lt;br /&gt;For more information, please contact:&lt;br /&gt;&lt;strong&gt;Alliance Française de Manille&lt;/strong&gt;&lt;br /&gt;209 Nicanor Garcia Street (formerly Reposo Street),&lt;br /&gt;Bel-Air 2, Makati City. 1209 Philippines.&lt;br /&gt;Tels: 895-7585 / 895-7441 Fax: 899-3654 e-mail:&lt;br /&gt;info@alliance.ph &lt;mailto:info%40alliance.ph&gt;&lt;br /&gt;&lt;br /&gt;Office hours: Monday - Thursday: 9 am to 6 pm&lt;br /&gt;Friday: 9 am to 1 pm Saturday: 9 am to 5 pm&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-6082086774267697737?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/6082086774267697737/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=6082086774267697737' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/6082086774267697737'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/6082086774267697737'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/03/alliance-franaise-de-manille-screening.html' title='Alliance Française de Manille screening'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-1317970768806499433</id><published>2007-03-20T13:06:00.000+08:00</published><updated>2007-03-16T13:10:31.013+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='UP Film Institute'/><category scheme='http://www.blogger.com/atom/ns#' term='UP Film Center'/><category scheme='http://www.blogger.com/atom/ns#' term='UPFI'/><title type='text'>PANTASYA at UPFI</title><content type='html'>Gay fantasies for the straight guy&lt;br /&gt;&lt;br /&gt;You’ve encountered queer eye for the straight guy, now experience the gay fantasies for the straight guy as UP Film Institute in Diliman, Quezon City premieres for a one-time-only affair on &lt;strong&gt;Tuesday, 20 March 2007, at 7 p.m.&lt;/strong&gt; the new digital feature entitled &lt;strong&gt;Pantasya&lt;/strong&gt; from international award-winning director &lt;strong&gt;Brillante Mendoza&lt;/strong&gt;.&lt;br /&gt;&lt;br /&gt;A digital feature in five episodes that all deal with the wildest gay fantasies involving “men in uniform,” Pantasya in action takes place round the clock with each episode segueing to the next as follows:&lt;br /&gt;&lt;br /&gt;Biyahe (10:45 a.m.): A jealous teen gay student hails a taxi cab of a jilted taxi driver. Misery loves company, so the two depressed hearts easily find comfort in each other’s lonely arms.&lt;br /&gt;&lt;br /&gt;Linya (1:20 p.m.): A hermit gay homeowner calls a phone company to have his landline fixed. Two easy-going linemen show up to fix not only the line gone awry but also the hermit’s lonesome heart.&lt;br /&gt;&lt;br /&gt;Laro (3 p.m.): After an inter-barangay basketball game, an introverted gay fan finds way into the locker room and takes a closer peek at the ball players doing a different game under the shower.&lt;br /&gt;&lt;br /&gt;Biliiis! (5:48 p.m.): A delivery boy races against time to bring pizza to a bored gay yuppie working overtime. Luck seems to evade the frantic boy but the yuppie changes it.&lt;br /&gt;&lt;br /&gt;Bantay (11:45 p.m.): Gay lovers are quarreling. Boyfriend drops artist at the townhouse after the tiff. The horny security guard in his graveyard shift offers more than a shoulder to cry on. &lt;br /&gt;&lt;br /&gt;Pantasya is a Viva Entertainment presentation produced by Centerstage Productions and topbilled by Philippine cinema’s sexiest men today! Its premiere is another UP Film Institute exclusive certainly not to be missed.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;To always get screening alerts, join UP Film Institute e-group: upfilminstitute@ yahoogroups. com &lt;br /&gt;&lt;br /&gt;All you have to know is in your inbox.&lt;br /&gt;&lt;br /&gt;University of the Philippines Film Institute&lt;br /&gt;(Member, CILECT/Internationa l Association of Film and Television Schools )&lt;br /&gt;Plaridel Hall, Ylanan Road , UP Diliman, Quezon City&lt;br /&gt;Tel: 9818500 (UP Trunkline) local 2669, 2670; 9206863 (Telefax)&lt;br /&gt;Cine Adarna, Magsaysay and Osmeña Avenues, UP Diliman, Quezon City&lt;br /&gt;Tel: 9818500 (UP Trunkline) local 4286, 4289; 9262722 (Telefax)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-1317970768806499433?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/1317970768806499433/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=1317970768806499433' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/1317970768806499433'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/1317970768806499433'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/03/pantasya-at-upfi.html' title='PANTASYA at UPFI'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-2548687548023558089</id><published>2007-03-19T14:22:00.000+08:00</published><updated>2007-03-19T14:25:43.243+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='mag:net'/><category scheme='http://www.blogger.com/atom/ns#' term='magnet'/><category scheme='http://www.blogger.com/atom/ns#' term='cine katipunan'/><category scheme='http://www.blogger.com/atom/ns#' term='cinekatipunan'/><title type='text'>CineKatipunan screenings</title><content type='html'>THIS WEEK AT CINEKATIPUNAN &lt;br /&gt;&lt;strong&gt;March 19-24, 2007 &lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Mervin Espina opens this week with the Malaysian&lt;br /&gt;Mondays program of AsiaLunes, featuring a documentary&lt;br /&gt;by Lam Li. Other exciting highlights for this week’s&lt;br /&gt;Cinekatipunan program are animated shorts by&lt;br /&gt;multi-awarded graphics artists and art educators Ramon&lt;br /&gt;del Prado, Edwin Guillermo, ArtFarm, Avid Liongoren,&lt;br /&gt;Vivian Limpin, Brendan Goco and Roxlee on Friday,&lt;br /&gt;March 23, and Lav Diaz’s 10-hour opus Ebolusyon ng&lt;br /&gt;Isang Pamilyang Pilipino (Evolution of a Filipino&lt;br /&gt;Family) for the whole of Saturday. &lt;br /&gt;&lt;br /&gt;For our painter’s pick this Wednesday, independent&lt;br /&gt;curator and conceptual artist Roberto Chabet&lt;br /&gt;recommends Francois Girard’s 32 vignettes on the life&lt;br /&gt;of Canadian classical pianist Glenn Gould. This is&lt;br /&gt;followed on Thursday by Sigfried Sanchez’s&lt;br /&gt;mockumentary on the protracted search for the late&lt;br /&gt;Lino Brocka’s purported progeny. S-Express continues&lt;br /&gt;with its selections on Tuesday. &lt;br /&gt;&lt;br /&gt;Held &lt;strong&gt;Mondays to Saturdays &lt;/strong&gt;at &lt;strong&gt;Mag:net Café Katipunan&lt;/strong&gt;,&lt;br /&gt;Cinekatipunan screenings start at &lt;strong&gt;5:30 PM&lt;/strong&gt;.&lt;br /&gt;&lt;br /&gt;While the film screenings are free, viewers are&lt;br /&gt;encouraged to make voluntary contributions for the&lt;br /&gt;honoraria of the featured filmmakers. For questions or&lt;br /&gt;comments aboutCinekatipunan write to&lt;br /&gt;sinag_haraya@ yahoo.com.&lt;br /&gt;&lt;br /&gt;Cinekatipunan programs precede Mag:net Café's nightly&lt;br /&gt;holding of Live Performances by well-known and&lt;br /&gt;emerging bands and musicians. Mag:net Café is located&lt;br /&gt;along Katipunan Avenue (fronting Miriam and Ateneo) in&lt;br /&gt;Quezon City. For more inquiries please call 9293191&lt;br /&gt;or?visit www.magnet.com. ph.&lt;br /&gt;&lt;br /&gt;PROGRAM &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;March 19 (Monday) &lt;/strong&gt;&lt;br /&gt;ASIALunes: East Asian and South East Asian Program&lt;br /&gt;(Curated by Mervin Espina)&lt;br /&gt;A documentary by Lam Li&lt;br /&gt;SURVIVING BEIJING&lt;br /&gt;(Lam Li | 2005 | Documentary | Malaysia-China |&lt;br /&gt;85mins)&lt;br /&gt;+ NAO&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;March 20 (Tuesday) &lt;/strong&gt;&lt;br /&gt;Alexis Tioseco: S-Express&lt;br /&gt;&lt;br /&gt;Alexis Tiosco presents selections from S-Express, an&lt;br /&gt;active Southeast Asian network for short film&lt;br /&gt;exchange. Initiated in 2001 by programmers Yuni Hadi&lt;br /&gt;(Substation, Singapore), Chalida Uabumrungjit (Thai&lt;br /&gt;Film Foundation), and Amir Muhammad (Malaysian&lt;br /&gt;Shorts), the group has expanded to involve Indonesia&lt;br /&gt;(Minikino) since 2004, plus the Philippines, and China&lt;br /&gt;(Maggie Lee) since 2005.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;March 21 (Wednesday) &lt;/strong&gt;&lt;br /&gt;Chabet's Choice: Francois Girard: 23 SHORT FILMS ABOUT&lt;br /&gt;GLENN GOULD (1993) &lt;br /&gt;&lt;br /&gt;A collection of vignettes highlighting different&lt;br /&gt;aspects of the life, work, and character of the&lt;br /&gt;acclaimed Canadian classical pianist, Glenn Gould.&lt;br /&gt;Directed by Quebec native Francois Girard, it won&lt;br /&gt;multiple Genie awards--including best picture, and&lt;br /&gt;best director for Girard--for its sensitive treatment&lt;br /&gt;of Gould's life and considerable legacy. &lt;br /&gt;&lt;br /&gt;François Girard originally conceived 32 Short Films&lt;br /&gt;About Glenn Gould as a biography to try to explain the&lt;br /&gt;bizarre genius of the master pianist who stopped&lt;br /&gt;touring in 1963 at the height of his success.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;March 22 (Thursday)&lt;/strong&gt;&lt;br /&gt;CINEMA ONE ORIGINALS PROGRAM&lt;br /&gt;Sigfreid Sanchez: ANAK NI BROCKA&lt;br /&gt;A motley group of television journalists stumble upon&lt;br /&gt;a possible scoop: that the Philippines' national&lt;br /&gt;cinema hero, Lino Brocka, actually sired a son. Video&lt;br /&gt;cameras in hand, the journalists set off in search for&lt;br /&gt;clues about the National Artist's life, discovering&lt;br /&gt;much more aspects to the late filmmaker's than what&lt;br /&gt;they initially expected. This eye-opening digital&lt;br /&gt;feature and mockumentary includes interviews with many&lt;br /&gt;of Brocka's protégés and colleagues, including Nonie&lt;br /&gt;Buencamino, Jacklyn Jose, Gina Alajar, Bembol Roco,&lt;br /&gt;Angie Ferro, Jeffrey Quizon, Joonee Gamboa, Chanda&lt;br /&gt;Romero, Soxy Topacio, Menggie Cobarrubias, Geoff&lt;br /&gt;Eigenmann, Nanding Josef, Allan Paule, Timothy Diwa,&lt;br /&gt;Francis Magalona, Behn Cervantes, and Philip Salvador.&lt;br /&gt;&lt;br /&gt;Sigfreid Barros-Sanchez directed Ang "Anak Ni Brocka"&lt;br /&gt;and the black comedy Lasponggols (Last Take, Last&lt;br /&gt;Shot) via film grants from Cinemalaya and Cinema One&lt;br /&gt;Originals, respectively. "Ang Anak ni Brocka" was&lt;br /&gt;screened at the Pesaro Film Festival in Italy and at&lt;br /&gt;the San Pedro, California Film Festival and the Hawaii&lt;br /&gt;Film Festival. As a music video director, Sanchez won&lt;br /&gt;the Best Director plum for the 2006 Awit Awards for&lt;br /&gt;Sugarfree's "Hari Ng Sablay". His next video, Hale's&lt;br /&gt;"The Day You Said Goodnight" was nominated at the 2005&lt;br /&gt;NU Rock Awards for Best Music Video, the 2006 MYX&lt;br /&gt;Awards, and the 2006 Awit Awards.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;March 23 (Friday) &lt;/strong&gt;&lt;br /&gt;ANIMATION PROGRAM: Works by Ramon del Prado, Edwin&lt;br /&gt;Guillermo, ArtFarm, Avid Liongoren, Vivian Limpin,&lt;br /&gt;Brendan Goco and Roxlee&lt;br /&gt;&lt;br /&gt;Ramon del Prado is a self taught 2d animator/&lt;br /&gt;filmmaker / graphic designer. Born on May 1, 1982 in&lt;br /&gt;Dumaguete City Negros Oriental, where he grew up. He&lt;br /&gt;moved to Manila at age 17 and graduated from De La&lt;br /&gt;Salle University - Manila at 2003 under the&lt;br /&gt;Communication Arts Program where he received his&lt;br /&gt;Outstanding Undergraduate Thesis award for his first&lt;br /&gt;major film, "EGG". He is currently doing freelance&lt;br /&gt;graphic design and tries to find time to do more&lt;br /&gt;animated films on his own.&lt;br /&gt;&lt;br /&gt;Edwin Guillermo showcases the following recent short&lt;br /&gt;works done in Claymation: &lt;br /&gt;&lt;br /&gt;Karaniwang Tae: Originally set in Ortigas, this&lt;br /&gt;Claymation short tells the story of an anthropomorphic&lt;br /&gt;piece of shit who gains the ability to turn into human&lt;br /&gt;form in order to woo the prettiest woman he has ever&lt;br /&gt;seen. She turns out to be a call center agent.&lt;br /&gt;Guillermo's first narrative animation short, the final&lt;br /&gt;project from UPFI's Art and Animation workshop&lt;br /&gt;facilitated by Roxlee.&lt;br /&gt;&lt;br /&gt;Poring Glory: This Claymation short narrates about the&lt;br /&gt;friendship between a teardrop-like Poring and a&lt;br /&gt;catterpillar- like Fabre. These two fantasy creatures&lt;br /&gt;were taken from Ragnarok Online, a popular online game&lt;br /&gt;in the Philippines. Poring Glory has won 3rd place in&lt;br /&gt;the Level-Up LIVE! 2006 Filmfest.&lt;br /&gt;&lt;br /&gt;Moral Lesson: Another Claymation short based on&lt;br /&gt;another online game. Based on the sci-fi game RF&lt;br /&gt;Online, this is the story of a young human clone being&lt;br /&gt;taught the fundamentals of their robotic Accretian&lt;br /&gt;race - science and logic, before she sheds her flesh&lt;br /&gt;for a sturdier metallic body. Offical entry to the&lt;br /&gt;Level-Up LIVE! 2006 Filmfest.&lt;br /&gt;Mutationpermutation : A Claymation short designed to&lt;br /&gt;introduce Math and Science week for a certain high&lt;br /&gt;school. Exposed to nuclear radiation, a primitive&lt;br /&gt;creature starts to mutate and evolve into higher and&lt;br /&gt;mathematical forms.&lt;br /&gt;&lt;br /&gt;ArtFarm Asia, the first animation school in the&lt;br /&gt;Philippines, has produced the all-Filipino animated&lt;br /&gt;feature called "Kuwentong Kayumanggi" that was aired&lt;br /&gt;on GMA-7. The company also did two feature films for&lt;br /&gt;Roger Corman, a Hollywood-based movie producer.&lt;br /&gt;&lt;br /&gt;Avid Liongoren is an illustrator, graphic designer,&lt;br /&gt;commercial and music video director and more. A&lt;br /&gt;graduate of the University of the Philippines College&lt;br /&gt;of Fine Arts (UP-CFA), he combines free-hand art and&lt;br /&gt;digital technology, contemporary quirk and&lt;br /&gt;individualist expression in his digital art works and&lt;br /&gt;'drawings' and multi-awarded music videos. Avid is all&lt;br /&gt;set to release his first independent motion picture&lt;br /&gt;entitled "Saving Sally."&lt;br /&gt;&lt;br /&gt;Vivian N. Limpin is a graduate of B.A. Malikhaing&lt;br /&gt;Pagsulat sa Filipino (Creative Writing in Filipino)&lt;br /&gt;from the University of the Philippines in 1995. She&lt;br /&gt;has published poems, essays, short stories, feature&lt;br /&gt;articles and scripts in various magazines, newspapers,&lt;br /&gt;comics, and books for NGO’s, written and translated&lt;br /&gt;plays and vignettes for TROPA (Teatro, Pelikula, Arte)&lt;br /&gt;and other production groups. She has also expanded her&lt;br /&gt;poetry readings into performance poetry. She was a&lt;br /&gt;Writing Fellow for Drama in the 22nd UP National&lt;br /&gt;Writers Workshop in 1994, and for Poetry in Filipino&lt;br /&gt;in the 19th Cornelio Faigao Writers Workshop in 2002.&lt;br /&gt;&lt;br /&gt;Brendan Goco is a prolific animator, illustrator and&lt;br /&gt;photographer. A dedicated art educator, he has&lt;br /&gt;facilitated animation workshops at the Mowelfund Film&lt;br /&gt;Institute and the UP Film Institute and is currently a&lt;br /&gt;part-time instructor (teaching illustration) at the&lt;br /&gt;Ateneo de Manila University.&lt;br /&gt;&lt;br /&gt;Roxlee is an advocate of independent and underground&lt;br /&gt;cinema in the Philippines. Apart from making animated&lt;br /&gt;and collage films, he is also a comic strip artist,&lt;br /&gt;drawing such strips as 'Cesar Asar' and 'Santingwar' .&lt;br /&gt;He started as a cartoonist and began making animation&lt;br /&gt;and short films in 1983 up to the present. He made&lt;br /&gt;around six short super 8 films, six short films in&lt;br /&gt;16mm, one short 35mm film, and a full length 35mm&lt;br /&gt;feature film entitled "Cesar Asar," based in his&lt;br /&gt;popular comic strip. One of the founders of a group of&lt;br /&gt;Filipino animators called "Animagination, " Roxlee is&lt;br /&gt;also a staff of the Yamagata Documentary Film&lt;br /&gt;Festival, held every two years in Japan. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;March 24 (Saturday)&lt;/strong&gt;&lt;br /&gt;Lav Diaz: Ebolusyon ng Isang Pamilyang Pilipino&lt;br /&gt;(Evolution of a Filipino Family) &lt;br /&gt;&lt;br /&gt;(10 1/2 hours): &lt;br /&gt;The story of "Eboluyson ng Isang Pamilyang Pilipino"&lt;br /&gt;spans the years 1971 to 1987, the period that defines&lt;br /&gt;the problems of the present Filipino psyche-why is it&lt;br /&gt;so brutalized, so troubled, so apathetic and complex.&lt;br /&gt;The years 1971 and 1972 were the height of radicalism&lt;br /&gt;by the Philippine Left, the onset of the&lt;br /&gt;Muslim-Christian strife in the island of Mindanao and&lt;br /&gt;the eventual declaration of Martial Law by dictator&lt;br /&gt;Ferdinand Marcos. From 1964 up to 1985, the Marcos&lt;br /&gt;regime trampled on human rights, institutionalized&lt;br /&gt;graft and corruption in the bureaucracy, and looted&lt;br /&gt;the national coffers. In 1986, a peaceful uprising&lt;br /&gt;called The People's Power Revolution forced Marcos out&lt;br /&gt;of the country ending his dictatorial rule and&lt;br /&gt;installing Corazon Aquino, widow of the murdered Ninoy&lt;br /&gt;Aquino- Marcos' top political foe, as President. &lt;br /&gt;&lt;br /&gt;Against this backdrop is the farming family Gallardo,&lt;br /&gt;whose struggle and condition mirrors the marginalized&lt;br /&gt;population of the Philippines; the sector trapped in a&lt;br /&gt;situation not of their own doing, but born from a&lt;br /&gt;system that could not provide proper social services,&lt;br /&gt;and of a feudal culture that only protected and&lt;br /&gt;empowered the status quo. Central to the story are the&lt;br /&gt;disintegration, displacement and dysfunction caused by&lt;br /&gt;poverty, not just to the family unit but, also, to the&lt;br /&gt;individual members. These and other characters form&lt;br /&gt;the cycle of lives that intertwine and interact as the&lt;br /&gt;nation struggles to survive economically, politically,&lt;br /&gt;sociologically and spiritually. &lt;br /&gt;&lt;br /&gt;For those who are familiar with Diaz’s works,&lt;br /&gt;"Ebolusyon ng Isang Pamilyang Pilipino" is "Batang&lt;br /&gt;West Side I". "Batang West Side" tackled the very same&lt;br /&gt;premise, subject and theme but explored it in a very&lt;br /&gt;different time and milieu-the need to critique the&lt;br /&gt;Filipino, examine his condition, confront his past.&lt;br /&gt;"Batang West Side" dealt with our scars, "Ebolusyon…"&lt;br /&gt;explores the infliction of the wound. &lt;br /&gt;&lt;br /&gt;"Ebolusyon…" is eleven years in the making.&lt;br /&gt;Pre-production started in December of 1993 in Jersey&lt;br /&gt;City, and began photography on March 8, 1994 in&lt;br /&gt;Lexington, New Jersey. Production was protracted and&lt;br /&gt;independent; shot only when there was money, and if&lt;br /&gt;the crew and actors were available. The Philippine&lt;br /&gt;shoot started in early 1997 in Gerona, Tarlac, and&lt;br /&gt;culminated early April of 2003 in the majestic&lt;br /&gt;mountains of Itogon, Benguet. More scenes were added&lt;br /&gt;last October and November of 2004. &lt;br /&gt;&lt;br /&gt;Post production started February of 2004 and finally&lt;br /&gt;stopped January 31, 2005. Different versions of the&lt;br /&gt;film was already shown in various festivals-The Asian&lt;br /&gt;American International Film Festival of New York 2004&lt;br /&gt;(8 hours rough cut on vhs), The Toronto International&lt;br /&gt;Film Festival 2004 (10 hours on digital beta), The&lt;br /&gt;Rotterdam International Film Festival 2005 and&lt;br /&gt;Goteberg Film Festival 2005 (10 hours 43 minutes).&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-2548687548023558089?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/2548687548023558089/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=2548687548023558089' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/2548687548023558089'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/2548687548023558089'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/03/cinekatipunan-screenings.html' title='CineKatipunan screenings'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-9209844368551086999</id><published>2007-03-19T12:50:00.000+08:00</published><updated>2007-03-19T12:54:33.906+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='UP Film Institute'/><category scheme='http://www.blogger.com/atom/ns#' term='UP Film Center'/><category scheme='http://www.blogger.com/atom/ns#' term='UPFI'/><title type='text'>THE DEPARTED at UPFI</title><content type='html'>Special Full Run for &lt;strong&gt;The Departed&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;The UP Film Institute is most proud to bring back this year's Oscar Winner&lt;br /&gt;for Best Picture The Departed for which Martin Scorsese has finally&lt;br /&gt;bagged the Academy Award for Best Director gets a full run as follows: March&lt;br /&gt;19 Mon 2/5/7:30 p.m.; Mar 20 Tue 1:30/4:30 p.m.; Mar 21 Wed 1:30/5/7:30 p.m.;&lt;br /&gt;Mar 22 Thu 5/7:30 p.m.&lt;br /&gt;&lt;br /&gt;A Warner Bros. Pictures release,The Departed is the US remake of&lt;br /&gt;Infernal Affairs-the acclaimed 2002 Hong Kong flick co-directed by Alan Mak&lt;br /&gt;and Andrew Lau that was followed in turn by a prequel and a sequel.&lt;br /&gt;&lt;br /&gt;The UP Film Institute's full run for The Departed forms part of a&lt;br /&gt;school-ends special to wrap up the entire academic year.&lt;br /&gt;&lt;br /&gt;Here's a recap of UP Film Institute's current screenings for the convenient&lt;br /&gt;reference of all concerned:&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Mar 19 Mon 2/5/7:30 p.m.&lt;br /&gt;&lt;br /&gt;The Departed&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Mar 20 Tue 1:30/4:30 p.m.&lt;br /&gt;&lt;br /&gt;The Departed&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Mar 20 Tue 7 p.m.&lt;br /&gt;&lt;br /&gt;Premiere: Pantasya&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Mar 21 Wed 1:30/5/7:30 p.m.&lt;br /&gt;&lt;br /&gt;The Departed&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Mar 21 Wed 4 p.m.&lt;br /&gt;&lt;br /&gt;Free Film from Iran: Thought (Pendar) by Leila Mirhadi&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Mar 22 Thu 5/7:30 p.m.&lt;br /&gt;&lt;br /&gt;The Departed&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Mar 23 Fri&lt;br /&gt;&lt;br /&gt;Cine Italia&lt;br /&gt;&lt;br /&gt;5 p.m. Paisa' (Paisan) by Roberto Rossellini&lt;br /&gt;7 p.m. Il Postino (The Postman) by Michael Radford&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Mar 24 Sat&lt;br /&gt;&lt;br /&gt;Cine Italia&lt;br /&gt;&lt;br /&gt;2 p.m. Germania Anno Zero (Germany Year Zero) by Roberto Rossellini&lt;br /&gt;5 p.m. I Vitelloni (The Young and the Passionate) by Federico Fellini&lt;br /&gt;7 p.m. La Notte di S. Lorenzo (The Night of the Shooting Stars) by Paolo and&lt;br /&gt;Vittorio Taviani&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;March 26 Mon 9 a.m. onwards&lt;br /&gt;&lt;br /&gt;Theses Day 1&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Mar 26 Mon 5/7 p.m.&lt;br /&gt;&lt;br /&gt;Kabul Express&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;March 27 Tue 9 a.m. onwards&lt;br /&gt;&lt;br /&gt;Theses Day 2&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Mar 27 Tue 5/7 p.m.&lt;br /&gt;&lt;br /&gt;Kabul Express&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Mar 28 Wed 5/7 p.m.&lt;br /&gt;&lt;br /&gt;Ask the Dust&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Mar 29 Thu 5 p.m.&lt;br /&gt;&lt;br /&gt;Free Films from Iran&lt;br /&gt;&lt;br /&gt;Up by the Road by Marjan Ashrafizadeh&lt;br /&gt;&lt;br /&gt;Milkan by Minoo Kiani&lt;br /&gt;&lt;br /&gt;Thought (Pendar) by Leila Mirhadi&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Mar 29 Thu 7 p.m.&lt;br /&gt;&lt;br /&gt;Ask the Dust&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Mar 30 Fri&lt;br /&gt;&lt;br /&gt;Free Films from Iran&lt;br /&gt;&lt;br /&gt;2 p.m. The Actor by Mohsen Makhmalbaf&lt;br /&gt;&lt;br /&gt;5 p.m. Kandahar by Mohsen Makhmalbaf&lt;br /&gt;&lt;br /&gt;7 p.m. The Father by Majid Majidi&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Mar 31 Sat&lt;br /&gt;&lt;br /&gt;Free Films from Iran&lt;br /&gt;&lt;br /&gt;2 p.m. The Peddler by Mohsen Makhmalbaf&lt;br /&gt;&lt;br /&gt;5 p.m. The Cyclist by Mohsen Makhmalbaf&lt;br /&gt;&lt;br /&gt;7 p.m. The Color of Paradise by Majid Majidi&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Apr 2 Mon 5/7 p.m.&lt;br /&gt;&lt;br /&gt;Kabul Express&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Apr 3 Tue 5/7 p.m.&lt;br /&gt;&lt;br /&gt;Kabul Express&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;University of the Philippines Film Institute&lt;/strong&gt;&lt;br /&gt;(Member, CILECT/International Association of Film and Television Schools)&lt;br /&gt;Plaridel Hall, Ylanan Road, UP Diliman, Quezon City&lt;br /&gt;Tel: 9818500 (UP Trunkline) local 2669, 2670; 9206863 (Telefax)&lt;br /&gt;Cine Adarna, Magsaysay and Osmeña Avenues, UP Diliman, Quezon City&lt;br /&gt;Tel: 9818500 (UP Trunkline) local 4286, 4289; 9262722 (Telefax)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-9209844368551086999?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/9209844368551086999/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=9209844368551086999' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/9209844368551086999'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/9209844368551086999'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/03/departed-at-upfi.html' title='THE DEPARTED at UPFI'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-6400659458181346255</id><published>2007-03-19T12:44:00.000+08:00</published><updated>2007-03-19T12:46:24.460+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='batad'/><category scheme='http://www.blogger.com/atom/ns#' term='sm cinema'/><title type='text'>BATAD at SM Cinemas</title><content type='html'>"BATAD UNTIL MARCH 20 ONLY!&lt;br /&gt;&lt;br /&gt;Now you have a chance to see the award-winning film &lt;strong&gt;BATAD sa Paang&lt;br /&gt;Palay&lt;/strong&gt;, at &lt;strong&gt;SM Digital Theaters&lt;/strong&gt;!&lt;br /&gt;&lt;br /&gt;Watch the funny, heartwarming &amp; magical story unfold at the following&lt;br /&gt;SM branches: SM Fairview, Mega, North Edsa, Manila, Centerpoint, Southmall, &lt;br /&gt;San Lazaro, Davao, Cebu, Clark, San Fernando &amp; Mall of Asia&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Screening Schedule:&lt;/strong&gt;&lt;br /&gt;M/T/W/TH - 2PM 5PM 8PM&lt;br /&gt;F/SAT/SUN - 12NN 3PM 6PM 9PM&lt;br /&gt;&lt;br /&gt;Rated "G" by MTRCB&lt;br /&gt;Rate "A" by Cinema Evaluation Board (CEB)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-6400659458181346255?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/6400659458181346255/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=6400659458181346255' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/6400659458181346255'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/6400659458181346255'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/03/batad-at-sm-cinemas.html' title='BATAD at SM Cinemas'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-8608991182193254895</id><published>2007-03-19T12:34:00.000+08:00</published><updated>2007-03-07T12:37:06.198+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='mag:net'/><category scheme='http://www.blogger.com/atom/ns#' term='cine katipunan'/><category scheme='http://www.blogger.com/atom/ns#' term='cinekatipunan'/><title type='text'>SURVIVING BEIJING screening</title><content type='html'>A documentary by Lam Li&lt;br /&gt;&lt;strong&gt;SURVIVING BEIJING&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;March 19, 2007&lt;/strong&gt;&lt;br /&gt;Held Mondays to Saturdays at Mag:net Café, Katipunan Avenue&lt;br /&gt;Cinekatipunan screenings start at &lt;strong&gt;5:30 PM.&lt;/strong&gt;&lt;br /&gt;For more inquiries please call 9293191 or visit www.magnet.com.ph.&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;SURVIVING BEIJING&lt;/strong&gt;&lt;br /&gt;(Lam Li | 2005 | Documentary | Malaysia-China | 85 mins)&lt;br /&gt;Language: Mandarin&lt;br /&gt;Subtitles: Chinese &amp; English&lt;br /&gt; &lt;br /&gt;Dedicated to the Huang Ho label, pioneers of Malaysian Chinese independent music, the documentary traces the group's infamous trip to China to find international recognition--only to return disillusioned.&lt;br /&gt; &lt;br /&gt;Surviving begins as they set off from Kuala Lumpur to Beijing in the autumn of year 2000, and tracks their one month experience living illegally in a place known as the Rockers' Village in the outskirts of Beijing—an erstwhile farming village once considered as the base of aspiring Chinese underground musicians, who led alternative lifestyles and dedicated their lives to making music with a strong social and political bent.&lt;br /&gt; &lt;br /&gt;Seeking performance opportunities in shabby pubs and bars, struggling to make an impression while adapting to the alien environment where speaking the same language does not necessarily translate to understanding, their musical quest in the name of the independent spirit quickly turns into a baptism of fire and a test of friendships. The film also examines the impact the month-long Beijing escapade had on the development of the Malaysian Chinese independent music scene.&lt;br /&gt; &lt;br /&gt;A crowd favorite in several film and music festivals in Singapore and Taiwan, including "Urban Nomad Film Festival 2006", "Shooting Left Asia Film Festival 2006" and "Spring Scream Music Festival 2006," this documentary has even made its way back to China through a series of nationwide screenings organized by Chinese rock band Miserable Faith and independent film producer, Sun Zhi Qiang.&lt;br /&gt; &lt;br /&gt;Special thanks to Mak Wai Hoo of Soundscape Records for making the Cinekatipunan screening possible. This film will be a preceded by NAO, a short documentary on a militant young Malaysian band that has  “a voice with the critical precision of a surgeon’s knife.”&lt;br /&gt;http://myspace.com/isnao&lt;br /&gt;http://www.soundscape-records.com/nao/&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-8608991182193254895?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/8608991182193254895/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=8608991182193254895' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/8608991182193254895'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/8608991182193254895'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/03/surviving-beijing-screening.html' title='SURVIVING BEIJING screening'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-1028281982578886052</id><published>2007-03-16T12:44:00.000+08:00</published><updated>2007-03-15T12:46:41.867+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='UP Film Institute'/><category scheme='http://www.blogger.com/atom/ns#' term='UP Film Center'/><category scheme='http://www.blogger.com/atom/ns#' term='UPFI'/><title type='text'>Cine Italia at UPFI</title><content type='html'>Cine Italia &lt;br /&gt;&lt;br /&gt;The UP Film Institute presents an Italian cinema showcase of vintage and instant classics courtesy of the Philippine-Italian Association.&lt;br /&gt;&lt;br /&gt;Schedule of screenings all for free at the UPFI Videotheque is as follows:&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Mar 16 Fri&lt;br /&gt;&lt;br /&gt;5 p.m. Ladri di biciclette (The Bicycle Thief) by Vittorio de Sica&lt;br /&gt;7 p.m. Roma, citta’ aperta ( Rome , Open City) by Roberto Rossellini&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;Mar 17 Sat&lt;br /&gt;&lt;br /&gt;2 p.m. Francesco, giullare di Dio (Francis, God’s Jester) by Roberto Rossellini&lt;br /&gt;5 p.m. Viaggio in Italia (Journey to Italy ) by Roberto Rossellini&lt;br /&gt;7 p.m. La Corsa dell’ innocente (Flight of the Innocent) by Carlo Carlei&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Mar 23 Fri&lt;br /&gt;&lt;br /&gt;5 p.m. Paisa’ (Paisan) by Roberto Rossellini&lt;br /&gt;7 p.m. Il Postino (The Postman) by Michael Radford&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Mar 24 Sat &lt;br /&gt;&lt;br /&gt;2 p.m. Germania Anno Zero ( Germany Year Zero) by Roberto Rossellini &lt;br /&gt;5 p.m. I Vitelloni (The Young and the Passionate) by Federico Fellini&lt;br /&gt;7 p.m. La Notte di S. Lorenzo (The Night of the Shooting Stars) by Paolo and Vittorio Taviani&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Please refer to the following for notes and descriptions:&lt;br /&gt;&lt;br /&gt;Roma, citta’ aperta ( Rome , Open City) &lt;br /&gt;1946, 100 minutes, War&lt;br /&gt;Director : Roberto Rossellini&lt;br /&gt;Starring : Aldo Fabrizi, Anna Magnani, Marcello Pagliero&lt;br /&gt;&lt;br /&gt;One of the greatest foreign language films ever made, Roberto Rossellini’s Rome , Open City was filmed in the direct aftermath of World War II on the war-ravaged streets of Italy . Shunning Hollywood gloss and glamour, this frank tale is set against the backdrop of extreme conditions– natural lighting, handheld camerawork and a cast composed largely of non-actors. Based on real events that took place on Nazi-occupied Italy in 1944, it examines the choices that people are forced to make in wartime. &lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;Il Postino (The Postman)&lt;br /&gt;1994, 115 minutes, Drama/Romance&lt;br /&gt;Director : Michael Radford&lt;br /&gt;Starring : Massimo Troisi, Philippe Noiret and Maria Grazia Cucinotta &lt;br /&gt;&lt;br /&gt;The touching relationship between the great Chilean poet Pablo Neruda, exiled in a little island near Naples , and a shy and uncultured postman who possessed the heart of a poet. It was the first international success for Troisi, a popular star in Italy , who died the day after filming was completed.&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;Germania Anno Zero (Germany Year Zero) &lt;br /&gt;1947, 78 minutes, Neorealism&lt;br /&gt;Director : Roberto Rossellini&lt;br /&gt;Starring : Edmund Moeschke, Ernst Pittschau, Barbara Hintz, Franz Graer, &lt;br /&gt;Hingetrad Hinzf, Eric Guhne&lt;br /&gt;&lt;br /&gt;After the devastation of World War II, Berlin has become a wasteland of citizens fighting for survival and trying to rebuild some semblance of a normal life. This is the world of twelve-year old Edmund, a child who has known only upheaval and violence. Yet he goes on from day to day, trying to help his family by finding money or food on the streets. One day he meets his former school teacher, who now profits from Nazi propaganda, which sets in motion a shocking new chain of violence.&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;La Notte di S. Lorenzo (The Night of the Shooting Stars)&lt;br /&gt;1982, 116 minutes, War/Drama&lt;br /&gt;Directors : Paolo &amp; Vittorio Taviani&lt;br /&gt;Starring : Omero Antonutti, Margherita Lozano&lt;br /&gt;&lt;br /&gt;Six year-old Cecilia is fascinated by the world and everything in it. And when her family and neighbors flee their village to escape the Nazis, it’s the most exciting moment of her life! But the excitement turns to terror when the enemy begins to close in. Little Cecilia prays for rescue, on this, the Night of the Shooting Stars an evening during which, it is said, all wishes are granted. Can Cecilia’s wish be granted…? Or will this be her eternal night?&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;Paisa’ (Paisan)&lt;br /&gt;1946, 90 minutes, Neorealism&lt;br /&gt;Director : Roberto Rossellini&lt;br /&gt;Starring : Carmela Sazio, Robert Van Loon, Dots Johnson, Alfonsino Pasca, Maria Michi&lt;br /&gt;&lt;br /&gt;Paisan consists of six episodes depicting the resistance struggle and Allied liberation of Italy at the close of World War II. Using a cast of largely non-professional actors, the stories center mostly on small encounters between the Italian people and their liberators: a Sicilian woman is murdered for warning an American patrol of nearby Germans; a drunken GI has his shoes stolen and stumbles upon the children on Naples living in squalor; a girl from Rome, innocent at the time of liberation, becomes a prostitute. &lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;La Corsa dell’ innocente (Flight of the Innocent)&lt;br /&gt;1992, 115 minutes, Thriller&lt;br /&gt;Director : Carlo Carlei&lt;br /&gt;Starring : Manuel Colao, Francesca Neri, Jacques Perrin, Federico Pacifici, Lucio Zagaria&lt;br /&gt;&lt;br /&gt;The gentle son of a brutal kidnapper, ten-year-old Vito (Manuel Colao) witnesses the massacre of his family by rival gang and narrowly escapes into the Italian countryside. Relentlessly pursued by the killers and the police, he begins a terrifying life on the run, determined to outwit his followers, find a new, honorable and caring family for himself and end his family’s lineage of crime.&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;Viaggio in Italia (Journey to Italy )&lt;br /&gt;1953, 80 minutes, Drama&lt;br /&gt;Director : Roberto Rossellini&lt;br /&gt;Starring : Ingrid Bergman, George Sanders&lt;br /&gt;&lt;br /&gt;Widely misunderstood and shamefully denigrated at the time of its original release, but now recognized as not simply on of Rossellini’s greatest films but as one of the key works of modern cinema, Journey to Italy is a deceptively simple piece. There is a little plot to speak of: a marriage is breaking up under the strains of a trip to Italy and we watch. But in its deliberate rejection of many aspects of ‘classic’ Hollywood narrative and its stubborn pursuit of a quite different aesthetic, its meandering story line creates space for ideas and time for reflection.&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;Francesco, giullare di Dio (Francis, God’s Jester)&lt;br /&gt;1950, 75 minutes, Religion / Biography&lt;br /&gt;Director : Roberto Rossellini&lt;br /&gt;Starring : Nazario Gerardi, Aldo Fabrizi, Arabella Lemaitre&lt;br /&gt;&lt;br /&gt;Roberto Rossellini and co-writer Federico Fellini lovingly render the very spirit of Franciscan teaching in this extraordinarily fresh and simple film – largely unappreciated at the time of its release, but now regarded as one of his greatest. Shot in a neorealist manner with non-professional actors (including thirteen actual Franciscan monks) it avoids the pious clichés of haloed movie saints with an economy of expression and a touching, human quality. &lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;I Vitelloni (The Young and the Passionate)&lt;br /&gt;1953, 103 minutes Drama&lt;br /&gt;Director : Federico Fellini&lt;br /&gt;Starring : Franco Interlenghi, Alberto Sordi, Franco Fabrizi, Leopoldo Trieste, &lt;br /&gt;Riccardo Fellini, Carlo Romano, Enrico Viarisio, Paola Borboni&lt;br /&gt;&lt;br /&gt;I Vitelloni (literally "fatted veal calves") is largely a lighthearted autobiographical story of a 4 idle young men who live in a small seaside town, and their hopes antics, miseries and aspirations. I Vitelloni was Oscar nominated in 1958 and won at Venice Film Festival.&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;Ladri di biciclette (The Bicycle Thief)&lt;br /&gt;1949, 90 minutes, Drama / Neorealism&lt;br /&gt;Director : Vittorio De Sica&lt;br /&gt;Starring : Lamberto Maggiorani, Roberto Staiola, Lionella Carrell&lt;br /&gt;&lt;br /&gt;An excellent example of Italian neorealism, the Bicycle Thief depicts the extreme living conditions in Italy after World War II. Impoverished and desperate for work, Ricci is finally called to a well-paying job in the city, the only condition is that he needs a bicycle-which he has just pawned. The relationship between individuals and the masses is emphasized and Director de Sica chooses amateurs to portray many of the characters.&lt;br /&gt;&lt;br /&gt;The film is noted as the Most Outstanding Foreign Film in the U.S. in 1949, and the Golden Globe Winner for Best Foreign Film in 1950&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;To always get screening alerts, join UP Film Institute e-group: upfilminstitute@ yahoogroups. com &lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;University of the Philippines Film Institute&lt;br /&gt;(Member, CILECT/Internationa l Association of Film and Television Schools )&lt;br /&gt;Plaridel Hall, Ylanan Road , UP Diliman, Quezon City&lt;br /&gt;Tel: 9818500 (UP Trunkline) local 2669, 2670; 9206863 (Telefax)&lt;br /&gt;Cine Adarna, Magsaysay and Osmeña Avenues, UP Diliman, Quezon City&lt;br /&gt;Tel: 9818500 (UP Trunkline) local 4286, 4289; 9262722 (Telefax)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-1028281982578886052?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/1028281982578886052/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=1028281982578886052' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/1028281982578886052'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/1028281982578886052'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/03/cine-italia-at-upfi.html' title='Cine Italia at UPFI'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-1739853163486399503</id><published>2007-03-15T12:50:00.000+08:00</published><updated>2007-03-15T12:51:23.372+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='sm cinema'/><title type='text'>ANG HULING ARAW NG LINGGO screening</title><content type='html'>&lt;strong&gt;ANG HULING ARAW NG LINGGO&lt;/strong&gt; opens &lt;strong&gt;March 21&lt;/strong&gt; in &lt;strong&gt;SM Digital Cinema &lt;/strong&gt;nationwide. Starring Johnny Delgado, Jennifer Sevilla, Baron Geisler, Monica Llamas, Arnold Reyes, Angeli Bayani and Ms. Boots Anson-Roa. Written and directed by Nick Olanka.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;ANG HULING ARAW NG LINGGO&lt;br /&gt;&lt;br /&gt;Synopsis&lt;br /&gt;ANG HULING ARAW NG LINGGO spans a week in a life of seven individuals with interconnected narratives. Domeng is involved in networking or multi-level marketing business and plans to encourage his estranged daughter Luna to join in this unscrupulous business. Luna is abandoned by her husband and son so she asks help from her mother Aling Tess. Aling Tess is a land lady who lives alone and fancies a young male boarder named Kulas. Kulas is a grocery store employee who aspires to become a store manager to impress Julie. Julie is a laundry shop attendant who is obsessed with a male costumer named Brian. Brian is a nurse in a local hospital who wants to work abroad so he persuades his girlfriend Sally to provide for his "fixer" fees. An accounting graduate who failed to pass the board exam for two consecutive years, Sally enters Domeng's networking business in the hopes of proving her worth. When she found out that networking is a scam Sally plans to take revenge on Domeng. The film illustrates the interconnectedness of our lives, a cycle of random events in which the decisions we make are as important as the choices we didn't take.&lt;br /&gt;&lt;br /&gt;About the Director&lt;br /&gt;&lt;strong&gt;NICK JOSEPH OLANKA&lt;/strong&gt; graduated from The UP Film Institute last April 2006. His graduation short film "Lunes ng Hapis" won the 2005 Kodak Film School Competition and is the Philippine entry for the Asia-Pacific Kodak Film School Competition. It also won award in 18th CCP Independent Film and Video Competition and is currently competing in CONCAN Movie Festival in Japan. "Ang Huling Araw ng Linggo" is his first digital feature.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-1739853163486399503?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/1739853163486399503/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=1739853163486399503' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/1739853163486399503'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/1739853163486399503'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/03/ang-huling-araw-ng-linggo-screening.html' title='ANG HULING ARAW NG LINGGO screening'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-7009717015867883878</id><published>2007-03-15T12:48:00.000+08:00</published><updated>2007-03-15T12:49:11.886+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='UP Film Institute'/><category scheme='http://www.blogger.com/atom/ns#' term='UP Film Center'/><category scheme='http://www.blogger.com/atom/ns#' term='UPFI'/><title type='text'>The Holiday at UPFI</title><content type='html'>UP Film Institute’s women’s celebration culminates with The Holiday &lt;br /&gt;&lt;br /&gt;The UP Film Institute’s own women’s celebration highlighted by the 17th International Women’s Film Festival currently extended culminates with female auteur Nancy Meyers’ latest oeuvre, &lt;strong&gt;The Holiday&lt;/strong&gt;, with a big-screen showcase on &lt;strong&gt;Wednesday, 14 March 2007, at 2 and 7 p.m.&lt;/strong&gt; and &lt;strong&gt;Thursday, 15 March 2007, at 5 p.m.&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;The Solar Entertainment presentation of the United International Pictures release stars Kate Winslet, Cameron Diaz, Jude Law and Jack Black. It tells the tale of a successful trailer editor from Los Angeles with man problems jaunting over to England in a distinct exchange deal with a lady journalist from Surrey who has similar troubles. Meyers is the award-winning screenwriter- turned-director behind such female-empowering crowd pleasers as The Parent Trap, What Women Want, Something’s Gotta Give.&lt;br /&gt;&lt;br /&gt;The distinct screening of The Holiday constitutes Solar Entertainment and United International Pictures’ precious contribution to the UP Film Institute’s festivities this year in conjunction with the worldwide women’s celebration come every March.  &lt;br /&gt; &lt;br /&gt;&lt;br /&gt;The Holiday&lt;br /&gt;&lt;br /&gt;A United International Pictures Release through Solar Entertainment&lt;br /&gt;&lt;br /&gt;A trailer editor from Los Angeles with man problems jaunts over to England in a distinct exchange deal with a lady journalist from Surrey who has similar troubles.&lt;br /&gt;&lt;br /&gt;Direction and Screenplay: Nancy Meyers. Cast: Kate Winslet, Cameron Diaz, Jude Law, Jack Black.  &lt;br /&gt;&lt;br /&gt;2006 140 minutes 35mm color&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-7009717015867883878?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/7009717015867883878/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=7009717015867883878' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/7009717015867883878'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/7009717015867883878'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/03/holiday-at-upfi.html' title='The Holiday at UPFI'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-2567803636615148149</id><published>2007-03-14T12:59:00.000+08:00</published><updated>2007-03-05T13:02:40.001+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='robinson&apos;s galleria'/><category scheme='http://www.blogger.com/atom/ns#' term='indiesine'/><title type='text'>Compound returns to Indiesine</title><content type='html'>&lt;strong&gt;Compound&lt;/strong&gt; returns to &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Indie Sine, Robinsons Galleria &lt;/strong&gt;Ortigas &lt;br /&gt;&lt;br /&gt;on &lt;strong&gt;March 14 to 20&lt;/strong&gt;, 2007&lt;br /&gt;&lt;br /&gt;MTRCB rating is R-18 (approved without cuts)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-2567803636615148149?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/2567803636615148149/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=2567803636615148149' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/2567803636615148149'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/2567803636615148149'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/03/compound-returns-to-indiesine.html' title='Compound returns to Indiesine'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-4936136997163741827</id><published>2007-03-13T12:40:00.000+08:00</published><updated>2007-03-08T12:42:23.893+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='eksena bar'/><title type='text'>EKSENA BAR screenings</title><content type='html'>LINAO FILMS in cooperation with EKSENA present&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MOMENTARIES&lt;/strong&gt;&lt;br /&gt;The Films of JP V. CARPIO&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1. BUNKER 0: SUMIRIB PLUS &lt;/strong&gt;- 2006 &lt;br /&gt;- 10 minutes&lt;br /&gt;- Color&lt;br /&gt;- Documentary &lt;br /&gt;- MiniDV &lt;br /&gt;&lt;br /&gt;The film shows a series of moments involving the people of Sitio &lt;br /&gt;Sumirib, Barangay La Paz in the municipality of Nueva Valencia, &lt;br /&gt;province of Guimaras, one of the areas most affected by the massive &lt;br /&gt;oil spill from the sunken tanker Solar 1 chartered by the Petron oil &lt;br /&gt;corporation. The film focuses more on their thoughts and feelings &lt;br /&gt;regarding this man-made ecological disaster, and the actions they &lt;br /&gt;are taking to somehow cope with very difficult times ahead. &lt;br /&gt;&lt;br /&gt;Bunker 0: Sumirib Plus is the first in a series of films concerning &lt;br /&gt;the Guimaras Oil Spill disaster. It is presented here in Ilonggo and &lt;br /&gt;Tagalog languages with English subtitles. (Screened as part of the &lt;br /&gt;Independent Filmmaker Cooperative' s "Guimaras: Short films from the &lt;br /&gt;Oil Spill" Festival, November 2006) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2. VTR &lt;/strong&gt;- 2007&lt;br /&gt;- 10 minutes&lt;br /&gt;- Color&lt;br /&gt;- Experimental Narrative&lt;br /&gt;- MiniDV&lt;br /&gt;&lt;br /&gt;Edited from footage shot in 2004, the film is an attempt to ask the &lt;br /&gt;question "How much of our life are we in on and how much are we out &lt;br /&gt;of?" (PREMIERE Status) &lt;br /&gt;&lt;br /&gt;STARRING: Tessa De Guzman and JP V. Carpio&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;3. TAKO (cue)&lt;/strong&gt;- 2007 &lt;br /&gt;- 42 minutes&lt;br /&gt;- Color &lt;br /&gt;- Narrative&lt;br /&gt;- MiniDV &lt;br /&gt;&lt;br /&gt;Also edited from footage shot in 2004, the film follows the get-&lt;br /&gt;together of a group of friends at a house somewhere in Metro Manila. &lt;br /&gt;In the midst of the fun and the partying, underlying tensions rise &lt;br /&gt;and break out between Jimmy and Aissa during a friendly game of &lt;br /&gt;billiards. The film is an episode in a future full length &lt;br /&gt;film "Jimmy, Aissa: Henry, Tricia".&lt;br /&gt;(PREMIERE Status) &lt;br /&gt;&lt;br /&gt;STARRING: Jourdan Sebastian, Vanny Liwanag, Reinier Laiño, Elaine &lt;br /&gt;Jose Bobadilla &lt;br /&gt;&lt;br /&gt;ALSO FEATURING: Aren Adao, Ida Calumpang, Magali Cleret, +Kat &lt;br /&gt;Diamante, Mikko Javier, Francis Mantis, Oz Mendoza, Miguel Pancho, &lt;br /&gt;Sophie Rodriguez, Joacqui Tupas, Adelle Victoria &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;PLUS!!!!&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;FILMS By ANGONO Artist REMBRANDT VOCALAN&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;* CHOP-CHOP MODELLING AGENCY &lt;br /&gt;* NOSEPERATU&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;LIVE PERFORMANCES! !!!&lt;br /&gt;&lt;br /&gt;* TALES OF DOOM&lt;br /&gt;&lt;br /&gt;* KONTRALUZ&lt;br /&gt;&lt;br /&gt;* ILLIASTER&lt;br /&gt;&lt;br /&gt;* 'D INCIDENTALS&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MARCH 13, 2007&lt;br /&gt;KOLUMN BAR &amp; CAFE&lt;/strong&gt;&lt;br /&gt;#46 Sct. Torillo corner&lt;br /&gt;Timog Avenue, QC&lt;br /&gt;(Ponciana's/ Off the Grill side)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;9pm onwards&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;!!!! FREE ENTRANCE !!!!&lt;br /&gt;&lt;br /&gt;an EKSENA productions presentation&lt;br /&gt;love films. love pinoy music.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-4936136997163741827?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/4936136997163741827/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=4936136997163741827' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/4936136997163741827'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/4936136997163741827'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/03/eksena-bar-screenings.html' title='EKSENA BAR screenings'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-2141895348900592078</id><published>2007-03-12T12:51:00.000+08:00</published><updated>2007-03-12T12:54:25.014+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='mag:net'/><category scheme='http://www.blogger.com/atom/ns#' term='magnet'/><category scheme='http://www.blogger.com/atom/ns#' term='cine katipunan'/><category scheme='http://www.blogger.com/atom/ns#' term='cinekatipunan'/><title type='text'>THIS WEEK AT CINEKATIPUNAN</title><content type='html'>&lt;strong&gt;March 12 - 17, 2007 &lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;CINEKATIPUNAN opens the week with its South East Asian&lt;br /&gt;Program on March 12, featuring digital short films by&lt;br /&gt;Malaysian filmmaker and theater director James Lee.&lt;br /&gt;Activist audio-visual group SIPAT shows us how it is&lt;br /&gt;to be inside Mendiola's bowels on Tuesday. Watch new&lt;br /&gt;and experimental works by visual artists Kaloy&lt;br /&gt;Olavides and Manuel Ocampo on Wednesday and Thursday&lt;br /&gt;respectively, while Filipino-Canadian&lt;br /&gt;filmmaker/musician/performer Romeo Candido offers us a&lt;br /&gt;mix tape featuring 13 of his short works on Friday,&lt;br /&gt;March 16. Kidlat Tahimik closes the week with&lt;br /&gt;critically-acclaimed work on Saturday. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;March 12 (Monday) &lt;/strong&gt;&lt;br /&gt;ASIALunes: East Asian and South East Asian Program &lt;br /&gt;Curated by Mervin Espina&lt;br /&gt;&lt;br /&gt;James Lee's &lt;br /&gt;Shorts About Love&lt;br /&gt;GOODBYE TO LOVE (2004, 16 min) | A MOMENT OF LOVE&lt;br /&gt;(2005, 10 min) | BERNAFAS DALAM LUMPUR (2005, 18 min)&lt;br /&gt;| SOMETIMES LOVE IS BEAUTIFUL (2005, 12 min)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;March 13 (Tuesday) &lt;/strong&gt;&lt;br /&gt;SIPAT: Mendiola (31 mins) &lt;br /&gt;&lt;br /&gt;From the First Quarter Storm in the 1970s to the&lt;br /&gt;Mendiola massacre in 1987 to the state's Calibrated&lt;br /&gt;Preemptive Response policy two years ago--from the&lt;br /&gt;very start, the road to Mendiola has cradled the very&lt;br /&gt;centers of conflict. This work is a documentary about&lt;br /&gt;Mendiola's significance as a symbolic and actual site&lt;br /&gt;of struggle, the stretch of road a tug-of-war for the&lt;br /&gt;Palace several hundred meters away. Treading through&lt;br /&gt;Mendiola is still a great risk, but a necessary one&lt;br /&gt;nonetheess, for to look directly at the eye of the&lt;br /&gt;storm is to have the strength to confront those in&lt;br /&gt;power. On the road to Mendiola, one can tread across&lt;br /&gt;the history of a peoples' continuing struggle for&lt;br /&gt;change. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;March 14 (Wednesday)&lt;/strong&gt;&lt;br /&gt;Films by Visual Artists&lt;br /&gt;Kaloy Olavides: DIRECTORY (Curated by Poklong Anading)&lt;br /&gt;&lt;br /&gt;Directory is a two-piece work yet which is&lt;br /&gt;interdependent on each other. The first of the piece&lt;br /&gt;is a video projection of a hand with a pen writing an&lt;br /&gt;instruction. The video is shot in slow motion, running&lt;br /&gt;approximately for 40 minutes. The other half of the&lt;br /&gt;work can be seen after the whole video will be&lt;br /&gt;screened.&lt;br /&gt;&lt;br /&gt;DIRECTORY is a critique directed at artworks that are&lt;br /&gt;bound only to the place where they stand or are put&lt;br /&gt;in. An example is that most paintings are treated&lt;br /&gt;according only to the boundaries of the image inside&lt;br /&gt;the canvas. It's idea is to go beyond the piece; thus&lt;br /&gt;creating a new set of pieces but which, conversely,&lt;br /&gt;rely on each other.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;March 15 (Thursday)&lt;/strong&gt;&lt;br /&gt;Manuel Ocampo: Manuel 's Selective Up-chunks &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;March 16 (Friday) &lt;/strong&gt;&lt;br /&gt;Romeo Candido: KA-AMULAN and other SHORTS&lt;br /&gt;The ROMEO CANDIDO MiX TAPE (49 mins)&lt;br /&gt;An exploration of culture through music, dance, drama&lt;br /&gt;and media. Features works such as: &lt;br /&gt;1. a sunday in the park (2003) - a Hi 8 video&lt;br /&gt;featuring Rona Figueroa. A beautiful actress, singer,&lt;br /&gt;writer, with Broadway credits and a penchant for&lt;br /&gt;longsword. The music plays a variation of the main&lt;br /&gt;kulingtan theme from the Singkil dance. The work&lt;br /&gt;documents Candido's experimentation with potential&lt;br /&gt;filmmaking techniques, including cheap in-camera&lt;br /&gt;effects, for an arnis film he was working on for the&lt;br /&gt;last three years. &lt;br /&gt;2. Meditations For the Restless (2001)- Candido's&lt;br /&gt;first work to explore editing within a static image&lt;br /&gt;and the title track for his first solo E.P. "I was&lt;br /&gt;just learning final cut pro, on my G3, and discovered&lt;br /&gt;freeze frames, 1 frame cuts, dissolves, color grading.&lt;br /&gt;I started at 6 in the evening and finished 6 in the&lt;br /&gt;morning," he says of this. &lt;br /&gt;3. KUTTIN KANDY (2001)- Candido's first project&lt;br /&gt;edited with FCP. A feature on Kuttin Kandy, one of the&lt;br /&gt;first and most feared female turntablists in the U.S&lt;br /&gt;and an ate to the thriving Filipino/a hip hop scene.&lt;br /&gt;4. ST JAMESTOWN trailer and excerpt (2004) - A one&lt;br /&gt;hour television pilot about the most ethnically&lt;br /&gt;diverse neighborhood in Toronto Canada, featuring a&lt;br /&gt;cast composed of actual residents from the area and&lt;br /&gt;shot during a time when the neighborhood was&lt;br /&gt;experiencing terrible conflicts between youth and law&lt;br /&gt;enforcement. &lt;br /&gt;5. Fool 4 Love (2007) -Footage from Candido's first&lt;br /&gt;children's commercial shot in the Philippines. &lt;br /&gt;6. Lilac Cana (2002) -An exercise in overexposure and&lt;br /&gt;shadows, featuring the Filipino-Canadian artist who&lt;br /&gt;broke into the classical music scene in Toronto in&lt;br /&gt;2000. &lt;br /&gt;7. Snowhere (2007) - A DIY video shot recently during&lt;br /&gt;Candido's first winter back in Canada in three years. &lt;br /&gt;8. The Kuya Medley (2003) - A docu-musical of the soul&lt;br /&gt;group KUYA performing in the executive offices of&lt;br /&gt;record labels in New York and hustling for a deal. &lt;br /&gt;Despite the undeniable talent, the industry couldn't&lt;br /&gt;commit to an all-Pinoy soul group. They had many&lt;br /&gt;supporters, from Wycleff, to Babyface, to Pharell, to&lt;br /&gt;Timbaland and beyond. Also an exercise in live music&lt;br /&gt;editing.&lt;br /&gt;9. Purification by Fire (2002) - Members from The&lt;br /&gt;Fiesta Filipina Dance Troupe of Canada backstage&lt;br /&gt;before a performance in Pittsburg. This is an excerpt&lt;br /&gt;from DANCERS! PICK UP YOUR BAMBOOS! a 26 minute&lt;br /&gt;documentary about the history of the oldest Filipino&lt;br /&gt;Folkdance company in Canada.&lt;br /&gt;10. Babylon is Falling Trailer (2001) - a spec trailer&lt;br /&gt;of a martial arts movie that was never, ever made. &lt;br /&gt;11. Lolo's Child Music Video and excerpt (2001) - The&lt;br /&gt;very first Filipino feature film from Canada, and up&lt;br /&gt;to now, the only one. From Candido's Ishmael Bernal&lt;br /&gt;award -winning feature length film Lolo's Child. A&lt;br /&gt;film about dealing with death and domestic violence in&lt;br /&gt;an immigrant home. &lt;br /&gt;12. Ka-Amulan (2002) - An impressionistic piece based&lt;br /&gt;on the kaamulan Filipino folkdance. Another excerpt&lt;br /&gt;from the documentary Dancers! Pick Up Your Bamboos!&lt;br /&gt;13. Ang Pamana : The Inheritance extended trailer&lt;br /&gt;(2006) - This is Candido's first feature film to be&lt;br /&gt;shot in the Philippines. A supernatural folktale about&lt;br /&gt;what happens when a balikbayan inherits land in deep&lt;br /&gt;dark Bulacan, shot in 35mm dolby digital. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;March 17 (Saturday) &lt;/strong&gt;&lt;br /&gt;Kidlat Tahimik: TURUMBA&lt;br /&gt;&lt;br /&gt;Turumba (1984)&lt;br /&gt;Set in a tiny Philippine village, Tahimik's Turumba&lt;br /&gt;focuses on one family which traditionally made&lt;br /&gt;papier-mache animals to sell during the Turumba&lt;br /&gt;religious festivities. When they get a huge order, the&lt;br /&gt;whole life of the family is changed, as Tahimik wryly&lt;br /&gt;observes the "creation of the proletariat." &lt;br /&gt;&lt;br /&gt;Perfumed Nightmare (1977) &lt;br /&gt;The story of the filmmaker's awakening from his long&lt;br /&gt;nightmare, the lotus land of a third world naif's&lt;br /&gt;entrancement by the promises of American technological&lt;br /&gt;society.&lt;br /&gt;&lt;br /&gt;Held Mondays to Saturdays at Mag:net Café Katipunan,&lt;br /&gt;Cinekatipunan screenings start at 5:30 PM.&lt;br /&gt;While the film screenings are free, viewers are&lt;br /&gt;encouraged to make voluntary contributions for the&lt;br /&gt;honoraria of the featured filmmakers. For questions or&lt;br /&gt;comments about Cinekatipunan write to&lt;br /&gt;sinag_haraya@yahoo.com &lt;mailto:sinag_haraya%40yahoo.com&gt;.&lt;br /&gt;&lt;br /&gt;Cinekatipunan programs precede Mag:net Café's nightly&lt;br /&gt;holding of Live Performances by well-known and&lt;br /&gt;emerging bands and musicians. Mag:net Café is located&lt;br /&gt;along Katipunan Avenue (fronting Miriam and Ateneo) in&lt;br /&gt;Quezon City. For more inquiries please call 9293191 or&lt;br /&gt;visit www.magnet.com &lt;http://www.magnet.com&gt;.ph.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-2141895348900592078?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/2141895348900592078/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=2141895348900592078' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/2141895348900592078'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/2141895348900592078'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/03/this-week-at-cinekatipunan_12.html' title='THIS WEEK AT CINEKATIPUNAN'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-1062974095434326912</id><published>2007-03-12T12:50:00.000+08:00</published><updated>2007-03-05T12:54:04.674+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='mag:net'/><category scheme='http://www.blogger.com/atom/ns#' term='magnet'/><category scheme='http://www.blogger.com/atom/ns#' term='cine katipunan'/><category scheme='http://www.blogger.com/atom/ns#' term='cinekatipunan'/><title type='text'>Malaysian Mondays at Cinekatipunan</title><content type='html'>ASIALunes&lt;br /&gt;&lt;br /&gt;More Malaysian Mondays this March at CINEKATPINUNAN&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;March 12, 2007&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;James Lee&lt;/strong&gt;'s &lt;br /&gt;Shorts About Love&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GOODBYE TO LOVE&lt;/strong&gt; (2004, 16 min) |&lt;strong&gt;A MOMENT OF LOVE &lt;/strong&gt;(2005, 10 min) |&lt;strong&gt;BERNAFAS DALAM LUMPUR &lt;/strong&gt;(2005, 18 min) |&lt;strong&gt;SOMETIMES LOVE IS BEAUTIFUL&lt;/strong&gt; (2005, 12 min) &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;March 19, 2007&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;A documentary by &lt;strong&gt;Lam Li&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;SURVIVING BEIJING&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;(Lam Li | 2005 | Documentary | Malaysia-China | 85 mins)&lt;br /&gt;&lt;br /&gt;+ &lt;strong&gt;NAO &lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;March 26, 2007&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Amir Muhammad&lt;/strong&gt;'s &lt;br /&gt;6horts (+ 1)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LOST &lt;/strong&gt;(2002, 9.5 min) | &lt;strong&gt;FRIDAY&lt;/strong&gt; (2002, 8 min) | &lt;strong&gt;MONA&lt;/strong&gt; (2002, 6.5 min) | &lt;strong&gt;CHECKPOINT&lt;/strong&gt; (2002, 7 min) | &lt;strong&gt;KAMUNTING&lt;/strong&gt;  (2002, 15   min) | &lt;strong&gt;PANGYAU&lt;/strong&gt; (2002, 12.5 min)&lt;br /&gt;&lt;br /&gt;+ &lt;strong&gt;18MP&lt;/strong&gt; (2006, 14 min)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-1062974095434326912?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/1062974095434326912/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=1062974095434326912' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/1062974095434326912'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/1062974095434326912'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/03/malaysian-mondays-at-cinekatipunan.html' title='Malaysian Mondays at Cinekatipunan'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-6941940476986327672</id><published>2007-03-07T13:30:00.000+08:00</published><updated>2007-02-26T13:53:06.689+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='300'/><category scheme='http://www.blogger.com/atom/ns#' term='rockwell powerplant'/><title type='text'>300 at Rockwell</title><content type='html'>In 480 B.C., in the face of certain death, &lt;br /&gt;and enemies that numbered two million, &lt;br /&gt;300 elite Spartans stood their ground. &lt;br /&gt;This is their story.&lt;br /&gt;&lt;br /&gt;EX LIBRIS PHILIPPINES presents&lt;br /&gt;a special screening of&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;300&lt;/strong&gt;&lt;br /&gt;based on the epic graphic novel by Frank Miller&lt;br /&gt; &lt;br /&gt;For the benefit of the Ex Libris Philippines Scholarship Project&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;7.00 pm. 07 March 2007. Cinema 6. Rockwell Powerplant&lt;/strong&gt;&lt;br /&gt;Tickets at Php 300.00 each.&lt;br /&gt; &lt;br /&gt;For ticket reservations please contact&lt;br /&gt;Gabi Francisco 09209470835,  gabitwin@gmail. com&lt;br /&gt;Tata Francisco 09209470861, tatatwin@gmail. com&lt;br /&gt; &lt;br /&gt;Watch this blockbuster film and, in the process, help send a U.P. student to school!&lt;br /&gt;Please buy tickets and help us in our cause.&lt;br /&gt;&lt;br /&gt;For more information about Ex Libris Philippines and our Scholarship Project, please go to&lt;br /&gt;http://exlibrisphilippines.multiply.com&lt;br /&gt; &lt;br /&gt;For more information about the movie "300", please go to &lt;br /&gt;http://300themovie. warnerbros .com/&lt;br /&gt;http://movies. yahoo.com /feature/300. html &lt;br /&gt;http://movies. yahoo.com/ movie /1809262865/ info&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-6941940476986327672?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/6941940476986327672/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=6941940476986327672' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/6941940476986327672'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/6941940476986327672'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/01/300-at-rockwell.html' title='300 at Rockwell'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-4478812073364078349</id><published>2007-03-07T12:56:00.000+08:00</published><updated>2007-03-05T12:57:47.233+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='sm cinema'/><category scheme='http://www.blogger.com/atom/ns#' term='saan nagtatago si happiness'/><title type='text'>"Saan Nagtatago si Happiness?" screenings</title><content type='html'>&lt;strong&gt;"Saan Nagtatago si Happiness?"&lt;/strong&gt; TO BE SHOWnN AT SM DIGITAL THEATERS NATIONWIDE&lt;br /&gt;&lt;br /&gt;"Saan Nagtatago si Happiness?" is coming to the big screen&lt;br /&gt;in all &lt;strong&gt;SM digital theaters nationwide &lt;/strong&gt;starting &lt;strong&gt;March 7&lt;/strong&gt;. A box-office&lt;br /&gt;hit in last year's Cinemalaya film festival, this light and breezy&lt;br /&gt;semi-musical cum comedy movie tackles man's elusive search for&lt;br /&gt;happiness in typical Pinoy fashion.&lt;br /&gt;&lt;br /&gt;Starring veteran stage actor and singing champion Andy&lt;br /&gt;Bais in the role of Tikyo, an ice cream vendor searching for his lost&lt;br /&gt;mother. The movie was hailed by the father of independent cinema&lt;br /&gt;Kidlat Tahimik for capturing the true sentiments and longings of&lt;br /&gt;ordinary Filipinos. In fact, Tahimik, one of the jurors in the second&lt;br /&gt;Cinemalaya filmfest, handed his special Bamboo Camera award to this&lt;br /&gt;digital film produced by Mediarevolution Film Productions in&lt;br /&gt;cooperation with Tadpole, Inc. &lt;br /&gt;&lt;br /&gt;Lending full support to the talented Bais are veteran&lt;br /&gt;movie and television actors like Ricky Davao, Caridad Sanchez, Nanette&lt;br /&gt;Inventor, Rez Cortez, Nonie Buencamino, January Isaac and "Little Big&lt;br /&gt;Star" child sensation Mica Torre and 2006 Singapore filmfest best&lt;br /&gt;actor winner Elijah Castillo. &lt;br /&gt;&lt;br /&gt;A surprising twist to this supporting cast is the unusual love team of&lt;br /&gt;Cortez and Inventor, whose funny portrayal of single middle-aged&lt;br /&gt;people looking for the love of their lives elicited wild cheers from&lt;br /&gt;the crowd in last year's CCP run.&lt;br /&gt;&lt;br /&gt;Set in a Tondo tenement, the movie unveils insights on&lt;br /&gt;love, faith, trust and the beauty of life despite the hard times. As&lt;br /&gt;Bais explains: "This is the kind of film for the whole family. It has&lt;br /&gt;funny and wacky moments and at the same time, dramatic highlights that&lt;br /&gt;are sure to tug the hearts of viewers. Moviegoers will also be treated&lt;br /&gt;to a set of original Filipino songs that will surely delight them."&lt;br /&gt;&lt;br /&gt;The theme song of "Saan Nagtatago si Happiness?" written&lt;br /&gt;by Chi Datu, arranged by Arnold Buena and performed by Nanette&lt;br /&gt;Inventor is nominated Best Original Song in the coming Golden Screen&lt;br /&gt;Awards.&lt;br /&gt;&lt;br /&gt;For further information, email mediarevolution@gmail.com.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-4478812073364078349?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/4478812073364078349/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=4478812073364078349' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/4478812073364078349'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/4478812073364078349'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/03/saan-nagtatago-si-happiness-screenings.html' title='&quot;Saan Nagtatago si Happiness?&quot; screenings'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-244095469626809021</id><published>2007-03-07T12:37:00.000+08:00</published><updated>2007-03-08T12:39:42.815+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='robinson&apos;s galleria'/><category scheme='http://www.blogger.com/atom/ns#' term='indiesine'/><title type='text'>ROME AND JULIET returns to Indiesine</title><content type='html'>ROME &amp; JULIET Makes a Return Engagement in Galleria&lt;br /&gt;starting March 7&lt;br /&gt;&lt;br /&gt;After its sensational Valentine's week box office&lt;br /&gt;performance, Cinema One Originals' &lt;strong&gt;ROME &amp; JULIET &lt;/strong&gt;gets&lt;br /&gt;an encore theatrical run starting &lt;strong&gt;March 7&lt;/strong&gt; at the&lt;br /&gt;&lt;strong&gt;Robinsons Galleria's Indie Sine Theater&lt;/strong&gt;.&lt;br /&gt;&lt;br /&gt;Starring the daring Mylene Dizon and Andrea del&lt;br /&gt;Rosario, Rome &amp; Juliet was one of the seven chosen&lt;br /&gt;entries in last year's Cinema One Originals Digital&lt;br /&gt;Movie Festival. It also stars Rafael Rosell, Mico&lt;br /&gt;Palanca, Liza Dino, Glydel Mercado and featuring Ms.&lt;br /&gt;Tessie Tomas. The film garnered both acclaim and talks&lt;br /&gt;of controversy for its intriguing plotline which&lt;br /&gt;involved themes of lesbianism.&lt;br /&gt;&lt;br /&gt;This digital movie directed by Connie S.A. Macatuno&lt;br /&gt;revolves around the idea that love knows no rules. &lt;br /&gt;When Juliet (Andrea del Rosario), a conservative&lt;br /&gt;pre-school teacher hires Rome (Mylene Dizon), a&lt;br /&gt;liberated wedding planner, for her nuptials, they&lt;br /&gt;become close and develop a romance that becomes a huge&lt;br /&gt;scandal after Juliet's groom (the sexy Rafael Rosell)&lt;br /&gt;and their families discover their affair. Not long&lt;br /&gt;after, Juliet is driven away by her parents and gets&lt;br /&gt;into an accident that puts her in a coma. Tracing the&lt;br /&gt;reasons and depths why two women fell unexpectedly in&lt;br /&gt;love make Rome &amp; Juliet a romance that is both&lt;br /&gt;touching and thought-provoking. &lt;br /&gt;&lt;br /&gt;Mylene Dizon won a much-deserved Best Actress trophy&lt;br /&gt;in the Cinema One Originals Digital Movie Festival and&lt;br /&gt;Competition held last November. Co-star Andrea Del Rosario also&lt;br /&gt;impressed movie watchers and observers and was nominated for Best &lt;br /&gt;Actress at the Golden Screen Awards. The movie also got major &lt;br /&gt;category nominations in the upcoming 2007 Star Awards for Movies such &lt;br /&gt;as Movie Actress of the Year for Andrea del Rosario,Movie Director of &lt;br /&gt;the Year for Connie S.A. Macatuno,and Digital Movie of the Year. &lt;br /&gt;&lt;br /&gt;Its first successful two-week theatrical run at&lt;br /&gt;Robinsons Galleria, Robinsons Metro East and at&lt;br /&gt;Robinsons Place Ermita Manila precipitated this return&lt;br /&gt;theatrical engagement showing at the Robinsons Galleria.&lt;br /&gt;&lt;br /&gt;Rome &amp; Juliet returns to Robinsons Galleria starting March 7. Rome &amp; &lt;br /&gt;Juliet was produced by Creative Programs, Inc. (CPI) through its &lt;br /&gt;annual Cinema One Originals project. Rome &amp; Juliet will also be shown &lt;br /&gt;in Iloilo and Bacolod after its theatrical run in Robinsons Galleria &lt;br /&gt;this March.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-244095469626809021?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/244095469626809021/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=244095469626809021' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/244095469626809021'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/244095469626809021'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/03/rome-and-juliet-returns-to-indiesine.html' title='ROME AND JULIET returns to Indiesine'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-8116101035015295516</id><published>2007-03-07T12:29:00.000+08:00</published><updated>2007-03-06T12:32:26.560+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='ust'/><category scheme='http://www.blogger.com/atom/ns#' term='CineVita film festival'/><title type='text'>CineVita film festival</title><content type='html'>MANORO, KUBRADOR at the UST CineVita film festival&lt;br /&gt;&lt;br /&gt;Brillante Mendoza's &lt;strong&gt;"MANORO"&lt;/strong&gt; and Jeffrey Jeturian's &lt;strong&gt;"KUBRADOR"&lt;/strong&gt; will&lt;br /&gt;be screened on &lt;strong&gt;March 7, 10 a.m., &lt;/strong&gt;and &lt;strong&gt;March 8, 6 p.m., &lt;/strong&gt;respectively,&lt;br /&gt;as part of the &lt;strong&gt;CineVita Film Festival &lt;/strong&gt;to be held at the &lt;strong&gt;Thomas&lt;br /&gt;Aquinas Research Center, University of Santo Tomas, España, Manila.&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Organized by the Varsitarian, the 79–year–old student publication of&lt;br /&gt;UST, CineVita will run on &lt;strong&gt;March 7–9&lt;/strong&gt;. According to the Varsitarian,&lt;br /&gt;CineVita is meant "to celebrate life, truth, and faith and uphold&lt;br /&gt;the cinema as tool for meaningful expression and authentic&lt;br /&gt;education."&lt;br /&gt;&lt;br /&gt;The festival will also feature local and international&lt;br /&gt;documentaries, shorts, and digital films such as &lt;strong&gt;"Orasyon"&lt;/strong&gt; by Milo&lt;br /&gt;Tolentino, &lt;strong&gt;"Armed with Hope" &lt;/strong&gt;by John Foppe, &lt;strong&gt;"Shit Happens"&lt;/strong&gt; by Nich&lt;br /&gt;Retz Perez, &lt;strong&gt;"Ikasiyam na Palapag" &lt;/strong&gt;by Anna Isabelle Matutina,&lt;br /&gt;and &lt;strong&gt;"Sigaw Ko, Pakinggan Mo"&lt;/strong&gt; by Pro–life Philippines.&lt;br /&gt;&lt;br /&gt;All documentaries and local films are open to the public. Foreign&lt;br /&gt;full–length films are exclusive to lecturers, film critics, and&lt;br /&gt;students. &lt;strong&gt;Admission is free.&lt;/strong&gt; For full festival program and schedule,&lt;br /&gt;log on to &lt;a href="www.varsitarian.com"&gt;www.varsitarian.com&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-8116101035015295516?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/8116101035015295516/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=8116101035015295516' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/8116101035015295516'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/8116101035015295516'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/03/cinevita-film-festival.html' title='CineVita film festival'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-5311566164688924629</id><published>2007-03-05T12:54:00.000+08:00</published><updated>2007-02-27T12:54:57.688+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='UP Film Institute'/><category scheme='http://www.blogger.com/atom/ns#' term='UP Film Center'/><category scheme='http://www.blogger.com/atom/ns#' term='UPFI'/><title type='text'>International Women’s Film Festival 2007</title><content type='html'>The UP Film Institute gears up for the worldwide women’s celebration for March with the &lt;strong&gt;17th International Women’s Film Festival &lt;/strong&gt;slated from &lt;strong&gt;March 5 Monday to March 8 Thursday&lt;/strong&gt;. &lt;br /&gt;&lt;br /&gt;This year’s theme: &lt;strong&gt;“Women Refigured—Making Choices, Creating Changes, Crossing Boundaries.” &lt;/strong&gt;Admission is free.&lt;br /&gt;&lt;br /&gt;Schedule of screenings and other activities all open to the public for free is as follows:&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;March 5 Mon&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;5 p.m. International Women’s Short Films: Mindy (USA), Visiting Hours ( Israel ), Sliding Flora ( Israel )&lt;br /&gt;&lt;br /&gt;6:45 p.m. Opening Program with Diwata Awards for Women in Film and the 2nd Women’s Short Film Competition &lt;br /&gt;&lt;br /&gt;7: 30 p.m. Opening Night Film: Sevigne ( Spain )&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;March 6 Tue&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;2 p.m. Amazones (The Netherlands )&lt;br /&gt;&lt;br /&gt;5 p.m. Sevigne ( Spain )&lt;br /&gt;&lt;br /&gt;7 p.m. La Pasion de Maria Elena ( Mexico )&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;March 7 Wed &lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;10 a.m. onwards: Official Selection, 2nd Women’s Short Film Competition&lt;br /&gt;&lt;br /&gt;2 p.m. Women Refigured Forum with screenings of 2nd Women’s Short Film Competition Winners&lt;br /&gt;&lt;br /&gt;5 p.m. Inang Yaya ( Philippines )&lt;br /&gt;&lt;br /&gt;7 p.m. Amazones (The Netherlands )&lt;br /&gt;&lt;br /&gt;9 p.m. La Pasion de Maria Elena ( Mexico )&lt;br /&gt;&lt;br /&gt;    &lt;br /&gt;&lt;strong&gt;March 8 Thu&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;2 p.m. Digital Feature: Rome and Juliet ( Philippines )&lt;br /&gt;&lt;br /&gt;4 p.m. International Women’s Short Films: A Sweet Scent of Mothballs (Serbia-Montenegro) , Stones Fall into a Shallowing Well ( Hungary ), Pangarap Ko Saluhin Mo ( Philippines )&lt;br /&gt;&lt;br /&gt;5 p.m. Digital Feature: Mudraks ( Philippines )&lt;br /&gt;&lt;br /&gt;7 p.m. Documentary Feature: Alyana ( Philippines ) to be preceded by the new short documentary Breaking Down the Barrier&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;To always get screening alerts, join UP Film Institute &lt;br /&gt;e-group: upfilminstitute@ yahoogroups. com &lt;br /&gt; &lt;br /&gt;&lt;strong&gt;University of the Philippines Film Institute&lt;/strong&gt;&lt;br /&gt;(Member, CILECT/Internationa l Association of Film and Television Schools )&lt;br /&gt;Plaridel Hall, Ylanan Road , UP Diliman, Quezon City&lt;br /&gt;Tel: 9818500 (UP Trunkline) local 2669, 2670; 9206863 (Telefax)&lt;br /&gt;Cine Adarna, Magsaysay and Osmeña Avenues, UP Diliman, Quezon City&lt;br /&gt;Tel: 9818500 (UP Trunkline) local 4286, 4289; 9262722 (Telefax)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-5311566164688924629?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/5311566164688924629/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=5311566164688924629' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/5311566164688924629'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/5311566164688924629'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/03/international-womens-film-festival-2007.html' title='International Women’s Film Festival 2007'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-8168624963710036883</id><published>2007-03-05T12:36:00.000+08:00</published><updated>2007-03-07T12:32:30.799+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='mag:net'/><category scheme='http://www.blogger.com/atom/ns#' term='magnet'/><category scheme='http://www.blogger.com/atom/ns#' term='cine katipunan'/><category scheme='http://www.blogger.com/atom/ns#' term='cinekatipunan'/><title type='text'>THIS WEEK AT CINEKATIPUNAN</title><content type='html'>&lt;strong&gt;Monday to Saturday, March 5-10, 2007&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;This week’s Cinekatipunan features an eclectic mix of&lt;br /&gt;foreign and local, full-length and short works. The&lt;br /&gt;selection kicks off on Monday with the work Cries and&lt;br /&gt;Whispers by Swedish film-maker Ingmar Bergman on&lt;br /&gt;Monday. Tuesday, KODAO Productions features a short&lt;br /&gt;documentary produced during the 2005 Hong Kong&lt;br /&gt;demonstrations against the World Trade Organization.&lt;br /&gt;&lt;br /&gt;Wednesday delves into art and fashion with a work by&lt;br /&gt;German filmmaker Wim Wenders on Japanese fashion&lt;br /&gt;designer Yohji Yamamoto on Wednesday. Mia Buenaventura&lt;br /&gt;features her short films Gantsilyo and Leon on&lt;br /&gt;Thursday while Emman dela Cruz features his&lt;br /&gt;directorial debut Sarongbanggi on Friday. Saturday’s&lt;br /&gt;program on campus-based film-makers features student&lt;br /&gt;works from the Fine Arts Department of Kalayaan&lt;br /&gt;College, selected by visual artist and teacher Jay&lt;br /&gt;Ticar, and the Multi Media Arts Department of the&lt;br /&gt;College of Saint Benilde, selected by teacher,&lt;br /&gt;filmmaker, and Eksperimento film festival director&lt;br /&gt;Elvert Banares.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;5 March &lt;/strong&gt;(Monday) &lt;br /&gt;Ingmar Bergman: &lt;strong&gt;CRIES AND WHISPERS&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Cries and Whispers&lt;br /&gt;(1972, Sweden, 91mins)&lt;br /&gt;Ingmar Bergman's dream play is set in a manor house at&lt;br /&gt;the turn of the century where a spinster in her late&lt;br /&gt;30s is dying. Her two sisters have come to attend her,&lt;br /&gt;and they watch and wait, along with a peasant servant.&lt;br /&gt;The movie is built out of a series of emotionally&lt;br /&gt;charged images that express inner stress, and Bergman&lt;br /&gt;handles them with the fluidity of a master. Superbly&lt;br /&gt;photographed by in a style suggesting Edvard Munch,&lt;br /&gt;and with blood-red backgrounds, the film is smooth and&lt;br /&gt;hypnotic; it has oracular power and the pull of a&lt;br /&gt;dream. Yet there's a 19th-century dullness at the&lt;br /&gt;heart of it. Each sister represents a different aspect&lt;br /&gt;of woman—woman viewed as the Other—and the film&lt;br /&gt;mingles didacticism with erotic mystery.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;6 March&lt;/strong&gt; (Tuesday) &lt;br /&gt;TUDLA Productions and KODAO Productions&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DA DOU SAI MAU (Junk WTO)&lt;/strong&gt;&lt;br /&gt;January 2006 | 28:40 mins &lt;br /&gt;(To be presented by Raymund Villanueva)&lt;br /&gt;A documentary on the raging protests that filled Hong&lt;br /&gt;Kong streets against the World Trade Organization's&lt;br /&gt;Third Ministerial Meeting (2005). Bayan Muna Rep.&lt;br /&gt;Teddy Casino explores Hong Kong and guides us to the&lt;br /&gt;creative protest actions from delegates of different&lt;br /&gt;countries.&lt;br /&gt;&lt;br /&gt;KODAO Productions produces and distributes multimedia&lt;br /&gt;and related materials on timely and relevant subjects&lt;br /&gt;to promote the self-determining and democratic&lt;br /&gt;struggle of the Filipino people for cultural,&lt;br /&gt;political and economic development. Kodao produced the&lt;br /&gt;award winning radio program, Ngayon Na, Bayan!, which&lt;br /&gt;was cut off the air upon the proclamation of PP1017 in&lt;br /&gt;February 2006.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;7 March&lt;/strong&gt; (Wednesday) &lt;br /&gt;From Conrado's Cabinet:&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Notebook on Cities and Clothes&lt;/strong&gt;&lt;br /&gt;1991 | 80 mins | Road Movies Filmproduction GmBH&lt;br /&gt;Berlin&lt;br /&gt;German film maker Wim Wenders engages design maverick&lt;br /&gt;Yohji Yamamoto in an articulate dialogue about the&lt;br /&gt;rootless quality of our identities, cities and&lt;br /&gt;fashion. Wenders incorporates a dizzying,nearly&lt;br /&gt;discordant,and highly inventive array of video images&lt;br /&gt;invading, breaking down and blocking out clear, crisp&lt;br /&gt;film shots. The film is both a delightful and&lt;br /&gt;despairing tour through the 20th century systemof&lt;br /&gt;visual language with Wenders as a charming&lt;br /&gt;philosophical guide.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;8 March &lt;/strong&gt;(Thursday) &lt;br /&gt;Mia Buenaventura’s Short Films&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Leon&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;A 7-minute experimental film that suggests a possible&lt;br /&gt;ending to “The Prodigal Son” parable. The film&lt;br /&gt;centers on the good son and how he resolves sibling&lt;br /&gt;rivalry and sibling jealousy issues. Whereas evil can&lt;br /&gt;turn to good, the good can just as easily turn to&lt;br /&gt;evil. Ronnie Lazaro stars in the leading role.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Gantsilyo&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;The narrative DV movie tells of a grandmother whose&lt;br /&gt;elaborate knitted creations affect the lives of her&lt;br /&gt;family. Armed with her needles and balls of yarn,&lt;br /&gt;Grandma employs time-weathered wisdom and loving hands&lt;br /&gt;to heal hearts with every stitch. Gloria Romero plays&lt;br /&gt;the lead role.&lt;br /&gt;&lt;br /&gt;Mia Buenaventura is no newcomer in the indie movement.&lt;br /&gt;Largely committed to the short film format, she has&lt;br /&gt;done several shorts since college at the Ateneo where&lt;br /&gt;she took up AB Communications. She wrote and directed&lt;br /&gt;“Leon”, in 16-mm format and a Gawad-CCP winner, while&lt;br /&gt;she was at Mowelfund. Her first narrative DV is&lt;br /&gt;“Gantsilyo” starring Gloria Romero. “Gantsilyo” has&lt;br /&gt;been screened at the “Pelikula at Lipunan Festival”&lt;br /&gt;and at the U.P. Film Institute during the “Women&lt;br /&gt;Filmmakers Festival”. The film was a Cinemalaya entry&lt;br /&gt;and currently nominated for best short film in the&lt;br /&gt;Cineaste Film Association of the Phils.’ Annie Awards.&lt;br /&gt;Mia also did several AVPs and past Clients&lt;br /&gt;include Coca-Cola and Gillette Philippines. A new&lt;br /&gt;short film project is lined-up for 2007.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;9 March &lt;/strong&gt;(Friday)&lt;br /&gt;Eman Dela Cruz: &lt;strong&gt;SARONGBANGGI&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Sarongbanggi (One Night)&lt;br /&gt;04 mins. color/sound NTSC video&lt;br /&gt;An intense encounter between an aging prostitute and a&lt;br /&gt;sixteen-year old boy in a night of seduction,&lt;br /&gt;connections and revelations.&lt;br /&gt;&lt;br /&gt;The night begins... A boy is celebrating his sixteenth&lt;br /&gt;birthday with his rowdy group of friends who all agree&lt;br /&gt;- there's no better gift to give him than his first&lt;br /&gt;sexual experience. They book him a night with a&lt;br /&gt;prostitute. The night grows deeper… The boy strikes an&lt;br /&gt;unusual connection with a sensual but older woman.&lt;br /&gt;What starts out casually turns intimate and&lt;br /&gt;surprisingly tender. In this most unusual one night&lt;br /&gt;stand the teenage boy loses his virginity and the more&lt;br /&gt;experienced, toughened woman rediscovers her&lt;br /&gt;vulnerability. &lt;br /&gt;&lt;br /&gt;Sarong Banggi features a most memorable and riveting&lt;br /&gt;performance by the luminous Jaclyn Jose, one of the&lt;br /&gt;Philippines' truly great and most awarded actresses&lt;br /&gt;(and who’s iconic fallen woman role in films like&lt;br /&gt;“White Slavery,” and “Private Show” inspired and&lt;br /&gt;informed the role of Jaclyn in this film) and an&lt;br /&gt;exciting star turn by first-time actor Angelo Ilagan.&lt;br /&gt;&lt;br /&gt;Written and directed by: Emmanuel A. Dela Cruz&lt;br /&gt;Official Selection: ImaginAsian, New York and Cine&lt;br /&gt;Asia, Barcelona, Spain &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;10 March&lt;/strong&gt; (Saturday) &lt;br /&gt;Campus-based Filmmakers&lt;br /&gt;Featuring short works by KALAYAAN College Fine Arts&lt;br /&gt;Majors and students from the Multi Media Arts&lt;br /&gt;Department of the College of Saint Benilde &lt;br /&gt;(selected by Jay Ticar and Elvert Banares)&lt;br /&gt;&lt;br /&gt;This Saturday’s first batch from CSB features eight&lt;br /&gt;works: Empathy for Emmanuel by Rafael de Leon;&lt;br /&gt;Unforseen by Jason Confesor; Dalangin by Love&lt;br /&gt;Nakagawa; Abo by Dino Mark Reyes; Sabaw by Anton&lt;br /&gt;Miguel Halagena; Blindness Within by JR Siojo;&lt;br /&gt;Paggising sa Mundong Tulog by Paolo Miguel Lopez; and&lt;br /&gt;Tu(la)ya by Raine Orallo. &lt;br /&gt;&lt;br /&gt;Four works produced by third year and second year&lt;br /&gt;students from the Fine Arts department of Kalayaan&lt;br /&gt;College under the Visual Studies and Art Theory class&lt;br /&gt;of Jay Ticar: Sangandaan (2007, 8 mins.), a narrative&lt;br /&gt;work by Gato Borrero about the personal crossroads&lt;br /&gt;faced by a peasant boy: whether to migrate to the city&lt;br /&gt;or to remain in the countryside; an 8-minute narrative&lt;br /&gt;video about a tatoo by Camillo Guanzon; Hand-Droid (8&lt;br /&gt;mins.), a documentary work by Dave Cuenca featuring&lt;br /&gt;the production process of an abstract painting; and a&lt;br /&gt;three-minute animation work by Angelo Alejandro. &lt;br /&gt;&lt;br /&gt;Held Mondays to Saturdays at Mag:net Café&lt;br /&gt;Katipunan,Cinekatipunan screenings start at 5:30 PM.&lt;br /&gt;While the film screenings are free, viewers are&lt;br /&gt;encouraged to make voluntary contributions for the&lt;br /&gt;honoraria of the featured Filipino filmmakers. For&lt;br /&gt;questions or comments about Cinekatipunan write to&lt;br /&gt;sinag_haraya@yahoo.com. Cinekatipunan programs precede&lt;br /&gt;Mag:net Café's nightly holding of Live Performances by&lt;br /&gt;well-known and emerging bands and musicians. Mag:net&lt;br /&gt;Café is located along Katipunan Avenue (fronting&lt;br /&gt;Miriam and Ateneo) in Quezon City. For more inquiries&lt;br /&gt;please call 9293191 or visit www.magnet.com.ph.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-8168624963710036883?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/8168624963710036883/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=8168624963710036883' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/8168624963710036883'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/8168624963710036883'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/03/this-week-at-cinekatipunan.html' title='THIS WEEK AT CINEKATIPUNAN'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-4839127950561123558</id><published>2007-03-03T13:19:00.000+08:00</published><updated>2007-02-15T13:29:28.789+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Spanish Films'/><category scheme='http://www.blogger.com/atom/ns#' term='Instituto Cervantes'/><title type='text'>Instituto Cervantes film screenings</title><content type='html'>In the last few years, cinema done by Spanish women has grown notably, following a general trend in Spanish society. This cycle shows the work produced by five young Spanish female directors.&lt;br /&gt;&lt;br /&gt;Film Cycle presented with the collaboration of Filmoteca AECI&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Te doy mis ojos&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Directed by Icíar Bollaín&lt;br /&gt;Duration: 103 min.&lt;br /&gt;Production: España, 2004&lt;br /&gt;&lt;br /&gt;Cast: &lt;br /&gt;Laia Marull, Luis Tosar, Candela Peña, Rosa María Sardá, Kity Manver, Sergi Calleja&lt;br /&gt;&lt;br /&gt;In Spanish with English subtitles &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Date: March 3&lt;br /&gt;Time: 6:00 pm&lt;br /&gt;Venue: Instituto Cervantes&lt;/strong&gt;&lt;br /&gt;For Adults Only&lt;br /&gt; &lt;br /&gt;Catch the movie that swept the Goya Awards (Spain's equivalent of the Oscars) of 2004! An award-winning tale of domestic abuse. Pilar is a terrified housewife on the run from husband Antonio and his regular outbursts of violent rage. Taking refuge with her sister Ana, she tries to build a new life - but she's still in love with the man who beat her. Te doy mis ojos is a powerful and moving look at the image of spousal abuse. Director and co-screenwriter Icíar Bollaín’s approach to the subject is excellent, giving it the respect and importance that it deserves.&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;El tren de la memoria&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Directed by Marta Arribas, Ana Pérez &lt;br /&gt;Duration: 80 min.&lt;br /&gt;Production: España, 2005&lt;br /&gt; &lt;br /&gt;Cast: Documentary&lt;br /&gt;&lt;br /&gt;In Spanish with NO subtitles &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Date: March 10&lt;br /&gt;Time: 6:00 pm&lt;br /&gt;Venue: Instituto Cervantes&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Spain, 1960´s. Two million Spaniards leave the country forced by need. Destination: France, Germany, Switzerland and The Netherlands. Half of them are illegal immigrants who travel without a contract of employment. 80% of them are illiterate. They have to face the wall of different languages and habits. Spain, at present: other people in need knock on the doors of a prosperous nation. Almost nobody remembers the story. Josefina does. She keeps memory alive by her travel in the memory train. Destination: Nuremberg, Germany.&lt;br /&gt; &lt;br /&gt;  &lt;br /&gt;&lt;strong&gt;Cosas que nunca te dije&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Directed by Isabel Coixet &lt;br /&gt;Duration: 93 min.&lt;br /&gt;Production: España, 1996&lt;br /&gt;&lt;br /&gt;Cast: &lt;br /&gt;Lili Taylor, Andrew McCarthy, Debi Mazar, Alexis Arquette, Leslie Mann, Richard Edson&lt;br /&gt;&lt;br /&gt;In Spanish with English subtitles &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Date: March 17&lt;br /&gt;Time: 6:00 pm&lt;br /&gt;Venue: Instituto Cervantes&lt;/strong&gt;&lt;br /&gt; &lt;br /&gt;Ann, a saleslady of a photography shop has moved to an unfamiliar city because she wants to be near her boyfriend Bob.  One day he calls her to suddenly break-up with her.  Ann, who is devastated, searches for a hotline desperate people and meets Don, a volunteer who sells houses and seems unable to understand her problems. &lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;El alquimista impaciente&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Directed by Patricia Ferreira &lt;br /&gt;Duration: 111 min.&lt;br /&gt;Production: España, 2002&lt;br /&gt;&lt;br /&gt;Cast: &lt;br /&gt;Ingrid Rubio, Roberto Enríquez, Chete Lera, Adriana Ozores, Miguel Ángel Solá&lt;br /&gt;&lt;br /&gt;In Spanish with NO subtitles &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Date: March 24&lt;br /&gt;Time: 6:00 pm&lt;br /&gt;Venue: Instituto Cervantes&lt;/strong&gt;&lt;br /&gt;  &lt;br /&gt;A cadaver of a man is found naked and tied to a bed in a drive-by motel.  Vila, a disillusioned psychologist-turned-cop, accompanied by his female partner Chamorro, receives orders to investigate the death.  They discover that he is a nuclear plant worker and head off to interview the victim’s his co-workers and wife.  They found that he led a normal family life with young children and discovered that nobody seemed suspicious. The case is closed fairly quickly and ruled as an accident.   It is re-opened however when the detectives discover the body of a woman who had been partially devoured by wolves and is believed to be connected to the man’s murder. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;El cielo gira &lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Directed by Mercedes Alvarez &lt;br /&gt;Duration: 115 min.&lt;br /&gt;Production: España, 2004&lt;br /&gt;&lt;br /&gt;Cast: Documentary&lt;br /&gt;&lt;br /&gt;In Spanish with English subtitles &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Date: March 31&lt;br /&gt;Time: 6:00 pm&lt;br /&gt;Venue: Instituto Cervantes&lt;/strong&gt;&lt;br /&gt; &lt;br /&gt;This film tells of one year in the life of a tiny village in northern Spain depicting the ordinary lives of the elderly residents.  This is first feature film documentary by Mercedes Alvarez, a promising Spanish female director who happens to have been born in the village where the picture is shot.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Opening Film at the 17th International Women Film Festival  &lt;/strong&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Sévigné&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Date: March 5&lt;br /&gt;Time: 7:30 pm&lt;br /&gt;Venue: Cine Adarna, UP Diliman, Quezon City&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Free entrance&lt;br /&gt;&lt;br /&gt;In Spanish with English subtitles&lt;br /&gt;&lt;br /&gt;As the opening of the 17th International Women Film Festival, UP Film Institute and Instituto Cervantes are proud to premiere in the Philippines the Spanish film Sévigné. &lt;br /&gt;&lt;br /&gt;The life of Júlia Berkowitz, a prestigious theatrical director living in Barcelona, takes an unexpected turn when she decides to stage a theatre play on Madam of Sévigné.  Júlia discovers that she must choose between her husband —a respected and influential theatrical critic— her lover— the attractive producer of Public Theater— and Marina, the unforeseeable female author of the play on Madam of Sévigné.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-4839127950561123558?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/4839127950561123558/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=4839127950561123558' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/4839127950561123558'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/4839127950561123558'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/03/instituto-cervantes-film-screenings.html' title='Instituto Cervantes film screenings'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-6476806085095157760</id><published>2007-03-02T12:32:00.000+08:00</published><updated>2007-03-02T12:36:59.517+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='UP Film Institute'/><category scheme='http://www.blogger.com/atom/ns#' term='UP Film Center'/><category scheme='http://www.blogger.com/atom/ns#' term='UPFI'/><title type='text'>UPFI this March</title><content type='html'>&lt;strong&gt;UP Film Institute this March &lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;The UP Film Institute is proud to present a variety of screenings for March. Among the month’s highlights is the &lt;strong&gt;17th International Women’s Film Festival&lt;/strong&gt; slated from &lt;strong&gt;March 5 Monday to March 8 Thursday&lt;/strong&gt;. Opening night film is Marta Balletbo-Coll’ s Sevigne. More women films include Amazones from Netherlands and La Pasion de Maria Elena from Mexico. &lt;br /&gt;&lt;br /&gt;A spotlight on &lt;strong&gt;Canadian filmmakers Marie Boti and Malcolm Guy &lt;/strong&gt;(on two consecutive Fridays of &lt;strong&gt;March 2 and 9&lt;/strong&gt;) features documentaries filmed in Asia, the Middle East and Canada tracing the experiences of Philippine migrant workers and revealing the broader economic and social policies that dictate their deployment around the world. &lt;br /&gt;&lt;br /&gt;An &lt;strong&gt;Italian cinema &lt;/strong&gt;showcase is lined up for a couple of weekends on &lt;strong&gt;March 16 and 17 and March 23 and 24&lt;/strong&gt;. Masterworks both of classic and current vintage are exhibited.  &lt;br /&gt;&lt;br /&gt;Added main features on view begin with the month’s opener, namely, Bill Condon’s Kinsey while surprise titles await film buffs for a “School Ends Special” to wrap up the current academic year.&lt;br /&gt;&lt;br /&gt;Here is a roundup of UP Film Institute’s screenings this March:&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;March 1&lt;/strong&gt; Thu 5 p.m. &lt;br /&gt;&lt;br /&gt;Kinsey&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;March 2&lt;/strong&gt; Fri 5 p.m. onwards&lt;br /&gt;&lt;br /&gt;Turbulent Waters; Brown Women, Blond Babies &lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;March 5&lt;/strong&gt; Mon-March 8 Thu&lt;br /&gt;&lt;br /&gt;17th International Women’s Film Festival&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;March 9 &lt;/strong&gt;Fri 5 p.m. onwards&lt;br /&gt;&lt;br /&gt;Brown Women, Blond Babies; When Strangers Re-Unite; The Melca Salvador Story &lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;March 10 &lt;/strong&gt;Sat&lt;br /&gt;&lt;br /&gt;Iranian Films&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;March 12&lt;/strong&gt; Mon-March 15 Thu 2/5/7 p.m.&lt;br /&gt;&lt;br /&gt;Special Full Run: Inang Yaya&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;March 16&lt;/strong&gt; Fri 5/7 p.m. &lt;br /&gt;&lt;br /&gt;Italian Films&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;March 17&lt;/strong&gt; Sat 2/5/7 p.m.&lt;br /&gt;&lt;br /&gt;Italian Films&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;March 19&lt;/strong&gt; Mon 5 p.m.&lt;br /&gt;&lt;br /&gt;Little Children&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;March 20 &lt;/strong&gt;Tue 7 p.m.&lt;br /&gt;&lt;br /&gt;Premiere: Digital Feature by Brillante Mendoza&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;March 21&lt;/strong&gt; Wed- &lt;strong&gt;March 22&lt;/strong&gt; Thu 2/5/7 p.m.&lt;br /&gt;&lt;br /&gt;School Ends Special&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;March 23&lt;/strong&gt; Fri 5/7 p.m. &lt;br /&gt;&lt;br /&gt;Italian Films&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;March 24&lt;/strong&gt; Sat 2/5/7 p.m.&lt;br /&gt;&lt;br /&gt;Italian Films&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;March 26&lt;/strong&gt; Mon &lt;br /&gt;&lt;br /&gt;9 a.m. onwards - Theses Day 1&lt;br /&gt;&lt;br /&gt;5/7 p.m. School Ends Special&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;March 27&lt;/strong&gt; Tue&lt;br /&gt;&lt;br /&gt;9 a.m. onwards - Theses Day 2&lt;br /&gt;&lt;br /&gt;5/7 p.m. School Ends Special&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;March 28&lt;/strong&gt; Wed&lt;br /&gt;&lt;br /&gt;10 a.m. onwards - Kodak Event&lt;br /&gt;&lt;br /&gt;1 p.m. onwards - Reserved for Production Classes &lt;br /&gt;&lt;br /&gt;5/7 p.m. School Ends Special&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;March 29&lt;/strong&gt; Thu 7 p.m.&lt;br /&gt;&lt;br /&gt;School Ends Special&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;To always get screening alerts, join UP Film Institute &lt;br /&gt;e-group: upfilminstitute@ yahoogroups. com &lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;University of the Philippines Film Institute&lt;/strong&gt;&lt;br /&gt;(Member, CILECT/Internationa l Association of Film and Television Schools )&lt;br /&gt;Plaridel Hall, Ylanan Road , UP Diliman, Quezon City&lt;br /&gt;Tel: 9818500 (UP Trunkline) local 2669, 2670; 9206863 (Telefax)&lt;br /&gt;Cine Adarna, Magsaysay and Osmeña Avenues, UP Diliman, Quezon City&lt;br /&gt;Tel: 9818500 (UP Trunkline) local 4286, 4289; 9262722 (Telefax)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-6476806085095157760?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/6476806085095157760/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=6476806085095157760' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/6476806085095157760'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/6476806085095157760'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/03/upfi-this-march.html' title='UPFI this March'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-7402916503962305346</id><published>2007-03-01T13:46:00.000+08:00</published><updated>2007-03-01T13:54:53.477+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='mag:net'/><category scheme='http://www.blogger.com/atom/ns#' term='cine katipunan'/><category scheme='http://www.blogger.com/atom/ns#' term='cinekatipunan'/><title type='text'>Cinekatipunan in March</title><content type='html'>Mag:net Café Cinekatipunan in March (Screening Time: 5:30PM)&lt;br /&gt;http://www.magnet.com.ph/schedules/2007-03-Cine.jpg&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1&lt;/strong&gt; (Thu) Ditsi Carolino: MULA PABRIKA HANGGANG FUKUOKA&lt;br /&gt;&lt;strong&gt;2 &lt;/strong&gt;(Fri) Milo Sogueco: GROOVY: THE COLORS OF PACITA ABAD&lt;br /&gt;Garry Beitel: CHEZ SCHWARTZ (To be Presented by Visiting Canadian Producer Barry Lazar)&lt;br /&gt;&lt;strong&gt;3 &lt;/strong&gt;(Sat) FIRST FILMS: Tey Clamor, Sol Garcia,Tanya Jamon, Dohna Sarmiento, Joy Domingo, Ging Flores, Rianne Hill Soriano, Vivian Limpin&lt;br /&gt;&lt;strong&gt;5 &lt;/strong&gt;(Mon) Ingmar Bergman: CRIES AND WHISPERS&lt;br /&gt;&lt;strong&gt;6&lt;/strong&gt; (Tue) TUDLA Productions and KODAO Productions&lt;br /&gt;&lt;strong&gt;7&lt;/strong&gt; (Wed) (From Conrado's Cabinet) German filmmaker Wim Wenders on Japanese fashion designer Yohji Yamamoto&lt;br /&gt;&lt;strong&gt;8&lt;/strong&gt; (Thu) Mia Buenaventura: SHORT FILMS&lt;br /&gt;&lt;strong&gt;9&lt;/strong&gt; (Fri) Eman Dela Cruz: SARONGBANGGI&lt;br /&gt;&lt;strong&gt;10&lt;/strong&gt; (Sat) Campus-based Filmmakers: KALAYAAN College Fine Arts Majors,&lt;br /&gt;Multi Media Arts Department of College of Saint Benilde (selected by Jay Ticar and Elvert Banares)&lt;br /&gt;&lt;strong&gt;12&lt;/strong&gt; (Mon) East Asian and South East Asian Program (Curated by Mervin Espina)&lt;br /&gt;&lt;strong&gt;13&lt;/strong&gt; (Tue) SIPAT: SHORT FILMS (Sneak Preview)&lt;br /&gt;&lt;strong&gt;14&lt;/strong&gt; (Wed) Films by Visual Artists- Kaloy Olavides: DIRECTORY (Curated by Poklong Anading)&lt;br /&gt;&lt;strong&gt;15&lt;/strong&gt; (Thu) Manuel's Selective Up-chunks&lt;br /&gt;&lt;strong&gt;16&lt;/strong&gt; (Fri) Romeo Candido: KA_AMULAN and other SHORTS&lt;br /&gt;&lt;strong&gt;17&lt;/strong&gt; (Sat) Kidlat Tahimik: TURUMBA&lt;br /&gt;&lt;strong&gt;19 &lt;/strong&gt;(Mon) East Asian and South East Asian Program (Curated by Mervin Espina)&lt;br /&gt;&lt;strong&gt;20&lt;/strong&gt; (Tue) Alexis Tioseco: S-Express&lt;br /&gt;&lt;strong&gt;21&lt;/strong&gt; (Wed) (Chabet's Choice) Francois Girard: 23 SHORT FILMS ABOUT GLENN GOULD&lt;br /&gt;&lt;strong&gt;22&lt;/strong&gt; (Thu) CINEMA ONE ORIGINALS PROGRAM&lt;br /&gt;Sigfreid Sanchez: ANAK NI BROCKA&lt;br /&gt;&lt;strong&gt;23&lt;/strong&gt; (Fri) ANIMATION PROGRAM: Ramon del Prado, Edwin Guillermo, ArtFarm, Avid Liongoren, Vivian Limpin, Brendan Goco and Roxlee&lt;br /&gt;&lt;strong&gt;24&lt;/strong&gt; (Sat) Lav Diaz: Ebolusyon ng Pamilyang Pilipino (10 1/2 hours)&lt;br /&gt;&lt;strong&gt;26&lt;/strong&gt; (Mon) East Asian and South East Asian Program (Curated by Mervin Espina)&lt;br /&gt;&lt;strong&gt;27&lt;/strong&gt; (Tue) Sine Patriyotiko: MULA THIRD AVENUE HANGGANG DULO&lt;br /&gt;&lt;strong&gt;28&lt;/strong&gt; (Wed) Raya Martin and John Torres: SHORT FILMS &lt;br /&gt;Bakasyon / Life Projections / Long Live Philippine Cinema! / Tawid Gutom / Salat&lt;br /&gt;Kung Paano Kita Liligawan nang Di Kumakapit sa Iyo / Gabi Noong Sinabi ng Ama Ko&lt;br /&gt;&lt;strong&gt;29&lt;/strong&gt; (Thu) PULANG SINE Program&lt;br /&gt;&lt;strong&gt;30&lt;/strong&gt; (Fri) Elvert Banares: Gemini / Astrangian / Plema / Sundulan ng Pagrahuyo sa Dambana ng Sirenang Walang Ulo&lt;br /&gt;&lt;strong&gt;31&lt;/strong&gt; (Sat) KALAYAAN College Fine Arts Majors, Multi Media Arts Department of College of Saint Benilde (selected by Jay Ticar and Elvert Banares)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-7402916503962305346?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/7402916503962305346/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=7402916503962305346' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/7402916503962305346'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/7402916503962305346'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/03/cinekatipunan-in-march.html' title='Cinekatipunan in March'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-191486042710454944</id><published>2007-02-28T13:16:00.000+08:00</published><updated>2007-02-02T13:20:41.440+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='UP Film Institute'/><category scheme='http://www.blogger.com/atom/ns#' term='seroks'/><category scheme='http://www.blogger.com/atom/ns#' term='UP Film Center'/><category scheme='http://www.blogger.com/atom/ns#' term='UPFI'/><title type='text'>SEROKS screening at UPFI</title><content type='html'>One rainy night, a xerox operator meets a mysterious woman in a dark, passionate tale of duplicating fates and identities.. .&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;"Seroks", &lt;/strong&gt;an intriguing digital indie film by Ed Lejano, will have its UP premiere on &lt;strong&gt;February 28 (Wed.) &lt;/strong&gt;at the &lt;strong&gt;UPFI Cine Adarna &lt;/strong&gt;with screening times at &lt;strong&gt;5 &amp; 7pm.&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;The pyschological drama, a production of Cinema One Originals, makes use of the film noir style and fuses elements of the thriller, in conveying a recurring pattern of duplicating events that reflect the film's title.&lt;br /&gt;&lt;br /&gt;Set in the vibrant world of Recto, Juliana Palermo plays the mysterious woman who moves into a boarding house  above a xerox shop. Palermo's femme fatale character soon encounters the xerox operator who works below her (played by Neil Ryan Sese).&lt;br /&gt;&lt;br /&gt;As the story unfolds, its diverse, offbeat characters get intertwined into a mosaic of human experience where they all seem to meet a similar "xeroxed" fate.  Set amidst contemporary realities of piracy as it tackles the nature of destiny and identities, whether genuine or fake... this is the intriguing world of "Seroks".&lt;br /&gt;&lt;br /&gt;For ticket information, please contact UPFI Cine Adarna at 9263640 or text Kriz 09209450344.&lt;br /&gt;&lt;br /&gt;"Seroks has a sense of experimentation both in visuals and narrative, ultimately allowing different stories to be told in different ways."&lt;br /&gt;--Yonina Chan, Manila Bulletin&lt;br /&gt;&lt;br /&gt;"One of the more interesting entries in this year's Cinema One Digital Film Fest...the production is an exhilarating mishmash of themes - convoluted sex, violence, drama, romance, fate, and the human mind."&lt;br /&gt;--Rito Asilo, Philippine Daily Inquirer&lt;br /&gt;&lt;br /&gt;"SEROKS" (112 min. Rated PG-13)  Starring Juliana Palermo, Neil Ryan Sese, Lauren Novero, Soliman Cruz, Alchris Galura, Ramon Bautista. Dyal Chowdhary. Bong Aragon. Gerry Cornejo, Mystika &amp; Maria Isabel Lopez. &lt;br /&gt;&lt;br /&gt;Director/Writer: Ed lejano. &lt;br /&gt;Line Producer: Amor Olaguer.&lt;br /&gt;Cinematographer: Neil Daza. &lt;br /&gt;Production Design: Bianca Dadivas. &lt;br /&gt;Art Director: Ching Danseco. &lt;br /&gt;Assistant Director: Lorna Sanchez. &lt;br /&gt;Screenplay Co-Writer: Lye Candelaria. &lt;br /&gt;Musical Scorer: Nani Naguit. &lt;br /&gt;Production Co-Managers: Kriz Gazmen &amp; KC Pamintuan. &lt;br /&gt;Editor: Amrei Dizon/Vitalstrats Creative Solutions.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-191486042710454944?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/191486042710454944/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=191486042710454944' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/191486042710454944'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/191486042710454944'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/02/seroks-screening-at-upfi.html' title='SEROKS screening at UPFI'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-5546246190359952337</id><published>2007-02-27T13:49:00.000+08:00</published><updated>2007-02-26T13:50:49.171+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='NCCA'/><category scheme='http://www.blogger.com/atom/ns#' term='heremias'/><category scheme='http://www.blogger.com/atom/ns#' term='lav diaz'/><title type='text'>HEREMIAS screening</title><content type='html'>National Arts Month will screen Lav Diaz' 9 hour epic film, &lt;strong&gt;Heremias&lt;/strong&gt;.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Feb. 27, Tue, 10AM at NCCA&lt;/strong&gt; Camera Obscura gallery. &lt;br /&gt;&lt;br /&gt;Free admission!&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-5546246190359952337?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/5546246190359952337/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=5546246190359952337' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/5546246190359952337'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/5546246190359952337'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/02/heremias-screening.html' title='HEREMIAS screening'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-2716929829741983121</id><published>2007-02-26T13:27:00.000+08:00</published><updated>2007-02-26T13:43:48.958+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='mag:net'/><category scheme='http://www.blogger.com/atom/ns#' term='cine katipunan'/><category scheme='http://www.blogger.com/atom/ns#' term='cinekatipunan'/><title type='text'>Cinekatipunan screenings</title><content type='html'>&lt;strong&gt;THIS WEEK AT CINEKATIPUNAN&lt;br /&gt;26 February – 3 March 2007&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;The personal and political interweave in this week's&lt;br /&gt;CineKatipunan programme. Cultural workers alliance&lt;br /&gt;ARREST GLORIA delivers the opening salvo for the 2007&lt;br /&gt;election season with a program on the Artists Vote&lt;br /&gt;Against Electoral Fraud and Violence on February 26&lt;br /&gt;and 28. Watch artists as they "vote [with] poetry,&lt;br /&gt;music, and other works for genuinely clean and&lt;br /&gt;peaceful elections this year and beyond [and] against&lt;br /&gt;all who have benefited from the vicious cycle of&lt;br /&gt;electoral fraud and violence".&lt;br /&gt;&lt;br /&gt;The ARREST Gloria! Program will be conducted back to&lt;br /&gt;back with a screening of The Fourth World War on&lt;br /&gt;Monday, February 26 (to be presented by Tom Tulathon),&lt;br /&gt;while Ruelo Lozendo, Luis Quirino, Tad Ermitano, and&lt;br /&gt;Rox Lee will close the month with the finale to the&lt;br /&gt;SINEKALYE series.&lt;br /&gt;&lt;br /&gt;CineKatipunan also welcomes Women's Month this March&lt;br /&gt;with an early documentary on the lives of Filipina&lt;br /&gt;workers by Ditsi Carolino and a film on the life of&lt;br /&gt;the late visual artist Pacita Abad by Milo Sogueco on&lt;br /&gt;March 1 and 2, respectively. March 2, visiting&lt;br /&gt;Canadian producer Barry Lazar will also personally&lt;br /&gt;present the film Chez Shwartz by Garry Beitel and will&lt;br /&gt;be available for interaction with the audience. Young&lt;br /&gt;Filipina film-makers Tey Clamor, Sol Garcia,Tanya&lt;br /&gt;Jamon, Dohna Sarmiento, Joy Domingo, Ging Flores,&lt;br /&gt;Rianne Hill Soriano, and Vivian Limpin will present&lt;br /&gt;their debut works in this Saturday's First Films&lt;br /&gt;programme.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;26 February (Monday):&lt;/strong&gt;&lt;br /&gt;Big Noise: &lt;strong&gt;THE FOURTH WORLD WAR &lt;/strong&gt;(Presented by&lt;br /&gt;TomTulathon)To be Followed by ARREST Program&lt;br /&gt;&lt;br /&gt;5pm Screening of THE FOURTH WORLD WAR&lt;br /&gt;6pm - 9:30pm Poetry and Music by Bobby Balingit, Lourd&lt;br /&gt;de Veyra, Jess Santiago, Vim Nadera, Kilometer 64&lt;br /&gt;Poetry Group, Datu's Tribe, Agaw Agimat, Anak ni Aling&lt;br /&gt;Juana, Republika de Lata, and Tolongues Death Squad&lt;br /&gt;&lt;br /&gt;The Fourth World War&lt;br /&gt;From the front-lines of conflicts in Mexico,&lt;br /&gt;Argentina, South Africa, Palestine, Korea, 'the North'&lt;br /&gt;from Seattle to Genova, and the 'War on Terror' in New&lt;br /&gt;York, Afghanistan, and Iraq. It is the story of men&lt;br /&gt;and women around the world who resist being&lt;br /&gt;annihilated in this war. ??While our airwaves are&lt;br /&gt;crowded with talk of a new world war, narrated by&lt;br /&gt;generals and filmed from the noses of bombs, the human&lt;br /&gt;story of this global conflict remains untold. " The&lt;br /&gt;Fourth World War" brings together the images and&lt;br /&gt;voices of the war on the ground. It is a story of a&lt;br /&gt;war without end and of those who resist. The product&lt;br /&gt;of over two years of filming on the inside of&lt;br /&gt;movements on five continents, " The Fourth World War"&lt;br /&gt;is a film that would have been unimaginable at any&lt;br /&gt;other moment in history. Directed by the makers of&lt;br /&gt;"This Is What Democracy Looks Like" and "Zapatista",&lt;br /&gt;produced through a global network of independent media&lt;br /&gt;and activist groups, it is a truly global film from&lt;br /&gt;our global movement.&lt;br /&gt;&lt;br /&gt;Independetnt publisher Chaithawat (Tom) Tulathon is an&lt;br /&gt;Asian Public Intellectuals (API) fellow from Thailanf&lt;br /&gt;and editorial staff of Fah-Diew-Kan (Same Sky) and a&lt;br /&gt;member of the independent Labor Center Thai Labour&lt;br /&gt;Solidarity Committee. He has been in the Philippines&lt;br /&gt;since July 2006 for a research project on labor&lt;br /&gt;contractualization.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;27 February (Tuesday):&lt;/strong&gt; &lt;strong&gt;SINEKALYE&lt;/strong&gt; 4 program&lt;br /&gt;X FOR 4&lt;br /&gt;SHAMAN by Ruelo Lozendo&lt;br /&gt;TRUE BLUE by Luis Quirino&lt;br /&gt;HULIKOTEKAN by Tad Ermitaño&lt;br /&gt;LIZARD by Rox Lee&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;28 February (Wednesday):&lt;/strong&gt;&lt;br /&gt;Tudla Productions: BANTA NG BAYAN To be followed by&lt;br /&gt;ARREST Program&lt;br /&gt;5:30pm Screening of BANTA NG BAYAN a film by TUDLA&lt;br /&gt;?6pm - 9:30pm Poetry and Music by Cynthia Alexander,&lt;br /&gt;Bayang Barrios, Dr. Bien Lumbera, Vivian LImpin, &lt;br /&gt;Peryodiko, Rockbato, Gapos, Traumaligno, and The&lt;br /&gt;Brockas &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1 March (Thursday)&lt;/strong&gt;&lt;br /&gt;Ditsi Carolino: &lt;strong&gt;MULA PABRIKA HANGGANG FUKUOKA&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Mula Pabrika Hanggang Fukuoka &lt;br /&gt;A trilogy on the plight&lt;br /&gt;of Filipina workers. Elsa works long hours in a&lt;br /&gt;garment sweatshop, spends the night at the picketline&lt;br /&gt;and barely squeezes family time in between. Veng is an&lt;br /&gt;independent filmmaker who tries her luck as "TNT" in&lt;br /&gt;Tokyo. By day, she goes around photographing and&lt;br /&gt;filming. By night, she is a karaoke bar hostess. In&lt;br /&gt;Fukuoka, three Pinays give meaning to the term&lt;br /&gt;"Japayuki." Emily, Marlene and Kay who are all married&lt;br /&gt;to Japanese nationals reveal their stories as&lt;br /&gt;entertainers in Fukuoka's red light district.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2 March (Friday)&lt;/strong&gt;&lt;br /&gt;Milo Sogueco: GROOVY: THE COLORS OF PACITA ABAD&lt;br /&gt;Garry Beitel: CHEZ SCHWARTZ (to be presented by&lt;br /&gt;Visiting Canadian Producer Barry Lazar) &lt;br /&gt;Chez Scwartz&lt;br /&gt;&lt;br /&gt;Chez Schwartz takes us inside a year in the life of&lt;br /&gt;Schwartz's Deli – the 75-year-old landmark on&lt;br /&gt;Montreal's historic Main. Filmed through changing&lt;br /&gt;seasons, Chez Schwartz is an evocative, cinematic&lt;br /&gt;portrait of a small spunky deli known worldwide&lt;br /&gt;equally for its atmosphere and smoked meat.Through&lt;br /&gt;observational vignettes, we come to know the men of&lt;br /&gt;Schwartz's: the waiters and busboys, meat cutters and&lt;br /&gt;grill men who have become fixtures of the deli – some&lt;br /&gt;for as long as 40 years. Most are immigrants from&lt;br /&gt;Portugal, Eastern Europe, Latin America, and Asia.&lt;br /&gt;While they serve generously stacked sandwiches, fries,&lt;br /&gt;pickles and cherry colas to an array of local and&lt;br /&gt;international patrons, we discover how a legendary&lt;br /&gt;institution transforms their lives. We also meet&lt;br /&gt;another group of men: the panhandlers who have&lt;br /&gt;stationed themselves at the front entrance for the&lt;br /&gt;past 15 years and earn their livelihood from the&lt;br /&gt;deli's patrons. ??As these stories interweave, we&lt;br /&gt;become immersed in the restaurant's culture and daily&lt;br /&gt;rituals. Lush and sensual cinematography follows the&lt;br /&gt;daily preparation and consumption of spiced smoked&lt;br /&gt;meat and condiments. Our camera moves between&lt;br /&gt;privileged revelations of character and simple&lt;br /&gt;gastronomy as we capture the magic of a classic 'hole&lt;br /&gt;in the wall' packed with atmosphere and dynamism.&lt;br /&gt;??Garry Beitel is a Montreal based documentary&lt;br /&gt;filmmaker. His probing portraits of individuals and&lt;br /&gt;communities have been broadcast on Canadian television&lt;br /&gt;for over 20 years, winning national and international&lt;br /&gt;awards. He works primarily in Canada – both in English&lt;br /&gt;and French - but has also made films in West Africa,&lt;br /&gt;South America and Mexico. His acclaimed Bonjour!&lt;br /&gt;Shalom! won three Gémeaux awards including Best Quebec&lt;br /&gt;Documentary (1991). Garry has an MA in Film and&lt;br /&gt;Communications from McGill University where he has&lt;br /&gt;been a Faculty Lecturer (since 1988) teaching courses&lt;br /&gt;on Documentary Film and Cultural Studies.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;3 March (Saturday):&lt;/strong&gt; FIRST FILMS programme ?First works&lt;br /&gt;by young film-makers Tey Clamor, Sol Garcia,Tanya&lt;br /&gt;Jamon, Dohna Sarmiento, Joy Domingo, Ging Flores,&lt;br /&gt;Rianne Hill Soriano, and Vivian Limpin&lt;br /&gt;&lt;br /&gt;Among the works to be shown in this program are:&lt;br /&gt;Silig&lt;br /&gt;A person decides to "end it all". What would be the&lt;br /&gt;best way to do it? Silig searches for answers.&lt;br /&gt;Vivian N. Limpin is a graduate of B.A. Malikhaing&lt;br /&gt;Pagsulat sa Filipino (Creative Writing in Filipino)&lt;br /&gt;from the University of the Philippines in 1995. She&lt;br /&gt;has published poems, essays, short stories, feature&lt;br /&gt;articles and scripts in various magazines, newspapers,&lt;br /&gt;comics, and books for NGO's, written and translated&lt;br /&gt;plays and vignettes for TROPA (Teatro, Pelikula, Arte)&lt;br /&gt;and other production groups. She has also expanded her&lt;br /&gt;poetry readings into performance poetry. She was a&lt;br /&gt;Writing Fellow for Drama in the 22 nd UP National&lt;br /&gt;Writers Workshop in 1994, and for Poetry in Filipino&lt;br /&gt;in the 19th Cornelio Faigao Writers Workshop in 2002.&lt;br /&gt;She was also a fellow in the 2002-2003 Rio Alma Poetry&lt;br /&gt;Clinic, and has won a Don Carlos Palanca Memorial&lt;br /&gt;Award for Literature for Poetry in Filipino in 1995. &lt;br /&gt;Her first solo experimental animation film, "Silíg",&lt;br /&gt;has been screened in different film and art events&lt;br /&gt;locally and abroad, including the 10th Singapore&lt;br /&gt;International Film Festival in 1997, Arkipelago&lt;br /&gt;Filipino-American Film Festival in New York in 1998,&lt;br /&gt;Kita Mo Fil-Am Indie Film Festival in San Francisco in&lt;br /&gt;2000, and Blowin' Up a Spot Film Festival in Texas and&lt;br /&gt;MadCat International Women's Film Festival in San&lt;br /&gt;Francisco in 2005. It was produced by the NCCA, MFI,&lt;br /&gt;Kodak Philippines, and PIA, 16 mm, 7.26 min, 1996. &lt;br /&gt;&lt;br /&gt;Aninag&lt;br /&gt;"Aninag" ("Light's Play") is Rianne Hill Soriano's&lt;br /&gt;first film after graduating from the University of the&lt;br /&gt;Philippines Film Institute. This 35mm short feature is&lt;br /&gt;a film grant from the National Commission for Culture&lt;br /&gt;and the Arts. In this film, Isabel journeys in a dream&lt;br /&gt;world with her new mystical friends "Saya" (Happiness)&lt;br /&gt;and "Pag-asa" (Hope) in an attempt to overcome her&lt;br /&gt;isolation due to her blindness. &lt;br /&gt;&lt;br /&gt;This short film plunges into the domain of a blind&lt;br /&gt;girl and her struggle to overcome her fear and&lt;br /&gt;depression. It promotes hope against the setback of&lt;br /&gt;interests of the incapacitated, the frustrated, and&lt;br /&gt;the depressed, who tend to lose hope because of the&lt;br /&gt;tribulations that come into their lives. The film&lt;br /&gt;provides particular appeal to the children audience. &lt;br /&gt;Most of the film stocks came from Kodak Philippines&lt;br /&gt;through the filmmaker's prize as Kodak Film Awardee&lt;br /&gt;2003 of the University of the Philippines Film&lt;br /&gt;Institute with her thesis film "Karsel" ("Prison"). &lt;br /&gt;"Aninag" competed at the New York International&lt;br /&gt;Independent Film and Video Festival 2005 and the Louis&lt;br /&gt;Vuitton Hawaii International Film Festival 2006. It&lt;br /&gt;also won 3rd Place at the PBO (Philippine Box Office)&lt;br /&gt;Digitales Film Contest, a film competition by Viva&lt;br /&gt;Entertainment's PBO cable channel. The film was also&lt;br /&gt;exhibited at the New York Filipino Film Festival 2005,&lt;br /&gt;Cinema Purgatoryo 2005, Pelikula at Lipunan Film&lt;br /&gt;Festival 2005, and the Pi Omicron Independent Film&lt;br /&gt;Festival 2005. It was also selected for the UNESCO&lt;br /&gt;(United Nations Educational, Scientific, and Cultural&lt;br /&gt;Organization) Audio-Visual E-Platform and the&lt;br /&gt;Clermont-Ferrand Short Film Market. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;About Cinekatipunan&lt;/strong&gt;&lt;br /&gt;Mag:net Café's entire second floor&lt;br /&gt;is transformed into a movie house Monday to Saturday&lt;br /&gt;from 5:30 to 7:00 PM. Filmmakers, film students, and&lt;br /&gt;film lovers are able to watch films uninterruptedly&lt;br /&gt;for an hour and half, with talks and fora occasionally&lt;br /&gt;preceding the screenings. Foreign films are shown on&lt;br /&gt;Mondays, films on gender and human rights on Tuesdays,&lt;br /&gt;experimental/video art films on Wednesdays, critically&lt;br /&gt;acclaimed films by emerging and established filmmakers&lt;br /&gt;on Thursdays and Fridays and films by campus-based&lt;br /&gt;filmmakers on Saturdays (which precedes Campusition&lt;br /&gt;Nights, the Saturday gigs of campus-based bands).&lt;br /&gt;??While the film screenings are free, viewers are&lt;br /&gt;encouraged to make voluntary contributions for the&lt;br /&gt;honoraria of the filmmakers. Cinekatipunan programs&lt;br /&gt;precede Mag:net Café's nightly holding of Live&lt;br /&gt;Performances by well-known and emerging bands and&lt;br /&gt;musicians. For schedule of screenings:&lt;br /&gt;www.magnet.com.ph.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7265874723967736437-2716929829741983121?l=filmscreeningschedphilippines.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://filmscreeningschedphilippines.blogspot.com/feeds/2716929829741983121/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7265874723967736437&amp;postID=2716929829741983121' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/2716929829741983121'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7265874723967736437/posts/default/2716929829741983121'/><link rel='alternate' type='text/html' href='http://filmscreeningschedphilippines.blogspot.com/2007/02/cinekatipunan-screenings.html' title='Cinekatipunan screenings'/><author><name>Film Screening Shed</name><uri>http://www.blogger.com/profile/13049654054825487239</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7265874723967736437.post-6083372429754772370</id><published>2007-02-26T13:07:00.000+08:00</published><updated>2007-02-26T13:48:59.430+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='pelikuletran'/><title type='text'>Pelikuletran</title><content type='html'>&lt;strong&gt;"PELIKULETRAN 2007 HAS ARRIVED"&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Communication Department of Colegio de San Juan de Letran will have its annual &lt;strong&gt;Pelikuletran &lt;/strong&gt;where it showcases talents of Senior Communication Arts students in making short films.&lt;br /&gt;&lt;br /&gt;Six short films will be shown on &lt;strong&gt;February 26-March 01 &lt;/strong&gt;at &lt;strong&gt;LETRAN GROUNDS, MURALLA ST., INTRAMUROS, MANILA&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;"PANAKOBA"&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Written and directed by Mike Canlas&lt;br /&gt;Starring Fernando Magaling with a special participation of Cesar Montano&lt;br /&gt;&lt;br /&gt;Ramwen specializes in terrorizing kids, and is known to be the best in the business. Everything goes well until an Indian urban legend brings him back to his own childhood fears, that will serve as his toughest challenge yet.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.youtube.com/watch?v=C8dTQWyYJsU"&gt;"PANAKOBA" trailer&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://bp2.blogger.com/_DPlZIfbWYUI/RdvVwOw9IHI/AAAAAAAAACQ/8fx1jdE1kM0/s1600-h/panakoba-1.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;" src="http://bp2.blogger.com/_DPlZIfbWYUI/RdvVwOw9IHI/AAAAAAAAACQ/8fx1jdE1kM0/s320/panakoba-1.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5033852033090527346" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;"GATAS NG PUSA, KATAS NG KALIKASAN"&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Written by Sheng Constantino&lt;br /&gt;Directed by Dwein Baltazar&lt;br /&gt;Starring Giselle Sanchez, Mark Christian Dumdum, Jonas Camposagrado, Ephraim Lance Robles, Maria Katrina Oledan and Clee Nette Caddi&lt;
